PR Series Booklet Goodgirlsr

Total Page:16

File Type:pdf, Size:1020Kb

PR Series Booklet Goodgirlsr AMAZON ORIGINAL PRESSEMAPPE INHALT Credits 3 Synopsis 4 Episodenguide 5 Darsteller & Rollen 9 Producer-Biografien 16 Über Amazon Video 20 Über Amazon Prime 21 PRESSEBETREUUNG LEWIS Communications Amazon.de GmbH Bettina Greiffer E-Mail: [email protected] E-Mail: [email protected] Tel.: +49 89 35803 530 Tel.: +49 89 173019 38 Fax: +49 89 35803 481 DOWNLOAD PRESSE- & BILDMATERIAL www.amazon-presse.de/Digitales CREDITS BESETZUNG Patti Robinson: Genevieve Angelson Gastrollen: Grace Gummer, Jim Belushi, Daniel Jaimie Andrews, Alexander Dipersia, Haley Ramm, Barrett Jane Hollander: Anna Camp Eric Gold, Michael Oberholtzer, Danya Labelle, Carnahan, Meagen Fay, Reggie Vaughn Watkins, Tory Kittles, Cindy Reston: Erin Darke Betty Gabriel, Daniel Di Tomasso, Mark Hannah Barefoot, Anna Carini, Leah Cohen Finn Woodhouse: Chris Diamantopoulos Kretzmann, Frankie Shaw, Teddy Bergman, Doug Rhodes: Hunter Parrish Odelya Halevi, Andy Kelso, Michael Eleanor H. Norton: Joy Bryant Graziadei, Reed Diamond, Carrie Madsen, CREW Entwicklung: Dana Calvo Consulting Producers: Matt McGuinness, Lynn Casting: Kerry Barden, Paul Schnee Executive Producers: Dana Calvo, Darlene Povich Musik: Dhani Harrison, Paul Hicks Hunt, Lynda Obst, Jeff Okin, Scott Winant Geschrieben von: Dana Calvo (Pilot), Darlene Production Designer: Jeannine Oppewall Co-Executive Producers: Dan Shattuck, Don Hunt (Co-Showrunner), Bronwyn Garrity, Tracy Kamera: Steven Fierberg (gerade), Cynthia Pushek (ungerade) Kurt McMillan, Daniel Shattuck Bearbeitung: Mark Bourgeois Supervising Producers: Tracy McMillan, Regie: Liza Johnson (Pilotfolge), Scott Winant Kostüm: Laura Jean "LJ" Shannon Richard Robbins (Producer Director, Episoden: 2, 3, 10), Daisy Amazon Studios Executives: Morgan Wandel, Carina Walker Producer: Bronwyn Garrity von Scherler-Mayer, Gloria Muzio, Dan Attias, Co-Producer: Roee Sharon Peled Jennifer Getzinger, Minkie Spiro, Roxann Daw- son TECHNISCHE DATEN Premiere: 28. Oktober 2016 Amazon Prime Video Episodenlänge: 60 Minuten Episodenanzahl: 10 Staffel: Erste Staffel Produktion: Amazon Studios ©2016 Amazon.com Inc or its affiliates. Good Girls Revolt | Credits | 3 SYNOPSIS Während 1969 eine Kulturrevolution mit passendem Soundtrack durch die Welt fegt, gibt es immer noch einen Bereich, der sich nicht an die neuen Zeiten anpassen will: die Nachrichtenredaktionen. In Good Girls Revolt geht es um eine kleine Gruppe junger, weiblicher Redaktionsassistentinnen, die Rechercheurinnen Jane Hollander (Anna Camp), Patti Robinson (Genevieve Angelson) und Cindy Reston (Erin Darke) bei News of the Week. Diese wollen nichts mehr, als fair behandelt zu werden. Ihr revolutionäres Ansinnen, das von Anwältin Eleanor Holmes Norton (Joy Bryant) vertreten wird, wird erschüt- ternde Veränderungen hervorrufen und Ehen, Karrieren, Liebesbe- ziehungen und Freundschaften auf den Kopf stellen. Die Pilotfolge beruht auf einem wahren Präzedenzfall in Sachen sexuelle Diskrimi- nierung, die Lynn Povich in ihrem Buch The Good Girls Revolt doku- mentiert hat. Good Girls Revolt | Synopsis | 4 SERIENLOGO PRESSEMAPPE INHALT Credits X Synopsis X Episodenguide X Darstellerbiografien X Produzentenbiografien X Rollenbeschreibungen X Amazon Studios / Amazon Originals X PRESSEBETREUUNG Lewis PR Amazon.de GmbH Maximilian Mittereder Email: [email protected] E-Mail: [email protected] Tel.: +49 89 35803 530 / Fax: +49 89 35803 481 Tel.: +49 89 173019 38 DOWNLOAD PRESSEMATERIAL www.amazon-presse.de/aiv EPISODENGUIDE FOLGE 1 | PILOT Das Leben der jungen und lebhaften Patti Robinson könnte nicht besser sein. Patti arbeitet im Jahr 1969 als Rechercheurin bei News of the Week in New York, gemeinsam mit der schüchternen Cindy Reston und der brillanten Jane Hollander. Patti genießt die aufregenden, intellektuellen Herausforderungen und eine gelegentliche schnelle Nummer mit ihrem Reporter-Freund Doug. Aber auf dem Weg durch die sozialen Umwälzungen ihrer Zeit begegnet sie aufregenden, neuen Ideen, die sie in neue Kreise führen, ihre Romanze mit Doug destabilisieren und sie ihre derzeitige Situation hinterfragen lassen. FOLGE 2 | SELBSTERFAHRUNG Patti und Cindy lernen Eleanor Holmes Norton von der Bürgerrechtsorganisation ACLU kennen, eine Expertin, wenn es darum geht, das Bewusstsein junger Frauen zu erwecken. Für eine über- raschende Ankündigung in ihrer Familie muss sich Patti einen Tag von News of the Week freineh- men. Währenddessen zeigt Jane Profil, als sie Sam bei der Vorbereitung auf ein anspruchsvolles Interview hilft. FOLGE 3 | ZUKUNFT Jane führt die Herausgeberin der Zeitschrift durch die Nachrichtenredaktion und versucht gleich- zeitig, ihre Beziehung zu ihrem Freund und ihre Aufgaben gegenüber dem Reporter Sam unter einen Hut zu bringen. Patti und Doug erhalten frischen Aufwind aus Dougs journalistischem Coup, aber die beiden halten ihre Arbeitsbeziehung auf professionellem Niveau, während Pattis Verbin- dung mit Finn sich langsam aufheizt. Cindy flirtet derweil mit Ned. Aber Pattis und Cindys wach- sende Frustration drängt die beiden dazu, rechtliche Schritte einzuleiten. FOLGE 4 | DER GROSSE KNALL Patti stößt mit Doug wegen seines Artikels über die Black Panthers zusammen. Währenddessen macht Cindy spannende neue sexuelle Erfahrungen. Beide gewinnen zunehmend an Selbstver- trauen bei ihrer Zusammenarbeit in der EEOC-Angelegenheit. Jane hilft Sam bei einem investi- gativen Artikel, aber sieht sich mit ihren eigenen Unsicherheiten angesichts neuer beruflicher und persönlicher Spannungen konfrontiert. Finns Arbeitsreise nach London mit seiner Frau Talia führt zu einem Umbruch in der Redaktion. Good Girls Revolt | Episodenguide | 6 FOLGE 5 | NEUES JAHR Es ist Silvester bei News of the Week und Patti besteht darauf, dass die Rechercheurinnen zu einer angesagten Party in der Stadt gehen, die sich als ein wenig zu wild für einige der Frauen erweist. Cindy tritt aus ihrer Komfortzone und besucht Eleanor in Harlem, während Jane mit unerwünsch- ten persönlichen Nachrichten kämpft, die sie aus dem Gleichgewicht bringen. Auf den Spuren einer großen Story kommen sich Gabe und Denise näher. FOLGE 6 | DER STREIK Patti ist die erste, die eine Story von nationalem Interesse recherchiert, muss aber ihren Coup an Doug übergeben. Gleichzeitig versucht sie mit Eleonors Hilfe, Denise zu überzeugen, sich der Kla- ge anzuschließen. Die Beliebtheit eines neuen Redakteurs verunsichert Finn, der die spannende Beziehung zu Patti weiter auslotet. Sam und Janes Beziehung vertieft sich, als sie gemeinsam auf eine Story angesetzt werden, und Cindys Ungewissheit über ihre Affäre mit Ned veranlasst sie, ein großes Risiko einzugehen. FOLGE 7 | LOGENPLÄTZE FÜR DIE REVOLUTION Patti feiert ihren 25. Geburtstag mit einer Dinnerparty, die schnell chaotisch wird – besonders für Cindy. Jane fängt an, ihr Leben zu ändern, und Patti versucht, ihre Gefühle für Doug mit ihrem Neid für seinen Erfolg in Einklang zu bringen. Finn und ein neuer Redakteur nehmen an einer wilden Junggesellennacht teil, bei der Finn sich mit seinem Interesse an Patti auseinan- dersetzen muss. FOLGE 8 | DER MORGEN DANACH Doug fällt es schwer, professionell zu bleiben, als eine Geschichte über ein gewalttätiges Verbre- chen ihn dazu zwingt, sich mit lang verborgenen Gefühlen auseinanderzusetzen. Unterdessen bekommt Patti eine Chance, auf die sie lange gewartet hat: Doug erlaubt ihr, eine seiner Storys zu übernehmen. Bald wird aber klar, dass sie noch viel über die Arbeit eines Journalisten zu lernen hat. Cindy überlegt, was sie von einer Ehe erwartet. Jane behauptet sich bei der Arbeit, nur um mit der schockierenden Antwort des neuen Herausgebers konfrontiert zu werden. Good Girls Revolt | Episodenguide | 7 FOLGE 9 | STICHTAG News of the Week nimmt endlich auch das Thema Frauenbewegung auf, lässt dieses aber von einem externen Mitarbeiter bearbeiten. Patti wird mit konkreten Fragen über Feminismus, Jour- nalismus und ihren Beziehungen zu Doug und Finn konfrontiert. Jane hilft Naomi bei einem Fami- liennotfall, während Cindy und Ned ihre Beziehung neu definieren. FOLGE 10 | DIE PRESSEKONFERENZ Zum Staffelfinale, finden unsere Mädchen endlich ihre eigenen Stimmen, sowohl in Bezug auf ihre EEOC-Beschwerde gegen News of the Week als auch, was ihre persönlichen Beziehungen angeht. Patti entscheidet sich, ehrlich zu Doug zu sein, und vergibt damit die größte Chance im Leben eines guten Mädchens. Die imagebewusste Jane entfaltet sich zur Sprecherin der Gruppe, und die bisher sanftmütige Cindy wagt es, sich Lenny entgegenzustellen. Finn muss feststellen, dass direkt vor seiner Nase in der Zeitschrift Intrigen geplant wurden, und Sam sucht Trost in den Armen einer Rechercheurin, weil er seine Probleme mit dem Krieg nicht anders artikulieren kann. Good Girls Revolt | Episodenguide | 8 DARSTELLER & ROLLEN GENEVIEVE ANGELSON ALS PATTI ROBINSON Patti ist impulsiv, einsichtig und scharfsinnig, eine hartnäckige Rechercheurin, die zunehmend frust- riert davon ist, dass die Frauen bei News of the Week daran gehindert werden, Reporter zu werden. Im Laufe der ersten Staffel muss Patti ihre romantischen Gefühle für den Reporter Doug Rhodes, mit dem sie zusammenarbeitet, und ihre Bewunderung für den Chefredakteur Finn Woodhouse mit ihrem Traum, gleichberechtigt bei der News of the Week Karriere zu machen, in Einklang bringen. Genevieve Angelson wurde vor kurzem von Variety als eine der „10 TV-Stars to Watch" für 2016 ausgezeichnet. Angelson erhielt ihre erste große Rolle noch während ihrer Studienzeit im Graduate Acting Program an der New York University: die
Recommended publications
  • The National Academy of Television Arts & Sciences
    1 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 46th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, May 5th Daytime Creative Arts Emmy® Awards Gala on Friday, May 3rd Both Events Take Place at the Pasadena Civic Auditorium in Southern California New York – March 20, 2019 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 46th Annual Daytime Emmy® Awards. The ceremony will be held at the Pasadena Civic Auditorium on Sunday, May 5, 2019. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, May 3, 2019. The 46th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show The Talk on CBS. “We are very excited today to announce the nominees for the 46th Annual Daytime Emmy Awards,” said, Adam Sharp, President & CEO of The National Academy of Television Arts & Sciences (NATAS). “We look forward to a grand celebration honoring the best of Daytime television both in front of the camera and behind as we return for the third year in a row to the classic Pasadena Civic Auditorium.” “The incredible level of talent and craft reflected in our nominees continues to show the growing impact of Daytime television and the incredible diversity of programming the viewing audience has to choose from,” said, Executive Director, Daytime, Brent Stanton. “With the help of some outstanding new additions to our staff, Rachel Schwartz and Lisa Armstrong, and the continued support of Luke Smith and Christine Chin, we have handled another record-breaking number of entries this year.
    [Show full text]
  • Heine, Tricia
    TRICIA HEINE Makeup Artist IATSE Local 798 Feature Film and Television Credits (partial credits): Scenes from A Marriage Makeup Department Head – HBO (Series) Dir: Hagai Levi – Prod: Blair Breard Lincoln Makeup Department Head – Facebook Watch (Series, season 1) Dir: Various – UPM: Danielle Blumstein The Half of It Makeup Department Head – Netflix Dir: Alice Wu - Prod: Blair Breard Lost Girls Makeup Department Head – Netflix Dir: Liz Garbus - Prod: Anne Carrey Cast: Amy Ryan, Gabriel BYRNE Vampires Vs. The Bronx Makeup Department Head – Broadway Video Dir: Osmany Rodriguez - Prod: Lorne Michaels Cast: Method Man, Shea Whigham, Sarah Gadon Strangers Makeup Department Head – Facebook Watch (Series, season 2) Dir: Celia Rowlson-Hall - Prod: David Bausch Cast: Zoe Chao Jim Gaffigan: Noble Ape Personal makeup for Jim Gaffigan – Netflix (TV Special) Dir: Jeanine Gaffigan – LP: Anne Leuck Dangerous Book for Boys Makeup Department Head – Amazon Studios (Series, season 1) Dir: various - Prod: Bryan Cranston Cast: Swoosie Kurtz, Chris Diamantopoulos, Erinn Hayes Jim Gaffigan: Cinco Personal makeup for Jim Gaffigan – Netflix (TV Special) Dir: Jeanine Gaffigan – LP: Anne Leuck The Jim Gaffigan Show Makeup department Head – CBS (Series, season 2) Dir: various - Prod: Michael Wimer The Mysteries of Laura Makeup department Head – NBC (Series, season 1 & 2) Dir: various - Prod: Greg Berlanti & Aaron Kaplan Cast: Deborah Messing, Josh Lucas, Laz alonso Mr. Robot Makeup department Head – USA Network (Series, season 1) Dir: various – Exec Prod: Steve Golin Cast: Rami Malek, Christian Slater, Portia Doubleday The Michael J. Fox Show Makeup department Head – NBC (Series, season 1) Dir: various – Exec Prod: Will Gluck Cast: Michael J.
    [Show full text]
  • The National Academy of Television Arts & Sciences
    1 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 46th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, May 5th Daytime Creative Arts Emmy® Awards Gala on Friday, May 3rd Both Events Take Place at the Pasadena Civic Auditorium in Southern California New York – March 20, 2019 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 46th Annual Daytime Emmy® Awards. The ceremony will be held at the Pasadena Civic Auditorium on Sunday, May 5, 2019. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, May 3, 2019. The 46th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show The Talk on CBS. “We are very excited today to announce the nominees for the 46th Annual Daytime Emmy Awards,” said, Adam Sharp, President & CEO of The National Academy of Television Arts & Sciences (NATAS). “We look forward to a grand celebration honoring the best of Daytime television both in front of the camera and behind as we return for the third year in a row to the classic Pasadena Civic Auditorium.” “The incredible level of talent and craft reflected in our nominees continues to show the growing impact of Daytime television and the incredible diversity of programming the viewing audience has to choose from,” said, Executive Director, Daytime, Brent Stanton. “With the help of some outstanding new additions to our staff, Rachel Schwartz and Lisa Armstrong, and the continued support of Luke Smith and Christine Chin, we have handled another record-breaking number of entries this year.
    [Show full text]
  • Green Arrow Escape from Super Max
    Green arrow escape from super max Continue In: Green Arrow Movies, Green Arrow: Escape from Super Max, Cancelled Comments Movies Share Green Arrow: Escape from Super Max was a movie in its early stages of development, but due to no real updates from 2008 it can be assumed that it is no longer in development. In the film Green Arrow had to be framed for murder, sent to prison and had to flee. Actors of the story produced by David Goyer and Justin Marx wrote the screenplay for the film starring Green Arrow originally called Super Max. On June 5, 2008, the film was renamed Green Arrow: Escape from Super Max. Reportedly, the storyline is that the hero (framed for a crime he didn't commit) must avoid a maximum-security prison filled with B and C a list of villains and rogue superheroes. MTV published an interview with Marx on its website. In it, he says this: It's a very, very huge prison. I majored in architecture in college, and designing how I actually started in. for Super Max, designing this prison, it had to be the kind of thing that was character in itself, Marks said. We're in a world where instead of just trying to contain a guy who's really big, you're trying to contain a guy who can - in the case of icicles - who can freeze things. What kind of cell does a guy need to neutralize his powers? So to escape from Super Max they have to go through the most difficult heist we've ever seen involving superpowers.
    [Show full text]
  • Mickey Mouse Popcorn Maker Manual
    Mickey Mouse Popcorn Maker Manual Asking Perceval Platonise: he impignorates his sleeves interpretatively and leastwise. When Gerri provisions his halm kidded not effortlessly enough, is Arvie northward? Propitiable Waiter unedges very simultaneously while Dickey remains coagulable and denatured. At in tellus integer feugiat scelerisque varius. The greater the number of kernels, the smaller the kernel size. Dole Whip right at home. Puppy Birthday to You! In the show, Mickey and the clubhouse gang solve various problems using the viewers help. So, it is completely fine to use either way. If you want to add butter to the popcorn, put it over the vents where it will melt and drip into the corn as it pops. Do not use scouring pads or abrasive powder on lid as these could cause scratching. You must log in or register to reply here. If you are on a budget, check several online stores or go window shopping and compare prices. Gather your popcorn making supplies: popcorn, seasonings, bowls or bags for holding the popcorn. Sega Genesis, and many others. All of them were independently selected by our editors. Leaf Group Lifestyle, All Rights Reserved. There is a try experimenting and special popping which might involve him in shipment, applying the mouse popcorn maker, the pot on comical misadventures often displayed by checking that are simple but watch how to assemble a toy. The popcorn comes out light and fluffy. Carousel of mickey mouse popcorn maker manual. Place them were to wipe out. However for the person who just wants plain popcorn, this product works very well.
    [Show full text]
  • Church of Christ Rev
    IN SPORTS: SHS volleyball player, top student earns scholar athlete award B1 Mental health worries linger after killings FRIDAY, DECEMBER 15, 2017 | Serving South Carolina since October 15, 1894 75 cents A5 FCC votes to end ‘net neutrality’ BY TALI ARBEL and In a straight party-line vote see and do online. On Thurs- “What is the FCC doing overturn the FCC decision. BARBARA ORTUTAY of 3-2, the Republican-con- day, about 60 protesters gath- today?” asked FCC chairman Mark Stanley, a spokesman AP Technology Writer trolled FCC junked the long- ered in the bitter chill in Ajit Pai, a Republican. “Quite for the civil liberties organiza- time principle that said all Washington to protest the simply, we are restoring the tion Demand Progress, said NEW YORK — The Federal web traffic must be treated FCC’s expected decision. light-touch framework that there is a “good chance” Con- Communications Commission equally. The move represents The broadband industry has governed the internet for gress could reverse it. repealed the Obama-era “net a radical departure from a de- has promised that the inter- most of its existence.” “The fact that Chairman neutrality” rules Thursday, cade of federal oversight. net experience for the public The FCC vote is unlikely to Pai went through with this, a giving internet service provid- In recent months, protests isn’t going to change. But its be the last word. Opponents of policy that is so unpopular, is ers such as Verizon, Comcast have erupted online and in companies lobbied hard to the move plan legal challeng- somewhat shocking,” he said.
    [Show full text]
  • Oksana Grigorieva's Son to Be Questioned,Kelly Osbourne Calls Off Engagement,Craig Ferguson
    Oksana Grigorieva’s Son to Be Questioned The Los Angeles county sheriff’s department is seeking Alexander Dalton, son of Oksana Grigorieva, for questioning on his mother’s relationship with Mel Gibson, TMZ reported last week. The department believes that Dalton, Grigorieva’s son with actor Tim Dalton, will be able to give critical evidence about the fights between Gibson and his mother. How can a child be protected from parental problems? Cupid’s Advice: Grigorieva and Gibson’s fights have been public due to the release of recordings by RadarOnline.com, but until now, the fight has not involved anyone outside the couple. It’s important to separate the the legal issues for the benefit of the family, and the quality of life of the children. 1. Keep it professional: Even if a child gets involved in the legal matters, it’s important that those matters are kept within a legal setting. Don’t discuss them at home, or bring them up when talking about other things. 2. Leverage: As in, don’t use it. Fights between parents should never be used as a bargaining tool to play the child against a mother or father. The kid isn’t a pawn in the parents’ problems and situations. 3. Allow for distance: If it looks like a child is being taken advantage of, or used to tip the scales in one person’s favor over the other, it is up to another family member, or close friend who is aware of the situation, to step in and remove the child.
    [Show full text]
  • WATCH the EMMY's SEPTEMBER , , : PM EST Name
    EMMYS WATCH THE EMMY’S SEPTEMBER , , : PM EST Name: OUTSTANDING LEAD OUTSTANDING LEAD OUTSTANDING LEAD OUTSTANDING LEAD OUTSTANDING LEAD OUTSTANDING LEAD OUTSTANDING ACTOR IN A LIMITED ACTRESS IN A LIMITED ACTOR IN A COMEDY ACTRESS IN A COMEDY ACTOR IN A DRAMA ACTRESS IN A DRAMA REALITY/COMPETI SERIES OR TV MOVIE SERIES OR TV MOVIE SERIES SERIES SERIES SERIES TION SERIES Mahershala Ali, Amy Adams, Anthony Anderson, Christina Applegate, Jason Bateman, "Ozark" Emilia Clarke, "The Amazing Race" "True Detective" "Sharp Objects" "Black-ish" "Dead to Me" "Game of Thrones" Sterling K. Brown, "American Ninja Benicio del Toro, Patricia Arquette, Don Cheadle, Rachel Brosnahan, "The "This is Us" Jodie Comer, Warrior" "Escape at Dannemora" "Escape at Dannemora" "Black Monday" Marvelous Mrs. Maisel" "Killing Eve" Kit Harrington, "Nailed It" Hugh Grant, "A Very Aunjanue Ellis, Ted Danson, Julia-Louis Dreyfus, "Game of Thrones" Viola Davis, "How to English Scandal" "When They See Us" "The Good Place" "Veep" Get Away With Murder" "RuPaul's Drag Race" Bob Odenkirk, Jared Harris, Joey King, "The Act". Michael Douglas, Natasha Lyonne, "Better Call Saul" Laura Linney, "Ozark" "Top Chef" "Chernobyl" "The Kominksy Method" "Russian Doll" Niecy Nash, Billy Porter, "Pose" Mandy Moore, "The Voice" Jharrel Jerome, "When They See Us" Bill Hader, "Barry" Catherine O'Hara, "This Is Us" "When They See Us" "Schitt's Creek" Milo Ventimiglia, Michelle Williams, Eugene Levy, "This Is Us" Sandra Oh, Sam Rockwell, "Fosse/Verdon" "Schitt's Creek" Phoebe Waller-Bridge, "Killing Eve" "Fosse/Verdon" "Fleabag" Robin Wright, "House of Cards" OUTSTANDING OUTSTANDING OUTSTANDING OUTSTANDING VARIETY TALK SERIES LIMITED SERIES COMEDY SERIES DRAMA SERIES "The Daily Show with "Chernobyl" "Veep" "Better Call Saul" Trevor Noah" "Escape at Dannemora" "The Marvelous "Bodyguard" "Full Frontal with Mrs.
    [Show full text]
  • New Style in Sitcom Exploring Genre Terms of Contemporary American Comedy TV Series Through Their Utilization of Documentary Style
    Institutionen för studier av samhällsutveckling och kultur – ISAK LiU Norrköping New Style in Sitcom exploring genre terms of contemporary American comedy TV series through their utilization of documentary style Johanna Sander 2014 Masteruppsats från Masterprogram i Kultur och mediegestaltning Linköpings universitet, LiU Norrköping, 601 74 NORRKÖPING “New Style in Sitcom - exploring genre terms of contemporary American comedy TV series through their utilization of documentary style” Abstract: Through exploring the use of documentary style in a selection of contemporary American comedy series, this thesis closes in on the question whether texts that stylistically differ from traditional sitcom can still be regarded as part of the sitcom genre. The contemporary American TV series that are being analyzed are The Office, Arrested Development, Modern Family, Parks and Recreation, Brooklyn Nine-Nine and The Michael J. Fox Show. As the series’ place within sitcom becomes apparent, the analysis ultimately leads to a critical investigation of the term “comedy verite.” Questioning the concepts applicability for the American series and their development leads to the investigation of new definitions. This analysis of contemporary televisual styles reveals a myriad of deeper issues and elucidates how stylistic developments point towards broader developments of the TV medium – towards a medium more and more defined by, or even drenched in, “reality.” Table of contents 0 Prologue 1 1 Introduction 2 1-1 Aims 5 1-2 Questions 5 1-3 Method and Theory 6 1-4 Delimitation 9 1-5 Disposition 14 2 Background 15 2-1 Television Studies 15 2-2 Stylistics: TV-style and methods of style analysis 17 2-3 Genre and Genre Theory 20 2-4 Television Series 24 2-5 Television History and Sitcom 27 2-6 Comedy and Sitcom 32 3 Previously on… 36 3-1 The Office (UK) and Comedy Verite 36 3-2 Arrested Development and Comedy Verite 41 3-3 New Comedy and The Office (US) 47 4 Next time on… 54 4-1 Parks and Recreation and Brooklyn Nine-Nine 54 4-2 Modern Family 62 4-3 The Michael J.
    [Show full text]
  • Nomination Press Release
    Greg Thompson, Co-Executive Producer Outstanding Character Voice-Over Performance Jon Schroeder, Co-Executive Producer Mark McJimsey, Supervising Producer/Animation Disney Mickey Mouse • The Adorable Couple • Executive Producer Disney Channel • Disney Television Animation Nora Smith, Supervising Producer Chris Diamantopoulos as Mickey Mouse Scott Jacobson, Producer Dog With A Blog • My Parents Posted What?! Joel Kuwahara, Animation Executive Producer • Disney Channel • Dipthong Productions / Scott Greenberg, Animation Executive Producer It's a Laugh Productions / Disney Channel Janelle Momary-Neely, Animation Producer Stephen Full as Stan Holly Schlesinger, Writer Family Guy • In Harmony's Way • FOX • Fox Brian LoSchiavo, Director Television Animation Bernard Derriman, Supervising Director Seth MacFarlane as Peter Griffin, Stewie Griffin, Randy Ludensky, Animation Timing Supervisor Glenn Quagmire Futurama • Meanwhile • Comedy Central • Futurama • Calculon 2.0 • Comedy Central • The Curiosity Company in association with The Curiosity Company in association with 20th Century Fox Television 20th Century Fox Television Matt Groening, Executive Producer Maurice LaMarche as Calculon and Morbo David X. Cohen, Executive Producer Robot Chicken DC Comics Special II: Villains In Ken Keeler, Executive Producer/Written by Paradise • Adult Swim • A Stoopid Buddy Josh Weinstein, Co-Executive Producer Stoodios Production in association with Eric Horsted, Co-Executive Producer Stoopid Monkey and Williams Street Seth Green as Various characters Dan Vebber, Co-Executive Producer Michael Rowe, Co-Executive Producer The Simpsons • Four Regrettings And A Patric M. Verrone, Co-Executive Producer Funeral • FOX • Gracie Films in association Lee Supercinski, Produced by with 20th Century Fox Television Harry Shearer as Kent Brockman, Mr. Burns, Claudia Katz, Produced by Younger Burns, Smithers Gregg Vanzo, Animation Executive Producer Scott Vanzo, Director of Computer Graphics Peter Avanzino, Supervising Director/Directed by Outstanding Animated Program David D.
    [Show full text]
  • PRESS CONTACT Kim Dixon Dominion3 1420 Camden Ave
    PRESS CONTACT Kim Dixon dominion3 1420 Camden Ave. #5 Los Angeles, CA 90025 310.478.3393 tel [email protected] CLICK TO VISIT OUR WEBSITE FOR THE TRAILER AND NEWS: http://thetruthaboutliesmovie.com “A man is never more truthful than when he STUART ARICK, a forgettable CPA, has a strange dream of his client committing sui- cide. When he learns that the dream came true, Stuart begins an investigation that will acknowledges himself a liar.” undermine everything he thought he knew about his life. Crossing paths with DEVIN, a free-wheeling old acquaintance who makes his money dealing drugs, Stuart is exposed to danger for the first time since childhood. He’s taken to RITA, a mysterious psychic -- Mark Twain whom Devin has a mad crush on. Rita tells the bookish Stuart the last thing he wants to hear: to discover the truth, he’ll have to listen to his dreams. Time with Devin and Rita pushes Stuart out of his comfort zone; though Stuart starts having catatonia-inducing panic attacks, he also starts to remember how to actually en- LOGLINE: joy himself. Driven by Rita’s words, Stuart enlists Devin to help steal files from his office, Gilby finds himself in a tangled web of lies when the truth proves to be too much to files which will help him understand his destiny. Caught in the act by his boss however, admit and even harder to accept. Stuart is promptly fired. Without his career to define him, Stuart is left adrift and despondent. When Devin’s personal problems almost get Stuart killed, the man flies into a rage; Stuart not only cuts Devin out of his life, but shatters his relationship with Rita.
    [Show full text]
  • New on DVD & Blu-Ray
    New On DVD & Blu-Ray 24 Season 8 Hang on for the adrenaline rush of a lifetime as Jack Bauer (Keifer Sutherland) unveils darker secrets, faces deadlier conspiracies, and is thrust into more extreme action than ever before in Season 8 of 24! As Day Eight unfolds, Bauer races against the clock to prevent the assassination of a Middle Eastern leader on a vital peace-making mission. Meanwhile, a deadly terrorist threat against New York City intensifies and builds towards an explosive climax. A host of new cast members this season includes Freddie Prinze Jr., Mykelti Williamson, Chris Diamantopoulos, John Boyd, Katee Sackhoff and Jennifer Westfeldt. Relive the electrifying final season of TV's most ground- breaking series ever, including a must-see ending! Fox Wall Street Money Never Sleeps Ambitious young investment banker Jacob Moore (Shia LaBeouf) discovers that greed is still the name of the game when he forges a fragile alliance with onetime Wall Street hotshot Gordon Gekko (Michael Douglas) shortly after Gekko is released from prison. Having served eight years for securities fraud, money laundering, and racketeering, Gekko emerges from prison to find that his daughter, Winnie (Carey Mulligan), prefers to remain estranged, and that his former Wall Street cohorts are still raking in the cash. Flash-forward to 2008, and Winnie is dating a proprietary trader named Jake Moore (LaBeouf), who expresses a passion for green energy while working for his mentor Louis Zabel (Frank Langella), of Keller Zabel Invest- ments. Despite heading up one of the most prominent investment firms in the country, Louis Zabel is forced to personally fight for the future of Keller Zabel before the Federal Reserve after the company's stock takes a hit due to persis- tent rumors that it's being dragged down by debt.
    [Show full text]