Chapter VII the Anatomy of Culture, Body and Glamour

Total Page:16

File Type:pdf, Size:1020Kb

Chapter VII the Anatomy of Culture, Body and Glamour 241 Chapter VII The Anatomy of Culture, Body and Glamour Culture always refers to refine intellectual manners of human beings. Indian culture is unique in its own way which is rich and diverse in comparison with any culture all over the world. The manners and means of living in India captivates even foreigners which remains unchanged as it is deep rooted in the veins and minds of people. Woman has been given enough space in Indian culture since ancient times. The place of woman is defined in different dimensions through the patriarchal society in ancient India that has consistently denied female voice. Like man, woman is born free, but she is in shackles which subtly and sometimes invisibly restrict her freedom. Throughout ancient history, women were compelled to undergo the laws made by men. However, it is also true that Vedic society gave ample place for woman who enjoyed social status equal to men, as in the case of Gargi, Maitreyi, Lopamudra, and Ahalya. In the case of Draupadi, polygamy was not considered as ‘adharma’ and later stages of the evolution of Indian history, created a half for them. According to Manusmriti, the woman is so vital to man’s life by assisting him - an adviser in his work, a slave in service to him, a partner in noble deeds, as earth in tolerance, a mother in affection, an embodiment of pleasure and beauty in bed and a friend in enjoyment. But critics say that Manusmriti restricted the freedom of women in different stages of her life by father, brother, husband and son which make her 242 lose identity and become dependent on masculine power. Co-education existed in the earlier period and the girl had the freedom to select her husband under certain circumstances. Divorce and remarriage of women were allowed under special conditions. Vesyas (Dancing girls) were permitted to make a living in the society, but were regulated by a code of conduct especially made for them. In the mythological times, women were appeared willing to accept polygamy in different ways. One of our much venerated mythological women, Draupadi was married to five Pandava brothers. Another revered mythological woman, Tara, married the monkey king, Vali, and married his brother, Sugriva after his death. The Adharvanaveda mentions that a woman can marry after having ten husbands. In the epic, ‘the Ramayana’, Sita was humiliated in the hands of Ravana; in the ‘Mahabharatha’, Shakuntala showed much patience in order to meet her husband, Dushyanta, and Draupadi was insulted by Duhsasana, who attempted to undress her in the court of Kauravas. The epics end with a message to respect women. N.R.Srinivasan in his article, “Status of women in Hindu Society through the Ages” says: “The ancient traditions of India have always identified the female of the species with all that is sacred in nature” (1). Medieval India was deemed to be the Dark Age for women. Medieval India faced many invasions by foreign conquerors like Muslims, who brought with them their own culture and customs. Indians either adopted some of their customs like veiling a woman’s countenance, etc. or reacted against them for 243 the protection of women. As polygamy was a norm for these invaders, they seized any woman they wanted and kept her in their ‘harems’. In order to protect themselves, Indian women began using ‘Purdah’, (a veil), which affected their freedom covering their body. Some social evils such as Child Marriage, Sati, Jauhar and restriction on girl education followed during this period but they were confined to Hindu society. As compared to the Hindu Society, women in other societies such as Buddhism, Jainism and Christians enjoyed more freedom and were liberal in their approach. The Bhakti movements tried to restore women’s status and challenged some of the forms of oppression. The status of women in modern India is a kind of paradox. On one hand, she is at the apex of ladder of success; on the other hand she quietly suffers the violence afflicted on her by her own family members. As compared with past, women in modern times have achieved a lot, but in reality, they have to still travel a long way. Women have left the secured domain of their home and are known in the battle field of life, fully armored with their talent. According to the census of 2001 in India, there are 933 females per thousand males which is much below the world average of 990 females. Strongly, female foeticide is an alarming trend in some communities known for their affluence. Owing to prevalence of dowry custom, a male child is as an asset whereas a female child is considered a liability. This sex ratio of India shows that Indian society is still 244 prejudiced against the female. But Andreas Huyssen in his article, “Mass Culture as women: Modernism’s other (1986)” Says: Even though the French readings of modernism’s “feminine” side have opened up fascinating questions about gender and sexuality which can be turned critically against more dominant accounts of modernism, it seems fairly obvious that the whole theorization of modernist writing as feminine simply ignores the powerful masculinist openly states its contempt for women and for the masses and which had Nietzsche as its most eloquent and influential representative. (4) Some critics say that women have no separate identity of their own in the culture of a society because their existence and consciousness are rooted in an environment created and dominated by man. The entire social ethos is more masculine than feminine. On occasions, where women are given a lot of exaggerated reverence, it is often due to man’s patronizing attitude to women. Selden in “The Theory of Criticism: From Plato to the Present: A Reader” quotes: Man can think of himself without women. She cannot think of herself without man. And she is simply what man decrees … She appears essentially to the male as a sexual being. For him she is sex-absolute sex, no less. She is defined and differentiated with reference to man and not he with reference to her; she is incidental, the inessential as opposed 245 to the essential. (Quoted from Feminist literature by Manmohan Krishna Bhatnagar, 128) Aristotle labels that the female is female by virtue, of certain lack of qualities. The German Philosopher, Nietzsche asserts that woman is the source of all folly and unreason and that she is God’s second mistake. The tale of woman’s oppression during the colonial context is two layered in which there is a clash in between the ideas of Modern Indian Nationalism and Feminism, when the struggle for women’s rights began. Sinead Caslin in an article, “Feminism and Post-Colonialism” emphasizes: “The undeniable fact that colonial oppression affected men and women in different ways should be recognized, as females were often subjected to what has been called a ‘double colonization’, whereby they were discriminated against not only for their position as colonized people but also as women” (2). The social reformers of this period such as Raja Ram Mohan Roy, Eswar Chandra Vidyasagar, Mahatma Jyothirao Phule, Swami Dayananda Saraswathi, Ambedkar, Kandukuri Veeresalingam, etc. helped women gain respectable status in the society, But it was Mahatma Gandhi, who awakened women to realize their power by calling them to join the freedom struggle, having an awareness of the potential power of women in influencing society. The position of woman was redefined giving enough space to revive her own identity. Anita Singh in “Aesthetics of Indian Feminist Theatre” quotes: 246 The National Council of women in 1921, and All India Women’s Conference in 1927 and 1930 protested against the feudal forces, which kept Indian women under subjugation. Sarojini Naidu was in the forefront of Indian freedom struggle and struggled to redeem Indian women from the clutches of slavery and superstition in 1920, the power of vote was first given to women in Cochin and Travencore and in 1921 in Madras Presidency. Many laws were passed after 1947, like the Hindu Marriage Act and Hindu succession Act of 1956, Dowry Prohibition Act of 1961, Medical Termination of Pregnancy Act of 1971, which gave a wide spectrum of right to Indian women. (2) The post-independence Indian woman started searching for new avenues, where she could enjoy much liberty and freedom. After independence, women benefited from modern education remarkably. Though the girl-child from village background has not often benefited from elementary education of a very primitive kind, girls from towns and cities made a mark in education up to the higher secondary level. Middle-class girls quickly opted for jobs with SSLC certificates and qualifications in type-writing and shorthand. Women from middle-class families emerged as employees supporting their parents or their families in general. Though they did not wield power, they were the pioneers of women’s empowerment and economic emancipation. Urbanization and globalization have opened new prospects of employment, which are different from traditional ones. Even though the free India has had elected 247 woman Prime Minister, Indira Gandhi for over a decade, the condition of urban women has improved much rather than average woman. A woman in modern India is caught into the inescapable cage of being a woman, wife and mother. She cannot exist outside the boundaries of married life in the patriarchal society and be considered a ‘Pure’ or ‘chaste’ (whole heartedly devoted to her husband). Sudhir Kakar in his book, Intimate relations: Exploring Indian Sexuality emphasizes: “In the ideals of the traditional culture, the “good” woman is a pativrata, subordinating her life to the husbands’ welfare and needs in a way demanded of no other women in any part of the world” (66).
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • A New Façade of Indian Culture in the Select Novels of Manju Kapur and Shobha De
    International Journal of Social Science and Humanity, Vol. 5, No. 2, February 2015 Evolution of New Woman: A New Façade of Indian Culture in the Select Novels of Manju Kapur and Shobha De Priyanka Mahajan Rosenberg “She wore short skirts, spent time and money on Abstract—The present paper is a sincere and humble effort to their bobbed hair, listened to jazz, and flaunted their disdain explore the evolution of new woman in India after the partition. for what was then considered … [2]. The birth of “new woman” in India is a reality, as the concept and position of womanhood has changed in the modern context. A. Status of Women in India: I Historical Perspective Attitudinal shift can be seen in the woman who longer shies In India, the situation was entirely different from the West. away from taking initiatives. Though this new change in Indian woman was subjugated since ages. She was under the thought has its variables, the results are relative depending upon the individual. Through present paper, the researcher has authority of man. Medieval India was not women's age and it attempted to investigate a new façade of Indian culture that was supposed to be the 'dark age' for them. The Hindu moral gave birth to a new woman presented in the select novels of code known as “The Laws of Manu” denies woman an Manju Kapur and Shobha Dee. The new image of women existence apart from that of her husband. Since the presented by novelists under study is ambitious, lustful, power publication of Bankim Chander Chatterjee‟s Rajmohan‟s hungry and bold.
    [Show full text]
  • The Novels of Shobha De: a Thematic Analysis a Thesis
    THE NOVELS OF SHOBHA DE: A THEMATIC ANALYSIS A THESIS SUBMITTED TO TILAK MAHARASHTRA VIDYAPEETH, PUNE FOR THE DEGREE OF DOCTOR OF PHILOSOPHY (Ph. D.) IN ENGLISH UNDER THE FACULTY OF ARTS & FINE ARTS BY SUPRRIYA KARAANDAY UNDER THE GUIDANCE OF DR. CHOUGULE RAMESH BABURAO DEPARTMENT BOARD OF ARTS AND FINE ARTS STUDIES NOVEMBER - 2014 DECLARATION I hereby declare that the thesis entitled “The Novels of Shobha De: A Thematic Analysis” completed and written by me has not previously been formed as the basis for the award of any Degree or other similar title upon me of this or any other Vidyapeeth or examining body. Research Student (SUPRRIYA KARAANDAY) Place: Pune Date: CERTIFICATE This is to certify that the thesis entitled “The Novels of Shobha De: A Thematic Analysis” which is being submitted herewith for the award of the Degree of Vidyavachaspati (Ph.D.) in English of Tilak Maharashtra Vidyapeeth, Pune is the result of original research work completed by SUPRRIYA KARAANDAY under my supervision and guidance. To the best of my knowledge and belief the work incorporated in this thesis has not formed the basis for the award of any Degree or similar title of this or any other University or examining body upon him. DR. CHOUGULE RAMESH BABURAO Research Guide Place: Pune Date: ACKNOWLEDGEMENT I have privilege to put on record my sincerest gratitude while submitting my Ph.D. thesis, ‘The Novel of Shobha De: A Thematic Analysis’ for the award of the degree to TILAK MAHARASHTRA VIDYAPEETH, PUNE. Though it is an original work done by myself, I have been helped by many persons with their constant help of every kind and encouragement I could complete this thesis and submitting it to the University.
    [Show full text]
  • Papers for VOL 1 Issue 2 Final
    International Journal of English and Education 230 ISSN: 2278 -4012, Volume:1, Issue:2, October 2012 ‘BOLDNESS’ AND ‘FLAUNTINGNESS’ AS THE COMMON ELEMENTS IN THE WRITINGS OF SHOBHAA DE: WITH A SPECIAL REFERENCE OF HER AUTOBIOGRAPHY ‘SELECTIVE MEMORY’ MAYUR R. AGRAVAT 1, M.A., B.Ed, M.Phil Shri Chimanbhai Patel Institute of Business Administration Ahmedabad, INDIA [email protected] RITA DABHI 2, M.A., B.Ed., M.Phil. L. J. Polytechnic, Sanand Circle, Ahmedabad, INDIA ABSTRACT: Shobhaa De’s writing talks about the women’s rights and their societal status. The issue here is just to see her autobiography with the perspective of women, and that too in India, where women are still not allowed to flourish and flower. They are still behind the veil of shame, shame of being born as a woman. In such a country, if a woman comes out and speaks her mind, then it creates havoc in the social order, and it had created havoc in past. There are many instances where Indian women had tried to come out of the veil of shame, and had tried to listen to their hearts, but in their respective ages they were contempt for not following the rules, rules that were laid by the so called ‘male’ of the society for their own selfish ends. There if a woman bravely expresses her mind then one can imagine the uproar it can create, may it be through the journalism, literature, or just speaking for the womanly rights, she is always noticed. Shobhaa De though being a woman, writes novels which too centers around the psychology of women’s sexuality or it would be appropriate to call it the psychology of the ‘modern’ women’s sexuality.
    [Show full text]
  • Evolution of New Woman in Shobha De's Novels International Journal of English Language, Literature and Translation Studies
    Int.J.Eng.Lang.Lit&Trans.StudiesINTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, Vol. LITERATURE3.Issue. 1.2016 (Jan-Mar) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol. 3. Issue 1.,2016 (Jan-Mar. ) EVOLUTION OF NEW WOMAN IN SHOBHA DE’S NOVELS Dr. MEHAK JONJUA ABSTRACT Shobha De’s novels represent the new Indian woman’s voice. A ‘New woman’ is in search of self-identity, seeking liberation in all walks of life, replacing the traditional image of Indian woman. The need for women to seek their identity is the message in her novels. However, De also exposes the women’s misunderstanding regarding their freedom and mocks at their way of asserting their individuality by posing to be men without concentrating on female empowerment as a whole. Her women protagonists fail to understand that their sexual freedom is being used and abused by men. The novelist also suggests that, whenever women, whether circumstantially or ambitiously disregard morality, they cannot escape disaster and consequent suffering. Though De has presented women who indulge in free sex, live fashionable and wealthy life, she in no way seems to support the way of life adopted by these so called modern women. On the opposing, she shows her contempt and dislike for their unethical and socially unacceptable behavior. This can be presumed from the ultimate fate her heroines are destined to as a result of their immoderation in bizarre activities and abnormal behavior. In fact, Shoba De advises her women to analyze their behavior and stop posing to be men.
    [Show full text]
  • Starry Nights R
    ======================================================================= Language in India www.languageinindia.com ISSN 1930-2940 18:10 October 2018 R. Rajalakshmi, Editor: Select Papers Presented in the Conference Reading the Nation – The Global Perspective St. Joseph’s College for Women, Tirupur, Tamilnadu ======================================================================= Analysis of Women and Their Relationships with Society in Shobhaa De’s Starry Nights R. Rajalakshmi M.A. M.Ed. PGDCA. M.Phil. Dr. P. Jayaseela ========================================================== Among the distinguished literary writers of South Asia, Shobhaa De holds an elevated position. Being a novelist and a columnist, she contributed profusely to South Asian literature. Shobhaa De’s first career choice was modeling which she pursued for some time and had proved herself as well. In 1970, she switched her career to journalism. Shobhaa offered her editorial skills to renowned magazines like Stardust, Celebrity and Society. Her column for The Times of India named ‘Politically Incorrect’ earned great praise. In her columns, she comments on various issues ranging from social, economic to political dynamics. Subsequently, she directed her attention toward literary writing choosing the novel form as medium of her work. In 1989, she published her debut novel entitled, Socialite Evenings. The novel explores the dynamics of elites of Indian society. In fact, the book has a semi- autobiographical air to it. It highlights the decay of the social values, morality and culture. The socialites are portrayed as immoral and degenerated people who have traded their moral values for materialistic gain. The novel was heavily criticized for its controversial content, though it sold out and gained commercial success. Shobhaa De’s literary writing journey eventually turned her into India’s bestselling author.
    [Show full text]
  • 03 Review of Literature.Pdf
    REVIEW OF LITERATURE So far a lot of work is done on various aspects of Shobhaa De’s career and her writings. Reviews on her various books and novels are quoted below to help further into the study of the works of Shobhaa De. Shobhaa De is "India's first successful pulp novelist", a bestselling author who never quite caught on outside India. Shobhaa De, perhaps better known here as the Maharani of Muck or the Princess of Porn, is India's most commercially successful English-language author. It's a crazy claim for a 56-year- old middle-class Indian woman--one who describes herself as a "traditional" mother to six children--to be able to make. But sex sells, even in one of the world's most socially conservative countries. Bucking all convention, for years De has dared to write lusty, shocking sex scenes, and from a female point of view. In a country where women rarely bare more than two inches of leg and hardly ever file for divorce, she writes about women who, like herself, flee marriages because they are bored. De is author of more than a dozen titles, all of which start with the letter "s" ( Sultry Days , Starry Nights , Strange Obsession --you get the point) and all of which depict a level of privilege that most of India's more than 1 billion impoverished masses cannot even imagine. Even De's harshest critics have to admit that she remains a compelling icon for women in today's fast-globalizing India. "Writing about somebody dropping a sari doesn't mean you're striking big notes for women," says film critic Shubra Gupta.
    [Show full text]