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Press Kit Fiona Tan Mit Der Anderen Hand with the Other Hand

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Press Kit Fiona Tan Mit Der Anderen Hand with the Other Hand Presse Mönchsberg 32 5020 Salzburg Austria T +43 662 842220-601 F +43 662 842220-700 [email protected] www.museumdermoderne.at Fiona Tan: Gray Glass, 2020. Three-channel video installation (black and white, sound), film still. Commissioned by the Museum der Moderne Salzburg. With support from Mondriaan Fund, NL, Museum der Moderne Salzburg. Courtesy of the artist, Frith Street Gallery, London, Peter Freeman Inc., New York, Wako Works of Art, Tokyo Press kit Fiona Tan Mit der anderen Hand With the other hand Museum der Moderne Salzburg Mönchsberg [3] October 31, 2020–February 21, 2021 Information up to date: October 6, 2020 Museum der Moderne – Rupertinum 1/12 Press kit MdMS Fiona Tan Betriebsgesellschaft mbH FN 2386452 Firmenbuchgericht Salzburg Presse Introduction T +43 662 842220-601 The Amsterdam-based video and film artist Fiona Tan (Pekan Baru, ID, F +43 662 842220-700 1966) has won worldwide acclaim as a leading contemporary artist since the [email protected] 1990s. Her work, which has been showcased at numerous biennials and in www.museumdermoderne.at diverse other international exhibition contexts, charts voyages through space and time, through contemporary and historic visual universes. The Museum der Moderne Salzburg and Kunsthalle Krems mount Fiona Tan’s first mid-career retrospective. Spanning her output of the past twenty years, the presentation is divided into two virtually concurrent exhibitions at the two institutions. Its title, Mit der anderen Hand / With the other hand, refers to a melancholy entry in Franz Kafka’s diary about the sensitive outsider whose very inability to bear life makes him an alert chronicler and prolific memoirist of his time. The exhibition at the Museum der Moderne offers comprehensive insight into central themes and concepts that anchor Fiona Tan’s thinking and art: alterity and identity, remembering and forgetting, the aesthetics of travel, the relationship between humanity and nature, documentation and fiction, and the interactions between photographic and film images. Tan’s works always also read as a critique of seeing, as when she harnesses archival footage to deconstruct the European perspective on other cultures. The relations between Orient and Occident are the subject of the video installation Disorient, which premiered in the Dutch pavilion at the 2009 Venice Biennale. The iconography of the sea and mountains plays a prominent part in Tan’s oeuvre, exemplified in the exhibition by News from the Near Future, 2003, Brendan’s Isle, 2010, Leviathan, 2015, and Depot, 2015. Ascent, 2016, is a filmic narrative about Japanese Mount Fuji for which the artist collected over 4,000 amateur photographs. The result is a probing exploration of the mountain as a photographic image and national myth. For a new work on film commissioned for the exhibition at the Museum der Moderne Salzburg, Gray Glass, Fiona Tan shot material in the Alps around Salzburg: on the glaciers at Hoher Sonnblick and in the Eisriesenwelt cave system in Werfen. The exhibition is accompanied by a two-volume publication released by Snoeck: a bilingual exhibition catalogue and a reader in separate German and English editions with writings on Fiona Tan’s oeuvre and texts by renowned international curators and critics and by the artist herself. Curators: Thorsten Sadowsky and Marijana Schneider 2/12 Press kit MdMS Fiona Tan Presse With support from T +43 662 842220-601 F +43 662 842220-700 [email protected] www.museumdermoderne.at Publications related to the exhibition Fiona Tan. Mit der anderen Hand / With the other hand Ed. Thorsten Sadowsky for the Museum der Moderne Salzburg and Florian Steininger for Kunsthalle Krems. Exhibition catalogue With a foreword by Thorsten Sadowsky and Florian Steininger and essays by Ruth Horak, Thorsten Sadowsky, Nina Schedlmayer and an interview with Fiona Tan and Eva Sangiorgi. Softcover, 160 pages, ca. 100 color ill. Snoeck Verlagsgesellschaft, Cologne, 2020 Bilingual German/English: ISBN 978-3-86442-324-6 € 29,80 Reader Ed. and with an introduction by Gilda Williams. With contributions by John Berger, Saskia Bos, David Campany, Stéphane Carrayrou, Dawn Chan, Lynne Cooke, Laura Cumming, Brian Dillon, Thomas Elsaesser, Juliana Engberg, Okui Enwezor, David Frankel, Christophe Gallois, Philip Gefter, Denis Gielen, Massimiliano Gioni, Mark Godfrey, Hettie Judah, Midori Matsui, Philip Monk, Elisa Schaar, Sabine Maria Schmidt, Adrian Searle, Joel Snyder, Adelina Vlas, and Doris von Drathen and substantial writings by Fiona Tan. Softcover, 400 pages, ca. 30 black-and-white ill. Snoeck Verlagsgesellschaft, Cologne, 2020 Deutsch: ISBN 978-3-86442-325-3 English: ISBN 978-3-86442-326-0 € 19,80 Both volumes (reader in German or English): € 39,90 3/12 Press kit MdMS Fiona Tan Presse Biographical note T +43 662 842220-601 Fiona Tan (Pekan Baru, ID, 1966–Amsterdam, NL) F +43 662 842220-700 The visual artist and filmmaker Fiona Tan has garnered international acclaim [email protected] with subtly executed video and film installations in which explorations of www.museumdermoderne.at memory, time, history, and the role of visual imagery are central themes. Her installations and photographic works have been shown in numerous solo and group exhibitions in major international cultural institutions. She has also written and directed two feature films. Fiona Tan was educated in Amsterdam, NL, studying at the Gerrit Rietveld Academie from 1988 until 1992 and then at the Rijksakademie van beeldende kunsten from 1996 until 1997. Her work has earned her numerous accolades and fellowships (see below). Solo exhibitions in recent years have included GAAF at the Museum Ludwig, Cologne, DE (2019), Ascent at the Museum De Pont, Tilburg, NL (2017), Geography of Time at the Museum für Moderne Kunst, Frankfurt am Main, DE (2016), and Mudam, Luxemburg, Ascent at the Izu Photo Museum, Nagaizumi, JP (2016), Depot at the Baltic Centre for Contemporary Art, Gateshead, GB (2015), and Geography of Time at the Nasjonalmuseet, Oslo, NO (2015). Fiona Tan represented the Netherlands with her solo presentation Disorient at the 53rd Venice Biennale (2009). Her work has also been featured in various international group exhibitions, including the São Paulo Biennial, BR (2010), the Venice Architecture Biennial, IT (2010), documenta IX, DE (2002), and the Istanbul Biennial, TK (2001). Fiona Tan’s work is held by numerous international public and private collections, including the Tate Modern, London, UK, the Guggenheim Museum, New York, NY, US, the Stedelijk Museum, Amsterdam, NL, in the Centre Pompidou, Paris, FR, the National Museum of Modern Art, Kyoto, JP, the Sammlung Goetz, Munich, DE, the Neue Nationalgalerie, Berlin, DE, and the MCA, Chicago, IL, US. Awards and fellowships 2019 Spectrum International Prize for Photography, Sprengel Museum, Hannover, DE 2017 Amsterdam Prize for Art, Amsterdam, NL 2016–2017 Getty Artist-in-Residence Fellowship, Los Angeles, CA, US 2007 Deutsche Börse Photography Prize 07, London, GB / Frankfurt am Main, DE (nominated) 2004 Infinity Award for Art, New York, NY, US 2004 Artes Mundi Prize, Cardiff, GB (nominated) 4/12 Press kit MdMS Fiona Tan Presse 2003 iaspis (fellowship and residency), Stockholm, SE 2001–2002 DAAD (fellowship and residency), Berlin, DE T +43 662 842220-601 1998 J.C. van Lanschot Prize for Visual Arts, BE/NL F +43 662 842220-700 1997 Best national debut film award, Netherlands Film Festival, NL [email protected] 1996 Prix de Rome, Film/Video, NL www.museumdermoderne.at Fiona Tan’s work in museum collections (selection) 21st Century Museum of Contemporary Art, Kanazawa, JP Bergen Kunstmuseum, Bergen, NO Centre Pompidou, Paris, FR De Pont Museum, Tilburg, NL Sammlung Deutsche Bank, Frankfurt am Main, DE Don Rubell Family Collection, Miami, FL, US Ella Fontanals-Cisneros Collection, Miami, FL, US Fondazione Sandretto Re Rebaudengo, Turin, IT Fonds National d’Art Contemporain, Paris, FR FRAC (Fonds Régional d’Art Contemporain) Lorraine, Metz, FR FRAC (Fonds Régional d’Art Contemporain) Provence-Alpes-Côte d’Azur, Marseille, FR FRAC (Fonds Régional d’Art Contemporain) Rhône-Alpes, Villeurbanne, FR Gemeentemuseum Den Haag, Den Haag, NL Guggenheim Museum, New York, NY, US Hammer Museum, Los Angeles, CA, US LVMH Collection, Paris, FR Musée d’Art Moderne de la Ville de Paris, Paris, FR Museo de Arte Contemporáneo de Castilla y León, León, ES Museum Boijmans Van Beuningen, Rotterdam, NL Museum of Contemporary Art, Chicago, IL, US National Museum of Art, Osaka, JP National Museum of Modern Art, Kyoto, JP Neue Nationalgalerie, Berlin, DE New Museum of Contemporary Art, New York, NY, US Philadelphia Museum of Art, Philadelphia, US Pinakothek der Moderne, Munich, DE Sammlung Goetz, Munich, DE Schaulager, Basel, CH Stedelijk Museum, Amsterdam, NL Taipei Art Museum, Taipei, TW Tate Collection, London, GB Tokyo Photographic Art Museum, Tokyo, JP Vancouver Art Gallery, Vancouver, CA 5/12 Press kit MdMS Fiona Tan Presse Events T +43 662 842220-601 F +43 662 842220-700 Press conversation with Fiona Tan [email protected] Museum der Moderne Salzburg www.museumdermoderne.at Mönchsberg, Auditorium Friday, October 30, 2020, 11 a.m. Artist talk Saturday, October 31, 2020, 3 p.m. Museum der Moderne Salzburg Mönchsberg, Auditorium Fiona Tan in conversation with Thorsten Sadowsky Director’s guided tour with Thorsten Sadowsky Wednesday, November 11, 2020, 6:30 p.m. Free attendance with museum ticket Curator’s guided tour with Marijana Schneider Wednesday, February 17, 2021, 6:30 p.m. Free attendance with museum ticket Partner Exhibition Fiona Tan. Mit der anderen Hand Kunsthalle Krems Museumsplatz 5 3500 Krems an der Donau Austria November 21, 2020–Februar 14, 2021 6/12 Press kit MdMS Fiona Tan Presse Press images T +43 662 842220-601 Several stills from each work are provided for use by the press; each set is F +43 662 842220-700 accompanied by the pertinent caption. [email protected] www.museumdermoderne.at The imagery is provided solely for purposes of media coverage of the exhibition.
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