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New Jersey Symphony Orchestra Presents Beethoven's Violin Concerto with Pinchas Zukerman
New Jersey Symphony Orchestra Press Contact: Victoria McCabe, NJSO Senior Manager of Public Relations & Communications 973.735.1715 | [email protected] www.njsymphony.org/pressroom FOR IMMEDIATE RELEASE New Jersey Symphony Orchestra presents Beethoven’s Violin Concerto with Pinchas Zukerman Part of the 2017 NJSO Winter Festival Zukerman—Artistic Director of three-week Winter Festival—solos in Beethoven’s sole violin concerto Concerts also feature Saint-Saëns’ Symphony No. 3, “Organ,” Barber’s Overture to The School for Scandal Christian Vásquez conducts NJSO Accents: Organ tour and recital at Newark’s Cathedral Basilica of the Sacred Heart, Classical Conversations, mentoring talkback Fri, Jan 20, at Richardson Auditorium in Princeton Sat, Jan 21, at NJPAC in Newark Sun, Jan 22, at Mayo Performing Arts Center in Morristown NEWARK, NJ (December 13, 2016)—The New Jersey Symphony Orchestra presents Beethoven’s Violin Concerto with Pinchas Zukerman, the second program of the three-weekend 2017 Winter Festival, January 20–22 in Princeton, Newark and Morristown. Christian Vásquez conducts a program that also features Saint-Saëns’ Symphony No. 3, “Organ,” and Barber’s Overture to The School for Scandal. Performances take place on Friday, January 20, at 8 pm at the Richardson Auditorium in Princeton; Saturday, January 21, at 8 pm at the New Jersey Performing Arts Center in Newark; and Sunday, January 22, at 3 pm at the Mayo Performing Arts Center in Morristown. In a preview of the 2017 Winter Festival crafted around Zukerman, The Asbury Park Press anticipates the performances by the “violinist extraordinaire,” writing: “Zukerman is something of a legend in the classical music world, with a nearly 2017 NJSO Winter Festival: Zukerman & Beethoven’s Violin Concerto – Page 2 half-century career as soloist and conductor. -
Program Notes Anthony Mcgill, Clarinet Anna Polonsky, Piano
Program Notes Anthony McGill, clarinet Anna Polonsky, piano Brahms: Clarinet Sonata No. 2 Johannes Brahms (1833-1897) was close to retiring when he heard a performance by clarinetist Richard Mühlfeld and was so deeply moved by his musical artistry that he deferred his retirement to compose four final works, all of which feature the clarinet in a starring role, including the two Clarinet Sonatas. The second sonata Opus 120, No. 2 in E-flat Major is made of up of four movements. The first movement is imbued with a sweetness that reflects Brahms’s own musical directions to the performers: Allegro amiable, a directive to play “…in a charming, gracious” manner. The second movement is a tour de force, marked “Apassionato, ma non troppo allegro” meaning with passion and features a Sostenuto middle section that is lyrical and dignified. The gentle third movement consists of a set of variations and is followed by a fourth movement defined by exuberance and joy. James Lee III: Ad Anah? James Lee III was born in Michigan in 1975. His major composition teachers include William Bolcom, Susan Botti and James Aikman. He was a composition fellow at Tanglewood Music Center in the summer of 2002, where he studied with Osvaldo Golijov and Kaija Saariaho. Mr. Lee’s works have been performed by orchestras including The National Symphony Orchestra, the Philadelphia Orchestra, and the Detroit Symphony Orchestra. Dr. Lee, who earned a DMA in composition at the University of Michigan in 2005, is a Professor of Music at Morgan State University in Baltimore, Maryland. This beautiful composition, Ad Anah? means “How Long?” It is based on a Hebrew Prayer, and in the words of Anthony McGill before a recent performance, this short song reflects “…what we’re going through in this time…the struggle.” Clarinetist Anthony McGill serves as the principal clarinetist for the New York Philharmonic and serves on the faculty of the Juilliard School, the Curtis Institute of Music and Bard College Conservatory of Music. -
Kirshbaum Demler & Associates
PINCHAS ZUKERMAN, Violin / Conductor With a celebrated career encompassing five decades, Pinchas Zukerman reigns as one of today's most sought after and versatile musicians - violin and viola soloist, conductor, and chamber musician. He is renowned as a virtuoso, admired for the expressive lyricism of his playing, singular beauty of tone, and impeccable musicianship, which can be heard throughout his discography of over 100 albums. A devoted teacher and champion of young musicians, he has served as chair of the Pinchas Zukerman Performance Program at the Manhattan School of Music for twenty- five years. He singularly pioneered the use of distance-learning technology with the first technological installment at the Manhattan School and has established an advanced training program for gifted young artists as part of the National Arts Centre in Ottawa. He has taught prominent music educational programs in London, Israel, and China, among others, and was appointed as the first instrumentalist mentor in music of the prestigious Rolex Mentor and Protégé Arts Initiative. The 2018-2019 season marks Pinchas Zukerman’s tenth season as Principal Guest Conductor of the Royal Philharmonic Orchestra in London and his fourth as Artist-in-Association with the Adelaide Symphony Orchestra in Australia. He leads the RPO on a tour of the United Kingdom and Ireland, conducting works by Mozart and Vaughan Williams and performing as soloist in Beethoven’s Violin Concerto. Zukerman joins the Rotterdam Philharmonic Orchestra in performances of Bruch’s Violin Concerto in G Minor, on tour in Germany, the Netherlands, and Switzerland. He appears as soloist and conductor with the National Arts Centre Orchestra in Ottawa and the symphony orchestras of Toronto and Indianapolis. -
825646079209.Pdf
JEAN-MARIE LECLAIR 1697 –1764 Sonata No.5 in E minor, Op.3 no.5 for two violins 1 I Allegro ma poco 3.45 2 II Gavotte: Andante grazioso 3.01 3 III Presto 3.08 HENRYK WIENIAWSKI 1835 –1880 Études-Caprices, Op.18 4 No.1 in G minor 3.44 5 No.2 in E flat major 4.29 6 No.4 in A minor 1.40 GEORGE FRIDERIC HANDEL 1685 –1759 7 Passacaglia in G minor transcr. Johan Halvorsen* 6.56 LOUIS SPOHR 1784 –1859 Duo concertante in D major, Op.67 no.2 8 I Allegro 8.02 9 II Larghetto 5.33 10 III Rondo: Vivace 6.22 46.44 ITZHAK PERLMAN violin PINCHAS ZUKERMAN violin/viola* 2 Itzhak Perlman and Pinchas Zukerman Photo: © Don Hunstein / Warner Classics 3 DUETS FOR TWO VIOLINS: LECLAIR, SPOHR, WIENIAWSKI WITH PINCHAS ZUKERMAN The violin duet repertoire remains somewhat marginal, which explains the rarity of recitals such as this one, in which two star violinists appear opposite one another. Most works in the genre were written by virtuosos such as Leclair, Viotti, Spohr, Wieniawski and Ysaÿe, but composers of the calibre of Telemann, Michael Haydn, Prokofiev, Shostakovich, Honegger and Bartók also took up the challenge. Given the restrictions imposed by having to combine the sound of two identical instruments whose primary role is more melodic than polyphonic, composers have tended to focus on thematic development, harmony and rhythm, resulting in highly imaginative explorations of the instrument’s technical potential. Jean-Marie Leclair (1697–1764), founder of the French violin school, wrote his 12 duets in an elegant idiom that brought together the best of the French and Italian styles. -
Anthony Mcgill 2019-20 Biography
ANTHONY MCGILL 2019-20 BIOGRAPHY Clarinetist Anthony McGill is one of classical music’s most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra’s first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. He was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero. McGill’s 2019-20 season includes the premiere of a new work by Tyshawn Sorey at the 92Y, and a special collaboration with mezzo-soprano Joyce DiDonato at Carnegie Hall. He will be a featured soloist at the Kennedy Center performing the Copland concerto at the SHIFT Festival of American Orchestras with the Jacksonville Symphony, and will also perform concertos by Copland, Mozart, and Danielpour with the Richmond, Delaware, Alabama, Reno, and San Antonio Symphonies. Additional collaborations include programs with Gloria Chien, Demarre McGill, Michael McHale, Anna Polonsky, Arnaud Sussman, and the Pacifica Quartet. McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. -
Pinchas Zukerman, Violin & Viola Yefim Bronfman, Piano
CAL PERFORMANCES PRESENTS Tuesday, April 8, 2014, 8pm First Congregational Church Pinchas Zukerman, violin & viola Yefim Bronfman, piano PROGRAM Franz Schubert (1797–1828) Sonatina No. 2 for Violin and Piano in A minor, D. 385 (1816) Allegro moderato Andante Menuetto: Allegro Allegro Ludwig van Beethoven (1770–1827) Sonata No. 7 for Piano and Violin in C minor, Op. 30, No. 2 (1802) Allegro con brio Adagio cantabile Scherzo: Allegro Finale: Allegro INTERMISSION Johannes Brahms (1833–1897) Sonata for Viola and Piano in F minor, Op. 120, No. 1 (1894) Allegro appassionato Andante un poco Adagio Allegretto grazioso Vivace Funded, in part, by the Koret Foundation, this performance is part of Cal Performances’ – Koret Recital Series, which brings world-class artists to our community. This performance is made possible, in part, by Paton Sponsors Diana Cohen and Bill Falik. Cal Performances’ – season is sponsored by Wells Fargo. PLAYBILL PROGRAM NOTES Franz Schubert (9>@>–9?:?) tions for voice and keyboard that could be used Sonatina No. : for Violin and Piano in to support his application, but his works for vi - A minor, D. ;?= olin had all been within an orchestral or cham - ber ensemble context. He was trained in violin Composed in 1816. (though he preferred playing viola in the Schubert household quartet and in the amateur Between 1814 and 1816, Schubert worked as orchestra that sprouted from it), but he had not a teacher in his father’s school in suburban yet written a piece featuring the instrument, so Vienna. He cared little for the situation, and in March and April 1816 he quickly composed soothed his frustration by composing; in 1815 three Sonatinas for Violin and Piano. -
FOR IMMEDIATE RELEASE Contact: Cara Mccool, Executive Director, MASNO 504.715.0818, [email protected]
FOR IMMEDIATE RELEASE Contact: Cara McCool, Executive Director, MASNO 504.715.0818, [email protected] Nocturne XIII Press Release September 27th, 2015, 5:00pm, Ritz-Carlton New Orleans The Musical Arts Society of New Orleans proudly announces acclaimed Venezuelan American pianist Gabriela Montero will be the featured performer at Nocturne XIII. MASNO’s annual fundraiser will be held on September 27th, 2015, 5:00pm, at the Ritz- Carlton New Orleans. This gala event is “black-tie preferred” and, as one of the area’s most anticipated musical evenings of the year, includes a champagne reception, salon recital by Gabriela Montero, and a fabulous dinner. Proceeds from the event help to fund MASNO’s wide variety of innovative, classical music programming during the year, including the New Orleans International Piano Competition, the New Orleans Piano Institute/Keyboard Festival, Salon Concert Events and Concerto Showcase in collaboration with the Louisiana Philharmonic Orchestra. Premium Sponsorship opportunities are still available. For details contact Executive Director Cara McCool at (504) 715-0818 or [email protected]. Event tickets are $200 per person or $2,000 for a table of ten, and may be purchased online at www.masno.org. Gabriela Montero Biography Montero’s visionary interpretations and unique improvisational gifts have won her a devoted following around the world. Anthony Tommasini remarked in The New York Times, "Montero's playing has everything: crackling rhythmic brio, subtle shadings, steely power in climactic moments, soulful lyricism in the ruminative passages and, best of all, unsentimental expressivity." Highlights from recent seasons include recitals at Avery Fisher Hall, Kennedy Center, Wigmore Hall, Vienna Konzerthaus, Berlin Philharmonie, Frankfurt Alte Oper, Cologne Philharmonie, Leipzig Gewandhaus, Munich Herkulessaal, Luxembourg Philharmonie, Lisbon Gulbenkian Museum, Tokyo Orchard Hall, and at the Edinburgh, Salzburg, Lucerne, Ravinia, Tanglewood, Saint-Denis, Dresden, Ruhr, Bergen, Istanbul, and Lugano festivals. -
San Francisco Symphony and Michael Tilson Thomas Announce 2012-13 Season Concert Programs, Recordings, and Community Initiatives
SAN FRANCISCO SYMPHONY AND MICHAEL TILSON THOMAS ANNOUNCE 2012-13 SEASON CONCERT PROGRAMS, RECORDINGS, AND COMMUNITY INITIATIVES (Images of Michael Tilson Thomas, Renée Fleming, Lang Lang, Juraj Valcuha, and Khatia Buniatishvili available online in the 2012-2013 Press Kit) Orchestra’s 101st season highlights include Tilson Thomas-led explorations of music by Beethoven, Stravinsky, and enhanced concert experiences around Grieg’s Peer Gynt and Beethoven’s Missa solemnis MTT conducts the SFS in the first concert performances by an orchestra of Bernstein’s complete West Side Story Orchestra to perform two world premieres, three US premieres, three West Coast premieres, and 13 San Francisco Symphony premieres MTT leads premieres of new SFS commissions by Robin Holloway, Jörg Widmann and Samuel Carl Adams Soprano Renée Fleming and pianist András Schiff perform in Project San Francisco residencies; Schiff begins two-year exploration of Bach’s works for keyboard Distinguished guests include Joshua Bell, Pinchas Zukerman, Julia Fischer, Lang Lang, Yuja Wang, Marc- André Hamelin, Gil Shaham, Jonathan Biss, Yefim Bronfman, David Robertson, Vasily Petrenko, and Marek Janowski, with debuts by Vladimir Jurowski, Jaap van Zweden, Juraj Valcuha, Jean-Efflam Bavouzet, Michael Fabiano, and The Dmitri Pokrovsky Ensemble Great Performers Series features concerts by the Warsaw Philharmonic and Russian National Orchestra plus recitals by Itzhak Perlman, Gil Shaham, Renée Fleming with Susan Graham, and Matthias Goerne with Christoph Eschenbach MTT and Orchestra -
Chamber Music Society of Lincoln Center Artist Series: Anthony Mcgill Program
Chamber Music Society of Lincoln Center Artist Series: Anthony McGill Program Olivier Messiaen (1908-1992) “Abyss of the Birds” from Quatuor pour la fin du temps (Quartet for the End of Time) for Clarinet, Violin, Cello, and Piano (1940-41) Anthony McGill, clarinet Francis Poulenc (1899-1963) Sonata for Clarinet and Piano (1962) Allegro tristamente Romanza: Très calme Allegro con fuoco Anthony McGill, clarinet; Gloria Chien, piano Johannes Brahms (1833-1897) Trio in A minor for Clarinet, Cello, and Piano, Op. 114 (1891) Allegro Adagio Andantino grazioso Allegro Anthony McGill, clarinet; Alisa Weilerstein, cello; Inon Barnatan, piano 2 Program Notes Program Notes By Laura Keller “Abyss of the Birds” from Quatuor pour la fin du temps (Quartet for the End of Time) for Clarinet, Violin, Cello, and Piano (1940-41) Olivier Messiaen (Avignon, 1908 – Paris, 1992) “The abyss is Time with its sadness, its weariness. The birds are the opposite of Time; they are our desire for light, for stars, for rainbows, and for jubilant songs.” -Messiaen Quartet for the End of Time had one of the most remarkable premieres of the 20th century. Messiaen served in the French army during World War II and was captured by the Germans at Verdun in June 1940. He was sent to Stalag VIII-A in Görlitz, Germany (today in Poland), where he was imprisoned during the winter of 1940-41. The prisoner-of-war camp was bitterly cold and food was in short supply, but Messiaen’s fame helped him greatly. A sympathetic guard provided him with the materials to compose this quartet and arranged the premiere on January 15, 1941 in a barely heated hall in front of a few hundred spellbound prisoners and guards. -
Jacqueline Du Pré and Her Alternative Diagnosis
Medical Hypotheses 133 (2019) 109401 Contents lists available at ScienceDirect Medical Hypotheses journal homepage: www.elsevier.com/locate/mehy Jacqueline du Pré and her alternative diagnosis T ⁎ Takahiro Mezakia, , Kanako Namekawab a Department of Neurology, Sakakibara Hakuho Hospital, Sakakibara-cho, Tsu City, Mie 514-1251, Japan b Department of Neurology, Kurashiki Central Hospital, Miwa, Kurashiki City, Okayama 710-8602, Japan ABSTRACT Jacqueline du Pré (26 January 1945–19 October 1987) is one of the greatest cellists in the 20th century. Her musical career was terminated at age 28, allegedly due to multiple sclerosis (MS). MS is an immune-mediated demyelinating disease of the central nervous system with axonal involvement, characterized by the dis- semination in time and space of the lesions (plaques). Diverse neurological symptoms may occur in MS, and a variety of symptoms relentlessly accumulated in her case after the diagnosis in 1973, which is concordant with primary progressive rather than relapsing-remitting form of MS. No radiological confirmation was however possible in her days and the diagnosis should be reconsidered, because her symptoms had some unusual features in MS. First, her principal symptoms, aside from transient visual and urological problems noticed earlier, began in the upper and lower limbs, often only in the upper limbs, then followed by the involvement of lower cranial nerves, and by the cognitive decline with changes in character. Hence the pattern of progression was ascending from the cervical spinal cord to the brainstem and to the cerebrum, which is not the pattern of dissemination in space typical of MS. Her clinical status appeared steroid-dependent temporarily in the early stage of the disease, which is also unusual in MS and some different etiology deserves consideration. -
1 Series Salutes the American Composer and the American
August 16, 2010 Press contact: Erin Allen (202) 707-7302, [email protected] Public contact: Solomon Haile Selassie (202) 707-5347,[email protected] Website: www.loc.gov/rr/perform/concert CONCERTS FROM THE LIBRARY OF CONGRESS ANNOUNCES 2010-2011 Anniversary Season Series Salutes the American Composer and the American Songbook The Library of Congress celebrates its 85 years of history as a concert presenter with a stellar 36-event season presenting new American music at the intersection of many genres–classical music, jazz, country, folk and pop. All concerts are presented free of charge in the Library’s historic, 500-seat Coolidge Auditorium. Tickets are available, for a nominal service charge only, through TicketMaster. Visit the Concerts from the Library of Congress websitefor detailed program and ticket information, at www.loc.gov/concerts. Honoring a longstanding commitment to American creativity and strong support for American composers, the series offers a springtime new music mini-festival, with world premiere performances of Library of Congress commissions by Sebastian Currier and Stephen Hartke. An impressive lineup of period instrument ensembles and artists, including Ensemble 415 and The English Concert, acknowledges the long history of the Coolidge Auditorium as a venue for early music. And the ever-expanding American Songbook is a major thematic inspiration throughout the year: among the many explorations are George Crumb’s sweeping song cycle of the same name, built on folk melodies, cowboy tunes, Appalachian ballads and African American spirituals; art songs from the Library’s Samuel Barber Collection; a new Songwriter’s Series collaboration with the Country Music Association; jazz improvisations on classics by George and Ira Gershwin; a Broadway cabaret evening–Irving Berlin to Kander & Ebb; and a lecture on the wellsprings of blues and the American popular song by scholar and cultural critic Greil Marcus. -
San Francisco Symphony 2007-2008 Season at a Glance
SAN FRANCISCO SYMPHONY 2012-2013 SEASON AT A GLANCE SFS COMMISSIONS, PREMIERES, AND FIRST PERFORMANCES Debussy/Robin Holloway Poems of Paul Verlaine (SFS commission, world premiere) Mark Volkert Pandora (world premiere) Ivan Fedele Scena (U.S. premiere) Prokofiev/arr. Levon Atovmyan Ivan the Terrible (U.S. premiere [arr.]) Jörg Widmann Piano Concerto (SFS co-commission, U.S. premiere) Samuel Carl Adams Drift and Providence (SFS co-commission, West Coast premiere) Brahms/orch. Detlev Glanert Four Preludes and Serious Songs (West Coast premiere) Magnus Lindberg EXPO (West Coast premiere) John Adams Absolute Jest (SFS co-commission) Beethoven Cantata on the Death of Emperor Joseph II (first SFS performances) Beethoven Three Equali for Four Trombones (first SFS performances) Beethoven An die ferne Geliebte (first SFS performances) Berio Eindrücke (first SFS performances) Bernstein (lyrics by Sondheim) West Side Story (first complete orchestral performances) Duparc Selected songs (first SFS performances) Handel Ode for St. Cecilia’s Day (first SFS performances) Ingvar Lidholm Poesis (first SFS performances) Mendelssohn Symphony No. 1 (first SFS performances) Mozart Selections from Zaïde (first SFS performances) Poulenc Stabat mater (first SFS performances) Schumann Genoveva Overture (first SFS performances) Scriabin Reverie (first SFS performances) WORKS BY LIVING COMPOSERS John Adams Absolute Jest (SFS co-commission) Samuel Carl Adams Drift and Providence (SFS co-commission, West Coast premiere) Elliott Carter Variations for Orchestra Ivan Fedele Scena (U.S. premiere) Brahms/orch. Detlev Glanert Four Preludes and Serious Songs (West Coast premiere) Debussy/Robin Holloway Poems of Paul Verlaine (SFS commission, world premiere) Ingvar Lidholm Poesis (first SFS performances) Magnus Lindberg EXPO (West Coast premiere) Arvo Pärt Fratres Mark Volkert Pandora (world premiere) Jörg Widmann Piano Concerto (SFS co-commission, U.S.