DOCSLIB.ORG

Rocky Mountain Old-Time Music Festival July 6-10, 2016 Preliminary Schedule Subject to Change

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rocky Mountain Old-Time Music Festival July 6-10, 2016 Preliminary Schedule Subject to Change Rocky Mountain Old-time Music Festival July 6-10, 2016 Preliminary Schedule Subject to Change Wednesday, July 6th Gates Open: 12:00pm – 9:00pm Rocky Mountain Old-time Music Festival July 6-10, 2016 Preliminary Schedule Subject to Change Thursday, July 7th Gates Open: 9:00am – 9:00pm Workshops 10:00am – 11:15pm * Weird Fiddle Tunes from Texas – Spencer and Rains (Event Center Tent) * Intermediate/Advanced Fiddle – Stephanie Coleman (Event Center Dining Room) * Beginning Clawhammer Banjo –Tony Holmquist (Gathering Place) 11:30pm –12:45pm * Southern Style Fiddle – Erynn Marshall (Event Center Tent) * XXX – XXX (Event Center Dining Room) * Finger Style Old-time Banjo – Aaron Tacke (Gathering Place) 1:00pm – 2:15pm * Mandomazing – Carl Jones (Event Center Tent) * Upright Bass – Nadine Landry (Event Center Dining Room) * Beginning Fiddle – Tony Holmquist (Gathering Place) 2:30pm – 3:45pm * Old-time Country Harmony – Caleb Klauder and Rebb Williams (Event Center Tent) * Beginning Guitar – Arne Pelto (Event Center Dining Room) * Beginning/Intermediate Fiddle – Dedo Norris (Gathering Place) 5:00pm Pot Luck Dinner (Event Center Tent) Concert (Stage) 6:30 – 7:15 pm Erynn Marshall and Carl Jones 7:30 – 8:15 pm Foghorn Stringband Square Dance (Event Center Dance Hall) 9:00 – 11:30 pm Band: Red Squirrel Chasers Caller: Rina Rossi Rocky Mountain Old-time Music Festival July 6-10, 2016 Preliminary Schedule Subject to Change Friday, July 8th Gates Open: 9:00am – 9:00pm Workshops 9:30am – 10:45am * Fiddle Music of Melvin Wine – Erynn Marshall (Event Center Tent) * Old-time Tunes on the Mandolin – Jim Collier (Event Center Dining Room) * Clawhammer Banjo – Sammy Lind (Gathering Place) 11:00am – 12:15pm * Old-time Guitar Backup – Jim Nelson (Event Center Tent) * Violin Bows – Lee Guthrie (Event Center Dining Room) * Fiddle and Mandolin Melody Blast – Caleb Klauder and Sammy Lind (Gathering Place) 12:30pm – 1:45pm * Fiddle, Demystifying Bowing – AJ Srubas (Event Center Tent) * Flatfooting – Rina Rossi (Event Center Dance Hall) * Fellows of the Bellows, Midwest Accordion Tunes – Howard Rains (Gathering Place) 2:00pm – 3:15pm * Putting it all Together – Foghorn Stringband (Event Center Tent) Open Stage 3:30pm – 4:30pm (Stage) Concert (Stage) 5:00 – 5:45pm Spencer and Rains 6:00 – 6:45pm HK Silvey and Jim Nelson 7:15 – 8:15pm The Bootlickers Square Dance (Event Center Dance Hall) 9:00 – 11:30pm Band: Foghorn Stringband Caller: Larry Edelman Vendor Hours (Event Center) Coffee – Coffee Clatch 7:30am – 8:00pm (south side lawn) Food Truck – Kostas Gyros/Pizza Casbah 8:00am – 8:00pm (south side lawn) Rocky Mountain Old-time Music Festival July 6-10, 2016 Preliminary Schedule Subject to Change Saturday, July 9th Gates Open: 9:00am – 9:00am Workshops 9:30am – 10:45am * Backing up a Fiddle with a Fiddle – Spencer and Rains (Event Center Tent) * Shape Note Singing – Amanda Jokerst and Stephanie Fida (Event Center Dance Hall) 11:00pm – 12:15pm * Front Porch – Vesta Johnson and Steve Hall (Event Center Tent) 2:00pm – 3:15pm * Front Porch – H.K Silvey and Jim Nelson (Event Center Tent) Family Dance (Event Center Tent) 12:30pm – 1:45pm – Band: Jim Mullany and Friends Caller: Marj Mullany Concert (Stage) 5:00pm – 5:45pm Erynn Marshall and Carl Jones 6:00pm – 6:45pm Vesta Johnson and Steve Hall 7:15pm – 8:15pm Red Squirrel Chasers Square Dance (Event Center Dance Hall) 9:00pm – 11:30pm Band: The Bootlickers Caller: Chris Kermit Vendor Hours (Event Center) Coffee – Coffee Clatch 7:30am – 8:00pm (south side lawn) Food Truck: Austin Taco 8:00am – 8:00pm (south side lawn) Rocky Mountain Old-time Music Festival July 6-10, 2016 Preliminary Schedule Subject to Change Sunday, July 10 th Vendor Hours (Event Center) Food Truck: The Wheel and Whisk 8:00am – 12:00pm (south side lawn) Gate close: 5:00pm .
Load more

Recommended publications
  • The Year's Music
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c.
    [Show full text]
  • FOGHORN STRINGBAND Visit/Follow Us
    FOGHORN STRINGBAND visit/follow us www.foghornstringband.com Facebook: /foghornstringband twitter: @foghornsb instagram: foghornstringband contact [email protected] CLICK HERE to download the photo in high resolution CLICK HERE to download the photo in high resolution Biography “Face it people - there’s Foghorn…and then there’s everybody else.” -Stuart Mason - The Fiddlefreak. The Foghorn Stringband is the present day gold standard for real-deal hard-hitting genuine old-time American string band music, with nine albums, thousands of shows, over 15 years of touring under their belts, and an entirely new generation of roots musicians following their lead. American roots music is a diverse and never-ending well of inspiration, and Foghorn Stringband continually and obsessively draws from old-time, bluegrass, classic country, and Cajun music traditions in an ongoing quest to present a broad span of American historical music with an unparalleled youthful energy, joy, and virtuosity. The Foghorn Stringband is comprised four master performers and historians: -Caleb Klauder (vocals, mandolin, fiddle) - From Orcas Island, Washington -Reeb Willms (vocals, guitar) - From rural Farmer, Washington -Nadine Landry (vocals, upright bass) - From the Gaspé Coast, Eastern Quebec -Stephen ‘Sammy’ Lind (vocals, fiddle, banjo) - From Minneapolis, Minnesota Each member of Foghorn Stringband exemplifies the best of the roots music traditions from their respective native cultures. Caleb Klauder’s wistful, keening vocals and rapid- fire mandolin picking are as influenced by Southern roots music as much as they are by his upbringing in the sea islands of coastal Washington State. Reeb Willms hails from the wind swept Eastern farmlands of Washington. Her musical family and rural upbringing are are on display with every note she sings and every heart she breaks.
    [Show full text]
  • Portland Old Time Music Gathering 2020 Schedule Wednesday Jan
    Portland Old Time Music Gathering 2020 schedule Wednesday Jan. 15, 2020 – Square Dance– At the Village Ballroom 7:00 – 10:00 pm $5.00 at the door or free with POTMG All Inclusive Ticket. All ages 7:00 – 8:00 pm - Rats Gone to Rest - Julay Brooks, Joel Brown, Maxx Katz and Devin Forest-Hines. Caller: Amy Hofer 8:00 – 9:00 pm - Double File - Sophie Enloe, Maggie Lind, Patrick Lind and Isaac Enloe. Caller: Jane Palmieri 9:00 - 10:00 pm- -Uncle Wiggily – Dave Mount, Maggie Lind, Patrick Lind, Amy Hofer, Martha Thompson. Caller: Ned Leger Jam Session with designated hosts at the Hostel Cafe, 1810 NW 18th Ave. afternoon 1:00 – 5:00, evenings 8 pm 'til the wee hours. Hosts: 1-5 pm: Joe Moore; 8pm – late Melissa Takush Jam at the Moon and Sixpence Pub 7:00 – 10:00 21+ Free . Hosts: Lori Prime and Ken Torke Thursday, Jan. 16, 2020 Cajun/Honky Tonk Night – The Spare Room, 7:30 – Midnight. $5.00 at the door or free with POTMG All Inclusive Ticket. 21+ 7:30 – 8:30 pm - Coosh-Coosh Cajun Band – Tia Regan - guitar & vocals; Ruth Mabel Boytz - bass; Lefty Head - fiddle; Ned Leager - triangle; Dennis Poklikuha - drums and Jinny Macrae, guitar & vocals. 9:00 – 10:00 - The Waysiders – Gabrielle Macrae – guitar, fiddle, vocals; Joanna Macrae – vocals, Barry Southern – lead guitar; Jamie Herrmann – bass and Don Lawry – drums. 10:30 – 11:30 - Bobby Winstead and The Long Goodbyes – Bobby Winstead – guitar & vocals; Jack Dwyer – lead guitar and mandolin; Ellie Hakanson on fiddle and harmony vocals, Kevin Major on drums and Gordon Keepers on bass.
    [Show full text]
  • The VIRTUAL 46Th Annual Alaska Folk Festival
    The VIRTUAL 46th Annual Alaska Folk Festival April 5-11, 2021 It gives me tremendous pleasure to say these words that we have all been waiting far too long to hear -- Welcome to the 46th Annual Alaska Folk Festival! After the disappointment of cancelling the 2020 festival, and when it became clear that large gatherings would not be happen- ing for a long time, our all-volunteer board decided to forego the normal 5 month hiatus to keep working to develop a virtual Folk Festival. The lineup and variety of programming that came together far exceeded my expectations of what was possible, and I could not be more proud to be a part of this amazing group of volunteers. One of the silver linings of the pandemic was seeing how folk music and musicians immediately responded to the abrupt can- cellation of live musical performances by finding new and innovative ways to keep the music going. Online performances, workshops and festivals began sprouting up like fireweed shoots after a forest fire. This provided great hope and inspiration for us at the Alaska Folk Festival that the music would continue – no matter what! One striking example of the resilience of folk music came through the Quarantine Happy Hour group. Started in early April, 2020 by Oregon musicians Gabrielle Macrae and Barry Southern (The Horsenecks), this Facebook group began as a live feed for musicians to perform during the height of the pandemic lockdown. One year and twenty thousand followers later, Quaran- tine Happy Hour has featured a live performance every single night since it began! As great friends of the AFF, Gabrielle and Barry graciously offered to lend their platform to help us bring live musical performances to you during this year’s festival.
    [Show full text]
  • Theoba Why Create the OBA? and Ask What Was on the Minds of One Had Heard of the ?Internet
    Volume 28 • Number 4 ‘08 Summer Calendar Pullout! July - August Peanut Butter Cookies! Stevenson Festival! 2008 Pickathon 2008! Bluegrass Expresswww.oregonbluegrass.org “To promote, encourage, foster and cultivate the preservation, appreciation and understanding, enjoyment, support and performance of bluegrass and other closely related music of the United States.” - The purpose of the Oregon Bluegrass Association, from the articles of incorporationIncorporation Why Create Story by Claire Levine theOBA Why create the OBA? and ask what was on the minds of one had heard of the ?Internet. “To promote, encourage, foster and those who started the organization. In the early 80s, bluegrass was just ?cultivate the preservation,? apprecia- Although the OBA? began more than beginning ?to take off in Oregon and tion and understanding, enjoyment, 25 years ago, many of its founders are Southwest Washington. Stew Dodge support and performance of bluegrass still active in bluegrass music and in was running a festival in Clark Coun- and other closely related music of the the larger musical community. The ty and George Rellis was putting on United States.” Express talked to two of those found- events in Eugene, but there was little The purpose of the Oregon Bluegrass ers: Steve Reischman, the first presi- continuity. From Steve Waller’s per- Association, from the articles of In- dent, who was a long-time member of spective, the OBA was all about com- corporation Eugene’s Good n’ Country and begin- munication. Besides picking, singing and listen- ning to promote musical events, and “We’d see each other at festivals, and ing to music, it seems that Oregon Steve Waller, who has performed clas- there were some pickin’ parties, I had bluegrass fans have two favorite pas- sic bluegrass for nearly 40 years as some of the earliest.
    [Show full text]
  • Exploring Authenticity in Old-Time Music
    East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 12-2020 Exploring Authenticity in Old-Time Music Mikaela Langley Follow this and additional works at: https://dc.etsu.edu/honors Part of the Appalachian Studies Commons, Composition Commons, and the Music Performance Commons Recommended Citation Langley, Mikaela, "Exploring Authenticity in Old-Time Music" (2020). Undergraduate Honors Theses. Paper 603. https://dc.etsu.edu/honors/603 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Exploring Authenticity in Old-Time Music By Mikaela Elizabeth Langley An Undergraduate Thesis Submitted in Partial Fulfillment of the Requirements for the Fine and Performing Arts Honors Program Honors College East Tennessee State University December 11, 2020 ___________________________________________12/11/2020 Mikaela E. Langley Date ___________________________________________12/11/2020 Nathaniel Olson, Thesis Mentor Date ___________________________________________12/11/2020 Roy Andrade, Reader Date I was born in the delta flatland of West Tennessee in January of 1998. For the first four years of my life, I lived in a grand white-washed farmhouse that was built in 1910 in the middle of an 89-acre cotton field in my hometown of Nutbush, TN. Nutbush is a small community sustained in the south fork of the Forked Deer river watershed, immortalized in the song “Nutbush City Limits” written by its most famous inhabitant, Tina Turner.
    [Show full text]
  • September/October 2013
    Camp New Harmony Camp New Harmony is the San Francisco Folk Music Club’s New Year’s Celebration for Club members and their families, held at Camp Newman (near Santa Rosa) from Friday, December 27, 2013 to Wednesday, January 1, 2014. We sing, play instruments, dance, eat great food, and ring in the New Year in a wonderful week of music and community. We welcome newcomers, and if you will be a first-time attendee, please feel free to e-mail or phone with your questions. NEW!!! Online Registration: Thanks to Will Wheeler, we have a new online registration system, which will be available starting September 16. To register, go to www.sffmc.org and click on the Harmony registration link. The site will guide you through registration, and will send you an e-mail confirmation when you are successful. Margaret Miles and Amelia Hogan are co-registrars; if you encounter any difficulties, please e-mail [email protected], or phone 831-331-3705 (before 9:00 p.m.) with your questions. If you don’t have a computer or e-mail: Your public library has free public access computers! We are encouraging everyone to register online, but if you can’t do it, we will do it for you: call 831- 331-3705. If you do not have e-mail, registrars can mail your confirmation and housing information. Payment: We will still need to accept your check by mail, since SFFMC is not yet set up to accept online payments. When you register, the site and your confirmation e-mail will tell you where to mail your check.
    [Show full text]
  • January / February
    CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 7 Number 1 January-February 2007 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers MARIAMARIA MULDAURMULDAUR GIVESGIVES DYLANDYLAN AA SHOTSHOT OFOF LOVELOVE inside this issue: BY REX BUTTERS inside this issue: aria Muldaur’s latest release, Heart of Mine: Love Songs of Bob Dylan adds PraisingPraising PeacePeace another notch on an enviable creative upswing. A bona fide national treasure, AA TributeTribute toto PaulPaul RobesonRobeson her artistic momentum since the nineties has yielded a shelf full of CDs covering M roots music, blues, love songs, and Peggy CalifoniaCalifonia IndianIndian Lee, each with Muldaur’s faultless aesthetics overseeing the production as well. Graciously, she took a break from Tribal Culture her relentless performance-rehearsal-recording schedule Tribal Culture to chat about her recent projects. FW: It was great to hear you back on fiddle on You Ain’t Goin Nowhere, a very exuberant reading of that song. PLUS:PLUS: MM: Thank you. We just kind of got down with a low down Cajun hoedown on the whole thing. It reminded me RossRoss Altman’sAltman’s of the kind of stuff the Band was playing over at Big Pink when we all lived in Woodstock. It had that vibe to it. Bob HowHow CanCan II KeepKeep FromFrom TalkingTalking [Dylan], in the last ten years or so, every time I would see him backstage at a gig, he started asking me, “Hey are you ever playing your fiddle anymore?” And I’d say, oh no, && muchmuch more...more..
    [Show full text]
  • Class Descriptions 2018
    ! CLASS DESCRIPTIONS & TIPS FOR NAVIGATION ! Classes Before 10am MORNING WRITING (9-9:45am) - Dietrich Strause Bring your sleepy head, a pen, and your favorite morning beverage. We'll write together in silence, using prompts to get you started. Then we’ll practice mining our free writings to find the gems we can turn into songs. YOGA (8:30-9:30am) - Sharon Leahy Breathe, move, clear your head, wake up your body, direct your focus and concentration. Come to morning yoga. All levels served. COFFEE & TUNES (9-9:45am) - Kaia Kater & Charlie Rose Grab your instrument and come to hang, pick or sing! This loose session is open to all levels. Feel !free to bring a tune to teach the group, or join along in a jam with the instructors. YOUTH SONGWRITING (9-9:45am) - Lauren Balthrop Come and learn the craft of beginning songwriting with Lauren. She has taught youth songwriting for the last 5 years! We'll learn how to find an inspiring topic and learn some exercises to create a descriptive landscape for your lyrics. We'll also learn about picking chords and writing melodies for your songs! Do not fear if this is your first time writing a song. We'll break on through to the other side....that side of you that's a brave storytelling songwriter. NOTE: Tuesday’s schedule is different from the other days! The rest of this document describes the classes in the order they happen on Sunday, Monday, Wednesday and Thursday. ! Morning Mashups – 10-11:10am & 11:20am-12:30pm First, we answer some Frequently Asked Questions..
    [Show full text]
  • Oct/Nov/Dec 2016 Fall Express Issue
    Vol. 36 No. 4 INSIDE THIS ISSUE! Oct, Nov, Dec In Memory of Frank Nelson, On The Dusty Trail with John Kael, 2016 Multnomah Grange and more… $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org By Mike Stahlman Frank Nelson, a founding member of the OBA and a pivotal figure in our community, passed away July 14th, 2016. Frank was 95. According to Claire Levine, “Frank attended festivals well into his 80s, and in his 90s he was a regular attendee at local bluegrass shows. In his last days, Frank asked for friends to visit him to play and sing. He was keeping a steady beat, making sure everybody was playing up to tempo, from his hospital bed.” Here is a tribute by Mike Stahlman, originally printed in The Bluegrass Express a few years ago, followed by fond recollections of more friends. luegrass pickers and fans the Missouri Pacific Railroad, where he smiled and said, “It was sure fun.” from around Oregon and eventually became a locomotive hostler. While in Springfield, Frank met and BWashington have grown His job was to bring the steam locomotives married Irene, and they began a family, accustomed to a quiet, friendly man to the roundhouse and to clean and service eventually having two daughters (Comella who embodies much of what we love and Jonita), and a son (Ron). When WW about the music. For decades, Frank II began, Frank and his family moved Nelson and his trademark smile to Portland to find work in the defense have done much to quietly move the industry.
    [Show full text]
  • Download Full Schedule
    2ND ANNUAL Friday March 13 Main stagE Concert: Red Tail Ring, Ken & Brad Kolodner, “Bill and the Belles, 8-10PM Amythyst Kiah, Foghorn Stringband (20 min per set) 10PM-12AM Jam (in the Lounge) SCHEDULE Saturday March 14 Instrument check-in available! Main stagE Lounge Upstairs #1 Upstairs #2 NOON Harmony Singing* Old Time Fiddle w/ Sammy Lind Clawhammer Banjo w/ Cathy Fink * Old Time Mandolin w/ Caleb Klauder w/ Bill and The Belles * (Noon-1:15pm) * 12:30PM (Noon-1:15pm) (Noon-1:15pm) REGISTRATION FULL 1PM Bill and the Belles 1:30PM Red Tail Ring West Virginia Fiddle & Banjo Duets* Old Time Guitar* 2PM (1:30-2:15pm) w/ Jesse Milnes & Kevin Chesser w/ Reeb Willms Banjo Showcase | Amythyst Kiah, (1:30-2:45pm) (1:30-2:45pm) 2:30PM Brad Kolodner, Pete Ross REGISTRATION FULL REGISTRATION FULL Old Time Cabaret 3PM (2:30-4pm) T-Mart Rounders Clawhammer Banjo* w/ Laurel Premo Musician Health & Wellness 3:30PM (3-4:15pm) w/ Sean McComiskey REGISTRATION FULL (3-4:15pm) 4PM Fiddle Showcase | Sammy Lind, Kalia Banjo Roots in Maryland Yeagle, Jesse Milnes w/ Pete Ross and Kristina Gaddy 4:30PM Beginner Old-Time Fiddle* Beginner Old-Time Banjo* 5PM Women in Old-Time w/ Andrew Small (Bill and the Belles) w/ Helena Hunt (Bill and the Belles) Ken & Brad Kolodner (4:30-5:30pm) (4:30-5:30pm) 5:30PM w/ Cathy Fink Flatfooting* w/ Becky Hill 6PM (5:45-6:45pm) Singing Jam (5:45pm) Amythyst Kiah Bill and the Belles 6:30PM REGISTRATION FULL 7PM Foghorn Stringband T-Mart Rounders Slow Jam (7-8:30pm) 7:30PM Red Tail Ring 8PM SQUARE DANCING (8:30-11:30pm) *advanced registration 9PM 8:30PM | T-Mart Rounders Amythyst Kiah required 9:30PM | Foghorn Stringband schedule subject 10PM Ken & Brad Kolodner 10:30PM | Bill and the Belles to change to 12AM w/ Special Guests (10:30pm).
    [Show full text]
  • Sesongprogram Vår Folkemusikk & Folkedans
    BARNEFORESTILLINGER KONSERTER 2018 SESONGPROGRAM VÅR o N 16 SCHOUS KULTURBRYGGERI FORESTILLINGER & DANS FOLKEMUSIKK & FOLKEDANS FRA HELE VERDEN www.riksscenen.no Velkommen til ny sesong! SCENISK FOLKEDANS – HVOR GÅR VEIEN VIDERE? Internasjonalt er festivaler og viktige scener for samtidsdans stadig mer opptatt av det som skjer i randsonen av de moderne danseteknikkene og stilartene som ble utviklet i kjølvannet av fornyere som Martha Graham, Merce Cunningham, Pina Bausch og Sasha Waltz Det er kanskje en konsekvens av det som Lise Nordal uttrykte i et intervju på Danseinformasjonens web-sider: ”... jeg synes at samtidsdansen generelt – både hjemme og ellers i verden – står litt stille og på vent”. Sånn sett er moderne samtidsdans under press fra andre danseuttrykk som utvikles rundt om i verden. Sceniske forestillinger basert på street dance, jazz, flamenco, latin og rituelle danser fra urgamle tradisjoner er eksempler på stilarter som presser seg inn i samtidsdansbegrepet med nye teknikker og alternativ estetikk. Det er i dette landskapet våre egne folkedanstradisjoner befinner seg når de løftes ut av dansefestene og inn i det sceniske rom. Tiden er moden til ikke bare å utforske muligheter, men også til å få internasjonal oppmerksomhet. Både Belinda Braza (Survival) og Ådne Kolbjørnshus / Vetle Springgard (Døgeniktenes debatt, engelsk versjon) ble vist under Coda 2017 i samarbeid med Riksscenen, og tilbakemeldingene fra internasjonale gjester var oppløftende. Denne sesongen er Silje Onstad Hålien månedens artist i februar. Her vil nettopp dette landskapet speiles. I forestillingen Dei gamle er eldst trekker hun opp de historiske linjene ved å la oss møte våre første profesjonelle dansere: Rolf Bjørgan, Ingar Ranheim, Dagfinn Krogsrud, Martin Myhr, Vidar Underseth og Dag Hamre.
    [Show full text]