World Heritage and Cultural Diversity
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Habemus Papam
Fandango Portobello presents a Sacher Films, Fandango and le Pacte production in collaboration with Rai and France 3 Cinema HABEMUS PAPAM a film by Nanni Moretti Running Time: 104 minutes International Fandango Portobello sales: London office +44 20 7605 1396 [email protected] !"!1!"! ! SHORT SYNOPSIS The newly elected Pope suffers a panic attack just as he is due to appear on St Peter’s balcony to greet the faithful, who have been patiently awaiting the conclave’s decision. His advisors, unable to convince him he is the right man for the job, seek help from a renowned psychoanalyst (and atheist). But his fear of the responsibility suddenly thrust upon him is one that he must face on his own. ! ! ! ! ! ! ! ! ! ! ! ! !"!2!"! CAST THE POPE MICHEL PICCOLI SPOKESPERSON JERZY STUHR CARDINAL GREGORI RENATO SCARPA CARDINAL BOLLATI FRANCO GRAZIOSI CARDINAL PESCARDONA CAMILLO MILLI CARDINAL CEVASCO ROBERTO NOBILE CARDINAL BRUMMER ULRICH VON DOBSCHÜTZ SWISS GUARD GIANLUCA GOBBI MALE PSYCHOTHERAPIST NANNI MORETTI FEMALE PSYCHOTHERAPIST MARGHERITA BUY CHILDREN CAMILLA RIDOLFI LEONARDO DELLA BIANCA THEATER COMPANY DARIO CANTARELLI MANUELA MANDRACCHIA ROSSANA MORTARA TECO CELIO ROBERTO DE FRANCESCO CHIARA CAUSA MASTER OF CEREMONIES MARIO SANTELLA CHIEF OF POLICE TONY LAUDADIO JOURNALIST ENRICO IANNIELLO A MOTHER CECILIA DAZZI SHOP ASSISTANT LUCIA MASCINO TV JOURNALIST MAURIZIO MANNONI HALL PORTER GIOVANNI LUDENO GIRL AT THE BAR GIULIA GIORDANO BARTENDER FRANCESCO BRANDI BOY AT THE BUS LEONARDO MADDALENA PRIEST SALVATORE MISCIO DOCTOR SALVATORE -
Cultural Heritage (Patrimony): an Introduction
Buckland: Cultural Heritage (Patrimony): An Introduction. Zadar, 2013. 1 Cultural Heritage (Patrimony): An Introduction. Preprint of: Cultural Heritage (Patrimony): An Introduction, pp 11-25 in: Records, Archives and Memory: Selected Papers from the Conference and School on Records, Archives and Memory Studies, University of Zadar, Croatia, May 2013. Ed. by Mirna Willer, Anne J. Gilliland and Marijana Tomić. Zadar: University of Zadar, 2015. ISBN 978-953-331-080-0. Published version may differ slightly. Michael Buckland School of Information, University of California, Berkeley, CA 94720, USA Abstract Cultural heritage is important because it strongly influences our sense of identity, our loyalties, and our behavior. Memory institutions (archives, libraries, museums, schools, and historic sites) have a responsibility for preserving and interpreting the cultural record, so there are practical reasons to study cultural heritage. Attention to cultural heritage leads to wider awareness of the complexity and cultural bases of archives, libraries, and museums. Specialized terms are explained. The role of time is discussed and the past, history, and heritage are distinguished. Cultural heritage has some specialized legal and economic consequences and is deeply associated with much of the conflict and destruction in the world. Keywords Cultural heritage, Cultural policies, identity, Memory institutions, Collective memory Those who work in memory institutions (notably archives, libraries, museums, and historic sites) concern themselves with three distinct fields of study within the general theme of cultural heritage: 1. Culture: Examination of cultures and cultural heritages; 2. Techniques: The preservation, management, organization and interpretation of cultural heritage resources; and 3. Institutions: Study of those institutions that preserve, manage, organize, and interpret cultural heritage resources (and, indeed, to some extent define them) and their evolution over time. -
Cultural Heritage Education in UNESCO Cultural Conventions
sustainability Article Cultural Heritage Education in UNESCO Cultural Conventions Alicja Jagielska-Burduk * , Mateusz Pszczy ´nskiand Piotr Stec Institute of Law, University of Opole, 45-060 Opole, Poland; [email protected] (M.P.); [email protected] (P.S.) * Correspondence: [email protected] Abstract: The aim of the article is to analyse UNESCO conventions dealing with culture and assess the visibility and importance of cultural heritage education in these conventions and their implemen- tation. First, it briefly presents the role of UNESCO in the area of culture and education, together with the UN Agenda 2030 and the challenges faced currently. Next, it discusses the existing UNESCO cultural conventions and their educational dimension with reference to the conventions’ provisions and aims. Each convention refers to education in the activities undertaken by States Parties, provid- ing various tools and measures tailored to the scope of the convention. The article concludes that despite a lack of synergy and creation of education-related programs in convention-related siloes, UNESCO has managed to create a uniform and evolving system of educational measures aimed at various stakeholders and focus on various levels of awareness. Cultural heritage education is an imminent part of activities undertaken within States’ obligations and should involve various stakeholders, building networks and existing in synergy with other actions or campaigns based on different conventions. Citation: Jagielska-Burduk, A.; Pszczy´nski,M.; Stec, P. Cultural Heritage Education in UNESCO Keywords: cultural heritage; UNESCO; cultural conventions; education; awareness raising Cultural Conventions. Sustainability 2021, 13, 3548. https://doi.org/ 10.3390/su13063548 1. Introduction Academic Editors: Cosme UNESCO (the United Nations Educational, Scientific and Cultural Organization) is Jesús Gómez-Carrasco, an international organization with 193 Member States. -
The Legal Protection of Cultural Heritage in International Law and Its Implementation in Dutch Law
Design by Catharina Veder The legal protection of cultural heritage in international law And its implementation in Dutch Law Lucky Belder The legal protection of cultural heritage in international law And its implementation in Dutch Law De juridische bescherming van cultureel erfgoed in internationaal recht en de implementatie in Nederlands recht (met een samenvatting in het Nederlands). Proefschrift Ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. G.J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op vrijdag 27 september 2013 des middags te 2.30 uur. door Lucretia Philippine Christine Belder geboren op 9 juli 1959 te ‘s Gravenhage Promotoren Prof. dr. M. de Cock Buning Prof. dr. H.E.G.S. Schneider Leescommissie Prof. T.J.C.A. van Engelen Prof. E.H. Hondius Prof. C. Flinterman Prof. I.C. van der Vlies Prof. S.A. de Vries Table of Contents 07 Preface 14 I. Introduction 16 1.1. Introduction 17 1.2. The background of the research project: the networked society 19 1.3. The research task and its delineation 25 1.4. Methodology 28 1.5. Terminology 29 II. Developments in thinking on the protection of cultural heritage 32 2.1. Introduction 33 2.2.1. Approaches to culture and cultural heritage 35 2.2.2. Essentialist approach 35 2.2.3.1. Instrumental approach, introduction 38 2.2.3.2. Cultural heritage as a resource of economic value 38 2.2.3.3. Cultural heritage as instrumental in the construction of identity and social cohesion 39 2.2.4. -
1 UCL INSTITUTE of ARCHAEOLOGY ARCL0199: Heritage Ethics and Archaeological Practice in the Middle East and Mediterranean 2019
UCL INSTITUTE OF ARCHAEOLOGY ARCL0199: Heritage Ethics and Archaeological Practice in the Middle East and Mediterranean 2019–20 MA Module (15 credits) Turnitin Class ID: 3885721 Turnitin Password IoA1819 Deadlines for coursework for this module: Essay 1: Monday 17th February (returned by 2 March) Essay 2: Friday 3 April (returned by 1 May) Co-ordinator: Corisande Fenwick/ Alice Stevenson Email: [email protected] / [email protected] Tel: 0207-679-4746 Room 502 Office hours: Corisande Fenwick (Fri 11:30am—1:30pm) Alice Stevenson (Wed 10am-12pm). Please see the last page of this document for important information about submission and marking procedures, or links to the relevant webpages. 1 1. OVERVIEW This module provides a comparative overview of key debates, as well as the frameworks of practice, policy and ethical issues in cultural heritage as they are played out in the Middle East and Mediterranean today. Key themes include the history of archaeology in the region, museum practice, archaeology in conflict zones, disaster recovery, illicit trade in antiquities, UNESCO politics, legislation, fieldwork ethics, site management, stakeholders and audience. Throughout the emphasis is on comparative, critical analysis of contemporary practices in heritage, grounded in real-world case-studies from the region. Week-by-week summary (SG = Seminar Group) Date Topic 2-3pm 3-4pm 4-5pm 1 16 Jan Introduction: Archaeology and the Lecture Scramble for the Past 2 23 Jan Who owns the past? From national to Lecture SG 1 SG 2 universal heritage. -
The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2012 The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Nyasha Brittany Hayes University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Hayes, Nyasha Brittany, "The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities" (2012). Theses (Historic Preservation). 541. https://repository.upenn.edu/hp_theses/541 Suggested Citation: Hayes, Nyasha Brittany (2012). The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/541 For more information, please contact [email protected]. The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Abstract The tourism industry continues to grow exponentially each year as many First and developing nations utilize its many subsets to generate commerce. Of the many types of tourism, arguably all countries employ heritage tourism as a method to protect their varying forms of cultural heritage , to establish national identities and grow their economies. As it is understood, to create a national identity a group of people will first identify what they consider to be the culturally significant eaturf es of their society that embodies their heritage. Heritage is a legacy that will be passed onto future generations that encompasses customs, expressions artifacts structures etc. This thesis will focus on the production of crafts and textiles as material culture for heritage tourism markets as a segment of cultural heritage. It will examine how the production of material culture is affected when it intersects with large scale heritage tourism. -
Changes in Gender Roles Within Intangible Cultural Heritage: a Survey of Gender Roles and Gender Restrictions Within the Yama Hoko Yatai Float Festivals in Japan
heritage Article Changes in Gender Roles within Intangible Cultural Heritage: A Survey of Gender Roles and Gender Restrictions within the Yama Hoko Yatai Float Festivals in Japan Helga Janse World Heritage Studies, University of Tsukuba, Tennodai 1-1-1, Tsukuba, Ibaraki 305-8571, Japan; [email protected] Received: 14 June 2019; Accepted: 19 July 2019; Published: 24 July 2019 Abstract: This paper presents the results of a study on gender roles and gender restrictions within a certain type of festival in Japan—the Yama Hoko Yatai float festivals—taking place in various regions throughout the country. In addition to mapping gender roles, the study was also focused on mapping changes that have occurred in these gender roles and identifying the reasons for the changes. A survey was conducted among the preservation associations connected to the 36 concerned festivals in the form of a questionnaire sent by post. The results of the survey show the differences between the festivals in terms of gender roles and gender restrictions. While some festivals display a more gender-inclusive approach, others are reportedly performed exclusively by men, and some display gender-based role divisions. Approximately half of the replies reported that some changes in the gender roles had occurred, and the primary direction of change was towards increased inclusion (increased female participation). Concerning the reasons behind the increased female participation, the replies suggest that a primary trigger of change was a shortage of people to participate, caused by declining birth rates. A change in attitude/consciousness towards female participation was mentioned in a few cases. -
A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. -
7 Cultural Heritage and Sustainable Cities
UCLG Committee Cultural Heritage and Sustainable Cities Key Themes and Examples 7 in European Cities Cultural Heritage and Sustainable Cities Key Themes and Examples in European Cities An initiative by the Committee on Culture of United Cities and Local Governments - UCLG October 2018 The report is available on-line at http://www.agenda21culture.net. The report can be reproduced for free as long as the authorship is mentioned. We recommend the following quote: Baltà Portolés, J. (2018), “Cultural Heritage and Sustainable Cities. Key Themes and Examples in European Cities”, UCLG Committee on Culture Reports, nº7. The author is responsible for the choice and the presentation of the facts contained in this text and for the opinions expressed therein, which are not necessarily those of UCLG and do not commit the organisation. The UCLG Committee on Culture would like to thank all interviewees and contributing organisations. Author: Jordi Baltà Portolés, with research support by Ana Ursueguía Sánchez. The copyright of this report belongs to UCLG – United Cities and Local Governments Cultural Heritage and Sustainable Cities Key Themes and Examples in European Cities Report elaborated by Jordi Baltà Portolés Expert on Culture in Sustainable Cities at United Cities and Local Governments 1. Background Since the adoption of the Agenda 21 for Culture in 2004, the Committee on Culture of United Cities and Local Governments (UCLG) promotes the understanding of culture as a fundamental dimension in sustainable development. This nexus gains particular importance at the local level, as reflected in the cultural policies of local governments and in the cultural values and practices of individuals, groups, civil society organisations and other stakeholders. -
Tatz MIC Castan Essay Dec 2011
Indigenous Human Rights and History: occasional papers Series Editors: Lynette Russell, Melissa Castan The editors welcome written submissions writing on issues of Indigenous human rights and history. Please send enquiries including an abstract to arts- [email protected]. ISBN 978-0-9872391-0-5 Genocide in Australia: By Accident or Design? Colin Tatz © Indigenous Human Rights and History Vol 1(1). The essays in this series are fully refereed. Editorial committee: John Bradley, Melissa Castan, Stephen Gray, Zane Ma Rhea and Lynette Russell. Genocide in Australia: By Accident or Design? Colin Tatz © Colin Tatz 1 CONTENTS Editor’s Acknowledgements …… 3 Editor’s introduction …… 4 The Context …… 11 Australia and the Genocide Convention …… 12 Perceptions of the Victims …… 18 Killing Members of the Group …… 22 Protection by Segregation …… 29 Forcible Child Removals — the Stolen Generations …… 36 The Politics of Amnesia — Denialism …… 44 The Politics of Apology — Admissions, Regrets and Law Suits …… 53 Eyewitness Accounts — the Killings …… 58 Eyewitness Accounts — the Child Removals …… 68 Moving On, Moving From …… 76 References …… 84 Appendix — Some Known Massacre Sites and Dates …… 100 2 Acknowledgements The Editors would like to thank Dr Stephen Gray, Associate Professor John Bradley and Dr Zane Ma Rhea for their feedback on earlier versions of this essay. Myles Russell-Cook created the design layout and desk-top publishing. Financial assistance was generously provided by the Castan Centre for Human Rights Law and the School of Journalism, Australian and Indigenous Studies. 3 Editor’s introduction This essay is the first in a new series of scholarly discussion papers published jointly by the Monash Indigenous Centre and the Castan Centre for Human Rights Law. -
Operational Guidelines for the Implementation of the World Heritage Convention
WHC. 12/01 July 2012 Operational Guidelines for the Implementation of the World Heritage Convention UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANISATION INTERGOVERNMENTAL COMMITTEE FOR THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE CENTRE The Operational Guidelines are periodically revised to reflect the decisions of the World Heritage Committee. Please verify that you are using the latest version of the Operational Guidelines by checking the date of the Operational Guidelines on the UNESCO World Heritage Centre Web address indicated below. The Operational Guidelines (in English and French), the text of the World Heritage Convention (in five languages), and other documents and information concerning World Heritage are available from the World Heritage Centre: UNESCO World Heritage Centre 7, place de Fontenoy 75352 Paris 07 SP France Tel : +33 (0)1 4568 1876 Fax : +33 (0)1 4568 5570 E-mail : [email protected] Links : http://whc.unesco.org/ http://whc.unesco.org/en/guidelines (English) http://whc.unesco.org/fr/orientations (French) ii Operational Guidelines for the Implementation of the World Heritage Convention TABLE OF CONTENTS Chapter Paragraph number number(s) ACRONYMS AND ABBREVIATIONS I. INTRODUCTION I.A The Operational Guidelines 1-3 I.B The World Heritage Convention 4-9 I.C The States Parties to the World Heritage Convention 10-16 I.D The General Assembly of States Parties to the World 17-18 Heritage Convention I.E The World Heritage Committee 19-26 I.F The Secretariat to the World Heritage Committee (the 27-29 World Heritage Centre) I.G The Advisory Bodies to the World Heritage Committee: 30-37 ⋅ ICCROM 32-33 ⋅ ICOMOS 34-35 ⋅ IUCN 36-37 I.H Other organizations 38 I.I Partners in the protection of World Heritage 39-40 I.J Other Conventions, Recommendations and Programmes 41-44 II. -
Humaima Malick's
Monthly Issue 05 | Oct - Nov 2013 | Price Rs. 100 Exclusive interview Humaima Malick‘s Technology Obsession The Barometer of a Successful 3G Auction in Pakistan Exclusive Government & Mobile Industry United Mobile Sony Brings Agree to Move Forward with Ijaz Xperia Z Ultra Next Generation Mobile Networks Adnan Khan Managing Editor Khalid Khan Dear Readers, Publisher & Editor in Chief We hope you are enjoying the beautiful autumn and a joyous EID. Adnan Khan We at PhoneWorld wish you all a very happy EID Mubarak. Marketing Head & Managing Editor This time around the magazine decided to honor the modeling Kanwal Ayub, industry’s rising star and her obsession with technology, the Rizwana Khan gorgeous, the beautiful “Humaima Malick”. Humaima is not only a Associate Editor famous face of fashion industry but she is also one of the talented personalities of television and film industry. We dig deep down in Agha Mehdi to her fascination in technology and her new avatar as the Brand Bureau Chief Lahore Ambassador for Samsung. Imran Rashid Muneeb Shiekh Finally, after a long time a positive step has been taken by the Technical Consultant Government of Pakistan in the field of telecom. As the Government and the mobile industry agree to move forward with the next Hunain Zahid Kayani generation of wireless networks. PhoneWorld is honoured to Bilal Abbasi give exclusive coverage of the event. With the new Chairman of Sub Editor PTA, the Government and the telecom operators are hoping to resolve the issues that are withholding the 3G auctions. In a half Nasrullah Shah Bureau Chief Quetta day workshop on “Policy and Regulatory Environment for Next Generation Mobile Networks in Pakistan” which was organized by Mufti Mohsin Rehman Central Asian Cellular Forum and TechPolis, the telecom industry Consultant and policy makers agreed that Pakistan is moving forward with upgrading its mobile networks to new heights.