DOCSLIB.ORG

THE NOVELS of GEORGE MEREDITH Generations ; and the Law O F Their Harmonious Inter Play Was Restated for the Benefit of Those Who Had Ears to Hear

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE NOVELS of GEORGE MEREDITH Generations ; and the Law O F Their Harmonious Inter Play Was Restated for the Benefit of Those Who Had Ears to Hear The Novels of Ge or ge M e r e dit h : A S t u d y E L M E R JA M E S B A IL E Y NEW Y ORK CHARLE S SC RIB NER ’ S SONS I 9 0 7 ‘ O R SS 1 4 N EW 0 G NG E a RecalVOd 5 a N o G mes OCT 1 9 3 90? 000m m ! em 9 /g l Gt rszA fl fz 1 0 B Y CO P Y R IGH T , 9 7 , ’ CH AR LE S S CRIB NE R S S ONS i h e ctob e r 1 9 0 7 P ub l s d O , AL G ERN ON SIDNEY CRAPSE Y r O ur s poke n i n pr ote s t e m ai ns . ” A young ge n er ation r e gps . M E RE DITH : The E m pty P ur s e . C O N T E N T S I INTRO D UCTIO N m e g Com pen sa tion in Liter a r y R enown Th e Pr oba ble ’ P e r m a n e n ce of Me r e dith s Fa m e — Th e P er iods of H is Ca r eer II TH E APPRE NTICE ’ Mer edith s E a r ly Life Liter a r y Con ditions in Ni ne “ te enth Ce ntur y E ngla n d befor e 1 860— Th e P oem s “ of 1 85 1 The Sha vi ng of Sh a gpa t Fa r ina III TH E JO UR NE YMAN Ass im ila te d Influen ce s Th e O r d e a 1 of R i cha r d “ “ Fe ver el E v a n H a r r i n g t o n — S a n dr a B ellon i Vittor ia Rhoda Flem ing IV TH E MASTE R -WO RKMAN “ The P er iod of Fr ee In venti on The Adventur es of ” “ ’ ” H a r r y Richm on d B e a u cham p s Ca r e er “ “ ” “ Shor t Stor ie s The Egoist The Tr a gi c Com e di a ns V TH E MASTE R -WO RKMAN “ Th e Per i od of Con ce ntr a te d Inte r e st Dia n a of th e “ “ Cr osswa y s O ne of O ur Conq uer or s Lor d ” “ O r m ont a n d H is Am inta — Th e Am a zing Ma r ” r ia ge — Th e Mer edith School VI ’ L st of th e a r a cter s in Mer e t s No e s W t a n A i Ch di h v l , i h Enum er a tion of th e Cha pter s in Whi ch they a ppea r T H E N O V E L S O F G E O R G E M E R E D I T H : A S T U D Y INTRODUCTION CO M P ENS ATIO N IN LITERAR Y R ENO WN— T H E PRO B ’ ABLE P ERMANENCE O F MERED ITH S FAME— TH E P I D I A ER O S O F H S C R EER . TH E fame which comes to an author is no less a result of the action of moral la w than is the glory w of a general , the reno n of a statesman , or the beati fica tion O f - a martyr . Long ago the clear eyed Greeks perceived that although Fortune dealt out her O f gifts with sovereign disregard merit or desert , she was sooner or later followed by Nemesis , the god dess of due proportion , who ruthlessly shattered such prosperity a s seemed even moderately beyond v the mean . In the long run , the alternating mo e ment set up by repeated visitations of the two deities , satisfied the mind of Justice ; and the balance in her steady hand fell to rest . As forces , however, Fortune , Nemesis , and Justice did not become power less with the passing O i Athens and Rome . On the contrary , still existing, they were renamed by later 2 THE NOVELS OF GEORGE MEREDITH generations ; and the law O f their harmonious inter play was restated for the benefit of those who had ears to hear . Because of this evolution of expres we sion , therefore , no longer talk with the Greek f philosophers of Nemesis, but we find no di ficulty whatever in speaking with Emerson and Browning of Compensation . Nor is this law or principle , in so far as it has to f . do with literary fame , di ficult of statement Baldly : a t expressed , it is this The duration of attention tracted is in dir ect ratio to the time consumed in . In awakening adequate appreciation other words , if renown is the growth of a night , its continuance will be hardly more than for a day ; b ut if it is slow in coming to maturity , it is likely to be persistent , m and in some cases permanent . A man , for exa ple , writes a story which is immediately looked upon as the greatest novel of the year ; soon it is advertised as being in its tenth , its twelfth , or possibly its six n h tee t edition . For a time it heads the list of best ’ selling books ; then it runs the gauntlet of women s Clubs ; and finally it rushes comet- like on its par abolie course from our sight . On the other hand , - - should a serious minded , high purposed author pro duce a book which must needs be read with the mind as well as the eye , his readers , at first . are almost “ ” certain to be few, barely the remnant , perhaps . Nevertheless , if the work is deserving , the audience ’ steadily widens ; and the author s writing gradually ’ ceases to be confused with his wife s , if she happens - to be a blue stocking, or with the weaker pro d uctions of some m a n ' whos e pseudonymous name INTRODUCTION 3 m isleads those who read as they run . Such a writer , furthermore , is occasionally forced to pass through the purgatory of having a club formed for the purpose of studying his work . But even this agony enters as a factor into the problem of due compensation , for if an author withstands that test of his power , the ellipticity of his orbit is in all proba bility computable ; and although he may disappear from sight or even from memory for a time , he is likely , in none the less , to return at intervals with an ever creasing Splendor of renown . What Homer was to those who heard him recite his poems , no one now can ever know ; but critics were not wanting even among the Greeks , who proved beyond a shadow of doubt , that the blind poet of the . seven cities was altogether lighter than, vanity Even s a tisfa c in recent time , it has been shown to the tion of not a few , that no such man as Homer ever lived ; yet the Iliad and the Odyssey remain , and by the many the iconoclastic critics are r e membered chiefly because they raised their un shamed hands against a master . Dante , indeed , had literary recognition in his life-time ; for as he moved O f through the streets Ravenna , not only did the nobility pay him a certain forced respect , but simple minded mothers gathered their children about them , -f and whispered in trembling awe that the stern aced , silent man had looked upon the suff erings of those who writhed in the torments of Hell . Yet when Fortune tardily sought out one of the greatest of the - children of men , she found that , over weary with the Of ’ climbing others stairs , he could draw no comfort 4 THE NOVELS OF GEORGE MEREDITH from the high regard which she was then willing to wa . s bestow Shakespeare , too , no very great man in the sight of his friends at the Mermaid Tavern ; and the best reply which Dryden and Pope could give to ’ “ Sh a ks e a r Milton s inquiry , What needs my p for his honoured bones ? ” was to emasculate the most virile n work which the literary world has know . There is little question about these great men now, how ever , for Fame has crowned their work ; and in She compensation for her delay , has made the wreath immortal . In the narrower field O f English fiction the work O f ing the law is no less evident and sure . We are in the habit of assuming that Scott, and Thackeray , and Dickens , and possibly George Eliot, are our greatest novelists ; and conseq uentlyf ew of us stop to realize , even if we know, that G . P . R . James , and m u h Lever, and Bulwer were , at one time , very c more eagerly read , and their enduring fame much more earnestly prophesied . It cannot , of course , be held with truth that our greater novelists received ’ no recognition in their day . Indeed , Scott s con temporary popularity and present renown would seem to be an exception to the rule , if it could be proved that more than a very small number of those who now feel compelled to buy his books and to speak glibly of his characters , ever sit down even to cut the leaves of their purchase .
Load more

Recommended publications
  • Text Fly Within
    TEXT FLY WITHIN THE BOOK ONLY 00 u<OU_1 68287 co ^ co> OSMANIA UNIVERSITY LIBRARY t*o-* 7 Alt i^- Gall No. / Accession No. Author 0ttSkts "J- . Title /v- 4he f'/* Kt^fa/iie ^rU^ r -*JU" ' This book should be returned on or before the date last marked below. THE REINTERPRETJLTION OF VICTORIAN LITERATURE THE REINTERPRETATION OF VICTORIAN LITERATURE EDITED BY JOSEPH E. BAKER FOR THE VICTORIAN LITERATURE CROUP OF THE MODERN LANGUAGE ASSOCIATION OF AMERICA PRINCETON, NEW JERSEY PRINCETON UNIVERSITY PRESS 1950 COPYRIGHT, 1950, BY PRINCETON UNIVERSITY PRESS LONDON: GEOFFREY CUMBERLEGE, OXFORD UNIVERSITY PRESS PRINTED IN THE UNITED STATES OF AMERICA BY PRINCETON UNIVERSITY PRESS AT PRINCETON, NEW JERSEY PREFACE THE Victorian Literature Group of the Modern Language Association of America, at the 1939 meeting in New Or- leans, agreed to put out this volume to further the reinter- pretation of a literature of great significance for us today. The writers of Victorian England first tried* to salvage humane culture for a new world of science, democracy, and industrialism. We owe to them and to Pre-Victorians like the prose Coleridge a revival of Christian thought, a new Classical renaissance (this time Greek rather than Latin), an unprecedented mastery of the facts about nature and man and, indeed, the very conception of "culture" that we take for granted in our education and in our social plan- ning. In that age, a consciousness that human life is subject to constant development, a sense of historicity, first spread throughout the general public, and literature for -The first time showed that intimate integration with its sociafback- ground which marks our modern culture.
    [Show full text]
  • George Meredith, His Life, Genius & Teaching
    IS mttmmaxBi ill Ill r.K i&ZjL - V f GEORGE MEREDITH GEORGE MEREDITH HIS LIFE, GENIUS & TEACHING FROM THE FRENCH OF GONSTANTIN PHOTIADES RENDERED INTO ENGLISH :: BY ARTHUR PRICE :: NEW YORK CHARLES SCRIBNER'S SONS 1913 CONTENTS CHAPTER r*u* 1 I. A Visit to Flint Cottage (22nd September, 1908) II. George Meredith's Life . .25 III. George Meredith's Genius . -7° IV. George Meredith's Art . .164 V. George Meredith's Teaching . .199 Conclusion . -249 GEORGE MEREDITH CHAPTER I A VISIT TO FLINT COTTAGE (22ND September, 1908) arriving at George Meredith's home, at Box ONHill, near Dorking, one showery afternoon at the end of September, I found a pretty country house, quite different from the luxurious retreats inhabited by those fashionable French writers who are well assured of their fame. Many wealthy tradesmen possess villas far more pretentious on the outskirts of Paris or of London. But the charm of Flint Cottage lies in its absolute simplicity. The little house, where Meredith had lived for forty years, is situated half-way up a slope which inclines slowly firs little towards a wood of ; a garden, admirably kept, surrounds it. When I entered the garden, the convolvuluses were more than half-closed and the first drops of rain fell noiselessly upon the grassy hill-side. It autumn and the slopes of the was ; day 2 GEORGE MEREDITH was calm and fresh. A light breeze just swayed the leaves of the lime trees and the elms, which had begun to turn colour. The blackberries were already laurel ripe upon the brambles ; and from the hedges exhaled a bitter odour.
    [Show full text]
  • The Distrust of Speech in George Meredith's Modern Love
    Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-18-2010 “How Silence Best Can Speak”: The Distrust of Speech in George Meredith's Modern Love Ellen J. Murray Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Murray, Ellen J., "“How Silence Best Can Speak”: The Distrust of Speech in George Meredith's Modern Love." Thesis, Georgia State University, 2010. https://scholarworks.gsu.edu/english_theses/94 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “HOW SILENCE BEST CAN SPEAK”: THE DISTRUST OF SPEECH IN GEORGE MEREDITH’S MODERN LOVE by ELLEN JUSTINE MURRAY Under the Direction of Paul H. Schmidt ABSTRACT The scarcity of speech in George Meredith’s Modern Love creates a deeply psychological narrative, reflecting a distrust of speech and the effectiveness of language in general. The narrator of the poem exists in a space of ambiguity, both blaming and yearning for speech; in his confusion, he remains largely silent. His silence does not only emphasize the distance between husband and wife but also between language and meaning. Furthermore, the narrator’s distrust of language ultimately exposes
    [Show full text]
  • The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity M. Aloise Jones Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Jones, M. Aloise, "The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity" (1947). Master's Theses. 632. https://ecommons.luc.edu/luc_theses/632 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 M. Aloise Jones THE 'MORAL PROBLEM IN THE NOVELS OF GEORGE MEREDITH ITS INTELLECTUAL BASIS AND ITS AESTHETIC V1\LIDITY BY SISTER M. ALOISE JONES, O.P. A THESIS SUBMITTED m PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY FEBRUARY, 1947 T.ABIE OF CONTENTS CHAPTER PAGE INTRODUCTION • • • • • • • • • • • • • • • • • • • • • l I. EARLY INFLUENCES IN THE FORMATION OF MEREDITH'S CONCEPTIONS OF NATURE, SOCIETY, AND MAN • • • • • 16 Home environment - English influences - His debt to Germany - The influence of France II. PRINCIPLES OF EVOLUTION AS THE BASIS OF MEREDITH'S MORAL AND ETHICAL IDEAS • • • • • • • • • • • • • 21 BY conscious, intellectual striving, each individ- ual must contribute to the progress of the race - Necessity of traditional morality - Solution of the Problem - source of inspiration III.
    [Show full text]
  • An Indianapolis Adventure
    An Indianapolis Adventure By Donald E. Curtis Many members of The Literary Club will probably recall from our conversations that I am a self-confessed Sherlock Holmes enthusiast and a great fan of Victorian literature including Charles Dickens, Anthony Trollope and, of course Sir Arthur Conan Doyle. What many probably do not know is that Doyle, the creator of the world’s greatest detective was very fond of Indianapolis and made a special effort on his third trip to America to have our city included in his itinerary as he had enjoyed his visit here so much on his first trip. In the fall of 1894, Arthur Conan Doyle, famed author of the Sherlock Holmes stories, made his first trip to the United States. He was on a “lecture circuit” under the management of Major J. B. Pond, and was booked to speak in many places on a variety of subjects. Major Pond was at the top of his profession at this time. He had begun as a journalist in abolitionist days, later served the Union Army during the Civil War and later sent ex-Mormons and anti-Mormons on the lecture trail. He gained further experience with the Redpath Lyceum Bureau of Boston managing tours for the likes of Ralph Waldo Emerson. By 1879 Pond owned his own lecture company in New York and was the premier manager of entertainers, writers, and advocates of special causes such as women’s suffrage. Major Pond represented many luminaries including James Whitcomb Riley and Mark Twain. In 1894, Pond had a new special attraction to offer: the popular young British author Arthur Conan Doyle, well-known as the creator of the very popular Sherlock Holmes In preparation for this lecture tour, Doyle had constructed three addresses: the first was entitled “Facts About Fiction” with 1 comments on such writers as Thomas Hardy, Robert Louis Stevenson, and Rudyard Kipling.
    [Show full text]
  • George Meredith
    GEORGE MEREDITH Photo by Frederick Hollyer. GEORGE MEREDITH. GEORGE MEREDITH BY WALTER JERROLD "Life, some think, is worthy of the Muse." Xonfcon GREENING & COMPANY, LTD. 20 CECIL COURT, CHARING CROSS ROAD 1902 All Rights Reserved PR 5013 TO EDWARD CLODD FIT FRIEND OF ONE OF OUR GREATEST CONTENTS PAGE i. THE MAN i ii. THE POET . 40 in. THE EARLIER NOVELS . 81 iv. THE LATER NOVELS *39 v. LIST OF WORKS 188 INDEX 193 INTERNAL HARMONY ASSURED of worthiness we do not dread Competitors ; we rather give them hail And greeting in the lists where we may fail : Must, if we bear an aim beyond the head ! My betters are my masters : purely fed By their sustainment I likewise shall scale Some rocky steps between the mount and vale ; Meanwhile the mark I have and I will wed. So that I draw the breath of finer air, Station is nought, nor footways laurel-strewn, Nor rivals tightly belted for the race. to ! is here or there Good speed them My place ; My pride is that among them I have place : And thus I keep this instrument in tune. GEORGE MEREDITH. GEORGE MEREDITH: AN ESSAY TOWARDS APPRECIATION I THE MAN " I maintain there is wisdom in him when conven- tional minds would think him at his wildest . the man I am proudest to think of as an Englishman and a man living in my time, of all men existing. I can't overpraise him." Beauchamfis Career. AT no time, perhaps, have Thackeray's words about the popular taste for particulars as to the private life of a hero been truer " than at the present : We all want to know details regarding men who have achieved famous feats, whether of war, or wit, or eloquence, or endurance, or knowledge.
    [Show full text]
  • A Walk Through Literary Box Hill
    A walk through literary Box Hill “He rises and begins to round, He drops the silver chain of sound Of many links without a break, In chirrup, whistle slur and shake. ” George Meredith, The Lark Ascending When standing on the top of Box Hill, five ward over the gorse the dark ridge of the When Meredith died, Barrie wrote his miles from the M25 and the second high - fir and heath country ran companionably essay, e Greenwood Hat, Being a Memoir est hill in Surrey, it is easy to see how to the south west, the valley between, with of James Anon 1885-1887 which was about George Meredith was inspired to write his undulations of wood and meadow sunned Meredith and his image of him on the hill. poem e Lark Ascending . When sur - or shaded, clumps and mounds, promon - “He [Meredith] was royalty at its most rounded by wildlife and green space it tories, away to the broad spaces of tillage august to Anon [Barrie], whose very first would not have just been a skylark soaring banked by wooded hills, and dimmer be - railway journey on coming to London was upwards. yond and farther, the faintest shadowiness to Box Hill to gaze at the shrine. ere is a He described the down lands beautifully of heights, as a veil to the illimitable. Yews, grassy bank, or there was (for I go there no in his novel Diana of the Crossways. junipers, radiant beeches, and gleams of more), opposite the gate, and the little “rough an old gravel-cutting a gateway service-tree or the whitebeam, spotted the royal residence is only some twenty yards led to the turf of the down, spring turf semicircle of swelling green down black away.
    [Show full text]
  • Sex, Marriage, and Gender Roles in George Meredith's Poems and Novels
    Journal of Literature and Art Studies, ISSN 2159-5836 June 2013, Vol. 3, No. 6, 355-362 D DAVID PUBLISHING Against Orthodoxy: Sex, Marriage, and Gender Roles in George Meredith’s Poems and Novels Anna Enrichetta Soccio University “G. d’Annunzio”, Chieti, Italy George Meredith (1828-1909) is acknowledged as a creator of memorable female characters. Meredith’s heroines are radically different from the women generally encountered in Victorian fiction. Characteristically, Meredith constructs a type of female character who, in a social context hostile to any break with convention, refuses to conform to the stereotype of the weak, passive, and dependant woman. In accordance with J. S. Mill’s observations in The Subjection of Women (1869), Meredith thought that the progress of society could be possible only through female emancipation and admittance of women into public practice. This paper discusses the themes of marital disintegration and “conscious adultery” that affirm the legitimacy of female pleasure against coercion. Thus, the paper will take into consideration the sonnet sequence Modern Love (1862) and one of Meredith’s most neglected novels, Lord Ormont and His Aminta (1894), whose heroines are unexpectedly depicted as non-conventional, strong, and proud. A close reading of the texts will reveal the narrative strategies and textual devices through which Meredith exploited a model of womanhood that, by subverting the current ideas on sex, marriage, and gender roles, is able to countermine male “egoism”, the only obstacle to the genuine progress of Victorian society toward real democratization. Keywords: George Meredith, Victorian women, love, sex, gender, subversion Introduction Towards the end of the 19th century, the representation of women in literature was progressively being transformed.
    [Show full text]
  • CENTURY BRITISH NOVEL in CONTEXT Mondays 4:15-‐6:15
    THE NINETEENTH-CENTURY BRITISH NOVEL IN CONTEXT Mondays 4:15-6:15 Professor Anne Humpherys This course will modify the traditional survey of the British novel by concentrating on clusters of novels that were published usually within months of each other. We’ll spend two weeks on each cluster, everybody reading the same novel the first week, and then having a choice among the rest of the cluster for the second week. We’ll begin with the year 1818 which saw publication of Jane Austen (Persuasion), Walter Scott (Heart of the Midlothian), and Mary Shelley (Frankenstein), move on to the annus mirabilis, 1847, with novels by Emily, Anne, and Charlotte Brontë, Thackeray (Vanity Fair) , Disraeli Tancred ), and Dickens (Dombey and Son which begins serialization). The next really significant single year is 1859 with novels by George Meredith (Ordeal of Richard Feverel), George Eliot (Adam Bede), Dickens (Tale of Two Cities), and Anthony Trollope (Can You Forgive Her? the first Palliser novel) not to mention Tennyson’s Idylls of the King, Samuel Smiles’s Self Help, John Stuart Mill’s “On Liberty,” and Darwin’s Origin of Species plus a few other poems and non-fiction works. The cluster of novels that appeared in 1860-2 that defined the sensation novel include those by Wilkie Collins (Woman in White 1860 and No Name 1862), Ellen Wood (East Lynne 1861), Dickens (Great Expectations 1861), and Elizabeth Braddon (Lady Audley’s Secret 1862). Charles Reade, an important if now forgotten sensation novelist, published the most popular historical novel of the Victorian period during this same time period: The Cricket on the Hearth (1861).
    [Show full text]
  • A Test for the Novel Class
    28 THE VIRGINIA TEACHER [Vol. 10, No. 1 preserve the unity of the group. Aside dy's The Return of the Native. Each from other strong reasons for not shifting member of the class read during the quar- this unifying element here, five of the series ter at least twelve other novels selected from had already been written and, no doubt, had a fairly large list ranging from Pamela been approved in the theatre. To retrace (1740) to All Kneeling (1928) and also his steps now, quite obviously was not de- studied as collateral reading one of the sirable or feasible. standard books on the development of the The historical plays give us the truth of novel. the times, but not always true facts. After The test was therefore purposely wide he had written three or four, it appears that in its range and students were assured that the poet planned the group to accord with they could not be expected to answer every cherished ideals of principle and practice. item. In fact the highest possible score was Facts that were not in harmony with these 100 and the highest actual score made was ideals he wholly disregarded. With keen, 77. The median class score was 55. critical eye, the playwright adapted these Generally speaking, so large a propor- plays to the requirements of the time, and tion of unfamiliar questions may tend to to the highest and best interest of the na- invalidate a test, at least challenging its tion. To lovers of the theatre in the last economy, and in meeting this criticism the years of England's "mighty and merciful only defence here to be offered is the fact queen," the poet's vivid imagination re- that the subject matter was wide and varied.
    [Show full text]
  • Comic Elements and Their Effect on Meaning in George Meredith, Ford Madox Ford, and D
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1998 Comic Elements and Their Effect on Meaning in George Meredith, Ford Madox Ford, and D. H. Lawrence Helen Vincenza Garvey Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Garvey, Helen Vincenza, "Comic Elements and Their Effect on Meaning in George Meredith, Ford Madox Ford, and D. H. Lawrence" (1998). Dissertations. 3736. https://ecommons.luc.edu/luc_diss/3736 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1998 Helen Vincenza Garvey LOYOLA UNIVERSITY CHICAGO COMIC ELEMENTS AND THEIR EFFECT ON MEANING IN GEORGE MEREDITH, FORD MADOX FORD, AND D. H. LAWRENCE VOLUME I A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY HELEN VINCENZA GARVEY CHICAGO, ILLINOIS JANUARY 1998 Copyright by Helen Vincenza Garvey, 1998 All rights reserved. ACKNOWLEDGMENTS I wish to give thanks first and foremost to God, who through his Blessed Mother, answered my prayers for enlightenment, tenacity, and the help necessary to complete this dissertation. On a less ethereal plane, I wish to give special thanks to my husband, David S. Garvey, who through God's grace endured much to provide the help and support needed for me to finish my work; he is also solely responsible for formatting this dissertation to the required specifications.
    [Show full text]
  • Durham Research Online
    Durham Research Online Deposited in DRO: 30 May 2008 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Regan, S. (2006) 'The Victorian sonnet, from George Meredith to Gerard Manley Hopkins.', Yearbook of English studies., 36 (2). pp. 17-34. Further information on publisher's website: http://www.ingentaconnect.com/content/mhra/yes/2006/00000036/00000002/art00002 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk The Victorian Sonnet, from George Meredith to Gerard Manley Hopkins STEPHEN REGAN Durham University A glance at the few scattered sonnets that appear in the collected poems of Alfred Tennyson and Robert Browning might be cause for thinking that the Victorian sonnet is an enfeebled, outmoded form, possessing neither the strong, impassioned rhetoric nor the bold thematic diversity that Romantic poets were able to bring to ‘the Sonnet’s scanty plot of ground’.
    [Show full text]