Howard Jacobson: Howard Jacobson: David Inshaw
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Picture Sale Thursday 28 April 2011 10:30
Picture Sale Thursday 28 April 2011 10:30 Moore, Allen & Innocent The Salerooms Norcote Cirencester GL7 5RH Moore, Allen & Innocent (Picture Sale) Catalogue - Downloaded from UKAuctioneers.com Lot: 1* Lot: 7 Lots 1 - 51 inclusive have all been donated by the artists and AFTER PHILIP SAYER "The last cuppa" (portrait of the artist by private collectors to raise money for Coln House School - a very Philip Sayer), study of Ralph Steadman with a cup of tea, "The special school in Fairford. It is the only weekly boarding school Last Supper" behind him, black and white lithograph, signed by in Gloucestershire for children who have considerable learning, Philip Sayer and Ralph Steadman, 51.5 x 64 cm, photograph of emotional and psychological difficulties. Many come from Ralph Steadman for The Times 1983 (ILLUSTRATED) (Being challenging backgrounds. All need the dedication, care and sold on behalf of Coln House School, a Registered Charity) considerable skills of their teachers and carers. Your support by Estimate: £80.00 - £120.00 bidding and buying will make a real difference to the lives of the children, and you could take home a marvellous picture too! Thank you Douglas Maxwell Fundraising Governor Coln House Lot: 8 School (Reg. Charity No. 1307488) AFTER HENRI KYRIAKU "Ballet dancer at night, trees in background", colour print, limited edition No'd. 1/25, signed and numbered bottom right, image size 52 x 74 cm Lot: 1 (ILLUSTRATED) (Being sold on behalf of Coln House School, a AFTER GRAHAM OVENDEN & CHARLES SUMMERS "A is Registered Charity) -
DAVID INSHAW DAVID INSHAW Recent Paintings and Works on Paper
Contemporary British Art, Furniture, Craft Gallery West Bay Road West Bay Bridport Dorset DT6 4EL Open Wednesday – Saturday 10 am – 4.30 pm DAVID INSHAW DAVID INSHAW recent paintings and works on paper 18 July – 12 September 2020 Published by Sladers Yard Ltd Catalogue copyright © 2020 Sladers Yard Ltd All works copyright © David Inshaw Foreword copyright © 2020 Simon Rae All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording or other information storage or retrieval system without the prior written permission of the gallery. Front cover: Allegory III 2020 oil on canvas 46” x 46” / 117 x 117 cm Photography by Peter J. Stone Photography. Title page: Still Point 2020 oil on canvas 20” x 20” / 51 x 51 cm Photographs of David Inshaw and his studio: Anna Powell, Sladers Yard Design by Ellis Sare, Epic Print Back cover: Crows and Rainbow 2020 oil on canvas 14” x 14” / 35.5 x 35.5 cm Printed in the UK by Epic Print, Alington Ave, Dorchester, Dorset DT1 1EX 1 NEVER AND ALWAYS A new David Inshaw exhibition is always an event to be celebrated, and celebration is at the core of this exceptional artist’s vision, set aflame by the plethora of sights and shapes and the ever-shifting miracle of light that most of us respond to with a quick snap for our Instagram account. But Inshaw is a poet, penetrating deep beyond the picture-postcard surface. Think Gerard Manley Hopkins: ‘As kingfishers catch fire, dragonflies draw flame’, or D.H.Lawrence: ‘There is a swan-like flame that curls round the centre of space’. -
Autumn 07 Cover
Art On A Ukulele Covers.qxp_Layout 1 13/09/2017 14:43 Page 1 THE HEPATITIS TRUST Art On A Ukulele www.ewbankauctions.co.uk Thursday 21st September 2017 at 3pm Art On A Ukulele Covers.qxp_Layout 1 13/09/2017 14:43 Page 2 ewbank’s auction sale dates 2017/2018 Viewing days/times vary, please contact the auctioneer for details October Viewing times vary but are always at least on the day Thursday 5th Toys & Models before the sale, contact the auctioneer for details Thursday 5th Entertainment & Memorabilia 01483 223 101. Chris Ewbank, FRICS ASFAV Andrew Ewbank, BA, ASFAV Alastair McCrea, MA Friday 6th Vintage Posters Senior partner Partner Partner All viewing days / times are published online at Wednesday 11th Antique & Collectors' [email protected] [email protected] [email protected] ewbankauctions.co.uk Thursday 12th The Adrian Cowdry Collection of Movie Memorabilia, Part 1: All sales are fully illustrated online whenever possible. Friday 13th The Adrian Cowdry Collection, Catalogues with illustrations are published on our Part 2: James Bond: website approximately two weeks before sales. Thursday 26th Decorative Arts Images for Antique & Collectors’ sales are uploaded Thursday 26th Contemporary Art & Modern onto our site the Friday before the auction. British Paintings Sales are on Wednesdays, Thursdays and Fridays, usual start times are 10am however this can vary so November please check before the auction. Wednesday 8th Antique & Collectors' Thursday 9th Asian Art Dates are published on our website and are -
Complete ICA Exhibitions List 1948
1 Date Title Artists / Description 1948 40 Years of Modern Art 1907-1947: Jankel Adler, Jean Arp, Francis Bacon, Balthus, John Banting, 10 Feb – 6 Mar a Selection from British Eugene Berman, Pierre Bonnard, Constantin Brancusi, Georges Collections Braque, Edward Burra, Alexander Calder, Marc Chagall, Georgio de Chirico, Robert Colquhoun, John Craxton, Salvador Dali, Paul Held at the Academy Hall, Oxford Delvaux, André Derain, Charles Despiau, Frank Dobson, Raoul St Dudy, Jacob Epstein, Max Ernst, Lyonel Feininger, Lucian Freud, Naum Gabo, Henri Gaudier-Brzeska, Alberto Giacometti, Duncan Grant, Juan Gris, Barbara Hepworth, Ivon Hitchens, Frances Hodgkins, Edgar Hubert, Augustus John, Wassily Kandinsky, Paul Klee, Oscar Kokoschka, John Lake, Wifredo Lam, Louis Le Brocquy, Fernand Leger, Wilhelm Lembruck, Wyndham Lewis, Jean Lurçat, Rene Magritte, Aristide Maillol, Franz Marc, Louis Marcoussis, André Masson, Henri Matisse, Robert MacBride, F E McWilliam, Joan Miro, Amadeo Modigliani, Piet Mondrian, Henry Moore, Paul Nash, Ben Nicholson, Eduardo Paolozzi, Victor Pasmore, Pablo Picasso, John Piper, Man Ray, Ceri Richards, William Roberts, Peter Rose Pulham, Georges Rouault, William Scott, Walter Sickert, Matthew Smith, Stanley Spencer, Graham Sutherland, Chiam Soutine, Tves Tanguy, Pavel Tchelitchev, John Tunnard, Maurice Utrillo, Edouard Vuillard, Edward Wadsworth, Christopher Wood, Jack Yeats, Ossip Zadkine 1948/1949 40,000 Years of Modern Art: a List of artists only includes the artists from the ‘Art of Our 20 Dec - 29 Jan Comparison of -
Iyengar, Gertrude Slash Ophelia, Chicago Style 2
Gertrude/Ophelia: Feminist Intermediality, Ekphrasis, and Tenderness in Hamlet Sujata Iyengar University of Georgia Did Gertrude drown Ophelia? To a Shakespearean, the question seems absurd, yet students and readers ask it repeatedly in class and online in fan-sites such as Shakespeare Geek, or in response to the amateur video artists who upload versions of Shakespeare’s Hamlet in which the hero’s vindictive mother drowns his innocent love.1 It might be tempting to dismiss such attempts as crowd-sourced ignorance, but if we pay fan culture the compliment of taking it seriously, it can teach us something new about the plays and speeches that we think we know well. Moreover, as early as 1805 Shakespearean editor E.H. Seymour asked why Gertrude did not save Ophelia instead of watching her drown and listening to her old lauds or old tunes.2 The young women (or users who self-identify as women online) who accuse Gertrude of murdering her potential daughter-in-law are responding to Gertrude’s characterization in the play as what we might call a culpable “ekphrast.” Analyzing Gertrude’s best-known and widely anthologized I thank Chris Eaket and Dan Fischlin for enriching my understanding of intermedia, and Susan Rosenbaum and the editors of this volume for their astute comments on this essay. 1 Shakespeare Geek, “Ophelia Was Pushed!”, modified March 10, 2010, accessed May 31, 2013, http://blog.shakespearegeek.com/2010/03/ophelia-was-pushed.html; Mustachio Shakespeare, “Gertrude Kill Ophelia,” accessed May 31, 2013, http://www.youtube.com/watch?v=4PXvstuKMGk; see also Sujata Iyengar and Christy Desmet, “Rebooting Ophelia: Social Media and the Rhetorics of Appropriation,” in The Afterlife of Ophelia, ed. -
Peter Blake Biography
Peter Blake Biography 1932 1977 Born: Dartford, Kent, United Kingdom Waddington and Tooth Galleries, London Lives and works in London 1978 Waddington Graphics, London EDUCATION 1979 Bohun Gallery, Henley-on-Thames, United Kingdom 1946–1949 Gravesend Technical College and School of Art, Kent 1980 Galleria Documenta, Turin, Italy 1949–1951 Gravesend School of Art, Kent 1983 Tate Gallery, London; Kestner Gesellschaft, Hanover, 1953–1956 Germany Royal College of Art, London 1984 Galerie Claude Bernard, Paris TEACHING 1986–1987 1964–1976 Watermans Art Centre, Brentford, United Kingdom Royal College of Art, London Turnpike Gallery, Leigh, United Kingdom 1988 SELECTED SOLO EXHIBITIONS Nishimura Gallery, Tokyo 1962 1990 Portal Gallery, London Waddington Galleries, London Wetterling Gallery, Gothenburg 1965 Robert Fraser Gallery, London 1992 Govinda Gallery, Washington, D.C. 1969 Leslie Waddington Prints, London 1995 Robert Fraser Gallery, London Galerie Claude Bernard, Paris City Art Gallery, Bristol, United Kingdom 1996–1997 1970 Now We Are 64: Peter Blake at The National Gallery, Ashgate Gallery, Farnham, United Kingdom The National Gallery, London; Whitworth Art Gallery, Manchester 1972 Waddington Galleries, London 1999 A Cabinet of Curiosities from the Collections of 1973–1974 Peter Blake, Morley Gallery, London Stedelijk Museum, Amsterdam; Kunstverein Hamburg; Gemeentemuseum, Arnhem; Palais des Beaux-Arts, 2000–2001 Brussels Peter Blake: About Collage, Tate Liverpool, United Kingdom, April 7, 2000–March 4, 2001 2001–2009 2011 Peter Blake: