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Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
No Weapons Snatched in Terror Attack: IGP Kashmir the Jammu
TOP NEWS OF J&K JAMMU, TUESDAY, OCTOBER 06, 2020 Daily Evening Newspaper ENTERTAINMENT | 6 NATIONAL | 5 STATE | 11 ‘She fears the day when she will Court convicts former Choudhary appeals to LG no longer be in headlines’: union minister Dilip Ray, administration to address Shabana Azmi on Kangana others in coal scam issues of Nagrota residents e-paper: www.topnewsjk.in RNI No. JKENG/ 2010/39369 Regd. No. JK- 435 Vol.-11 Issue-275 Pages-12 Rs.-2/- BRIEFLY Lt Governor conducts surprise Lt Governor pays Rape every 16 minutes, dowry death tribute to Army’s Army man visit to GMC Jammu JCO martyred in each hour: NCRB data reveals how shoots self Directs senior doctors to attend to Covid patients directed that, ‘senior doc- in Rajouri tors should attend to Covid dead in patients’. Top News Report unsafe India is for women The Lt Governor also took NEW DELHI, Oct 6 of 7.3% over 2018. Ganderbal SRINAGAR, Oct 6 : The crime rate registered round of the Emergency (Agencies): The National As per the horrifying sta- Lieutenant Governor, per lakh women popula- SRINAGAR, Oct 6 Ward, High Dependency Crime Record Bureau’s tistics, every 16 minutes, tion is 62.4 in 2019 in com- Unit and other units of the Manoj Sinha paid trib- (Agencies): An army man ‘Crime in India’ 2019 report a woman is raped some- parison with 58.8 in 2018”, ended his life by shooting hospital before conduct- utes to Subedar Sukhdev was released on Tuesday. where in India, and every himself with his service ing a meeting with senior Singh, a Junior Com- the data shared by NCRB officers. -
ISLAND CITY a Film by Ruchika Oberoi
ISLAND CITY A film by Ruchika Oberoi India | Hindi (English subtitles) | Comedy-Drama | 111minutes | Cinemascope 1:2.35 | 5.1 | Colour | 2015 Premiere Status – World Premiere at Venice Film Festival, 2015 in the Venice Days Section SYNOPSIS (SHORT) The film follows three comic-dramatic stories set in Mumbai. The first one is about a middle-aged man who wins the office ‘Fun Committee Award’, which entitles him to a whole day full of fun. He is most reluctant to leave the safety of his cubicle but he has to. Prescribed fun modules have to be completed and non-compliance is not an option… The second story begins with a domineering pater familias, Anil, who is on life support. Seeking some relief, his family decides to buy a TV, which Anil had banned; now every night the family plugs into a popular soap whose hero is a man ideal in every way… The third one centres on Aarti whose repetitive existence is slowly making her more and more mechanical and numb. Deep inside ferments a disconnect and unease that she is unable to articulate to anyone. Then one day there arrives a most intimate letter and everything changes. SYNOPSIS (LONG) The film follows three comic-dramatic stories set in Mumbai. Fun Committee – A middle-aged man stuck in a boring, number-crunching job wins the office ‘Fun Committee Award’, which entitles him to a whole day full of fun. He is most reluctant to leave the safety of his cubicle to go to claim this award… but fun is now compulsory policy since the analysts’ reports say company profits are going down because the employees are too listless and dispirited. -
Lucknow, Rama Medical College and Prayagraj, Agra, Kanpur Nagar and 1.75 Lakh Tests Were Done Per Day, Taking Manoj Kumar Singh, Principal Group in Noida
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Dehradun and Four from Bageshwar on Adetected Seven Deaths from the Disease
0 1 9* . 7: : : SIDISrtVUU@IB!&!!"&#S@B9IV69P99I !%! %! ' 356738&/1 2--23 42+"5 2'# . > $,*# / ,(<*)$#$#>#<#<0+#$ *4??<+$ $&'#&,( )% 0').&0',0 $<%+ /&)0&#*#A$ 0$0(*)&) ) ,0$+$B%+ $+ + '#+#.,+ ' #/+' $'+, '?$+0-#@?% & $214334 !4 ; < $ , %$ .1,.*.*( &.. $%$&'# $ per earlier order of the SC, an O P '( expert committee has been 12341 4515426 he Supreme Court on constituted and other direc- --"- ( 7 32455511233315" TMonday said that the tions have also been complied " Covid-19 situation has wors- with by the Delhi Government. . 3!253 64334!41 ened in Delhi and gone out of He said that a separate New Delhi: The Delhi High * 22116 11!!24225! control in Gujarat even as it space has been earmarked for Court on Monday declined to warned Maharashtra to be pre- the cremation of 385 bodies. entertain a plea seeking direc- '&,)0,.) ( 52!"4 !"2! 4663 pared for the worst in “We have no difficulty that tions to the AAP Government &,1,.& 5412 /,0&.43342 December. Expressing concern you have complied with orders to immediately place the city , . 5!33 253!462425 over the surge in number of of this court. But looking at the under lockdown in view of the $ % 0 456613 3"2!4!31 Covid-19 cases across the present situation, what else are rising Covid-19 cases and air country, the court asked the you doing,” the Bench observed pollution levels, saying the /,**,*0) ) 14!6 121" "2! Centre and all States to file and asked Jain to file a status petition was “half-baked” and $1,',./* * !41!3 14!5143 within two days status reports report. “unnecessary”. -
Social Patterns Revealed Through Random Matrix Theory
Social patterns revealed through random matrix theory Camellia Sarkar1 & Sarika Jalan1,2,∗ 1 Centre for Biosciences and Biomedical Engineering, Indian Institute of Technology Indore, Simrol, Indore 452020, India 2 Complex Systems Lab, Discipline of Physics, Indian Institute of Technology Indore, Simrol, Indore 452020, India ∗ Corresponding author e-mail: [email protected] Abstract Despite the tremendous advancements in the field of network theory, very few studies have taken weights in the interactions into consideration that emerge naturally in all real world systems. Using random matrix analysis of a weighted social network, we demonstrate the profound impact of weights in interactions on emerging structural properties. The analysis reveals that randomness existing in particular time frame affects the decisions of individuals rendering them more freedom of choice in situations of financial security. While the structural organization of networks remain same throughout all datasets, random matrix theory provides insight into interaction pattern of individual of the society in situations of crisis. It has also been contemplated that individual accountability in terms of weighted interactions remains as a key to success unless segregation of tasks comes into play. Apprehending various physical systems under the framework of networks has been in practice since a couple of decades [1,2]. Recent years have realized the need of this framework in understand- ing a myriad of social phenomena in various disciplines ranging from psychology to economics [3] for instance, in understanding spread of behaviour across a population [4], assessing organizational performance [5], outbreak detection of disease propagation [6]. In this Letter, we delve in to the intricacies of society using Bollywood, the largest film industry of the world [7] as a model. -
Vanessa Pager-2
I PREDICT ne early morning on a TGIF in an unusually freezing Mumbai (the one weekend I thought I could go without Delhi essentials - those darn things called warmers! Equal parts bundled up baby and Egyptian mummy), is when the rendezvous happens. Takes place. Occurs. Acts out. Unfolds. Because with this one, it’s all about the performance/act/playacting. Vinay Pathak and the fine art of O“If there’s a play in the script, then I’m your player.” In so many words. making dimaag ka dahi. Movies, too. SCENE ONE FIRST CITY in (and with) one The real moustache serious Mumbaiyya guffaw. Enter Vinay Pathak. Shades. Armed with fruits. (“A box full Demonstrating his many roop, of fruits! A fruitful box! Stop!”). And a crazy sense of humour. bahut pehloo. Is story mein “Opening shot! I loved the opening shot of Manorama “melodramabaazi” hai, sobriety Six Feet Under. Have you seen that film? Not because I’m in it! Heh heh. I get goosebumps when I see it! The way he hai. Aur comic relief hai. What captures the magnanimous land, time, space. And the real- happened this one day close to ness of Abhai with the tan and the moustache. The real moustache. And the voiceover starts about an- Lokhandwala, was nothing short ecdotes and his life and storytelling, and of paisa vasool. that Yana shot and the bike smashes through her. Fantastic! What an opening shot!” Here’s how it rolled... SCENE TWO: Radio Moscow, Vividh Bharati, Voice of America, Sri Lanka, Radio Nepal Vinay’s running late. -
Show Time Diary of a Wimpy Kid Rodrick Rules We Welcome You Aboard with a Promise to Add Zing to Your Journey with Our
ENTERTAINMENT GUIDE SHOW TIME Diary Of A Wimpy Kid Rodrick Rules We welcome you aboard with a promise to add zing to your journey with our large number of channels and variety of programmes Bollywood Hits -7 Austin Powers in Goldmember Life & Times of A Star - Aamir Khan Bollywood Hits-6 Lanka Sarabhai VS Sarabhai - Men Are Rational Fools CHANNEL 1 AUDIO Thales i3000 Hindi Latest Cast: Abhay Deol, Emraan Hashmi, Bol Bachchan Rowdy Rathore Kalki Koechlin, Prosenjit Chatterjee Cast: Ajay Devgn, Abhishek Bachchan, Sound Check- Contemporary Indian Music Asin, Prachi Desai, Krushna Abhishek CHANNEL 1 CHANNEL 2 Hindi Latest Hindi Classic CHANNEL 2 Rowdy Rathore CHANNEL 3 Mili HINDI Classic Cast: Akshay Kumar, Sonakshi Sinha Channel 1 Bollywood Latest Hollywood Action Cast: Ashok Kumar, Amitabh Bachchan, Jurm Channel 2 Indian Classical-Pt. D.V. Paluskar & Ravi Body of Lies Jaya Bachchan Cast: Vinod Khanna, Meenakshi CHANNEL 2 Shankar and Yehusi Cast: Russell Crowe, Leonardo Di- Sheshadri, Sangeeta Bijlani Hindi Classic Menuhin Body Of Lies Caprio, Mark Strong CHANNEL 3 Dil Hai Ke Manta Nahin Channel 3 Dance Hits - Western Hollywood Comedy CHANNEL 3 Cast: Aamir Khan, Pooja Bhatt, Channel 4 The Legends Indian- CHANNEL 4 Austin Powers in Goldmember Hollywood Drama Anupam Kher, Tiku Talsania, Rakesh Talat Mahmood & Majrooh Sultanpuri Mixed Bag Cast: Mike Myers, Michael Caine, The Last King of Scotland Bedi, Sameer Chitre FIRST FORTNIGHT Channel 5 English Pop INBOUND Sarabhai V/S Sarabhai: Men Are Ratio- Beyonce Knowles Cast: Forest Whitaker, James -
HINDI CINEMA: a COMPARATIVE STUDY of COMMERCIAL and PARALLEL CINEMA, POST 1980S
REPRESENTATION OF WOMEN IN HINDI CINEMA: A COMPARATIVE STUDY OF COMMERCIAL AND PARALLEL CINEMA, POST 1980s THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Doctor of Philosophy In Women’s Studies BY SAMIEN KIDWAI UNDER THE SUPERVISION OF DR. SHAHEENA TARANNUM ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2016 ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my supervisor Dr. Shaheena Tarannum for her continuous support during my PhD study and related research, for her patience, motivation, and immense knowledge. Her guidance helped me throughout my research and while writing this thesis. I could not have imagined having a better supervisor and mentor for my study. Besides my supervisor, I am thankful to the Director of the Advanced Centre for Women’s Studies, Prof. Nighat Ahmad, for helping me in my research work. I am immensely thankful to all the teachers of the centre for making me understand the subject which was new for me. Thanks to all the non-teaching staff of the centre as well. I am also grateful to my teachers from the Department of Mass Communication especially Prof. M. Shafey Kidwai, Dr. Pitabhas Pradhan, and Dr. G.K. Sahu who lend me a helping hand whenever I was in need. On the personal front I would firstly and most importantly like to thank my soulmate, Meraj Ahmad, who not only encouraged me to pursue this course but also helped me a lot personally and professionally to complete it as well. This research study could not have been possible if we both would not have been feminist enough. -
Midnight's Children B-W Press Kit for Canada
Mongrel Media Presents MIDNIGHT’SMIDNIGHT’S CHILDRENCHILDREN A Film by Deepa Mehta (148 min., Canada, 2012) www.midnightschildren.com Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html TABLE OF CONTENTS A Map of India, Pakistan, Bangladesh A Family Tree Short Synopsis .............................................................................................................................. 1 Long Synopsis ............................................................................................................................... 1 Midnight's Children – The Main Characters ................................................................................ 4 Interview With Director Deepa Mehta ........................................................................................... 5 “On the Making of Midnight's Children”, Salman Rushdie ...................................................... 9 Production Notes, David Hamilton .............................................................................................. 10 Green Chutney: In the Movie and in the Novel. The Recipe, Vimla Mehta ................................... 13 "The Impact of the Novel", Hari Kunzru ........................................................................................ 15 "Historical -
Film Management
Film Management - Guided By Prof. Pratiksha Khedekar Presented by: Bhavini Pandya [24] Riddhi Rupani [33] Jyoti Sharma [38] Acknowledgement Apart from the efforts of me, the success of this project depends largely on the encouragement and guidelines of many others. I take this opportunity to express my gratitude to the people who have been instrumental in the successful completion of this project. I would like to show my greatest appreciation to Prof. Pratiksha Khedekar & BMS Dept of Vartak College. I can’t say thank you enough for his tremendous support and help. I feel motivated and encouraged every time I attend his meeting. Without his encouragement and guidance this project would not have materialized. The guidance and support received from Prof Pratiksha Khedekar who guided us to complete this project, was vital for the success of the project. I am grateful for their constant support and help. Contents: 1.Introduction to Film 2.Definitions 3.History Of films in India 4.Journey of Indian Cinemas since 1990’s 5.Change in the phase of Indian Cinema since 1990’s 6.Importance of Film marketing 7.Production Process a. Pre Production Phase 1. Screenplay/ script writing 2. Storyboard 3. Film budgeting 4. Film insurance b. Production Phase 1. Directing 2. Assembling Cast & Crew 3. Acting c. Post Production Phase 8.Film Promotion & Publicity 9.Film Certification 10. Box Office Coverage 11. Negative Factor of Film Industry Introduction What is film? A film, also called a movie or motion picture, is a story conveyed with moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. -
1 Bollywood 2 Method for Construction of Networks
Supplementary Material Social patterns revealed through random matrix theory Camellia Sarkar and Sarika Jalan 1 Bollywood Bollywood is the largest film industry in the world which accounts for around 40% of the total revenues of the Indian film industry according to the CII-KPMG report of 2005 [1]. A total of 8931 movies have been documented so far in Bollywood from 1913 to 2012. Bollywood is not only confined to the Asian sub-continent but has global outreach [Ref. 8 of manuscript]. The large fraction of Indian emigrants [2] invites the screening of Bollywood movies across the globe in various countries. For example, in countries like UK, Morocco and many more, the Bollywood actors see huge enthusiasm from the people over there [3, 4]. 2 Method for construction of networks From the Bollywood data collected for a period of 60 years spanning from 1953 to 2012 from the movie repository website www.bollywoodhungama.com, names of all the movies and their corresponding information are extracted using Python code. Initially we document names of all the films as per their chronological sequence (latest to oldest) from the websites by incorporating the desired URL [5] in the code along with a built-in string function which takes the page num- bers (932 pages in Released before 2012 category and 24 pages in Released in 2012 category) as input. Each film of every page bears a unique cast ID in the website, navigating to which via Movie Info provides us with complete information about the film. In the Python code, we 1 store the unique cast IDs of films in a temporary variable and retrieve relevant information using appropriate keywords from respective html pages.