High-Flying Trapeze Artist in a Tickle-Fight with Some Bedsheets

Total Page:16

File Type:pdf, Size:1020Kb

High-Flying Trapeze Artist in a Tickle-Fight with Some Bedsheets 2–3 7–10 10–12 Use this guide to explore Art Design Chicago offerings throughout the city and beyond. Whatever catches your interest, we encourage you to #JustGoSeeIt. Visit ArtDesignChicago.org for the most up-to-date information and a full calendar of events. Note: Program information is subject to change. Exhibitions and events that are free of charge are indicated as such; all others have an admission fee or optional donation. Please visit ArtDesignChicago.org for links to ticket information. Art Design Chicago, an initiative of the Terra Foundation EXHIBITIONS for American Art, is a spirited celebration of the 2 unique and vital role Chicago plays as America’s crossroads of creativity and commerce. Throughout 2018, EXHIBITIONS Art Design Chicago presents a dynamic convergence BEYOND CHICAGO of more than 25 exhibitions and hundreds of public 18 programs, along with publications, conferences, and symposia. Together, they tell the stories of the artists and designers who defined and continue to propel PROGRAMS & EVENTS Chicago’s role as a hub of imagination and impact. 20 From art displayed on museum walls to mass-produced GALLERIES & MORE consumer goods, Chicago’s singular creative contributions 26 are showcased in this citywide partnership of more than 50 museums, art centers, universities, and other cultural organizations both large and small. MAPS 28 FREE Jan 11–Mar 25, 2018 Jose Guerrero, Presente: A Memorial Print Portfolio DePaul Art Museum 935 West Fullerton Avenue, Chicago 773.325.7506 Jose Guerrero was an artist who had an EXHIBITIONS impact on his community through print- making, mural painting, and activism. He is best known for his work in the Pilsen neigh- Visit ArtDesignChicago.org borhood, where his studio and workshop for the most up-to-date information was a hub for art classes, mural tours, and political organizing. This exhibition features and a full calendar of events. a portfolio of prints created in Guerrero’s memory by 25 Chicago artists as well as works on paper by Guerrero. « Héctor Duarte, Según Jose Guerrero (detail), 2016. DePaul Art Museum. FREE Nov 5, 2017–Apr 8, 2018 FREE Jan 11–Mar 25, 2018 Bill Walker: Urban Griot Barbara Jones-Hogu: Hyde Park Art Center Resist, Relate, Unite 1968–1975 5020 South Cornell Avenue, Chicago DePaul Art Museum 773.324.5520 935 West Fullerton Avenue, Chicago 773.325.7506 William (Bill) Walker was a prolific mural- ist best known for creating the iconic Chicago-based artist Barbara Jones-Hogu Wall of Respect on Chicago’s South Side was a central figure of the Black Arts in collaboration with the Organization Movement and a founding member of the of Black American Culture (OBAC) in 1967, African Commune of Bad Relevant Artists which inspired community-based public (AfriCOBRA). Throughout her career artworks in other U.S. cities. Urban Griot she worked in painting, printmaking, film, explores Walker’s artwork beyond the and education, and contributed to major wall, much of which has rarely, if ever, been projects, including Chicago’s Wall of Respect displayed. The exhibition showcases his mural. This is the first solo museum exhi- contributions as a political thinker, social bition dedicated to the artist and features activist, and skilled artist. her woodcuts, etchings, lithographs, and screenprints. » William Walker, For Blacks Only #16 (detail), 1979–82. » Barbara Jones-Hogu, Unite (detail), 1969. Chicago State University Foundation. Lusenhop Fine Art. 2 EXHIBITIONS 3 FREE Mar 23–Aug 19, 2018 May 4–Aug 5, 2018 Arte Diseño Xicágo: Flesh: Ivan Albright at Mexican Inspiration from the the Art Institute of Chicago World’s Columbian Exposition Art Institute of Chicago to the Civil Rights Era 111 South Michigan Avenue, Chicago National Museum of Mexican Art 312.443.3600 1852 West 19th Street, Chicago 312.738.1503 Chicago native Ivan Albright remains one of the most provocative artists of the 20th Mexican craftspeople and artists visited century, a “master of the macabre” famous or migrated to Chicago at the turn of the for his richly detailed paintings of ghoulish 20th century. Some came to exhibit, subjects. Albright portrayed the body’s some to work, and others to witness the vulnerability—to age, disease, and death. labor organizing by the rising unions. This exhibition, the first of Albright’s Through photographs, artifacts, and works work in over 20 years, explores how of art dating from 1893 to the 1970s, this his uncompromising vision challenged exhibition surveys the early artistic involve- conventional notions of art and beauty, ment and creative influence of Mexican earning him fame as well as notoriety. travelers and immigrants in Chicago. » Ivan Albright, » Errol Ortiz, Astronaut Targets (detail), 1965. Picture of Dorian Gray (detail), 1943/44. Corbett vs. Dempsey. The Art Institute of Chicago. May 12–Oct 28, 2018 Apr 28–Dec 30, 2018 Never a Lovely so Real: Photography and Picture Fiction: Kenneth Josephson Film in Chicago, 1950–1980 and Contemporary Photography Art Institute of Chicago Museum of Contemporary Art Chicago 111 South Michigan Avenue, Chicago 220 East Chicago Avenue, Chicago 312.443.3600 312.280.2660 This exhibition looks at artists who worked Chicago-based photographer Kenneth across Chicago from the 1950s through Josephson changed the way we think the 1970s and commented in images about pictures. His so-called conceptual and film on the life of the communities photography pushes the boundaries of to which they belonged or were granted the medium, demonstrating that photo- intimate access as outsiders. Using the graphs are not neutral; on the contrary, Art Institute’s photography collection they convey an idea in addition to a pic- as a springboard, Never a Lovely so Real ture. This exhibition considers Josephson’s presents personal and public narratives influence on artists of all kinds, high- that defined the city during some of the lighting links between him and other most pivotal cultural and social transfor- contemporary artists working in photo- mations. Seen together, these works reveal graphy, film, and sculpture. Chicago’s character: lovely and real. « Kenneth Josephson, « Billy Abernathy, Mother’s Day Matthew again (detail), 1980. (detail) from the series Born Hip, 1962. Stephen Daiter Gallery. The Art Institute of Chicago. 4 EXHIBITIONS 5 Jun 7–Aug 17, 2018 FREE A Home for Surrealism: Fantastic Painting in Mid-Century Chicago Rogue foosball The Arts Club of Chicago 201 East Ontario Street, Chicago 312.787.3997 This exhibition explores a select group captains- of Chicago painters who, in the 1940s and 1950s, planted domestic roots for the surrealist idiom. Working in and around the city, Gertrude Abercrombie, turned- Ivan Albright, Eldzier Cortor, Julio de Diego, Harold Noecker, Dorothea Tanning, Julia Thecla, and John Wilde portrayed their “fantastic,” psychic visions with precise detail, making them tangible to astronauts a Midwestern audience. « Dorothea Tanning, Avatar (detail), 1947. Private collection. © 2018 Artists narrowly Rights Society (ARS), New York/ADAGP, Paris. escape Jun 8–Sep 3, 2018 Charles White: A Retrospective Art Institute of Chicago laser-blasting 111 South Michigan Avenue, Chicago 312.443.3600 Charles White, born and educated in jewel. Chicago, was one of the preeminent artists to emerge during the city’s Black Renaissance of the 1930s and 1940s. A passionate mural and easel painter, and a superbly gifted draftsman, White pow- erfully interpreted African American Maybe you should history, culture, and lives in striking works of expressive, highly accessible realism. just go see it. Presented on the 100th anniversary of White’s birth, this exhibition unites a selection of the artist’s most important paintings, drawings, and prints. » Charles White, Harvest Talk (detail), 1953. Can you find the art in this guide that matches The Art Institute of Chicago. the description above? (Answer on page 27.) 6 EXHIBITIONS 7 Jul 12–Sep 14, 2018 Jun 28–Sep 30, 2018 FREE FREE Sculpting a Chicago Artist: A Johnson Publishing Story Richard Hunt and his Teachers Stony Island Arts Bank Nelli Bar and Egon Weiner 6760 South Stony Island Avenue, Chicago Koehnline Museum of Art, 312.857.5561 Oakton Community College Founded in 1942 by publisher and art 1600 East Golf Road, Des Plaines collector John H. Johnson, the Johnson 847.635.2633 Publishing Company (JPC) rose to promi- Internationally-renowned sculptor nence due to the widespread popularity Richard Hunt developed his talent in the of its magazines, including Ebony and 1950s at the School of the Art Institute Jet. Through books, periodicals, ephem- of Chicago with the guidance of two era, paintings, sculptures, and custom- dynamic teachers: Nelli Bar and Egon designed office furnishings from the Weiner. Bar and Weiner were both of a gen- JPC archives and collections held by the eration of artists who fled Europe after Rebuild Foundation, this exhibition the rise of the Nazi regime and made explores the enduring role of Johnson and Chicago their new home for their artistic JPC in defining and popularizing a black ambitions. Featuring works by all three aesthetic and identity around the globe. artists, this exhibition explores creative » Furniture and objects installed in influence across generations. the Johnson Publishing Building in 2015. » Richard Hunt in Chicago (detail), 1962. Photo: Jacob Hand, 2016. Courtesy of Richard Hunt. Jun 29, 2018–Jan 6, 2019 FREE Aug 3–Sep 30, 2018 Chicago Calling: Art Against the Flow Intuit: The Center for LIONS: Founding Years Intuitive and Outsider Art of UIMA in Chicago 756 North Milwaukee Avenue, Chicago Ukrainian Institute of Modern Art 312.243.9088 2320 West Chicago Avenue, Chicago 773.227.5522 Chicago has a unique history of robust recognition and acceptance of self-taught This exhibition explores the history of artists and outsider art. Drawn from 30 the Ukrainian Institute of Modern Art collections and featuring 10 Chicago icons, (UIMA), established in 1971 and located including Henry Darger, Lee Godie, and in Chicago’s Ukrainian Village neighbor- Joseph Yoakum, this exhibition explores hood.
Recommended publications
  • Framing Ideas
    Columbia College Chicago FRAMING IDEAS The Photographers of the New Bauhaus: An Expanded Vision Ken Josephson, Chicago, 1961 Curriculum Guide Aimed at middle school, high school, and college students, this resource is aligned with Illinois Learning Standards for English Language Arts Incorporating the Common Core and contains information on the artists and artistic traditions featured, questions for looking and discussion, and classroom activities. A corresponding image set can be found here. The MoCP is a nonprofit, tax- exempt organization accredited by the American Alliance of Museums. The Museum is generously supported by Columbia College Chicago, the MoCP Advisory Committee, individuals, private and corporate foundations, and government agencies including the Illinois Arts Council, a state agency. The museum’s education work is additionally supported by After School Matters, the Llyod A. Fry Foundation, and the National Endowment for the Arts. Special funding for the development of this guide was provided by the Terra Foundation for American Art. Introduction: The New Bauhaus Nathan Lerner, Light Volume, Chicago, 1937 The New Bauhaus, later called the Institute of Design (ID) at what is now the Illinois Institute of Technology was one of the most important schools of design and photography in America during the twentieth century. Founded in Chicago in 1937 by Lászlo Moholy-Nagy, the New Bauhaus aimed to train “the perfect designer” through a modernist and multi-disciplinary curriculum that encouraged experimentation and broke down the hierarchy between fine and applied arts and industry. In the mid 20th century, when fewer art schools existed and photography was seldom taught as anything other than a trade, the photography department at the ID was at the forefront of innovative methods of art education.
    [Show full text]
  • Bernece Berkman and the Monograph: a Feminist Perspective
    DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2011 Bernece Berkman and the monograph: A feminist perspective Audrey E. Carie DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Carie, Audrey E., "Bernece Berkman and the monograph: A feminist perspective" (2011). College of Liberal Arts & Social Sciences Theses and Dissertations. 80. https://via.library.depaul.edu/etd/80 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. BERNECE BERKMAN AND THE MONOGRAPH: A FEMINIST PERSPECTIVE A THESIS PRESENTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS JUNE, 2011 BY AUDREY CARIE WOMEN’S AND GENDER STUDIES PROGRAM COLLEGE OF LIBERAL ARTS AND SCIENCES DEPAUL UNIVERSITY CHICAGO, ILLINOIS CONTENTS ABSTRACT. iii Section 1. INTRODUCTION 2. INTERWOVEN IDENTITIES: ART, POLITICS, AND RELIGION IN CHICAGO, 1920-1945 . .14 3. GENDERED IDENTITY IN POST WORLD WAR II ARTWORK . 23 4. BERKMAN’S ARTISTIC RELATIONS TO DOMESTICITY . 29 5. GRAPHIC ARTS IN THE 1960s . .37 6. CONCLUSION . 47 WORKS CITED . .52 ii! ABSTRACT Bernece Berkman is one of many renowned women artists who has not been historically acclaimed. As women artists have been rediscovered, issues have arisen as to how they should be written about in relation to art history, because the language and canon of art history has revolved around and privileged those of dominant ideology.
    [Show full text]
  • Marian Macken
    The Book as Site: Alternative Modes of Representing and Documenting Architecture Marian Macken Doctor of Philosophy [By Thesis and Creative Work] 2012 Sydney College of the Arts University of Sydney Statement Th is volume is presented as a record of the work undertaken for the degree of Doctor of Philosophy at Sydney College of the Arts, University of Sydney. Table of Contents Acknowledgements iv List of Illustrations v Abstract xvii Introduction Binding Architecture 1 Chapter 1 Artists’ Books: History / Character / Architectural Site 18 Chapter 2 Artists’ Books: Time, Place and Memory 47 Chapter 3 Th e Line Within Architecture: Drawing in the Book 65 Chapter 4 Inside the Book: Th e Interiority of Architectural Representation 89 Chapter 5 Th e Representation of Reproduction: Documenting Translation 115 Conclusion Cover, Page, Cover: Reading Architecture 143 Bibliography 151 Catalogue of Work Presented for Exhibition 167 List of Images 174 Acknowledgements I would like to acknowledge and give thanks to: My supervisors, Emeritus Professor Richard Dunn and Professor Sandra Kaji-O’Grady, for their unwavering faith in the substance of this work, which seemed to me at times to be reckless and foolish behaviour on their part; For assistance in research in Sydney and Tokyo: Dr Andrew Barrie, Professor Tom Heneghan, and staff at Sydney College of the Arts and other University of Sydney libraries; For assistance in the production, exhibition and photography of studio work: Anthony Jones, FBE Design Lab, University of NSW; Dr Sydney Shep, Wai-te-ata
    [Show full text]
  • T He H Untington L Ibrary, a Rt C Ollections, and B Otanical G Ardens
    Non-Profit Org. U.S. Postage May/June 2016 PAID Industry, CA 1151 Oxford Road | San Marino, California 91108 Permit No. 4278 huntington.org May/June 2016 n Two new exhibitions celebrate the centennial of the National Park Service n “An Evening Among the Roses” returns June 3 n Members’ Summer Evenings begin June 26 n A new wing of the American art galleries is set to open this fall The Huntington ArtLibrary, Collections, and Botanical Gardens CALENDAR CALENDAR General Information TELEPHONE: 626-405-2100 WEBSITE: huntington.org ADMISSION: Members: Free. Non-Members adult rates: Weekdays $23. Weekends $25. Geographies of Wonder (See website for dis counted senior, group, and children’s rates.) Admission is free to all Two new Huntington exhibitions mark the centennial of the National Park Service visitors on the first Thursday of each month with advance tickets. n a wide-ranging examination of the role of the HOURS: Mon., Wed., Thurs., and Fri.: noon– national parks in American life, The Huntington 4:30 p.m. Sat. and Sun.: 10:30 a.m.–4:30 p.m. is commemorating the centennial of the U.S. Monday holidays: 10:30 a.m.–4:30 p.m. INational Park Service with a pair of exhibitions SUMMER HOURS: (June–August) ive Dad a day to remember on Father’s Day weekend by enjoy - that run consecutively from May through next 10:30 a.m.–4:30 p.m. daily, excluding Tues - days. Closed Tuesdays and major holidays. ing an afternoon at The Huntington. To help you celebrate, February in the West Hall of the Library.
    [Show full text]
  • Art-Related Archival Materials in the Chicago Area
    ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest
    [Show full text]
  • The Left Front : Radical Art in the "Red Decade," 1929-1940
    LEFT FRONT EVENTS All events are free and open to the public Saturday, January 18, 2pm Winter Exhibition Opening with W. J. T. Mitchell Wednesday, February 5, 6pm Lecture & Reception: Julia Bryan-Wilson, Figurations Wednesday, February 26, 6pm Poetry Reading: Working Poems: An Evening with Mark Nowak Saturday, March 8, 2pm Film Screening and Discussion: Body and Soul with J. Hoberman Saturday, March 15, 2pm Guest Lecture: Vasif Kortun of SALT, Istanbul Thursday, April 3, 6pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Saturday, April 5, 5pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Wednesday, April 16, 2014, 6pm Lecture: Andrew Hemingway, Style of the New Era: THE LEFT FRONT John Reed Clubs and Proletariat Art RADICAL ART IN THE "RED DECADE," 1929-1940 Mary and Leigh Block Museum of Art Northwestern University 40 Arts Circle Drive, Evanston, IL, 60208-2140 www.blockmuseum.northwestern.edu Generous support for The Left Front is provided by the Terra Foundation for American Art, as well as the Terra Foundation on behalf of William Osborn and David Kabiller, and the MARY AND LEIGH BLOCK MUSEUM OF ART Myers Foundations. Additional funding is from the Carlyle Anderson Endowment, Mary and Leigh Block Endowment, the Louise E. Drangsholt Fund, the Kessel Fund at the NORTHWESTERN UNIVERSIty Block Museum, and the Illinois Arts Council, a state agency. theleftfront-blockmuseum.tumblr.com January 17–June 22, 2014 DIRECTOR'S FOREWORD The Left Front: Radical Art in the “Red Decade”, 1929–1940 was curated by John Murphy undergraduate seminar that focused on themes in the exhibition and culminated in and Jill Bugajski, doctoral candidates in the Department of Art History at Northwestern student essays offering close examinations of particular objects from the show.
    [Show full text]
  • A Finding Aid to the Ellen Lanyon Papers, Circa 1880-2014, Bulk 1926-2013, in the Archives of American Art
    A Finding Aid to the Ellen Lanyon Papers, circa 1880-2014, bulk 1926-2013, in the Archives of American Art Hilary Price 2016 September 19 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, circa 1880-2015 (bulk 1926-2015)......................... 6 Series 2: Correspondence, 1936-2015.................................................................. 10 Series 3: Interviews, circa 1975-2012.................................................................... 24 Series 4: Writings, Lectures, and Notebooks, circa
    [Show full text]
  • Yasufumi Nakamori Interview About Ysuhiro Ishimoto
    DePaul University Via Sapientiae Asian American Art Oral History Project Asian American Art Oral History Project 5-6-2009 Yasufumi Nakamori Interview about Ysuhiro Ishimoto Katherine Cloutier DePaul University Follow this and additional works at: https://via.library.depaul.edu/oral_his_series Part of the American Art and Architecture Commons, American Material Culture Commons, American Popular Culture Commons, Art and Design Commons, Art Practice Commons, Asian American Studies Commons, Asian Art and Architecture Commons, Asian History Commons, Asian Studies Commons, Contemporary Art Commons, Cultural History Commons, Ethnic Studies Commons, Modern Art and Architecture Commons, Other American Studies Commons, Other History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Cloutier, Katherine. (2009) Yasufumi Nakamori Interview about Ysuhiro Ishimoto. https://via.library.depaul.edu/oral_his_series/24 This Article is brought to you for free and open access by the Asian American Art Oral History Project at Via Sapientiae. It has been accepted for inclusion in Asian American Art Oral History Project by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. Yasufumi Nakamori/Katherine Cloutier 1 Interviewer: Katherine Cloutier RE Artist: Yasuhiro Ishimoto Interviewee: Yasufumi Nakamori, friend of Asian American Photographer, Yasuhiro Ishimoto Phone interview: Chicago/Houston Date: 5/6/09 4:30pm Note: The following interview was conducted by a DePaul University undergraduate student enrolled in AAS 201: Asian American Arts & Culture during Spring quarter 2009 as part of the Asian American Art Oral History research project conducted by Laura Kina, Associate Professor Art, Media, & Design/Director Asian American Studies. Yasufumi Nakatori is the Assistant Curator of Photography at the Museum of Fine Arts in Houston.
    [Show full text]
  • Chronology of the Department of Photography
    f^ The Museum otI nModer n Art May 196k 11 West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart CHRONOLOGY OF THE DEPARTMENT OF PHOTOGRAPHY The Department of Photography was established in lQl+0 to function as a focal center where the esthetic problems of photography can be evaluated, where the artist who has chosen the camera as his medium can find guidance by example and encouragement and where the vast amateur public can study both the classics and the most recent and significant developments of photography. 1929 Wi® Museum of Modern Art founded 1952 Photography first exhibited in MURALS BY AMERICAN PAINTERS AND PHOTOGRAPHERS; mural of George Washington Bridge by Edward Steichen included. Accompany­ ing catalog edited by Julian Levy. 1953 First photographs acquired for Collection WALKER EVANS: PHOTOGRAPHS OF 19th CENTURY HOUSES - first one-man photogra­ phy show. 1937 First survey exhibition and catalog PHOTOGRAPHY: I839-I937, by Beaumont NewhalU 1958 WALKER EVANS: AMERICAN PHOTOGRAPHS. Accompanying publication has intro­ duction by Lincoln Firstein. Photography: A Short Critical History by Beaumont Newhall published (reprint of 1937 publication). Sixty photographs sent to the Musee du Jeu de Paume, Paris, as part of exhibition TE.3E CENTURIES OF AMERICAN ART organized and selected by The Museum of Modern Art. 1939 Museum opens building at 11 West 53rd Street. Section of Art in Our Tims (10th Anniversary Exhibition) is devoted to SEVEN AMERICAN PHOTOGRAPHERS. Photographs included in an exhibition of paintings and drawings of Charles Sheeler and in accompanying catalog. 19^0 Department of Photography is established with David McAlpin, Trustee Chairman, Beaumont Newhall, Curator.
    [Show full text]
  • Canrightsarahacofa092012 Docx SARAH
    CanrightSarahACOFA092012 docx SARAH CANRIGHT 1101 Blanco Austin, TX 78703 (512) 478-5144 [email protected] Education: School of the Art Institute of Chicago, B.F.A., 1964, University of Chicago Awards and Residencies: Yaddo Residency, June-July, 2000 COFA Summer Research Grant, The University of Texas, 1998 National Endowment for the Arts Fellowship Grant, 1985 National Endowment for the Arts Fellowship Grant, 1978 Creative Artists Public Service Program (CAPS), 1977 (New York Council on the Arts) National Endowment for the Arts Fellowship Grant, 1975 Armstrong Award, Art Institute of Chicago, 1971 Solo Exhibitions: The Courtyard Gallery at the AT&T Center, The University of Texas, Austin, TX, 2012 Cue Art Foundation, New York, NY, 2011 (catalogue) Lyons-Matrix Gallery, Austin, TX, 1999 Lyons-Matrix Gallery, Austin, TX, 1993 Marvin Seline Gallery, Austin, TX, 1987 Artemesia Gallery, Chicago, Illinois, 1986 Pam Adler Gallery, New York, 1979, 1981, 1983, 1984 Phyllis Kind Gallery, Chicago, 1974, 1979 Franklin Furnace, New York, 1979 University Art Galleries, Wright State University, Dayton, Ohio, 1976 Two Person Exhibitions: “Early Paintings” with Robert Lostutter, Corbett vs Dempsey Gallery, Chicago, Illinois, 2008 “Measured Strokes Spontaneous Beasts,” Paintings by Sarah Canright and Melissa W. Miller, Southwestern University, Georgetown, TX, 2007 Group Exhibitions: “At Home” Curated by Dan Nadel, Launch F18, New York, 2016 “Homegrown”, The Art Institute of Chicago, 2015 “Chicago Imagists”, Madison Museum of Contemporary Art, Madison,
    [Show full text]
  • Art Design Chicago, a Year-Long Initiative Spearheaded by Terra
    Art Design Chicago, A Year-Long Initiative Spearheaded by Terra Foundation for American Art, Explores Chicago’s Pivotal Role In Global Art and Design Movements and Innovations Exhibition Schedule, January–December 2018 CHICAGO—October 11, 2017—Spearheaded by the Terra Foundation for American Art, Art Design Chicago is a year-long initiative that explores Chicago’s role as a catalyst and incubator for innovations in art and design. Focusing on the period between the 1871 Chicago Fire and the turn of the 21st century, Art Design Chicago will feature more than 25 exhibitions, several new scholarly publications, a documentary, as well as hundreds of academic and public programs, presented from January–December 2018. Together, these activities shine a light on Chicago’s art and design legacy, providing new insights into the city’s enduring influence on fine and decorative arts, graphic and commercial design, product development, and film, and revealing lesser-known narratives of ingenuity and perseverance. Art Design Chicago was developed in partnership with more than 60 cultural organizations throughout the City of Chicago and beyond, which range widely in scale, mission, and approach. While the majority of the initiative’s activity will take place in and around Chicago, several of the exhibitions are expected to tour nationally and internationally and others will open at organizations across the U.S. To support the success of Art Design Chicago, Terra Foundation is investing more than $6.5 million, with monies going toward research and development as well as implementation grants to cultural partners, and promotional and administrative costs for the initiative.
    [Show full text]
  • Uncommon Accumulation Bednar Press Release
    For Immediate Release: Thursday, December 12, 2019 Contact: Charlotte Easterling 608.257.0158 x 240 [email protected] MMoCA CELEBRATES MAJOR GIFT OF NEARLY 100 WORKS OF CHICAGO IMAGIST ART UNCOMMON ACCUMULATION: THE MARK AND JUDY BEDNAR COLLECTION OF CHICAGO IMAGISM March 14–July 19, 2020 MADISON, WI— To celebrate Mark and Judy Bednar’s transformative gift of Chicago Imagist art from their collection to the Madison Museum of Contemporary Art, MMoCA will bring together the works in the museum’s main galleries with the exhibition Uncommon Accumulation: The Mark and Judy Bednar Collection of Chicago Imagism. From March 14 through July 19, 2020, Uncommon Accumulation will showcase the works that have already been gifted to the museum alongside the promised gifts that have been collected by the Bednars over the past 45 years. The gift from the Bednars complements the museum’s existing collection of Chicago Imagism through its inclusion of artworks produced very early in the careers of several of the artists. Formative works by Roger Brown, Robert Lostutter, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Barbara Rossi, Karl Wirsum, and Ray Yoshida from the 1960s and 70s—a period when some of the Imagists were still in graduate school at the School of the Art Institute of Chicago (SAIC)—are part of this extraordinary gift. These new additions uphold MMoCA as having one of the largest, and now one of the most comprehensive, collections of Chicago Imagism. The Chicago Imagists were a group of figurative artists who emerged in Chicago in the mid-1960s. Using vibrant color and bold lines, they depicted the human body as grossly distorted and highly stylized.
    [Show full text]