Stephen Stills & Judy Collins Lao Tizer Band
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Songs About Joni
Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Cashbox Talenton Stag^
cashbox talenton stag^ Stephen Stills & Neil Young Patti Smith THE ROXY. L A — In the beginning The street consciousness continued Poco Flo & Eddie there was the word. The means of ex- as her between song rap turned quickly pression. The tool of the poet. The vocal into a poetic duel with the audience. It way of the wise man and the fool. Then was being cute and barbed; spitting on - The came the mixing of media as the ele- the stage and drinking from a patron’s PAULEY PAVILION, UCLA home "the first car I ever had, and my last old of sight the scotch. theatrical naturalness. Planned of the UCLA Bruins basketball team lady” called "Long May You Run "; ments and sound and word A became the home of the almost-extinct Stephen did some quick-pickin' on was important but not quite as before. but not quite so. three-act-for-five dollars concert last Robert Johnson's "Crossroads" before But the word as prime mover came full A strong factor in favor of Patti's poetry Sunday night; the show started at ap- playing Fred Neil's "Everybody's circle last week at the Roxy as Patti approach to music came out in the pro- light " forth with jection of lyrics their of proximately 8:15 p.m. and lasted until Talkin'. After commenting that he Smith gave the best argument her as speed in for the ten flow for instant comprehension nearly 2 a m. The house was packed to wished he'd written the song, he played the world thousand words allowed fully being worth more than a picture. -
A Singer-Songwriters' Tribute to the Music of Crosby, Stills, Nash & Young
Route 61 Music & Hemifrån proudly present A SINGER-SONGWRITERS' TRIBUTE TO THE MUSIC OF CROSBY, STILLS, NASH & YOUNG A 2-disc / 36-page booklet deluxe set. 27 artists, 27 songs. A tribute to the outstanding body of work produced by Crosby, Stills, Nash and Young. A benefit for the Equestrian Therapy Co-op* in Brandeis, California. *Equestrian Therapy is horseback riding for children and adults who can personally benefit from a natural encounter with horses. By combining horsemanship with concepts of physical and occupational therapy, Equestrian Therapy Co-Op programme promotes balance, coordination, focus and self-confidence in children and adults with special needs. PRODUCERS' NOTE Like all of the musicians on this album, we grew up deeply affected by the music of Crosby, Stills, Nash and Young. Perhaps it was even deeper for us as Europeans, because America was only a place we dreamed of, a far-off romantic world that we tried to understand, and music, movies and books were the among the ways we discovered it. This album is our little effort to thank the four men who opened up that world to us, and made it sing in harmony for more than forty years. Heartfelt thanks go also to all of the artists and bands — most of them good friends of ours — who are part of our larger musical world. Not only did you create your own great music, gifting us with beautiful original songs, but helped us make this tribute album possible. Music is love. That has always been the case. Once upon a time, through the songs of CSNY, we discovered that love was worldwide. -
Henry Diltz ::: Gary Burden
::: Gary Burden ::: Jackson Browne / 1972 Jackson Browne Photography : Henry Diltz ::: The Pretender / 1976 ::: Ned Doheny / 1973 Jackson Browne Ned Doheny Photography : Tom Kelley Photography : Henry Diltz ::: Eagles / 1972 ::: Desperado / 1973 Eagles Eagles Photography : Henry Diltz Photography : Henry Diltz ::: On The Border / 1974 ::: Natural Progressions / 1977 Eagles The Bernie Leadon Michael Georgiades Band Photography : Henry Diltz Photography : Gary Burden Cover Painting : Beatian Yazz ::: One of These Nights / 1975 Eagles Art Direction, Design : Tom Twerk Cover Art, Illustrations, Lettering : Boyd Elder Photography : Norman Seeff ::: Feed The Fire / 2001 ::: Deja Vu / 1970 Timothy B. Schmit Crosby, Stills, Nash & Young Photography : Henry Diltz Photography : Tom Gundelfinger (f), Henry Diltz (I) ::: Crosby, Stills & Nash / 1969 Crosby, Stills & Nash Photography : Henry Diltz ::: 4 Way Street / 1971 ::: So Far / 1974 Crosby, Stills, Nash & Young Crosby, Stills & Nash Photography : Joel Bernstein Painting : Joni Mitchell ::: CSN / 1977 Crosby, Stills & Nash Photography : Joel Bernstein Art Direction, Design : R. Twerk & Co. ::: Wind on The Water / 1975 ::: Whistling Down The Wire / 1976 David Crosby & Graham Nash David Crosby & Graham Nash Photography : Joel Bernstein, Bob Hammer (back) Photography : Lesley Foster Barncard ::: If I Could Only Remember My Name / 1971 ::: Oh Yes I Can / 1989 David Crosby David Crosby Photography : Gary Burden, Robert Hammer Photography : Jay Parti (f), Henry Diltz (b) Photography : Aaron Rapoport -
Stephen Stills: One Innovator Who Hit It Big
VOL. 58 NO. 28 TUESDAY, NOVEMBER 16,1976 FORDHAM UNIVERSITY, NEW YORK Stephen Stills: One Innovator Who Hit It Big by Thomas R. Offer His parents by now had again uprooted Here is a trivia question for you. Who is a young Stephen. The Stills family moved to notable folk-rock singer who auditioned for Panama for one year, and then settled down the NBC television show The Monkees, but in Costa Rica from 1961 to 1963. was rejected for lack of talent? While in South America, Stephen Stills Hmmm, you say. Well then here is picked up Latin music and its style. Evidence another clue. Who. in 1970. bought Beatle of this shows when he began to write Ringo Starr's 350 acre English estate? and sing songs professionally. Well, the answer (which you probably Today, the 31-year-old singer is still an have guessed) is Stephen Stills, the rock star advocate of the Latin rhythm, and he terms who will perform this Wednesday night in the beat "tremendous," During his 1974 the old gym on the Rose Hill Campus. New York City concert tour he strongly Considered by pop music experts one of defended Latin music, and criticized musi- the most influential persons on the rock cians who abuse it and "bastardize Latin music scene since 1966. Stephen Stills is music to sell it." constantly experimenting and innovating As a political science major at the music with new ideas. To understand Stills' University of Florida, Stills found little time talent, a look should be taken at his past. -
America May Turn Into a Bloodbath, Says David Crosby
Disc end Music Echo-January 10, 1970 13 In Britain this week: Crosby, Stills, Nash and Young, who played a sell-out concert in London on Tuesday; and joni Mitchell, friend of the group and one ..._ . of the world's best contemporary folk singer songwriters. Disc meets the visitors ... GENTLE, shy Joni MitcheU you, and I also think it takes some of the dynamics from flew into London last week JON/: iWY you. with her friends, Crosby, "I'm very possessive about Stills, Nash and Young, to my own art-I think everyone do her last concert for a is. I know how I want it to be PERSONAL and I have a very total picture long, long time. of it. It's expanding now and Since fame caught up with I can see other instruments. I her and propelled her to be can't write music. though, I come one of America's top LIFE/SA sing different parts into a tape three female folk-singers - recorder. If I had two years along with Joan Baez and ofl I'd probably go back and Judy CoUins--Joni has been SHAMBLES' learn composition. fighting a losing battle against Unlike Joan Baez and Judy time. With constant touring Collins, Joni is not a great she finds she has no time for demonstrator for peace. by Caroline Boucher "I'm interested - everyone her home or for her writing, wants peace-but it's like some and a long rest is vastly over people go to church on Sun due. one of my songs, so she asked days and some don't, but they're "I would like the luxury of me down as her guest which still Christians. -
Crosby, Stills, Nash &Young
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] CROSBY, STILLS, NASH &YOUNG CSNY 1974 Nach 40 Jahren endlich erhältlich: 40 unveröffentlichte Live-Aufnahmen von der legendären Sommertournee 1974 VÖ: 4. Juli 2014 Die Gerüchteküche brodelt schon lange, nun haben David Crosby, Stephen Stills, Graham Nash und Neil Young die Veröffentlichung der lang erwarteten Box ihrer legendären Live-Tour aus dem Sommer 1974 bestätigt. Das Gesamtpaket von CSNY 1974 besteht aus 40 bisher unveröffentlichten Aufnahmen, die vor fast genau 40 Jahren während der Tour mitgeschnitten wurden, und erscheint am 4. Juli. Die Box ist als 3CD/DVDs-Package oder als reine Audio Blu-Ray (192kHz/24-bit) plus DVD zu haben und mit einem 188(!)-seitigen Booklet mit bisher nicht gezeigten Tourfotos ausgestattet. Die DVD enthält ebenfalls unveröffentlichtes Konzert-Footage. Mehr als zwei Monate verbrachten CROSBY, STILLS, NASH & YOUNG im Jahr 1974 auf den Bühnen der US-Freilicht-Stadien und gaben alles in allem 31 Konzerte in 24 Städten. Über eine Million Fans bejubelten die faszinierende Chemie ihrer Gesangsharmonien und ihres Zusammenspiels, die in der Musikgeschichte einzigartig und legendär sind. Produziert von Graham Nash und Joel Bernstein, gibt die Box den brillanten Ablauf ihres Sets wieder, das akustisch begann, elektrisch weiterging und schließlich akustisch endete. Konsequent verfolgte die Band diesen Aufbau, sodass die Box ein exemplarisches Konzert der Tour widerspiegelt. CSNY 1974 präsentiert einige der besten und bekanntesten Songs der Formation, etwa Suite: Judy Blue Eyes, Helpless, Wooden Ships und Teach Your Children. Während der Tour stellten CROSBY, STILLS, NASH & YOUNG auch einige damals brandneue Songs vor, die später auf verschiedenen Solo- Alben veröffentlicht wurden. -
STEPHEN STILLS “Carry On”: Die Große 4-CD-Retrospektive Mit 25 Unveröffentlichten Tracks Liner Notes
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] STEPHEN STILLS “Carry On”: Die große 4-CD-Retrospektive mit 25 unveröffentlichten Tracks Liner Notes We would like to share with all of you this compendium of music from our friend and partner Stephen Stills. From the first recording of his that we could find (from the Voice of America radio station in Costa Rica in 1962) to a 2012 performance at the Beacon Theater in New York City, this set spans 50 years of music from a man whose range of musical expression is legendary, encompassing the blues, rock, folk and Latin music. Once again, we both experienced a newfound respect for Stephen and his extra-special gifts as a multi-instrumentalist, arranger, composer and singer, and when we put together this box set we realized just how much Stephen has contributed to the culture of not only his generation but to the many generations to come. We are honored to have been asked, and trusted, to bring you this collection, and in the end, all we say is… enjoy. -Graham Nash and Joel Bernstein Most of us have experienced a spark in time when we see a vision of the future. Blurry and ephemeral, it nevertheless sticks in our memory only to reveal true meaning much later in life. My spark with Stephen Arthur Stills occurred around 1960 in the living room of my parents’ house in Tampa, Florida. Stephen was the kid next door who played an old steel-stringed Stella guitar and picked with his fingers. -
Black Sabbath's Bill Ward the Year in Drumming
SEE BILLIE EILISH AND MEET DRUMMER ANDREW MARSHALL! THE WORLD’S #1 DRUM RESOURCE 1970 THE YEAR IN DRUMMING FEATURING BLACK SABBATH’S BILL WARD THE LEGENDARY JIM GORDON FUSION STAR LENNY WHITE P-FUNK’S TIKI FULWOOD CSNY’S JOHNY BARBATA + JUNE 2020 ALEX RÜDINGER: INTRONAUT/WHITECHAPEL ART BLAKEY STYLE & ANALYSIS GREGG BISSONETTE ON DAVID GARIBALDI An Icon for an Icon. DW is proud to present the long-awaited Collector’s Series® Jim Keltner Icon Snare Drum. Precise, laser-cut wood inlays are meticulously applied over an all-maple 11-ply VLT shell. A collectible meets highly-playable instrument that will always endure. Legendary, timeless, iconic. To experience more, visit dwdrums.com. ©2019 DRUM WORKSHOP, INC. ALL RIGHTS RESERVED. Volume 44 • Number 6 Cover photo by CONTENTS Galbraith/IconicPix/AtlasIcons.com 23 1970: THE YEAR IN DRUMMING As the turbulent ’60s faded in the rearview, new trends in music—jazz-fusion, sing- er-songwriter, funk-rock, heavy metal, blues-rock—began to form and capture listeners’ imaginations. This month we examine the work of fi ve drummers who were at the cutting edge of their respective corners of the musical universe, at the beginning of what many consider the greatest decade in music ever. 24 BLACK SABBATH’S BILL WARD 38 FUSION STAR LENNY WHITE 42 STUDIO AND TOURING GREAT JIM GORDON 46 PARLIAMENT-FUNKADELIC’S TIKI FULWOOD 48 WEST COAST POP JOURNEYMAN JOHNY BARBATA 8 THE PRETENDERS’ MARTIN CHAMBERS 10 METHOD BODY’S JOHN NIEKRASZ 14 UP & COMING: SLEATER-KINNEY’S 52 ALEX RÜDINGER 60 WHAT DO YOU KNOW ABOUT… ANGIE BOYLAN The heavy-music phenom and YouTube WARREN STORM? Brooklyn indie band Freezing Cold star tours the U.S. -
Neil Young from Wikipedia, the Free Encyclopedia
Neil Young From Wikipedia, the free encyclopedia Background information Birth name Neil Percival Young Also known as Bernard Shakey, Phil Perspective, Shakey Deal, Clyde Coil, Ol' Neil, Joe Canuck, Joe Yankee, Marc Lynch, Pinecone Young Born November 12, 1945 Toronto, Ontario, Canada Origin Winnipeg, Manitoba, Canada Genres Folk rock, country rock, experimental rock, heartland rock, hard rock, grunge Occupation(s) Musician, singer-songwriter, producer, director, screenwriter, humanitarian, entrepreneur Instruments Electric guitar, acoustic guitar, vocals, harmonica, piano, reed organ Years active 1960–present Labels Warner Bros., Reprise, Atco, Atlantic, Geffen Associated acts The Squires, The Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash & Young, Crazy Horse, The Stray Gators, The Stills-Young Band, The Ducks, Northern Lights, Pearl Jam, Booker T. Jones, Leon Russell, Elton John, Pegi Morton Young Notable instruments "Old Black" Martin D-45 "Hank" Gretsch White Falcon Neil Percival Young, OC OM (born November 12, 1945) is a Canadian singer-songwriter and musician. He began performing in a group covering Shadows instrumentals in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield together with Stephen Stills and Richie Furay, and later joined Crosby, Stills & Nash in 1969. He released his first album in 1968 and has since forged a successful and acclaimed solo career, spanning over 45 years and 35 studio albums, with a continuous and uncompromising exploration of musical styles. The Rock and Roll Hall of Fame website describes Young as "one of rock and roll's greatest songwriters and performers". He was inducted into the Hall of Fame twice, first as a solo artist in 1995, and second as a member of Buffalo Springfield in 1997. -
Copyrighted Material
c01.qxd 3/29/06 11:47 AM Page 1 1 Expecting to Fly The businessmen crowded around They came to hear the golden sound —Neil Young Impossible Dreamers For decades Los Angeles was synonymous with Hollywood—the silver screen and its attendant deities. L.A. meant palm trees and the Pacific Ocean, despotic directors and casting couches, a factory of illusion. L.A. was “the coast,” cut off by hundreds of miles of desert and mountain ranges. In those years Los Angeles wasn’t acknowl- edged as a musicCOPYRIGHTED town, despite producing MATERIAL some of the best jazz and rhythm and blues of the ’40s and ’50s. In 1960 the music business was still centered in New York, whose denizens regarded L.A. as kooky and provincial at best. Between the years 1960 and 1965 a remarkable shift occurred. The sound and image of Southern California began to take over, replacing Manhattan as the hub of American pop music. Producer Phil Spector took the hit-factory ethos of New York’s Brill Building 1 c01.qxd 3/29/06 11:47 AM Page 2 2 HOTEL CALIFORNIA songwriting stable to L.A. and blew up the teen-pop sound to epic proportions. Entranced by Spector, local suburban misfit Brian Wil- son wrote honeyed hymns to beach and car culture that reinvented the Golden State as a teenage paradise. Other L.A. producers followed suit. In 1965, singles recorded in Los Angeles occupied the No. 1 spot for an impressive twenty weeks, compared to just one for New York. On and around Sunset, west of old Hollywood before one reached the manicured pomp of Beverly Hills, clubs and coffee- houses began to proliferate.