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CONCERT PROGRAMS UC Berkeley Symphony Orchestra David Milnes, conductor INTERNATIONAL TOUR OF SPAIN May 27, 2017 Debussy, Iberia Festival of Music and Dance Cindy Cox, A Year (2017) Auditorio del Hospital de San Francisco Amadeus Regucera, Skin, stretched upon the frame (2017) Ubeda, Spain Berlioz, Symphonie Fantastique May 28, 2017 Strauss, Till Eulenspiegel Auditorium Manuel de Falla Scott Rubin, Kerosene Palace (2017) (with digital technology) Granada, Spain Jean Ahn, Woven Silk, Concerto for Haeguem Shostakovich, Symphony No. 11 May 30, 2017 Strauss, Till Eulenspiegel Palau de la Musica Scott Rubin, Kerosene Palace (2017) (with digital technology) Valencia, Spain Jean Ahn, Woven Silk, Concerto for Haeguem Shostakovich, Symphony No. 11 June 1, 2017 Strauss, Till Eulenspiegel Teatre Fortuny de Reus Cindy Cox, A Year (2017) Tarragona, Spain Amadeus Regucera, Skin, stretched upon the frame (2017) Berlioz, Symphonie Fantastique CONCERTS in HERTZ HALL, UC BERKELEY May 2017 Jean Ahn The Woven Silk (premiere) Elgar Cello Concerto Shostakovich Symphony No. 11 April 2017 Scott Rubin Kerosene Palace (premiere) (with digital technology) Cindy Cox A Year (premiere) Debussy Premiere Rhapsody for Clarinet Rachmaninov Piano Concerto No. 2 Gliere Horn Concerto Faure Requiem (with University Chorus) March 2017 Amadeus Rugecera Skin, stretched upon the frame (premiere) Debussy Iberia Berlioz Symphonie Fantastique February 2017 Strauss Till Eulenspiegel Nielsen Flute Concerto Bartok Concerto for Orchestra December 2016 Antonio Juan Marcos Amanece (2014) Beethoven Symphony No. 9 October 2016 C. W. Jones Hoodoo City (premiere) Mussorgsky Night on Bald Mountain Dukas Sorcerer’s Apprentice Holst The Planets (with University Chorus) October 2016 Esa Pekka Salonen Masterclass (Lutoslawski Symphony No. 3) September 2016 Lutoslawski Symphony No. 3 Ravel La Valse Shostakovich Symphony No. 5 May 2016 Brahms Schiksalslied (with University Chorus) Mahler Symphony No. 9 April 2016 VanHassel Distill (premiere) Mozart Clarinet Concerto Schumann Cello Concerto Beethoven Piano Concerto No. 4 March 2016 Mendelssohn Symphony No. 5 (Reformation) Shostakovich Symphony No. 12 February 2016 Gustavo Dudamel Masterclass February 2016 Prokofiev Cinderella Suite Lutoslawski Concerto for Orchestra Tchaikovsky Sleeping Beauty Suite January 2016 David Robertson Masterclass December 2015 Nielsen Symphony No. 4 Strauss Don Quixote October 2015 Sibelius Symphony No. 4 Saariaho Leino Songs Ravel Daphnis and Chloe, Suite Two Saint Saens Danse Macabre October 2015 Rimsky Korsakov Capriccio Espagnole Schumaker As I ride the late night freeways (premiere) (with digital technology) Tchaikovsky Symphony No. 4 May 2015 Ravel Rapsodie Espagnole Mahler Symphony No. 5 April 2015 Mozart Flute Concerto in D Ravel Piano Concerto in G March 2015 Stravinsky Symphonies of Wind Instruments Bartok Divertimento for Strings Schubert Symphony No. 9 (Great) February 2015 Weber Der Freischutz Overture Hindemith Symphonic Metamorphosis on Themes by Weber Bruckner Symphony No. 7 December 2014 Ligeti Atmospheres Lutoslawski Symphony No. 4 Strauss An Alpine Symphony November 2014 Rachmaninov Symphonic Dances Prokofiev Sinfonia Concertante for cello and orchestra October 2014 Cindy Cox las aguas del sur Sibelius Symphony No. 7 Tchaikovsky Symphony No. 6 May/June 2014 European Tour Prague, Vienna, Bratislawa, Budapest Copland Appalachian Spring Gershwin An American in Paris Saint Saens Symphony No. 3 Shostakovich Symphony No. 10 Rossini Overture to The Barber of Seville Elgar Nimrod from Enigma Variations May 2014 Mahler Symphony No. 2 March 2014 Pablo Ortiz The Bill (world premiere) Gershwin An American in Paris Shostakovich Symphony No. 10 February 2014 Dvorak Symphony No. 9 Stravinsky Rite of Spring December 2013 Takemitsu A Flock Descends Into the Pentagonal Garden Prokofiev Piano Concerto No. 3 (Ann Yi, soloist) Saint Saens Symphony No. 3 (Organ) October 2013 Penderecki De Natura Sonoris No. 2 Stravinsky Firebird Suite Beethoven Symphony No. 3 (Eroica) September 2013 Bernard Rands Chains Like the Sea Henri Dutilleux Le temps d’orloge Mahler Symphony No. 4 May 2013 Bloch Schelomo Beethoven Symphony No. 9 (w/chorus and soloists) April 2013 Griffes Poeme Dvorak Violin Concerto March 2013 Stravinsky Symphony in Three Movements Tharp Wide sea, changeful heaven (2012) Shostakovich Symphony No. 8 February 2013 Bartok Concerto for Orchestra Prokofiev Symphony No. 5 December 2012 Goosens Oboe Concerto Wagner The Ring: An Orchestral Adventure October 2012 Cindy Cox Las aguas del sur (2012) Jean Ahn Lu-lu, lu-lu (2010) Varese Arcana Debussy La Mer Williams Suite from Star Wars September 2012 Bartok Dance Suite Stravinsky Song of the Nightingale Brahms Symphony No. 4 May 2012 Mahler Symphony No. 9 March 2012 Ravel Le Tombeau de Couperin Debussy Nocturnes (w/chorus) Holst The Planets (w/chorus) February 2012 Bartok Music for Strings, Percussion and Celeste Stravinsky Symphonies of Wind Instruments Shostakovich Symphony No. 11 December 2011 Sibelius Oceanides Penderecki De Natura Sonoris No. 1 Bruckner Symphony No. 5 October 2011 Strauss Also Sprach Zarathustra Saint Saens Danse Macabre Rama Gottfried Envelopes (2006) Liszt Les Preludes September 2011 Ligeti Lontano Korngold Violin Concerto, Ernest Yen, soloist Schumann Symphony No.2 May 2011 Brahms Alto Rhapsody Mahler Symphony No. 3 April 2011 Mozart Violin Concerto No. 5, Stephanie Chow, soloist April 2011 Sivan Eldar Crumb Child (2009), Ashraff Attalia, clarinet soloist Imbrie Violin Concerto, Ariana Kim, violin soloist March 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Varèse Amériques Gershwin An American in Paris December 2008 Britten Four Sea Interludes from Peter Grimes Scriabin Poem of Ecstasy November 2008 Scriabin Poem of Ecstacy Ligeti San Francisco Polyphony Shostakovich Symphony No. 1 October 2008 Hindemith Mathis der Maler Schoenberg Verklärte Nacht Brahms Symphony No. 2 May 2008 J. 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    James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed.
  • An Analysis of Honegger's Cello Concerto

    An Analysis of Honegger's Cello Concerto

    AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S