Tamaques Area Residents Complain About Pond Scum
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
Professor Robert Beveridge FRSA, University of Sassari
Culture, Tourism, Europe and External Relations Committee Scotland’s Screen Sector Written submission from Professor Robert Beveridge FRSA, University of Sassari 1. Introduction While it is important that the Scottish Parliament continues to investigate and monitor the state of the creative and screen industries in Scotland, the time has surely come for action rather than continued deliberation(s) The time has surely come when we need to stop having endless working parties and spending money on consultants trying to work out what to do. Remember the ‘Yes Minister’ Law of Inverse Relevance ‘ ‘The less you intend to do about something, the more you have to keep talking about it ‘ ‘Yes Minister’ Episode 1: Open Government Therefore, please note that we already know what to do. That is: 1.1 - Appoint the right people with the vision leadership and energy to succeed. 1.2 - Provide a positive legislative/strategic/policy framework for support. 1.3 - Provide better budgets and funding for investment and/or leverage for the same. (You already have access to the data on existing funding for projects and programmes of all kinds. If the Scottish Government wishes to help to improve performance in the screen sector, there will need to be a step change in investment. There is widespread agreement that more is needed.) 1.4 Give them space to get on with it. That is what happened with the National Theatre of Scotland. This is what happened with MG Alba. Both signal success stories. Do likewise with the Screen Industries in Scotland 2. Context Some ten years ago the Scottish Government established the Scottish Broadcasting Commission. -
Lesley Sharp and the Alternative Geographies of Northern English Stardom
This is a repository copy of Lesley sharp and the alternative geographies of northern english stardom. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/95675/ Version: Accepted Version Article: Forrest, D. and Johnson, B. (2016) Lesley sharp and the alternative geographies of northern english stardom. Journal of Popular Television, 4 (2). pp. 199-212. ISSN 2046-9861 https://doi.org/10.1386/jptv.4.2.199_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Lesley Sharp and the alternative geographies of Northern English Stardom David Forrest, University of Sheffield Beth Johnson, University of Leeds Abstract Historically, ‘North’ (of England) is a byword for narratives of economic depression, post-industrialism and bleak and claustrophobic representations of space and landscape. -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
The British War Film, 1939-1980: Culture, History, and Genre
The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples. -
News-LEADER Arkansas’S Heritage While Leading Through the 21St Century Wednesday, April 25, 2018 U Vol
THE NASHVILLE HH HH Preserving SouthwestNews-LEADER Arkansas’s Heritage While Leading Through the 21st Century Wednesday, April 25, 2018 u Vol. 15, Issue 43 u 24 pages, 2 sections u 75¢ Leader Special meeting Board of school board, www.swarkansasnews.com NJHS teachers postponed OPINION 4A By John R. Schirmer Freedom of News-Leader staff A group of Nashville Junior High Information School teachers had planned to meet Act is for with the Nashville School Board Tues- day night, April 24, to voice their con- the public. cerns about the process recently used in naming a new assistant principal Spring Home for the school. Instead, the meeting was postponed Improvement early Tuesday afternoon, and board ideas. 6B-7B president Monica Clark will meet with the committee privately. It was not immediately known if or when the public meeting with the Dinner board would be rescheduled. theater Members of the NJHS search com- mittee had prepared a statement to Thursday present to the board about the reasons for their choice and to express their at NHS concerns about the board’s action at the The Nashville High meeting. The board did not follow the School Drama Class will committee’s recommendation. present “Dinner at Eight, “The interview committee was obvi- Dead by Nine” Thursday, ously upset about the board not taking April 26, in the NHS their recommendation,” Superinten- cafeteria. dent Doug Graham said Tuesday. “The Doors will open at committee at NJHS and the administra- 6:30 p.m., and the pro- tion were terribly disappointed.” gram will start at 7 p.m. -
Accelerated Reader Book List
Accelerated Reader Book List Book Title Author Reading Level Point Value ---------------------------------- -------------------- ------- ------ 12 Again Sue Corbett 4.9 8 13: Thirteen Stories...Agony and James Howe 5 9 1621: A New Look at Thanksgiving Catherine O'Neill 7.1 1 1906 San Francisco Earthquake Tim Cooke 6.1 1 1984 George Orwell 8.9 17 20,000 Leagues Under the Sea (Un Jules Verne 10 28 2010: Odyssey Two Arthur C. Clarke 7.8 13 3 NBs of Julian Drew James M. Deem 3.6 5 3001: The Final Odyssey Arthur C. Clarke 8.3 9 47 Walter Mosley 5.3 8 4B Goes Wild Jamie Gilson 4.6 4 The A.B.C. Murders Agatha Christie 6.1 9 Abandoned Puppy Emily Costello 4.1 3 Abarat Clive Barker 5.5 15 Abduction! Peg Kehret 4.7 6 The Abduction Mette Newth 6 8 Abel's Island William Steig 5.9 3 The Abernathy Boys L.J. Hunt 5.3 6 Abhorsen Garth Nix 6.6 16 Abigail Adams: A Revolutionary W Jacqueline Ching 8.1 2 About Face June Rae Wood 4.6 9 Above the Veil Garth Nix 5.3 7 Abraham Lincoln: Friend of the P Clara Ingram Judso 7.3 7 N Abraham Lincoln: From Pioneer to E.B. Phillips 8 4 N Absolute Brightness James Lecesne 6.5 15 Absolutely Normal Chaos Sharon Creech 4.7 7 N The Absolutely True Diary of a P Sherman Alexie 4 6 N An Abundance of Katherines John Green 5.6 10 Acceleration Graham McNamee 4.4 7 An Acceptable Time Madeleine L'Engle 4.5 11 N Accidental Love Gary Soto 4.8 5 Ace Hits the Big Time Barbara Murphy 4.2 6 Ace: The Very Important Pig Dick King-Smith 5.2 3 Achingly Alice Phyllis Reynolds N 4.9 4 The Acorn People Ron Jones 5.6 2 Acorna: The Unicorn Girl -
You've Seen the Movie, Now Play The
“YOU’VE SEEN THE MOVIE, NOW PLAY THE VIDEO GAME”: RECODING THE CINEMATIC IN DIGITAL MEDIA AND VIRTUAL CULTURE Stefan Hall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: Ronald Shields, Advisor Margaret M. Yacobucci Graduate Faculty Representative Donald Callen Lisa Alexander © 2011 Stefan Hall All Rights Reserved iii ABSTRACT Ronald Shields, Advisor Although seen as an emergent area of study, the history of video games shows that the medium has had a longevity that speaks to its status as a major cultural force, not only within American society but also globally. Much of video game production has been influenced by cinema, and perhaps nowhere is this seen more directly than in the topic of games based on movies. Functioning as franchise expansion, spaces for play, and story development, film-to-game translations have been a significant component of video game titles since the early days of the medium. As the technological possibilities of hardware development continued in both the film and video game industries, issues of media convergence and divergence between film and video games have grown in importance. This dissertation looks at the ways that this connection was established and has changed by looking at the relationship between film and video games in terms of economics, aesthetics, and narrative. Beginning in the 1970s, or roughly at the time of the second generation of home gaming consoles, and continuing to the release of the most recent consoles in 2005, it traces major areas of intersection between films and video games by identifying key titles and companies to consider both how and why the prevalence of video games has happened and continues to grow in power. -
Hito Steyerl the Wretched of the Screen Contents
e-flux journal Hito Steyerl The Wretched of the Screen Contents 5 Preface 9 Introduction 12 In Free Fall: A Thought Experiment on Vertical Perspective 31 In Defense of the Poor Image 46 A Thing Like You and Me 60 Is a Museum a Factory? 77 The Articulation of Protest 92 Politics of Art: Contemporary Art and the Transition to Post-Democracy 102 Art as Occupation: Claims for an Autonomy of Life 121 Freedom from Everything: Freelancers and Mercenaries 138 Missing People: Entanglement, Superposition, and Exhumation as Sites of Indeterminacy 160 The Spam of the Earth: Withdrawal from Representation 176 Cut! Reproduction and Recombination Preface Written over the course of the past few years on a variety of topics, the essays gathered in this book can be said to revolve around a remarkably potent politics of the image that Hito Steyerl has steadily advanced in her work and writing. This is most 5 clear in her landmark essay “In Defense of the Poor Image,” and extends to “The Spam of the Earth: Withdrawal from Representation,” an essay on image-value as defined not by resolution and con- tent, but by velocity, intensity, and speed. If reality and consciousness are not only reflected but also produced by images and screens, then Steyerl dis- covers a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism. It is a way of coming to terms with capitalism’s immaterial and abstract flows by identifying a clear support structure beneath it, and releasing a kind of magical immediacy from its material. -
Alien Nation: a Season of Cult British TV (17 to 24 July 2011)
The Star and Shadow Cinema presents: Alien Nation: A Season of Cult British TV (17 to 24 July 2011) A celebration of the freaky, spooky and obscure side of UK television drama. Programmed by James Leggott (Lecturer in Film and TV, Northumbria University) from the darker corners of the BBC archives, with special guest introductions, this is a rare chance to catch some of the most haunting telefantasy ever transmitted. Expect angelic encounters, sacrificial offerings, gothic nightmares, dinner parties from hell, a very frightened Jane Asher, BBC Radiophonic weirdness… and Michael Parkinson being possessed by an evil spirit. Sunday 17th July, 7.30pm: The Stone Tape (1972, 90min) Wednesday 20th July, 7.30pm: Ghostwatch (1992, 95min) Thursday 21st July, 7.30pm: Penda’s Fen (1974, 90min) Sunday 24th July, 7.30pm: Schalcken the Painter (1979, 70min) + The Exorcism (1972, 50min) Sunday 17th July, 7.30pm: The Stone Tape (1972, 90min) The “Alien Nation” season of British telefantasy opens with this startling fusion of science fiction and supernatural horror. Penned by Nigel Kneale (the Godfather of British telefantasy) and first broadcast as part of the BBC’s tradition of ghost tales for Christmas, this futuristic story concerns a group of scientists who discover that their newfangled recording device is picking up disturbing transmissions from the past. Wednesday 20th July, 7.30pm: Ghostwatch (1992, 95min) This infamous BBC mockumentary about an evil spirit possessing a suburban household was taken by some audiences as a genuine live broadcast upon its first (and only) broadcast on Halloween in 1992. A prophetic satire on reality television, it is also a multilayered ghost story that repays repeated viewing. -
Alan Clarke Press Release
DISSENT & DISRUPTION: THE COMPLETE ALAN CLARKE Legendary television drama director’s compelling work presented in its entirety by the BFI Includes the newly-discovered Directors’ Cut of The Firm, David Bowie in Baal, three previously-thought-lost episodes from 1967-1968 and footage from an unfinished documentary project Gary Oldman in The Firm Tim Roth in Made in Britain Gary Oldman/Alan Clarke on set “As a director you have to try to be like Alan Clarke – anonymous, subversive, compassionate, and moral.” Paul Greengrass (United 93, Captain Phillips) London, 3 February 2016 – Beginning 28 March, the BFI will present the entire BBC and ITV drama, and film productions of the great director/producer/writer Alan Clarke (1935 – 1990) with a season at BFI Southbank, DVD and Blu-ray releases, via VOD on BFI Player and in BFI Mediatheques across the UK. Although best remembered for three controversial and groundbreaking dramas – the notorious Scum, Made in Britain and The Firm – the breadth of Clarke’s radical, political, innovative, inspirational work, with actors including Gary Oldman (The Firm), Ray Winstone (Scum), Tim Roth (Made in Britain) and even David Bowie (Baal), and his influence on directors like Gus Van Sant, Paul Greengrass, Harmony Korine, Clio Barnard and Shane Meadows should see him rightly regarded as one of Britain’s greatest ever filmmaking talents. While much of his work was documentary-like in its gritty realism, and in the way he focused on society’s marginal groups and underdogs, his versatility saw him turn his hand to comedy (Rita, Sue and Bob Too), minimalism (Elephant, Christine) and adaptations of writers as diverse as Bertolt Brecht and Georg Büchner. -
THE POLITICAL AVANT-GARDE: OPPOSITIONAL DOCUMENTARY in BRITAIN SINCE 1990 STEVE PRESENCE a Thesis Submitted in Partial Fulfilmen
THE POLITICAL AVANT-GARDE: OPPOSITIONAL DOCUMENTARY IN BRITAIN SINCE 1990 STEVE PRESENCE A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol February 2013 Contents ACKNOWLEDGEMENTS .................................................................................................................. III ABSTRACT .......................................................................................................................................... IV INTRODUCTION .................................................................................................................................. 1 1 VIDEO-ACTIVISM IN THE 1990S: DESPITE TV, CONSCIOUS CINEMA, UNDERCURRENTS ............................................................................................................................ 42 2 VIDEO-ACTIVISM IN THE 2000S: THE CONTEMPORARY LANDSCAPE ........................ 79 3 OPPOSITIONAL FEATURE DOCUMENTARY IN THE 1990S: CHANNEL 4 AND OPPOSITIONAL AUTEURS ............................................................................................................ 130 4 OPPOSITIONAL FEATURE DOCUMENTARY SINCE 2000: LIBERAL-HUMANISTS AND RADICAL ACTIVISTS ..................................................................................................................... 168 CONCLUSION ..................................................................................................................................