DOCSLIB.ORG

142093 Subscription Brochure-Rev2.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
142093 Subscription Brochure-Rev2.Indd San Francisco Symphony 2018–19 Season Join Michael Tilson Thomas and the San Francisco Symphony for the 2018-19 Season. Subscribe now to guarantee your seats! A new, special offer just for subscribers. Get 2 additional DSH concerts free when you buy a Davies Symphony Hall 6 or 7-concert package. Get 3 additional DSH concerts free when you buy a Davies Symphony Hall 12-concert or more package. Act now! This limited-time offer ends April 30, 2018. Exclusions apply. facebook @sfsymphony FEATURED PHOTOGRAPHY: Brandon Patoc and Spencer Lowell ADDITIONAL PHOTOGRAPHY: Stefan Cohen and Kristen Loken ON THE COVER: Michael Tilson Thomas Music Director, Jacob Nissly Principal Percussion, Nadya Tichman Associate Concertmaster, Polina Sedukh Second Violin, In Sun Jang First Violin ON THE BACK COVER: Raushan Akhmedyarova Second Violin, Ed Stephan Principal Timpani, Paul Welcomer Second Trombone, Scott Pingel Principal Bass “Glorious music in a glorious city–there 01 Why Subscribe is nothing better!” Table of Season 02 Highlights Nadya Tichman / Associate Concertmaster 04 Film Series 05 Concerts Contents Subscription 15 Packages Great Performers 18 Packages Film Series 19 Packages Music 20 for Families Chamber 21 Music Organ 21 Concerts Youth 22 Orchestra Open 23 Rehearsals Amazing 24 Add-Ons 27 Seating 28 Prices ASSOCIATE CONCERTMASTER ASSOCIATE Season 29 at a Glance SFS Media NADYA TICHMAN, NADYA 34 volume Listen to music excerpts: sfsymphony.org Subscribe: 415-864-6000 sfsymphony.org 01 / “ One of the things I love most Why Why Subscribe about working with the San Francisco Symphony Subscribe is that we play music that As a Symphony subscriber, you move to the front of the line for fi rst pick of spectacular seats that are sure to go fast. You’ll also experience is off the beaten track , a dazzling spectrum of world-class music with these exclusive perks: right alongside the greatest time-test ed classics. It’s very A NEW, SPECIAL OFFER JUST FOR SUBSCRIBERS exciting to perform this music Get 2 additional DSH concerts free Get 3 additional DSH concerts free when you buy a Davies Symphony Hall when you buy a Davies Symphony Hall 6 or 7-concert package. 12-concert or more package.* in a city that celebrates that Off er ends 4/30/18. Off er ends 4/30/18. adventurous creativity.” 1 Pre-paid parking Premium seats at 10 2 Paul Welcomer / Second Trombone for a guaranteed spot the subscriber price The convenience of Discounts on high-demand paying half now and 9 3 performances before they half later** increase in price Easy ticket exchanges 8 N N O O S S A San FranciscoA E E S S 8 Symphony 1 Free seat upgrade 7 19 Subscriber Early access to newly added concerts before 6 the general public 5 4 Purchase additional tickets Single ticket prices may at the subscriber price. rise—prices for subscribers (See pages 24-25 for a list remain the same all season of Amazing Add-Ons) SECOND TROMBONE SECOND Davies Symphony Hall Classical and Great Performers *Off er includes any combination of DSH Packages, **The partial payment plan is for credit card purchases only, Series subscribers can save up to $15 per ticket off regular totaling 12 or more concerts. and is not available online. After the initial payment is prices to the general public. processed, the balance, plus a one-time extended payment PAUL WELCOMER, WELCOMER, PAUL handling fee, is automatically charged on May 14, 2018. volume volume Listen to music excerpts: sfsymphony.org Subscribe: 415-864-6000 sfsymphony.org 02 03 / / Ferocious Beauty: Season HighlightsSeason Season HighlightsSeason Season the Music of Stravinsky Highlights Igor Stravinsky was among the most transformative composers of the 20th century. Shocking, enchanting, and fiercely individual, his voice exploded music into the modern age. Join the San Francisco Symphony for a two-week festival celebrating Celebrating MTT his three most iconic ballet scores and more. Join us in celebrating Michael Tilson Thomas’ groundbreaking SEP 21–23 legacy as Music Director of the MTT Conducts Stravinsky’s The Firebird - p. 6 San Francisco Symphony with a signature showcase of eclectic SEP 27–30 MTT Conducts Stravinsky’s Petrushka IGOR STRAVINSKY programs and collaborations and The Rite of Spring - p. 6 with leading artists, from Beethoven's Ninth and Mahler's Ninth, to Gil Shaham and Yefim Bronfman. NOV MTT’s From the Diary Composers Who 15–18 of Anne Frank - p. 7 Paint with Music Step inside the Impressionistic NOV MTT Conducts sound worlds of composers who 23, 25 Beethoven’s Ninth - p. 8 paint with music. Panoramic scenes of kinetic colors, shimmering light and shadows are evoked through FEB Gil Shaham and Tchaikovsky’s 7-9 Fourth Symphony - p. 10 an ephemeral atmosphere of rich MICHAEL TILSON THOMAS orchestral texture and exotic soundscapes by Impressionist icons Debussy, Ravel, and more. JUN MTT Conducts Mahler’s 13–15 Ninth Symphony - p. 14 SEP 13–16 MAR 14–17 JUN 27, 29, 30 Yefim Bronfman Plays JUN MTT Conducts Pianist Yuja Wang Christian Tetzlaff Plays Mozart The Magic of Youth: Prokofiev with the SF Symphony 20–22 and Appalachian Spring - p. 5 with the SF Symphony - p. 11 a Semi-Staged Event - p. 14 - p. 14 Ravel Piano Concerto in D major Ravel Le Tombeau de Couperin Ravel L’Enfant et les sortilèges for the Left Hand OCT 18–20 MAY 9–11 Pablo Heras-Casado MTT Conducts the Music Conducts Boléro - p. 6 of Debussy - p. 12 Ravel Alborada del gracioso Debussy Prelude à L'Après-midi d'un faune Debussy Ibéria from Images pour Debussy Nocturnes orchestre Debussy La Mer Ravel Boléro MICHAEL TILSON THOMAS WITH Subscribe: 415-864-6000 sfsymphony.org CONCERTMASTER ALEXANDER BARANTSCHIK 04 05 / / Concerts Season HighlightsSeason Concerts / Beautiful Davies Symphony Hall, home Sep of the San Francisco Symphony, hosts more than 200 concerts throughout the season and offers in-house food and drinks, unique shopping, and more. Since its founding in 1911, the San Francisco Symphony has been a champion of innovative, adventurous programming, offering music lovers across the Bay Area and around the world a kaleidoscopic spectrum of dazzling classics and exciting new works. Turn to page 15 for subscription JURASSIC PARK package summaries. Film Series Experience the magic Jurassic Park Mary Poppins 25th anniversary of the movies like SAT JAN 5 8PM | SUN JAN 6 2PM THU NOV 1 8PM | FRI NOV 2 8PM never before at Davies Boasting exuberant favorites like “A Spoonful Dinosaurs once again roam the earth in Symphony Hall. Watch of Sugar” and “Chim Chim Cher-ee," this director Steven Spielberg’s ultimate thrill magical Disney classic gave audiences some cinema favorites ride, Jurassic Park. Boasting Academy of the most celebrated songs of all time. Award®-winning visual effects that deliver projected on the big Winner of five Academy Awards® (including stunningly real prehistoric predators even screen and hear the Best Original Music Score) and starring the 25 years after its release, this massive incomparable Julie Andrews and Dick Van thrilling power of the blockbuster hit roars to life on the big Dyke, don’t miss the music of this beloved YUJA WANG score performed live screen with John Williams’ majestic score film performed live to picture by the performed live by the SF Symphony. by the SF Symphony. SF Symphony. Composers Who Paint with Music Turn to page 19 for THU C MTT Conducts Pianist Yuja Wang package summaries. Tim Burton’s Close Encounters SEP 13 and Appalachian Spring The Nightmare 8PM of the Third Kind Hear Yuja Wang, “quite simply the most dazzling, uncannily FRI C Before Christmas FRI MAR 1 8PM | SAT MAR 2 8PM gifted pianist in the concert world today” (San Francisco 25th anniversary SEP 14 Chronicle), play Ravel’s Piano Concerto for the Left Hand— FRI NOV 30 8PM | SAT DEC 1 8PM Steven Spielberg’s spectacular sci-fi 8PM a piece flavored by Harlem jazz. Then experience a different masterpiece features John Williams' iconic, Watch Jack Skellington plot to take over SAT A thread in the American tapestry when MTT leads the two-time Grammy Award-winning score Christmas in Tim Burton’s fantastical SEP 15 San Francisco Symphony in Copland’s complete ballet (Best Original Film Score, Best Instrumental tale The Nightmare Before Christmas. This 8PM Appalachian Spring, an iconic score that captures the Composition) and Academy Award®-winning “instant classic for both kids and grownups” pioneering spirit of American optimism. visual effects that have dazzled audiences SUN A (WOR Radio) comes to life like never before as since 1977. Experience the exhilarating SEP 16 Michael Tilson Thomas Conductor the SF Symphony performs Danny Elfman’s magic of this film on the big screen as the 2PM Yuja Wang Piano delightfully quirky score live with the film SF Symphony performs the score live. Luke Kritzeck Lighting design on the big screen. Clyde Scott Video design PRINCIPAL TUBA PRINCIPAL Castiglioni Inverno in-ver [with video] Ravel Piano Concerto in D major for the Left Hand Copland Appalachian Spring JEFFREY ANDERSON, JEFFREY volume Listen to music excerpts: sfsymphony.org Subscribe: 415-864-6000 sfsymphony.org 07 Stravinsky Festival with the San Francisco Symphony Great Performers Series THU M THU OPEN SF Symphony Plays Dvořák Bartók’s The Miraculous / FRI D GPS B MTT Conducts Stravinsky’s OCT 11 and Prokofiev The Mariinsky Orchestra NOV 8 Mandarin Concert SEP 21 The Firebird 2PM SUN 10AM 8PM “A model of farsighted musical intelligence and no- OCT 21 Plays Stravinsky Beguiling and depraved, Bartók’s pantomime ballet FRI F THU A On June 25, 1910, a slight, bespectacled, and unknown nonsense command” (Chicago Tribune), Austrian conductor 7:30PM Under the baton of Valery Gergiev, Russia’s illustrious The Miraculous Mandarin emerged like a shriek from the SAT C composer entered a Paris theater; he left that theater a OCT 12 NOV 8 s Manfred Honeck returns to the San Francisco Symphony Mariinsky Theatre Orchestra and “powerhouse Russian moral vacuum of World War I.
Load more

Recommended publications
  • For Release: Tk, 2013
    FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014.
    [Show full text]
  • The Chamber Music Society of Lincoln Center
    Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B.
    [Show full text]
  • Explore Unknown Music with the Toccata Discovery Club
    Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics is exploring it. To link label and listener directly we run the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you, free on joining, two CDs, a Toccata Press book or a number of album downloads (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases as CDs or downloads, as you prefer. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details.
    [Show full text]
  • Ts 2017 BOCAMAG.COM FESTIVAL of the OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including
    The Pink Panther Returns to azine A ag sso a M ci id at r io lo n F Cheap Eats 2017 BOCAMAG.COM FESTIVAL OF THE OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including... MARKETS Sergio Mendes Sarah Chang PLUS: Branford Marsalis RISING Jon Meacham and many more STARS OF BOCA THE PINK PANTHER and The Pink Panther character(s) are trademarks of Metro-Goldwyn-Mayer Studios Inc. © 2017 MGM. All Rights Reserved. Festival of the BOCA 131 2017 OFFICIALArts PROGRAM Festival of the BOCA This year’s celebration of the arts features performances by classical musicians, observations from popular authors and a special appearance Artsby the bumbling Inspector Clouseau. A 10-day celebration of music and literature. March 2-12, 2017 Sarah Chang February 2017 • • • • bocamag.com 132 Festival of the BOCA 2017 OFFICIALArts PROGRAM Performing Artists The Pink Panther Festival of the Arts BOCA will present the world premiere of the 1963 hit comedy, “The Pink Panther” with live orchestra, with the Henry Mancini Institute Orchestra performing Mancini’s Grammy-winning score. “The Pink Panther” and its famous saxophone theme music have become cross-generational American icons, spawn- ing a series of animated films that are instantly recognized by people young and old. Relive the original classic featuring David Niven, Peter Sellers and Robert Wagner on the giant screen at Mizner Park for a memorable and historic evening. La Boheme On March 4th Festival of the Arts Boca will bring Chatham Opera’s semi-staged produc- tion of Puccini’s “La Bohème” to Mizner Park. Puccini’s glorious, lush, romantic score will be presented in its original Italian with English supertitles in a new translation by the festival’s music director, Constantine Kitsopoulos.
    [Show full text]
  • San Francisco Symphony 2019–2020 Season Concert Calendar
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 12, 2019 SAN FRANCISCO SYMPHONY 2019–2020 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2019–20 season go on sale TUESDAY, March 12 at 10 am at www.sfsymphony.org/MTT25, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Discover how to receive free concerts with your subscription package. For additional details and questions visit www.sfsymphony.org/MTT25. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA Wednesday, September 4, 2019 at 8:00 pm Michael Tilson Thomas conductor and piano San Francisco Symphony ALL SAN FRANCISCO CONCERT with MICHAEL TILSON THOMAS Thursday, September 5, 2019 at 8 pm Saturday, September 7, 2019 at 8 pm Michael Tilson Thomas conductor Alina Ming Kobialka violin Hannah Tarley violin San Francisco Symphony BERLIOZ Overture to Benvenuto Cellini, Opus 23 SAINT-SAËNS Introduction and Rondo capriccioso, Opus 28 RAVEL Tzigane GERSHWIN Second Rhapsody for Orchestra with Piano BRITTEN Variations and Fugue on a Theme by Purcell San Francisco Symphony 2019-20 Season Calendar – Page 2 of 22 SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 12, 2019 at 8 pm Friday, September 13, 2019 at 8 pm Saturday, September 14, 2019 at 8 pm Sunday, September 15, 2019 at 2 pm Michael Tilson Thomas conductor San Francisco Symphony MAHLER Symphony No. 6 in A minor SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 19, 2019 at 2 pm Friday, September 20, 2019 at 8 pm Saturday, September 21, 2019 at 8 pm Sunday, September 22, 2019 at 2 pm Michael Tilson Thomas conductor Daniil Trifonov piano San Francisco Symphony John ADAMS New Work [SFS Co-commission, World Premiere] RACHMANINOFF Piano Concerto No.
    [Show full text]
  • Program Notes Anthony Mcgill, Clarinet Anna Polonsky, Piano
    Program Notes Anthony McGill, clarinet Anna Polonsky, piano Brahms: Clarinet Sonata No. 2 Johannes Brahms (1833-1897) was close to retiring when he heard a performance by clarinetist Richard Mühlfeld and was so deeply moved by his musical artistry that he deferred his retirement to compose four final works, all of which feature the clarinet in a starring role, including the two Clarinet Sonatas. The second sonata Opus 120, No. 2 in E-flat Major is made of up of four movements. The first movement is imbued with a sweetness that reflects Brahms’s own musical directions to the performers: Allegro amiable, a directive to play “…in a charming, gracious” manner. The second movement is a tour de force, marked “Apassionato, ma non troppo allegro” meaning with passion and features a Sostenuto middle section that is lyrical and dignified. The gentle third movement consists of a set of variations and is followed by a fourth movement defined by exuberance and joy. James Lee III: Ad Anah? James Lee III was born in Michigan in 1975. His major composition teachers include William Bolcom, Susan Botti and James Aikman. He was a composition fellow at Tanglewood Music Center in the summer of 2002, where he studied with Osvaldo Golijov and Kaija Saariaho. Mr. Lee’s works have been performed by orchestras including The National Symphony Orchestra, the Philadelphia Orchestra, and the Detroit Symphony Orchestra. Dr. Lee, who earned a DMA in composition at the University of Michigan in 2005, is a Professor of Music at Morgan State University in Baltimore, Maryland. This beautiful composition, Ad Anah? means “How Long?” It is based on a Hebrew Prayer, and in the words of Anthony McGill before a recent performance, this short song reflects “…what we’re going through in this time…the struggle.” Clarinetist Anthony McGill serves as the principal clarinetist for the New York Philharmonic and serves on the faculty of the Juilliard School, the Curtis Institute of Music and Bard College Conservatory of Music.
    [Show full text]
  • Toccata Classics Cds Are Also Available in the Shops and Can Be Ordered from Our Distributors Around the World, a List of Whom Can Be Found At
    Recorded in the Great Hall of the Moscow Conservatoire on 25–27 June 2013 Recording engineers: Maria Soboleva (Piano Concerto) and Pavel Lavrenenkov (Cello Concerto) Booklet essays by Anastasia Belina and Malcolm MacDonald Design and layout: Paul Brooks, [email protected] Executive producer: Martin Anderson TOCC 0219 © 2014, Toccata Classics, London P 2014, Toccata Classics, London Come and explore unknown music with us by joining the Toccata Discovery Club. Membership brings you two free CDs, big discounts on all Toccata Classics recordings and Toccata Press books, early ordering on all Toccata releases and a host of other benefits, for a modest annual fee of £20. You start saving as soon as you join. You can sign up online at the Toccata Classics website at www.toccataclassics.com. Toccata Classics CDs are also available in the shops and can be ordered from our distributors around the world, a list of whom can be found at www.toccataclassics.com. If we have no representation in your country, please contact: Toccata Classics, 16 Dalkeith Court, Vincent Street, London SW1P 4HH, UK Tel: +44/0 207 821 5020 E-mail: [email protected] A student of Ferdinand Leitner in Salzburg and Leonard Bernstein and Seiji Ozawa at Tanglewood, Hobart Earle studied conducting at the Academy of Music in Vienna; received a performer’s diploma in IGOR RAYKHELSON: clarinet from Trinity College of Music, London; and is a magna cum laude graduate of Princeton University, where he studied composition with Milton Babbitt, Edward Cone, Paul Lansky and Claudio Spies. In 2007 ORCHESTRAL MUSIC, VOLUME THREE he was awarded the title of Honorary Professor of the Academy of Music in Odessa.
    [Show full text]
  • The Israel Philharmonic Orchestra
    January 1987 Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium The Israel Philharmonic Orchestra Founded in 1936 by Bronislaw Huberman Music Director : Zubin Mehta FESTIVE JUBILEE SEASON THE ISRAEL PHILHARMONIC ORCHESTRA Founded in 1936 by Bronislaw Huberman • Music Director: Zubin Mehta The Fredric R. Mann Auditorium • P.O.Box 11292, 61112 Tel-Aviv; Telephone (03) 295092 The 51st Season / 1986-7 Festive Jubilee Season Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel, Mr. Chaim Herzog Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium January 1987 At 8.30 p.m. PUBLIC MANAGEMENT BOARD: Mr. D. Ben-Meir, Mr. A. Duizin Mr. Y. Ettinger, Mr. B. Gal-Ed, Mr. M.B. Gitter, Dr. A. Goldenberg, Mrs. A. Harris, Mr. P. Jacobi, Judge A.F. Landau (Chm'n), Mr. A. Levinsky, Mr. Z. Litwak*, Mr. Y. Mishori*, Mr. M. Neudorfer, Mr. Y. Oren, Mr. Y. Pasternak*, Mr. J. Pecker, Judge L.A. Rabinowitz, Mr. A. Shalev, Mr. N. Wolloch. (• IPO Management members) THE IPO FOUNDATION - Founding Members: Abba Eban (Chairman), David Blass, Yona Ettinger, Dr. Amnon Goldenberg, M.B. Gitter, Lewis Harris, Ernst Japhet, Y. Macht, Joseph Pecker, Raphael Recanati. Dr. Dapnna Schachner (Dir. Gen.) AMERICAN FRIENDS OF THE IPO: Zubin Mehta (Hon. Ch'mn); Fredric R. Mann (Pres.); Norman Bernstein, Itzhak Perlman (Vice Pres.); Susan B.
    [Show full text]
  • Tchaikovsky Rachmaninoff Piano Trio Trio Élégiaque No.1
    95632 Tchaikovsky Rachmaninoff Piano Trio Trio élégiaque No.1 Klára Würtz · Dmitri Makhtin · Alexander Kniazev Tchaikovsky’s negative sentiments towards the piano trio were clearly set out in a letter of October 1880 to his patron, Nadezhda von Meck, in response to her enthusiastic praise for one composed by her resident pianist – a young Frenchman Piotr Ilyich Tchaikovsky (1840-1893) Sergei Rachmaninoff (1873-1943) called Claude Debussy (a piece long thought lost but rediscovered in 1985). In Piano Trio in A minor Op.50 “In 4. Trio élégiaque No.1 rejecting her hint that he should write something similar, Tchaikovsky elaborated on memory of a great artist” in G minor 13’16 his antipathy to the format, not only on principle – the characteristics of violin, cello 1. Pezzo elegiaco: Moderato assai – and piano being in his view inherently incompatible – but for the purely subjective Allegro giusto 18’26 reason that their combination would be “pure torment” for him (notwithstanding 2. Tema con variazioni: the passages for exactly those instruments in the second movement of the recently Andante con moto 18’16 completed Second Piano Concerto). While conceding that other composers, notably 3. Variazione finale (Allegro Beethoven Mendelssohn and Schumann, had produced excellent examples, he could risoluto e con fuoco) e coda not be tempted in that direction. And that seemed to be that. (Andante con moto-Lugubre) 7’33 The sudden death in Paris of Nikolai Rubinstein on March 23rd 1881 seems to have been the catalyst for an abrupt change of mind. Although their relationship had always been prickly – Rubinstein had famously damned the First Piano Concerto as, among other things, badly written and vulgar – it was based on solid friendship and mutual respect and Tchaikovsky was devasted by the news.
    [Show full text]
  • To See the 2018 Tanglewood Schedule
    summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary
    [Show full text]
  • Ural Philharmonic Orchestra Yekaterinburg Philharmonic Choir
    2019 20:00 11.11. Grand Auditorium Lundi / Montag / Monday Grands orchestres Ural Philharmonic Orchestra Yekaterinburg Philharmonic Choir Dmitry Liss direction Andrei Petrenko direction de chœur Yekaterina Goncharova soprano Egor Semenkov ténor Yuri Laptev baryton Nikolaï Lugansky piano résonances 19:15 Salle de Musique de Chambre Vortrag Christiane Tewinkel: «Musik im Gespräch mit Malerei, Dichtung und sich selbst?» (D) Sergueï Rachmaninov (1873–1943) L’Île des morts (Die Toteninsel) op. 29. Poème symphonique (1909) Lento – Tranquillo – Largo – Allegro molto – Largo – Tempo I 24’ Rhapsodie sur un thème de Paganini op. 43 (1934) Introduction, thème et 24 variations 27’ — Les Cloches (Die Glocken) op. 35 (1912/13) Allegro non troppo Lento Presto Lento lugubre 40’ D’Bazilleschleider Martin Fengel Morts et transfigurations Jean-Jacques Groleau Artiste protéiforme, Sergueï Rachmaninov (1873–1943) fut un compositeur à part dans un siècle tourné vers la modernité à tout crin, l’abandon de la tonalité et le refus de plus en plus marqué de l’émotion. Plus moderne qu’on ne le dit souvent, il est en réalité le chaînon manquant entre deux mondes, tissant incessamment des liens entre un héritage pluriséculaire (les cloches des églises de son enfance, les thèmes de chants grégoriens) et une liberté formelle nouvelle (ce dont témoigne pleinement le programme de ce soir : poème symphonique, fantaisie pour piano et orchestre, symphonie chorale). L’Île des morts Après avoir quitté sa Russie natale, c’est à Dresde que Rachmaninov choisit de s’installer avec sa femme et leur fille Irina – Tatiana, leur seconde fille, y naîtra en 1907. Ce choix n’a rien d’arbitraire : Rachmaninov aime le calme, mais il a également besoin d’un environnement culturel riche et de haut niveau.
    [Show full text]
  • The Ultimate On-Demand Music Library
    2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.
    [Show full text]