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We Are One June 16, 2018
We Are One June 16, 2018 Julie Desbordes, Artistic Director Molly Pope, Host and Special Guest Ian Shafer, Assistant Conductor La Gazza Ladra Overture Gioacchino Rossini Blood Moon Elizabeth Lain WORLD PREMIERE Sixth Fanfare for the Uncommon Woman Joan Tower Intermission Blue Danube Waltz Johann Strausse Selections from Man of La Mancha Mitch Leigh Conducted by Ian Shafer Ballad of the Sad Young Men Fran Landesman and Tommy Wolf The Best of Times Jerry Herman Special Guest Molly Pope The Carousel Waltz (Concert Version) Richard Rodgers Orchestrations by Don Walker Queer Urban Orchestra Violin I Bass Trumpet Brian Harrington Roger Herr Gilbert Galindo Andrew Holland Adrienne Lloyd •§ Erin Kulick § Nick Johnson George Nicholson Ron Nahass • Jennifer Rich Bryan Wang Farzaneh Sarafraz Harp Navida Stein Stephanie Babirak Trombone Phong Ta †§ Kevin Schmitt • Liann Wadewitz Flute/Piccolo Simon Morales Craig Devereaux •§ Violin II Scott Oaks Bass Trombone Alva Bostick § Ashley Williams Alex Arellano Jonathan Chang • Laura Flanagan Oboe Tuba Andre Gillard Alan Hyde Andrew Madej Suzanne Lipkin Rishi Magia Cory Pitts Percussion Seyed Safavynia Clarinet Andrew Berman •§ Ligia Sakurai Travis Fraser § Paul Robertson Vasanth Subramaniam Fran Novak • Álvaro Rodas James Teal Timothy Soldani Viola Bassoon Darcy Leon • Emily Bayer Nick Pulito James Di Meglio •§ William Jones Matthew Overberg Contrabassoon Nicholas Singletary Norma Kerlin Horn Cello Lynn Caron Bjorn Berkhout •§ Noah Dopkins Alex Humesky Steven Petrucelli § Todd Porter Marshall Sealy Brittany Taylor † concertmaster § section leader • principal Julie Desbordes, Artistic Director Originally from Limoges, France, Julie Desbordes is a fast-rising conductor known for her engaging style, energetic interpretations and emotional communication with her musicians and audiences. -
2019-2020 Master Class-Members of the Eroica Trio
Master Class Erika Nickrenz and Sara Parkins of the Eroica Trio Friday, February 28, 2020 2019-2020 Season Master Class: Members of the Eroica Trio Friday, February 28, 12:00 p.m. Amarnick-Goldstein Concert Hall Program Quintet in A major, Op.81 for two violns, viola, cello and piano Antonín Dvořák Allegro, ma non tanto (1841-1904) David Brill and Askar Salimdjanov, violin Thomas Wong, viola Georgiy Khokhlov, cello Feruza Dadabaeva, piano Sonata for Violin and Piano in A major César Franck Allegro (1822-1890) Zulfiya Bashirova, violin and Guzal Isametdinova, piano Artist Biographies Erika Nickrenz, pianist, is a native of New York, where she made her concerto debut in Town Hall at age eleven. Ms. Nickrenz began her studies with German Diez and received her B.M. and M.M. degrees from the Juilliard School as a pupil of Abbey Simon; she is an active solo and chamber musician with more than eighty concerts this season. She appeared as soloist with the Jupiter Symphony in Lincoln Center’s Alice Tully Hall and has toured with Music from Marlboro; as a member of Chamber Soloists USA she toured Tasmania and Australia, resulting in performances at the Sydney Opera House. In 2007 she toured the East Coast with “Charles Wadsworth and Friends” and will join them again in 2008 in concerts that will include a World Premiere of a Piano Quartet by Kenji Bunch. Erika Nickrenz has appeared in many festivals, including Marlboro, the Spoleto Festival of Two Worlds, La Musica and Tanglewood, where she received the prestigious Rockefeller Award. -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
Radio 3 Listings for 20 – 26 May 2017 Page 1 of 12
Radio 3 Listings for 20 – 26 May 2017 Page 1 of 12 SATURDAY 20 MAY 2017 (conductor) DELIUS: String Quartet (1916) [plus two movements from original version, reassembled by Daniel Grimley] SAT 01:00 Through the Night (b08q2ss1) 5:25 AM ELGAR: String Quartet in E minor Op. 83 Edward Gardner conducts the BBC Symphony Orchestra Förster, Kaspar Jr (1616-1673) Villiers Quartet Edward Gardner conducts the BBC Symphony Orchestra in a Dialogus a 5 ©Quid faciam misera?© NAXOS 8573586 (CD) world premiere by Raymond Yiu, plus music by Britten, Nielsen Olga Pasiecznik & Marta Boberska (sopranos), Dirk Snellings and Janácek. Catriona Young presents. (bass), Il Tempo Baroque Ensemble - Wim Maseele (theorbo), La Symphonie des Oiseaux Anna Sliwa (viola), Lilianna Stawarz (chamber organ), Marcin CASALS: El Cant dels Ocells (Song of the birds) 1:01 AM Zalewski (bass viol), Agata Sapiecha (violin & director) DVORAK: Waldesruhe (Silent woods) for cello and orchestra Britten, Benjamin (1913-1976) Op. 68 No. 5 Sinfonia da requiem, Op.20 5:32 AM GRANADOS: Goyescas: Quejas o La Maja y el Ruisenor BBC Symphony Orchestra, Edward Gardner (conductor) Rameau, Jean-Philippe (1683-1764) GRIEG: Lyric Pieces Op. 43: No. 4 - Little bird Suite in G major - from Nouvelles suites de pièces de clavecin - LISZT: Legende S.175 No. 1, St Francis of Assisi preaching to 1:20 AM arr. for wind quintet the birds Yiu, Raymond (b.1973) Yur-Eum Woodwind Quintet MESSIAEN: Louange a L©Immortalite de Jesus (from Quatuor Symphony, for countertenor and orchestra pour la fin du temps) Andrew Watts (countertenor), BBC Symphony Orchestra, 5:47 AM MOZART: Der Vogelfanger bin ich, ja (from Die Zauberflote) Edward Gardner (conductor) Chopin, Frédéric (1810-1849) PERLMAN: A Birdling sings Andante spianato and Grande polonaise brillante, Op.22 RAMEAU: La poule 1:49 AM Janina Fialkowska (piano), Kitchener-Waterloo Symphony SAINT-SAENS: Le carnaval des animaux: Le Cygne Nielsen, Carl (1865-1931) Orchestra, Raffi Armenian (conductor) SCHUMANN: Vogel als Prophet (No. -
The Virtuoso Johann Strauss
The Virtuoso Johann Strauss Thomas Labé, Piano CD CONTENTS 1. Carnaval de Vienne/Moriz Rosenthal 2. Wahlstimmen/Karl Tausig 3. Symphonic Metamorphosis of Wein, Weib und Gesang (Wine, Woman and Song)/Leopold Godowsky 4. Man lebt nur einmal (One Lives but Once)/Karl Tausig 5. Symphonic Metamorphosis of Die Fledermaus/Leopold Godowsky 6. Valse-Caprice in A Major (Op. Posth.)/Karl Tausig 7. Nachtfalter (The Moth)/Karl Tausig 8. Arabesques on By the Beautiful Blue Danube/Adolf Schulz-Evler LINER NOTES At the end of Johann Strauss’ 1875 operetta Die Fledermaus, all of the characters drink a toast to the real culprit of the story—“Champagner hat's verschuldet”—a fitting conclusion to the most renowned and potent evocation of the carefree life of post-revolution imperial Vienna. Strauss' sparkling score (never mind that the libretto is an amalgam of German and French sources), infused with that most famous of Viennese dances, the waltz, lent eloquent expression to the transitory atmosphere of confidence and prosperity induced by the Hapsburg monarchs. “The Emporer Franz Joseph I,” it would later be said, "only reigned until the death of Johann Strauss." And what could have provided more perfect source material than the music of Strauss, for the pastiche creations of the illustrious composer-pianists who roamed the world in the latter 19th and early 20th centuries, forever seeking vehicles with which to exploit the possibilities of their instrument and display their pianistic prowess? This disc presents a succession of such indulgent enterprises, all fashioned from Strauss’ music, for four notable composer-pianists: Moriz Rosenthal, Karl Tausig, Leopold Godowsky, and Adolf Schulz-Evler. -
ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 1997-2001 LOCATION: ROCKPORT ART ASSOCIATION 1997 June 12-July 6, 1997 David Deveau, Artistic Director
ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 1997-2001 LOCATION: ROCKPORT ART ASSOCIATION 1997 June 12-July 6, 1997 David Deveau, artistic director Thursday, June 12, 1997 Opening Night Gala Concert & Champagne Reception The Piano Virtuoso Recital Series Russell Sherman, piano Ricordanza, No. 9 from The Transcendental Etudes Franz Liszt (1811-86) Wiegenlied (Cradle-song) Liszt Sonata in B minor Liszt Sech Kleine Klavierstucke (Six Piano Piece), OP. 19 (1912) Arnold Schoenberg (1874-1951) Sonata No. 23 in F minor, Op. 57 “Appassionata” Ludwig van Beethoven (1770-1827) Friday, June 13, 1997 The International String Quartet Series The Shanghai Quartet Quartet in G major, Op. 77, No. 1, “Lobkowitz” Franz Josef Haydn (1732-1809) Poems from Tang Zhou Long (b.1953) Quartet No. 14 in D minor, D.810 “Death and the Maiden” Franz Schubert (1797-1828) Saturday, June 14, 1997 Chamber Music Gala Series Figaro Trio Trio for violin, cello and piano in C major, K.548 (1788) Wolfgang A. Mozart (1756-91) Duo for violin and cello, Op. 7 (1914) Zoltan Kodaly (1882-1967) Trio for violin, cello and piano in F minor, Op. 65 (1883) Antonín Dvořák (1841-1904) Sunday, June 15, 1997 Chamber Music Gala Series Special Father’s Day Concert Richard Stoltzman, clarinet Janna Baty, soprano (RCMF Young Artist) | Andres Diaz, cello Meg Stoltzman, piano | Elaine Chew, piano (RCMF Young Artist) | Peter John Stoltzman, piano David Deveau, piano The Great Panjandrum (1989) Peter Child (b.1953) Sonata for clarinet and piano (1962) Francis Poulenc (1899-1964( Jazz Selections Selected Waltzes and Hungarian Dances for piano-four hands Johannes Brahms (1833-1897) Trio in A minor for clarinet, cello and piano, Op. -
Music Appreciation Study Sheet – Romantic Period
Music Appreciation Study Sheet – Romantic Period Characteristics of the Romantic Period: Rhythm: Wealth of Rhythmic Patterns Dynamics: Extreme Use Texture: Homophonic Composers and what they are known for: (Italics = name of composition) Franz Schubert: wrote about 600 Art Songs / Unfinished Symphony Robert Schumann: wrote Art Songs & Incidental Piano Pieces / injured left hand with device Clara Wieck-Schumann: wife of famous composer / wrote for piano and small ensembles Frederic Chopin: wrote mostly piano works / The Minute Waltz Franz Liszt: piano virtuoso / created the Tone Poem Felix Mendelssohn: revived the music of Bach / The Wedding March from Midsummer Night’s Dream Hector Berlioz: created the Symphonic Poem / Symphony Fantastique Bedrich Smetana: Czech Nationalistic Composer / The Moldau (Vltava) Antonin Dvorak: Inspired by Erie’s Harry T. Burleigh / The New World Symphony Peter Illyich Tchaikovsky: Russian Nationalistic Composer / The 1812 Overture Johannes Brahms: used the Classical Period Forms / The Lullaby Edvard Grieg: Norwegian Nationalistic Composer / In the Hall of the Mountain King Jean Sibelius: Finnish Nationalistic Composer / Finlandia Modest Mussorgsky: Russian Nationalistic Composer / Pictures at an Exhibition Nikolai Rimsky-Korsakov: Russian Nationalistic Composer / The Flight of the Bumblebee Johann Strauss II: The “Waltz King” / The Blue Danube Waltz Edward Elgar: English Nationalistic Composer / Pomp and Circumstance Carl Orff: German Nationalistic Composer / Carmina Burana Aaron Copeland: American Nationalistic Composer / Rodeo (Ballet) Giacchino Rossini: Italian Opera composer / The Barber of Seville Giuseppe Verdi: Italian Nationalistic Opera Composer / Aida Giacomo Puccini: wrote Through-composed Italian Operas / La Boheme Richard Wagner: wrote Through-composed German Operas / The Ride of the Valkyries . -
Friday, May 10 – Sunday, May 12, 2019 Debartolo Performing Arts Center & O'neill Hall – University of Notre Dame
FRIDAY, MAY 10 – SUNDAY, MAY 12, 2019 DEBARTOLO PERFORMING ARTS CENTER & O’NEILL HALL – UNIVERSITY OF NOTRE DAME FRIDAY, MAY 10 – SUNDAY, MAY 12, 2019 DEBARTOLO PERFORMING ARTS CENTER & O’NEILL HALL – UNIVERSITY OF NOTRE DAME WELCOME TO THE FISCHOFF Letter from Mayor Pete Buttigieg ....................3 History of Fischoff Winners .....................20–21 Letter from the Fischoff President ...................4 Screening Committees ............................23 Letter from Father Jenkins ..........................6 Junior Division Jurors ...........................24–25 Campus Map and Parking Information. 7 Senior Division Jurors ..........................26–27 Medal and Prize Sponsors .......................28–29 THE FISCHOFF NATIONAL CHAMBER MUSIC ASSOCIATION Emilia Romagna Festival ...........................30 History of The Fischoff .............................9 Competition Schedule of Events .................32–33 The Fischoff National Advisory Council ..............10 Junior Division Strings/Piano Repertoire ..........35–39 The Fischoff Team ..................................11 Junior Division Winds/Brass Repertoire ...........41–43 Chamber Music Mentoring Project ...................12 Senior Division Strings/Piano Repertoire ........ 45–49 Senior Division Winds/Brass Repertoire .......... 51–57 THE 46TH ANNUAL FISCHOFF COMPETITION History of The Competition ........................ 14 SUPPORTING THE FISCHOFF 2019 The Fischoff Fast Facts .........................15 Annual Gala ......................................59 Letter from -
Vienna Life Wiener Blut Op 354 J Strauss Jr Mixed Ensemble Sheet Music
Vienna Life Wiener Blut Op 354 J Strauss Jr Mixed Ensemble Sheet Music Download vienna life wiener blut op 354 j strauss jr mixed ensemble sheet music pdf now available in our library. We give you 6 pages partial preview of vienna life wiener blut op 354 j strauss jr mixed ensemble sheet music that you can try for free. This music notes has been read 4159 times and last read at 2021-09-30 07:55:27. In order to continue read the entire sheet music of vienna life wiener blut op 354 j strauss jr mixed ensemble you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Saxophone, Cello, Clarinet, Double Bass, Flute, Viola, Violin Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music J Strauss Vienna Blood Wiener Blut Waltz For String Quartet Cs105 J Strauss Vienna Blood Wiener Blut Waltz For String Quartet Cs105 sheet music has been read 4214 times. J strauss vienna blood wiener blut waltz for string quartet cs105 arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 09:03:21. [ Read More ] Vienna Blood Wiener Blut Vienna Blood Wiener Blut sheet music has been read 4863 times. Vienna blood wiener blut arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-30 20:17:22. [ Read More ] Wiener Blut Theme Vienna Blood Waltz Easy Piano Solo Wiener Blut Theme Vienna Blood Waltz Easy Piano Solo sheet music has been read 2949 times. -
Serafin Ensemble 2019-2020 Roster Artists Kate Ransom, Artistic Director
Kate Ransom, violin & artistic director Hailed in The New York Times for "impassioned" playing and "clear articulation and unity of purpose," violinist Kate Ransom is a distinguished chamber musician, recitalist, and teacher who has presented hundreds of concerts in major chamber music concert halls in North America and Europe. Ms. Ransom is artistic director of Serafin Ensemble and Serafin Summer Music, an outgrowth of Serafin String Quartet, which has been lauded by Gramophone and Fanfare Magazine for the 2013 Naxos release of early works by Pulitzer Prize–winning composer Jennifer Higdon and by The Strad Magazine and American Record Guide for their 2010 Centaur debut release. As founding and six-year member of the Alexander String Quartet, she received first prize and audience prize at the London String Quartet Competition and toured internationally. She is a frequent collaborator with other artists and ensembles and has concertized with David Coucheron, Charles Abramovic, Steven Tenenbom, Sadao Harada, Eliot Fisk, and members of the Cleveland and Philadelphia Orchestras, Atlanta Symphony, Eroica Trio, Empire Brass Quintet and Orion, Attacca, and Vega String Quartets. Ms. Ransom’s recital and solo performances include the Bach Concerto for Two Violins; complete Brahms violin sonatas in Pennsylvania, Texas, and Delaware; complete violin Beethoven sonatas in Delaware, Florida, Pennsylvania, and Vermont; and the Mozart Symphonie Concertante in Delaware. She has recorded for Gallo, CRI, Centaur, Klavier and Naxos. Ms. Ransom has been an adjunct violin instructor at University of Delaware and she has held visiting artist positions at Brevard College and Lehigh University. She has also held Ensemble-in-Residence positions at University of Delaware, St. -
Johann Strauss (1825-1899) Waltzes, Polkas & Overtures
Johann Strauss (1825-1899) Waltzes, Polkas & Overtures 1. Tritsch-Tratsch Polka, RV 214 2’48 2. “Die Fledermaus” Overture, RV 503-1 8’28 3. Czárdas from “Die Fledermaus”, RV 503-2 4’42 4. Nordseebilder (North Sea Pictures), Walzer, RV 390 9’25 5. Im Sturmschritt (At the double), Polka schnell, RV 348 2’17 6. Neue Pizzicato-Polka (New Pizzicato-Polka), RV 449 2’56 7. Perpetuum mobile, RV 257-2 2’51 8. Frühlingsstimmen (Voices of Spring), Walzer, RV 410 6’42 9. “Der Zigeunerbaron” (The Gypsy Baron) Overture, RV 511-1 8’07 10. An der schönen blauen Donau (The Blue Danube), Walzer, RV 314 10’53 11. Egyptischer Marsch (Egyptian March), RV 335 5’11 12. Éljen a Magyar (Hail to Hungary), Polka, RV 332 2’52 13. Furioso-Polka, quasi Galopp, RV 260 2’34 Anima Eterna Jos van Immerseel, cond. ENGLISH Genèse du projet Brahms fut un grand admirateur de Strauss. Il y a peu de temps encore, j’avais du mal à comprendre cela car, comme de nombreux musiciens, je trouvais la musique de Strauss un peu trop facile. Ce n’était pas encore le cas lorsque, à l’âge de dix ans, je déchiffrais les valses au piano sous l’œil attentif de mon premier professeur particulier. J’aimais cette musique mais le plaisir fut de courte durée. À l’école de musique où je fus ensuite élève, il était en effet interdit de jouer Strauss (et de prendre plaisir à quelque chose) ; Bach et Czerny prirent place sur le pupitre. -
For Soprano and Tenor Soloists, SATB Chorus and Orchestra
introduces….. for Soprano and Tenor soloists, SATB chorus and orchestra 2+Picc.2.2.2./4.2.3.0./Timp/Perc/Celeste/Harp/Strings (with optional Flute 3, Cor Anglais, Bass Clarinet, Contrabassoon, Trumpet 3 and Tuba) A Night in Vienna is an unforgettable, enchanting, ready-made concert evening featuring 24 of the best-loved arias and orchestral works by the world’s greatest operetta composers, including Johann Strauss II, Franz Lehár and Emmerich Kálmán. Sparkling with the magic of Vienna and overflowing with well-known melodies, A Night in Vienna is guaranteed to send audiences home with a smile on their faces and a song in their hearts! A Night in Vienna highlights include: Overture from Die Fledermaus | Gold and Silver Waltz | Vienna, City of My Dreams Vilia | Wiener Blut (Vienna Blood) | Champagne chorus (Die Fledermaus) Love Unspoken (The Merry Widow Waltz) | The Blue Danube (English version only) Laughing Song (Die Fledermaus) | Schwipslied (Tipsy Song) A Night in Vienna is available in both English and German. Vocal scores, chorus scores and orchestral parts are available to hire exclusively from the Josef Weinberger Concert Library. To enquire about A Night in Vienna, and to request a free sample CD, contact the Concert Library at [email protected] or on 020 7927 7301 JOSEF WEINBERGER LTD 12-14 Mortimer St, London W1T 3JJ www.josef-weinberger.com/concert-hire Musical items ACT 1 1. Overture from Die Fledermaus Orchestra 2. Vienna, City of My Dreams Tenor & orchestra 3. City of Song from Waltzes from Vienna Chorus & orchestra 4. Oh La La! That’s the Way I Am from Die Csárdásfürstin Soprano, chorus & orchestra 5.