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2012-Loft-Film-Fest-Program
Festival Parties Join us as we cut the ribbon on our brand-new third screen! Ribbon cutting Friday November 9 at 5:00pm Open House 5:00 - 6:30pm Join the Loft staff, Board of Directors and local officials as we un- veil our new third screen (or what we affectionately call Screen 3)! You’ll be the first to step inside this new space for a behind-the- Loft Film Fest 2012 scenes tour! Join us for a champagne toast as we celebrate a job well done by an incredible team of dedicated people! loftfilmfest.com We will recognize the donors who made this phase of the project Inspired by film’s unique ability to entertain, engage, challenge and possible and we will especially honor those who have given their illuminate, The Loft Cinema will present its third annual international name to key parts of the project, including Bob Oldfather and film festival fromNovember 8th – 15th, 2012. Bookmans for the 3-D technology in Screen 3! Honoring Tucson’s richly diverse cultural community, The Loft Film Fest will present foreign films, documentaries and U.S. indies in a cin- You’re invited to The Loft Cinema’s ematic celebration of storytelling from around the world. 40th birthday party! The Loft Film Fest is an eight-day showcase of exclusive, one-time-only Friday November 15 from 5:30 - 7:30pm screenings and will feature: Yes, we know we don’t look 40, but The Loft is celebrating four • Festival favorites from Cannes, Sundance, Telluride, and more! decades of great film in Tucson! • Lively Q&A’s with talented filmmakers and actors Join us as we honor the last 40 years and toast the next 40! • Exciting retrospective screenings Where: The Lodge on the Desert • New international cinema 306 North Alvernon Way • Edgy Late Night movies When: 5:30 - 7:30pm, Thursday, November 15 (the actual 10th an- • Stimulating shorts from the filmmakers of tomorrow niversary of our purchase of The Loft as a nonprofit in 2002!) At the Loft Film Fest, audiences experience world-class film festival Who: Everyone! Loft Film Fest passholders get in free. -
Love Alarm (2019) Primo K-Drama Originale Netflix, La Serie Regala Una Potente Analisi Della Solitudine Adolescenziale
Love Alarm (2019) Primo k-drama originale Netflix, la serie regala una potente analisi della solitudine adolescenziale. Un film di Lee Na-jeong con So-hyun Kim, Jung Ga-ram, Song Kang. Genere Commedia Produzione Corea del sud 2019. In un mondo in cui un'app avverte le persone se piacciono a qualcuno nelle vicinanze, la giovane Kim Jojo scopre l'amore. Lorenza Negri - www.mymovies.it Kim Jo-jo (Kim So-Hyun, 'Goblin') è una studentessa di liceo che affronta quotidianamente difficoltà economiche e attriti familiari; Hwang Sun-oh (Song Kang, 'Touch Your Heart') è un compagno di liceo bello, ricco e corteggiato, il cui migliore amico è il diligente e protettivo Lee Hye-Young (Jung Ga-ram, 'Believer'), figlio della governante di casa Hwang. Tutti e tre, così come il resto della scuola e altri dieci milioni di persone nel mondo, lasciano dominare la propria vita amorosa da Love Alarm, una dating app che ti avverte della presenza di qualcuno innamorato di te nell'arco di dieci metri e che sta velocemente prendendo il sopravvento sulle vite - reali e non virtuali - degli utenti con conseguenze destinate ad avere ripercussioni personali, sociali e politiche. Il primo k-drama (ovvero serie di produzione sudcoreana) originale di Netflix è tratto da un webcomic che sviluppa un'idea alla 'Black Mirror': come in Nosedive, una app social (la Love Alarm del titolo) elude i limiti del mondo virtuale per condizionare i suoi utenti in ogni aspetto della loro vita sociale. 'Love Alarm' è, almeno nelle premesse, il tipico k-drama teen incentrato sulla ragazza squattrinata che conquista l'ambito e bel riccone: Jo-jo è orfana (i genitori si sono suicidati a causa dei debiti), povera (vive in ristrettezze con zia e cugina) e vessata, mentre Sun-oh è il teenager facoltoso, popolare ma infelice (lui lavora come modello, il padre è un politico emergente, la madre un'attrice al viale del tramonto) che si innamora di lei e la conquista. -
FOX SEARCHLIGHT PICTURES Presents
FOX SEARCHLIGHT PICTURES Presents A MYTHOLOGY ENTERTAINMENT / VINSON FILMS Production A RADIO SILENCE Film SAMARA WEAVING ADAM BRODY MARK O’BRIEN with HENRY CZERNY and ANDIE MacDOWELL DIRECTED BY………………………………………MATT BETTINELLI-OLPIN & TYLER GILLETT WRITTEN BY………………………………………..GUY BUSICK & R. CHRISTOPHER MURPHY PRODUCED BY………………………………………………………………………....TRIPP VINSON …………………………………………………………………………………..…JAMES VANDERBILT …………………………………………………………………………………………WILLIAM SHERAK ……………………………………………………………………………………BRADLEY J. FISCHER EXECUTIVE PRODUCERS…………………………………………………………..CHAD VILLELLA ………………………………………………………………………………………….…TARA FARNEY …………………………………………………………...……………………………TRACEY NYBERG ………………………………………………………………………………………DANIEL BEKERMAN DIRECTOR OF PHOTOGRAPHY………………………………………………BRETT JUTKIEWICZ FILM EDITOR……………………………………………………………………TEREL GIBSON, ACE COSTUME DESIGNER…………………………………...………………………….AVERY PLEWES PRODUCTION DESIGNER…………………………..………………………..ANDREW M. STEARN MUSIC BY..………………………………………………………………………………..BRIAN TYLER http://www.foxsearchlight.com/press Running Time: 95 minutes Rating: R Los Angeles New York Regional Lauren Gladney Samantha Fetner Isabelle Sugimoto Tel: 310.369.5918 Tel: 212.556.8696 Tel: 310.369.2078 [email protected] [email protected] [email protected] 1 Fox Searchlight Pictures’ READY OR NOT follows a young bride (Samara Weaving) as she joins her new husband’s (Mark O’Brien) rich, eccentric family (Adam Brody, Henry Czerny, Andie MacDowell) in a time-honored tradition that turns into a lethal game with everyone fighting for their -
What Does It Mean to Be a Woman in Horror?
What Does it Mean to be a Woman in Horror? Presentation by Maya Hendl CONTENT WARNING This presentation contains descriptions of violence, torture, kidnapping, and murder. There are no explicit images of these acts taking place, but these acts are mentioned and (briefly) described. Table of Contents 1 2 Final Girls Female Antagonists Exploring examples of female villains, why they are Exploring what they & so scary, and their ability to are, why they exist, justify their motivations in and the contexts in comparison to male which they exist antagonists 1 Final Girls Exploring what they are, why they exist, and the contexts in which they exist What Does it Mean to be a “Final Girl”? The term “final girl” was coined by Carol J. Clover in her 1993 book Men, Women and Chain Saws: Gender in the Modern Horror Film. The “final girl” is the last woman or girl left alive in a horror movie, most often within the slasher genre, that must confront the killer. Clover describes final girls as typically being sexually unavailable at the start of the film, as having sex in a horror movie is a common trope that will most likely get you killed (Alternative Press Magazine). Clover goes on to describe how, once the final girl survives, she “is ‘purged’...of undesirable characteristics, such as pursuit of pleasure in her own right. An interesting feature of the genre is the ‘punishment’ of beauty and sexual availability” (Horror Fandom Wiki). Why Do Final Girls Exist? In horror films, women are more often than not left to fight the big bad all on their own. -
In Public Spaces Larry Latimer, the Authority On
Thursday, Aug. 1, 2019 Vol. 18 No. 17 NEWS SPORTS NEWS PHILANTHROPY Girls on Fire Boxing debut Sussman Kiwanis donation summer camp at age 49 groundbreaking to symphony SEE PAGES 3 SEE PAGE 4 SEE PAGE 9 SEE PAGE 8 Downey Larry Latimer, the authority on Downey restaurant grades Narai Thai Cuisine history, remembered after death 7611 Firestone Blvd. Date Inspected: 7/30/19 Friday Friends remember Larry Among those at the Grade: A Weekend91˚ celebration of Larry’s Life were Latimer as a “Reinaissance John and Suzy Lacey, Jack and Bob’s Bog Boy at a man” who literally wrote Judy Faust, Carol Kearns, Vicki 7447 Firestone Blvd. Glance Spearman, Virginia Yoshiyama, Date Inspected: 7/30/19 Saturday 89˚⁰ the book on Downey’s Dr. Bob Flynn, Bernie Lewis, Friday 68 history. Beth Gendreau from the Food Grade: A Bank, and Claudia Dailey from the Downey Library where Larry’s Time Out Burger He died suddenly July 23 mother Cleo devoted herself to the 11219 Old River School Rd. Sunday 88˚ ⁰ Friends of the Downey Library. 70 at age 61. Date Inspected: 7/30/19 Saturday A contingent from the Grade: A Aerospace Legacy Foundation By Lorine Parks that Larry helped create was led Royal Liquor Grocery Society Columnist by Gerald and Kathie Blackburn, 13103 Lakewood Blvd. THINGS TO DO friends since the 90’s. Jerry was Date Inspected: 7/29/19 DOWNEY - The pews were Project Manager with the Boeing filled at St. Raymond’s Church in Space and Communications Grade: A Downey, to celebrate the too- Corporation at the Downey site short life of Larry Latimer. -
Found-Footage Horror and the Frame's Undoing
Found-Footage Horror and the Frame’s Undoing by CECILIA SAYAD Abstract: This article fi nds in the found-footage horror cycle an alternative way of under- standing the relationship between horror fi lms and reality, which is usually discussed in terms of allegory. I propose the investigation of framing, considered both fi guratively (framing the fi lm as documentary) and stylistically (the framing in handheld cameras and in static long takes), as a device that playfully destabilizes the separation between the fi lm and the surrounding world. The article’s main case study is the Paranormal Activity franchise, but examples are drawn from a variety of fi lms. urprised by her boyfriend’s excitement about the strange phenomena registered with his HDV camera, Katie (Katie Featherston), the protagonist of Paranormal Activity (Oren Peli, 2007), asks, “Are you not scared?” “It’s a little bizarre,” he replies. “But we’re having it documented, it’s going to be fi ne, OK?” S This reassuring statement implies that the fi lm image may normalize the events that make up the fabric of Paranormal Activity. It is as if by recording the slamming doors, fl oating sheets, and passing shadows that take place while they sleep, Micah and Katie could tame the demon that follows the female lead wherever she goes. Indeed, the fi lm repeatedly shows us the two characters trying to make sense of the images they capture, watching them on a computer screen and using technology that translates the recorded sounds they cannot hear into waves they can visualize. -
Ibtihaj Muhammad's
Featuring 484 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA Books KIRKUSVOL. LXXXVI, NO. 15 | 1 AUGUST 2018 REVIEWS U.S. Olympic medalist Ibtihaj Muhammad’s memoir, Proud, released simultaneously in two versions—one for young readers, another for adults—is thoughtful and candid. It’s also a refreshingly diverse Cinderella story at a time when anti-black and anti-Muslim sentiments are high. p. 102 from the editor’s desk: Chairman Excellent August Books HERBERT SIMON President & Publisher BY CLAIBORNE SMITH MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] Photo courtesy Michael Thad Carter courtesy Photo Editor-in-Chief Winners Take All: The Elite Charade of Changing the World by Anana CLAIBORNE SMITH Giridharadas (Aug. 28): “Give a hungry man a fish, and you get to pat [email protected] Vice President of Marketing yourself on the back—and take a tax deduction. It’s a matter of some SARAH KALINA [email protected] irony, John Steinbeck once observed of the robber barons of the Gilded Managing/Nonfiction Editor ERIC LIEBETRAU Age, that they spent the first two-thirds of their lives looting the public [email protected] Fiction Editor only to spend the last third giving the money away. Now, writes politi- LAURIE MUCHNICK cal analyst and journalist Giridharadas, the global financial elite has [email protected] Children’s Editor reinterpreted Andrew Carnegie’s view that it’s good for society for VICKY SMITH [email protected] capitalists to give something back to a new formula: It’s good for busi- Young Adult Editor Claiborne Smith LAURA SIMEON ness to do so when the time is right, but not otherwise….A provocative [email protected] Staff Writer critique of the kind of modern, feel-good giving that addresses symptoms and not causes.” MEGAN LABRISE [email protected] Sweet Little Lies by Caz Frear (Aug. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
A Map of Kyuss and Related Acts
1997, 1998 The Desert Sessions 1987 - 1989 is a side project Nick Oliveri (solo) A map of Kyuss The Desert Sessions 1 & 2 hosted by Josh Katzenjammer Josh Homme Homme where he Demolition Day (2004) Brant Bjork - Drums No releases Fred Drake invites musicians to Death Acoustic (2009) and related acts Chris Cockrell - Bass Dave Catching make an album with Nick Oliveri vs The Chuck Norris John Garcia - Vocals Brant Bjork Experiment (2012) Josh Homme - Lead guitar him over a week. Kyuss are the most influential band on the stoner Alfredo Hernández Nick Oliveri vs HeWhoCannotBeNamed Nick Oliveri - Rhythm guitar Yawning Man was founded by these and desert rock/metal genres. Some of the most Pete Stahl (2013) members, but they've had more notable people within the scene are Josh Homme, participants. It is arguably the same Ben Shepherd Leave Me Alone (2014) Brant Bjork, Chris Goss, and the Lallis. John McBain N.O. Hits At All vol. 1 - 3 (2017) band as The Sort of Quartet. Throughout their lives, the members of Kyuss 1986 - Releases 1994 - Brant Bjork (solo) have produced many, many projects that would The band Releases 1998 only release one or two albums. This chart changes name Yawning Man Rock Formations Fatso Jetson Jalamanta (1999) attempts to map them out. It gets especially Alfredo Hernández - Drums Vista Point Tony Tornay - Drums Stinky Little Gods The Desert Sessions 3 & 4 messy somewhere around 1996, when Kyuss fully Brant Bjork & the Operators (2002) Gary Arce - Guitar Yawning Sons Larry Lalli - Bass Power of Three Josh Homme split. -
A Phonological Analysis of Songs by Norwegian Singers Sung in English
American, British or Norwegian English?: A Phonological Analysis of Songs by Norwegian Singers Sung in English René Asgautsen Master’s Thesis in English Phonetics Department of Foreign Languages University of Bergen May 2017 Acknowledgements First I would like to thank my supervisor, Kevin McCafferty for his guidance, motivation and constructive criticism. Sorry for always getting the stylesheet wrong! And thanks to Christian Utigard for feedback. I would also like to thank all the other English Master students, friends and family and my neighbors who had to endure me listening to all the songs I used in the thesis. And thanks to Morten Harket, Hans-Erik Dyvik Husby, Sverre Kjelsberg (Rest in peace), Marit Larsen, Alex Rinde, Ida Maria Sivertsen and Jahn Teigen for recording the songs. ii TABLE OF CONTENTS Acknowledgements ii TABLE OF CONTENTS iii List of Tables vii List of Figures viii 1.0 Introduction……………………………………………..……………………………… 1 1.1 Aim and Scope…………………………………………..………………………………. 1 1.2 About the Singers……………………………………….………………………………. 2 1.3 Sverre Kjelsberg………………………………………....……………………………….3 1.4 Jahn Teigen ………………………………………………………………………………3 1.5 Morten Harket …………………………………………..……………………………….4 1.6 Hans-Erik Dyvik Husby …………………………………………………………………4 1.7 Alex Rinde ……………………………………………….……………………………….6 1.8 Marit Larsen …………………………………………….……………………………….7 1.9 Ida Maria Sivertsen ……………………………………...………………………………7 1.10 Data and Methods ……………………………………..……………………………….8 1.11 The Subject of English in Norwegian Schools ……………………………………….10 2.0 Background ……………………………………………..………………………………12 -
Pressemitteilung Zu Hank Von Hell
Pressemitteilung zu Hank von Hell Ex-Turbonegro-Sänger Hank von Hell kommt am 13.05.2022 ins Knust nach Hamburg Hamburg, Juni 2021 – Sein letzter Auftritt hierzulande liegt schon fast zwei Jahre zurück, jetzt kündigt Hank von Hell seine erste ausgiebige Deutschland-Tournee an. Der ehemalige Frontmann der Schockrocker Turbonegro wird am 13.05.2022 im Knust in Hamburg auftreten. Special Guests der Tour sind die schwedische Punk-Band Psychopunch und die norwegischen Rocker von Lüt. Hank von Hell wird bekannt als Frontmann der norwegischen Death-Punk-Band Turbonegro, um die sich vor allem Mitte bis Ende der Neunziger ein regelrechter Kult in der Szene entwickelt. Zu ihren Stilmitteln gehören neben der Verbindung von britischem Glam Rock und amerikanischem Punk und Metal auch kontroverse Outfits und ebensolche Songtexte, in denen oft gängige Rockstar-Klischees auf die Schippe genommen werden. Die Alben "Never Is Forever" (1994), mit Fernsehkommissar Derrick auf dem Cover, die derbe Punkplatte "Ass Cobra" und vor allem das grandios-pompöse "Apocalypse Dudes" (1998) mit den Kulthits “Get It On”, “Rock Against Ass” und “Are You Ready (For Some Darkness”) gelten bis heute als ein Muss für jeden Punk- und Rock-Fan. Vor allem letztere Scheibe wird mehrmals von Kollegen geadelt: Das Beastie Boys-Label ‘Grand Royal’ bezeichnet es als "Rock'n'Roll Album of the Decade" und Ex-Dead-Kennedys-Sänger Jello Biafra behauptet sogar, "Apocalypse Dudes" sei das wichtigste Album aus Europa aller Zeiten. Aber nach der anschließenden "Darkness Forever"-Tour trennt sich die Band 1998 aufgrund von internen und persönlichen Problemen und Differenzen. Interessanterweise wächst die Popularität der Band in der Zeit nach dem Split enorm an. -
Cornelisbladet Nr 3 2010
UTGIVEN AV CORNELIS VREESWIJKSÄLLSKAPET • ÅRGÅNG 11 • OKTOBER 2010 Mest kvinnliga artister på årets minneskonsert Det kvinnliga artistinslaget är i högsta grad markant på den årliga konserten till Cornelis Vreeswijks minne. CajsaStina Åkerström, Lise&Gertrud, och Sarah Riedel svarar för de musikaliska hyllning- arna medan Aftonbladets kulturredaktör Åsa Lindeborg tillika medlem av juryn för Cornelisstipendiet svarar för årets minnestal. Georg Riedel, CajsaStina Åkerström. Dan Viktor, Anders Lundqvist, Backa-Hans Eriksson och Jan Allan (Foto: Hans Christiansen) gör raden av medverkande komplett. et blir som vanligt två konser- med att bjuda både på Cornelisklas- enande länk i form av pappa Åker- ter i Katarina kyrka i Stock- siker, något mindre känt och even- ström. I år är hon aktuell dels med Dholm den 12 november, kl 18 tuellt också något nyskrivet signerat boken Du och jag, farsan och som gäst och kl 20. Till den senare konserten Georg Riedel. på en Frödingskiva av Torgny Björk. gäller nedsatt entré för medlemmar i Duon Lise&Gertrud har samarbe- Liksom CajsaStina har Dan Vik- Cornelis Vreeswijksällskapet, 175 kr. tat sedan de möttes på Musikhögsko- tor fått Fred Åkerström-priset. Han Icke medlemmar betalar 275 kr. Nytt lan i Stockholm för 20 år sedan. Med har under de senaste åren setts i en för i år är att det är numrerade biljet- sin kombination av två röster och en rad olika Cornelissammanhang. Dan ter så det gäller att vara tidigt ute om cello har de satt upp ett fl ertal sho- är en mångsysslare i musikens och man vill vara säker på att få de nästa wer i Stockholm, turnerat i hela lan- teaterns värld men förknippas oftast platserna.