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Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp. -
Pilgrimage to Nidaros
rway S o o Nidaros pirit N Path t ual Jo y to m’s ugust 4 urne gri A -13, 2020 e Pil Hiking th Hosted by P hoto cr edit: Vis it Norway The Rev Sonja Hagander Augsburg University Vice President, Highlights & Inclusions Mission & Identity Experience spiritual enrichment and fellowship as part of The Rev. Sonja Hagander served as pastor at Augsburg a traveling community under the leadership, teaching and University for 21 years and now leads a new Division of hospitality of The Rev. Sonja Hagander. Mission & Identity. She led an interfaith group of students to Norway in 2017. Ever since serving as a Boundary Waters Be inspired hiking part of the Nidaros Pilgrimage route, Canoe Area guide during college, she has been interested in the the beautiful Gudbrandsdalen path, one of the eight St. Olav’s intersection between sacred texts, spirituality and the out-door Paths ending at Nidaros Cathedral in Trondheim. world. Sonja recently experienced this pilgrim trail during a visit this past summer. Stay in select accommodations for nine nights, based on sharing a room in hotels and lodges described in the itinerary. Pilgrimage Hike Physical Journey throughout in a private, deluxe motorcoach from Lillehammer to Trondheim. Baggage along the hiking route and Gear Requirements is transported by the motorcoach daily. This travel program is for experienced hikers, preferably with Enjoy 21 meals including buffet breakfast, eight dinners and mountain hiking. The amount of hiking is up to 12.5 miles four boxed lunches. during a day (see August 7) and at steep inclines of up to 1,000 feet during a day (see August 9). -
Energy-Smart Nidaros Cathedral: Competition Manual
Energy-Smart Nidaros Cathedral: Competition Manual Energy-Smart Nidaros Cathedral Site information and energy data (v.13 april) Official competition website: http://climate-kic.org/nidaros 1 Energy-Smart Nidaros Cathedral: Competition Manual TABLE OF CONTENT General information about Nidaros Cathedral 4 Cultural heritage conservation and energy consumption 11 Energy consumption of Nidaros Cathedral 13 The surroundings in a historic neighborhood 17 A unique and important urban challenge for the City of Trondheim 24 List of attachments (to be downloaded separately) 01 Architecture and technical drawings 02 Energy consumption 2014 – 2017 03 Outdoor temperature Trondheim Voll station 2014-2017 04 Indoor temperature 03.2016-04.2018 05 Maps of district heating systems 2 Energy-Smart Nidaros Cathedral: Competition Manual Organizing partners Trondheim Municipality Nidaros Cathedral Restoration Workshop (NDR) EIT Climate-KIC Associated partners The Common Church Council in Trondheim Technoport 3 Energy-Smart Nidaros Cathedral: Competition Manual General information about Nidaros Cathedral History and architecture Nidaros Cathedral is the world’s northernmost medieval cathedral and Norway’s national sanctuary. It is the grave church of St. Olav, the patron Saint of Norway and has now become one of Europe’s major historical pilgrim destinations. Nidaros Cathedral is also where coronations and royal blessings take place. The cathedral is mainly built in soapstone. It is located on the foundations of former churches, and the oldest standing parts of the church, the transepts, are from about 1160-70. The church is rebuilt with brick vaults over the choir and western nave, and across the archways under the triforium. The copper-covered roof is carried by steel structures with the exception of the transepts, the chapter house and the extended chapels in the transepts which all have pure wood structures in the roof. -
What Did They Sound Like?
Háskóli Íslands Hugvísindasvið Íslensk miðaldafræði What did they sound like? Reconstructing the music of the Viking Age Ritgerð til MA-prófs í íslenskum miðaldafræðum Chihiro Tsukamoto Kt.: 250493-3209 Leiðbeinandi: Þórir Jónsson Hraundal Janúar 2017 Abstract There has been much scholarship over the years regarding Scandinavian culture during the Viking Age (c. 793–1066 CE). However, often missing from these discussions is the study of music. This paper attempts to fill that gap by offering a reconstruction of Viking Age Scandinavian music. Archaeological evidence, literary records, and medieval music theories were used as the basis of this study. Archaeology indicates that Scandinavians played wind, string, and percussion instruments, while later Old Norse literary accounts detail the many circumstances wherein music was performed, and suggest the likely existence of different musical genres. I have consulted Arabic, Greek, and Latin accounts for contemporary sources, as the Scandinavian people did not have a written culture during this time. Marking a departure from typical historical analyses, I have also conducted a cross- cultural comparison of medieval Arabic, Greek, and Western European music theories in order to recognize what Scandinavian music could not have resembled. By combining archaeological, literary, and musical evidence, it is possible to propose a highly educated hypothesis on how Viking Age Scandinavian music may have sounded. Ágrip Mikið hefur verið rætt og ritað í gegnum árin um Skandinavíska menningu á Víkingaöld (um 793–1066 e.Kr.). Hins vegar er tónlist viðfangsefni sem oft virðist vanta í þessar umræður. Þessi ritgerð mun reyna að fylla það skarð með því að leggja fram tilgátu um endurgerð Skandinavískrar tónlistar frá Víkingaöld. -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Gratulerer Med Dagen! We’Re So Excited We Want to Write It in the Sky: Happy Birthday, Norwegian Constitution!
(Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY Heritage Neighborhood Bunad versus Red, White, and « Det norske flagg vaier overalt festdrakt hvor jeg kommer i verden. » Blue all over Read more on page 14 – Thorbjørn Jagland Read more on page 13 Norwegian American Weekly Vol. 126 No. 17 May 8, 2015 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $2.00 per copy Gratulerer med dagen! We’re so excited we want to write it in the sky: Happy birthday, Norwegian constitution! What’s inside? News 2-3 Business 4 Sports 5 Opinion 6-7 Roots & Connections 10 Obituaries & Religion 11 Travel 12 In Your Neighborhood 13 Norwegian Heritage 14 Arts & Entertainment 15 Syttende Mai special section S1-S16 Greetings S2 Heroes of Ragnarök S3 Kings of Norway S4-S5 Taste of Norway S8-S9 Calendar S12-S13 $1 = NOK 7.581 updated 05/04/2015 In comparison 04/04/2015 7.9519 11/04/2014 6.8603 05/04/2014 5.9355 Photos: (Copenhagen, August 1807, oil on canvas, by Bjørn Båsen) courtesy of Trond B. Olsen, exhibit curator (Paragliding at Voss) Nils-Erik Bjørholt / Visitnorway.com 2 • May 8, 2015 norwegian aMerican weekly NyhETEr Fra NorgE Nyheter Nesten 10,000 i 1. maitoget SV vil ha Vinmonopolet overalt SV vil pålegge Vinmonopolet å åpne Man må 25 år tilbake i tid for å finne et bedre oppmøte i 1. maiarrangementet polutsalg i alle norske kommuner som ønsker det. Det er dermed en ny vend- Han innledet derfor talen med å snakke ing for partiet som har vært kjent for om båtflyktningene, og hvordan Norge bør rødvinsdrikkende medlemmer, men hjelpe syrere både i nærområdene og her i med ganske restriktivt syn på alkohol- landet. -
Persecution, Collaboration, Resistance
Münsteraner Schriften zur zeitgenössischen Musik 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ›Reichskommissariat Norwegen‹ (1940–45) Münsteraner Schrift en zur zeitgenössischen Musik Edited by Michael Custodis Volume 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ‘Reichskommissariat Norwegen’ (1940–45) Waxmann 2020 Münster x New York The publication was supported by the Deutsche Forschungsgemeinschaft , the Grieg Research Centre and the Westfälische Wilhelms-Universität Münster as well as the Open Access Publication Fund of the University of Münster. Bibliographic information published by the Deutsche Nationalbibliothek Th e Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografi e; detailed bibliographic data are available in the Internet at http://dnb.dnb.de Münsteraner Schrift en zur zeitgenössischen Musik, Volume 5 Print-ISBN 978-3-8309-4130-9 E-Book-ISBN 978-3-8309-9130-4 DOI: https://doi.org/10.31244/9783830991304 CC BY-NC-SA 4.0 Waxmann Verlag GmbH, 2020 Steinfurter Straße 555, 48159 Münster www.waxmann.com [email protected] Cover design: Pleßmann Design, Ascheberg Cover pictures: © Hjemmefrontarkivet, HA HHI DK DECA_0001_44, saddle of sources regarding the Norwegian resistance; Riksarkivet, Oslo, RA/RAFA-3309/U 39A/ 4/4-7, img 197, Atlantic Presse- bilderdienst 12. February 1942: Th e newly appointed Norwegian NS prime minister Vidkun Quisling (on the right) and Reichskomissar Josef Terboven (on the left ) walking along the front of an honorary -
Norway – Music and Musical Life
Norway2BOOK.book Page 273 Thursday, August 21, 2008 11:35 PM Chapter 18 Norway – Music and Musical Life Chapter 18 Norway – Music and Musical Life By Arvid Vollsnes Through all the centuries of documented Norwegian music it has been obvi- ous that there were strong connections to European cultural life. But from the 14th to the 19th century Norway was considered by other Europeans to be remote and belonging to the backwaters of Europe. Some daring travel- ers came in the Romantic era, and one of them wrote: The fantastic pillars and arches of fairy folk-lore may still be descried in the deep secluded glens of Thelemarken, undefaced with stucco, not propped by unsightly modern buttress. The harp of popular minstrelsy – though it hangs mouldering and mildewed with infrequency of use, its strings unbraced for want of cunning hands that can tune and strike them as the Scalds of Eld – may still now and then be heard sending forth its simple music. Sometimes this assumes the shape of a soothing lullaby to the sleep- ing babe, or an artless ballad of love-lorn swains, or an arch satire on rustic doings and foibles. Sometimes it swells into a symphony descriptive of the descent of Odin; or, in somewhat less Pindaric, and more Dibdin strain, it recounts the deeds of the rollicking, death-despising Vikings; while, anon, its numbers rise and fall with mysterious cadence as it strives to give a local habitation and a name to the dimly seen forms and antic pranks of the hol- low-backed Huldra crew.” (From The Oxonian in Thelemarken, or Notes of Travel in South-Western Norway in the Summers of 1856 and 1857, written by Frederick Metcalfe, Lincoln College, Oxford.) This was a typical Romantic way of describing a foreign culture. -
Guidebooks on the Norwegian St. Olav Ways and the Heritagization of Religion
Numen 67 (2020) 508–536 brill.com/nu How to Be a Pilgrim: Guidebooks on the Norwegian St. Olav Ways and the Heritagization of Religion Dirk Johannsen Department of Culture Studies and Oriental Languages, University of Oslo, Oslo, Norway [email protected] Ane Ohrvik Department of Culture Studies and Oriental Languages, University of Oslo, Oslo, Norway [email protected] Abstract The Norwegian St. Olav Ways are currently the largest Northern European project re- institutionalizing pilgrimage as cultural heritage, providing a new framework for ver- nacular religious practices to a wide audience. In this article we approach the current pilgrimage revival in Northern Europe as part of a trend toward a heritagization of religion that allows new religious self-understandings to emerge. We analyze pilgrim guidebooks to the St. Olav Ways with regard to their narrative scripts, detailing how they can create expectations, inform the pilgrims’ conduct, and direct their attention toward a history that translates into a heritage. Based on a corpus of published pilgrim journals and diaries, we argue that the guidebooks instruct a process of interpretive drift, which influence the pilgrims toward embracing and embodying a new role with- in the religious field. The guidebooks invite the pilgrims to take on the role of heirs to a medieval European tradition. Keywords pilgrimage – heritagization of religion – pilgrim guidebooks – immersion – interpretive drift © Dirk Johannsen & Ane Ohrvik, 2020 | doi:10.1163/15685276-12341600 This is an open access article distributed under the terms of the CC BY 4.0Downloaded license. from Brill.com10/04/2021 10:57:22AM via free access How to Be a Pilgrim 509 1 Pilgrimage as an Immersive Heritage Encounter In recent decades, cultural heritage has become a core concept for adminis- tering the past on a global scale (Blake 2000; Meskell 2015). -
Stavanger, Norway
YP Guide THE YOUNG PROFESSIONAL’S GUIDE TO Stavanger, Norway Tony Fernandez, Shruti Jahagirdar, Marjan Jamshidi, Tyler Roberts, and Jim Stiernberg n the land known for the midnight government. The Prime Minister appoints vital to the oil and gas industry. Further sun, beautiful snow-clad mountains, a Cabinet of ministers, which with the evidence of Stavanger’s growing Iand the green sky lights, there is a Prime Minister comprises the Council diversity and influence on the world stage place where the “black gold” shines. of State. The supreme legislature is the is the establishment of the NATO Joint The oil capital of Norway, the southwest Storting, located in the capital of Oslo. Warfare Center in 2003. coastal city of Stavanger has grown into The political parties represented in the one of the major international oil and gas Storting choose the Prime Minister. A Vibrant Center hubs. As the importance of North Sea Besides Harald Fairhair, another The city’s oil history dates to the 1969 oil and gas production has increased for iconic historical figure of the Stavanger discovery of the Ekofisk field in the Europe, Stavanger has welcomed the southern North Sea. More than 40 years world to its doorstep. The personality of of oil and gas production later, Stavanger Stavanger is not only oil and gas; in 2008, Stavanger was has been transformed into Norway’s it was chosen as one of two European undisputed energy epicenter with a cultural capitals. A lively city, Stavanger chosen in 2008 as one vibrant petroleum community comprising embraces the diversity of the world’s of two European a who’s who of employers. -
Magnus Barefoot from Wikipedia, the Free Encyclopedia
Magnus Barefoot From Wikipedia, the free encyclopedia This article is about the second Norwegian king named Magnus Olafsson. For the earlier Norwegian king, see Magnus the Good. Magnus Barefoot Drawing of a coin from the reign of Magnus Barefoot (with confused legend)[1] King of Norway Reign September 1093 – 24 August 1103 Predecessor Olaf III Successor Sigurd I, Eystein I and Olaf Magnusson Co-ruler Haakon Magnusson (until 1095) King of Dublin Reign 1102–1103 Predecessor Domnall Gerrlámhach Successor Domnall Gerrlámhach Born 1073 Norway Died 24 August 1103 (aged 29–30) near River Quoile, Downpatrick Ulster, Ireland Burial near St. Patrick's Church, Downpatrick, Ulster, Ireland Consort Margaret of Sweden Eystein I of Norway Issue Sigurd I of Norway Olaf Magnusson of Norway Ragnild Magnusdotter Tora Magnusdatter Harald IV Gille (claimed) Sigurd Slembe (claimed) Magnus Raude (claimed) Full name Magnús Óláfsson House Hardrada Father Olaf III of Norway Mother Tora?; disputed (see below) Religion Roman Catholicism Magnus Olafsson (Old Norse: Magnús Óláfsson, Norwegian: Magnus Olavsson; 1073 – 24 August 1103), better known as Magnus Barefoot (Old Norse: Magnús berfœttr, Norwegian: Magnus Berrføtt),[2] was King of Norway (as Magnus III) from 1093 until his death in 1103. His reign was marked by aggressive military campaigns and conquest, particularly in the Norse-dominated parts of the British Isles, where he extended his rule to the Kingdom of the Isles and Dublin. His daughter, Ragnhild, was born in 1090. As the only son of King Olaf Kyrre, Magnus was proclaimed king in southeastern Norway shortly after his father's death in 1093. In the north, his claim was contested by his cousin, Haakon Magnusson (son of King Magnus Haraldsson), and the two co-ruled uneasily until Haakon's death in 1095.