DOCSLIB.ORG

Loans to the National Gallery 2007-2008

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Loans to the National Gallery 2007-2008 loans in.qxd 16/12/08 17:30 Page 1 Loans to the National Gallery Closson The Cascade at Tivoli Valenciennes Cow-shed and Houses on the The following pictures were on loan at the National Attributed to Coignet River Landscape Palatine Hill Gallery between April 2007 and March 2008 Attributed to Constantin Bridge at Subiaco Wallis Rocks, Tree Trunks and Branches * Pictures returned Attributed to Corot Staircase in the Entrance to the Wals The Walls of Rome Villa of Maecenas at Tivoli Warren The Crystal Palace, from Penge Her Majesty The Queen Costa After a Shower near Pisa Attrib. to Watts Panoramic Landscape with a Workshop of Fra Angelico Blessing Redeemer Costa Porto d’Anzio Farmhouse Gentile da Fabriano The Madonna and Child with Danby A Boat-Builder’s Yard Angels (The Quaratesi Madonna) Degas Promenade beside the Sea The Government Art Collection Gossaert Adam and Eve Denis View of the Cascades at Tivoli Gabrielli National Gallery 1886, Interior of Room 32 Leighton Cimabue’s Celebrated Madonna is carried Denis A Torrent at Tivoli in Procession through the Streets of Florence Attributed to Desportes Study of Two Trees Graff Diamonds Ltd Pesellino Saints Mamas and James (Framed with Dunouy Panoramic View of the Bay of Naples Pissarro Portrait Of Cézanne Pesellino, The Pistoia Santa Trinita Altarpiece Fearnley Coast Scene, possibly Capri NG727, 3162, 3230, 4428 and 4868) Fleury View in the Villa Borghese: the Casino del HM Government Muro Torto and the Aqueduct of Acqua Felice Richard Parkes Bonington La Ferté The Trustees of the Abercorn Heirlooms French School The Temple of the Sibyl at Tivoli seen Settlement from the Gorge The Loyd Collection Parmigianino Cardinal Lorenzo Pucci French School? View looking into the Val de Villé in Corot The Four Times of Day: Morning the Vosges, France Corot The Four Times of Day: Noon The Warden and Fellows of All Souls College, French School? Excavation of the Roman Theatre, Corot The Four Times of Day: Evening Oxford Orange, France Corot The Four Times of Day: Night Mengs Noli Me Tangere Gauffier Cliff at Vicovaro German A Rustic House by the Sea Sir Denis Mahon CBE FBA The Ashmolean Museum, Oxford Giroux Ruins on The Palatine Assereto The Angel appears to Hagar And Ishmael Ceccarelli Virgin and Child Gourlier Acqua Acetosa Carracci The Agony in the Garden Orioli The Virgin and Child with Saints Jerome, Attributed to Granet View of the Falls at Tivoli Castello The Virgin and Child with Saint John the Bernardino, Catherine of Alexandria and Francis Guillaumet Mountains in North Africa with a Baptist Bedouin Camp Crespi Peasants with Donkeys Amgueddfa Cymru – National Museum Wales Attributed to Haes View of Madrid Crespi Musicians Aspertini Virgin and Child with Saints Helena and Attributed to Heinrich Landscape with Figures Creti Artemisia drinking the Ashes of Mausolus Francis* bathing Domenichino Landscape with a fortified Town Van de Cappelle A Calm* Joinville A Distant View of Tivoli Giordano Apotheosis of the Medici Van Heemskerck Portrait of a Man* Jones Landscape with a Distant View of the Sea Giordano The Cave of Eternity Van Heemskerck Portrait of a Woman* (Italy) Giordano Minerva as Protectress of the Arts and The Le Nain Brothers A Quarrel* Jones The Grotto of Posillipo Science Sacchi Hagar and Ishmael in the Wilderness* Kerrich Distant View of Lowestoft from the South Giordano Allegory of Fortitude Knip Green Mountains Giordano Allegory of Prudence Andrew Brownsword Art Foundation Kølle A Courtyard in Rome Giordano Allegory of Temperance Sisley View of the Thames: Charing Cross Bridge Leighton An Outcrop in the Campagna Giordano Allegory of Justice Leighton The Villa Malta, Rome Giordano Allegory of Divine Wisdom Dunrobin Castle Collection Leighton A View in Spain Giordano Mythological Scene wth the Rape of Lo Spagna Christ carrying the Cross Leighton On the Coast, Isle of Wight Proserpine Leighton Houses in Venice Giordano Mythological Scene of Agriculture The Gere Collection Leighton View in Capri Guercino The Angel appears to Hagar and Ishmael Bertin View of The Gorge at Civita Castellana Leighton Houses in Capri Guercino Saint Gregory the Great with Saints Attributed to Bidauld Buildings by a Weir in a Leighton Archway on the Palatine Ignatius Loyola and Francis Xavier Mountainous Valley Mason The Villa Borghese Guercino The Cumaean Sibyl with a Putto Blechen The Capuchin Convent at Amalfi Michallon A Tree Guercino Elijah fed by Ravens Böcklin A Cliff Face Michallon A Torrent in a Rocky Gorge Guercino The Presentation of Jesus in the Temple Boldini In The Garden Nittis Winter Landscape Lingelbach Roman Street Scene with Card Players British School Villa and Town Buildings on a Hill with Pitloo View of the Aventine Hill from the Palatine Liss The Fall of Phaeton Roman Remains Pitloo Vines at Báia Reni The Rape of Europa Bürkel Distant View of Rome with the Baths Of Reinagle A Trout Stream Rosa Landscape with Travellers asking the Way Caracalla in the Foreground Reinagle Mountainous Landscape with Ruins and Schedoni The Holy Family with the Virgin Teaching Buttura A Road in the Roman Campagna Buildings the Child to read Camuccini Landscape with Trees and Rocks Reinagle Rome: Part of The Aurelian Wall (The Muro Stom Salome receiving the Head of John the Baptist Camuccini A Fallen Tree Trunk Torto) with the Villa Ludovisi beyond Camuccini Ariccia Attributed to Rosa Wooded Bank with Figures Mauritshuis, The Hague Cels Sky Study with Birds Schelfhout Landscape with Cumulus Clouds Aert de Gelder Judah And Tamar Closson Antique Ruins (the Baths of Caracalla?) Valenciennes Rome at Sunrise, from the Janiculum loans in.qxd 16/12/08 17:30 Page 2 National Portrait Gallery Liebermann Memorial Service for Kaiser Friedrich Anonymous Loans / Private Collections Lawrence Lord Liverpool at Kösen Aertsen Scenes from the Life of an unidentified Manet Woman with a Cat Bishop Saint George Ortiz Collection Mauve Watering Horses Albani The Rest on the Flight into Egypt Francesco di Giorgio Salome Mauve Milking Time Angrand The Western Railway Line leaving Paris: Monet Woman seated on a Bench View from the Fortifications Rijksmuseum, Amsterdam Monet The Seine at Port-Villez Bronzino Portrait of a Young Man Carracci Saint Francis receiving the Christ Child from Monet Poplars on the Epte Caillebotte Man at his Bath the Virgin Morisot Girl on a Divan Caillebotte Portrait of the Bookseller E.J. Fontaine Hals Codde Officers and Other Guardsmen of the Pissarro A Wool-Carder Constable Salisbury Cathedral from the Meadows 11th District of Amsterdam under the command of Pissarro The Pork Butcher Denis Picnic at le Poldu Captain Reynier Reael and Lieutenant Cornelis Pissarro The Little Country Maid Finch The Channel at Nieuport Blaeuw (‘The Meagre Company’) Pissarro Portrait of Félix Pissarro Gallen-Kallela Autumn: Five Crosses Post Landscape in Brazil Renoir Head of a Girl Gauguin The Guitar Player (Francisco Durrio) Veronese Portrait of Daniele Barbaro Repin Study of an Old Man Gauguin Still Life with Mangoes Seurat Le Bec du Hoc, Grandcamp Gentileschi The Finding of Moses The Duke of Rutland’s Trustees Seurat Clothes on the Grass: Study for ‘Bathers At Géricault A Shipwreck Poussin Ordination Asnières’ Gossaert Virgin and Child Poussin Eucharist Sisley The Path to the Old Ferry at By Guardi Villa del Timpano Arcuato at Paese Poussin Extreme Unction Sisley The Small Meadows in Spring Circle of Gossaert Triptych: The Adoration of the Poussin Marriage Sisley The Bridge at Sèvres Kings, the Virgin and Child and the Pentecost Poussin Confirmation Toulouse-Lautrec Side-Saddle Hayez Susanna at her Bath Toulouse-Lautrec The Two Friends Holbein Portrait of Erasmus The Vicar And Churchwardens, St Martin-In­ Toulouse-Lautrec Emile Bernard Liotard A Lady Pouring Chocolate (‘La Chocolatière’) The-Fields Church, London Vollon View of the Harbour at Marseilles Lorenzo Monaco The Death of Saint Benedict Solimena Saint Martin sharing his Cloak with the Master of the Judgement of Paris The Abduction of Beggar The Master Governor of Trinity Hospital, Helen Retford Monet The Grand Canal, Venice The Society of the Antiquaries of London Lastman The Rest on the Flight to Egypt Monet Poplars Simone dei Crocefissi Dream of the Virgin Monet Houses of Parliament, Sunset Van Gogh Museum, Amsterdam (Vincent van Monet The Japanese Bridge Tate, London (On loan as part of the Tate / Gogh Foundation) Niccolò di Pietro Gerini Adoration of the Shepherds National Gallery Exchange) Van Gogh An Old Woman of Arles* Picasso Child with a Dove Anquetin Two Studies for ‘The Three Graces’ Van Gogh Portrait of a Restaurant Owner, possibly Pissarro Père Melon sawing Wood, Pontoise* Béraud After the Misdeed Lucien Martin Rembrandt Judas returning the Thirty Pieces of Blanche Francis Poictevin Silver* Bock Woudrichem Victoria and Albert Museum, London Renoir Gladioli in a Vase Browne A Greek Captive Agostino di Duccio, Virgin and Child with Angels Renoir Pigeon Coop at Bellevue Carrière Head of a Child Antico, Hercules and the Erymanthean Boar Rubens Apotheosis of King James I and other Carrière Winding Wool Antico, The Infant Hercules and the Serpents studies: Sketch for the Ceiling of the Banqueting Cazin Ulysses after the Shipwreck Arnolfo di Cambio Annunciation House, Whitehall* Cazin Evening Tino da Camaino An Angel Holding a Curtain Rubens The Massacre of the Innocents Cézanne The Avenue at the Jas de Bouffan Tino da Camaino An Angel Holding a Curtain Savery Flowers in a Glass Charnay Park of Sansac (Indre-et-Loire) Donatello Virgin and Child
Load more

Recommended publications
  • Van Gogh Museum Journal 2002
    Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.
    [Show full text]
  • Gallery Texts Van Gogh En Japan
    Gallery texts exhibition Van Gogh & Japan Inhoud Gallery texts exhibition Van Gogh & Japan ................................................................ 1 Inhoud......................................................................................................................... 1 Floor -1 ....................................................................................................................... 4 Introduction Van Gogh & Japan .............................................................................. 4 Painting: Vincent van Gogh, Flowering Plum Orchard (after Hiroshige), 1887 .... 4 Gallery text: Discovering Japanese prints ............................................................... 4 Colour woodcut: Utagawa Hiroshige, Ishiyakushi: The Yoshitsune Cherry Tree near the Noriyori Shrine, from the series Famous Places near the 53 Stations [Along the Tōkaidō], 1855 .................................................................................... 5 Colour woodcut: Togaku, Finches and Pomegranates, from the series Illustrations of Plants, Trees, Flowers and Birds .................................................. 5 Magazine in showcase: Cover of Paris Illustré, Le Japon, 1 May 1886 ............... 5 Gallery text: Japonisme in Paris .............................................................................. 5 Painting: Vincent van Gogh, In the Café: Agostina Segatori in Le Tambourin, 1887 .................................................................................................................... 6 Painting:
    [Show full text]
  • October Annex Auction
    October Annex Auction Michaan's Auctions Tuesday, October 8, 2019, 10am 2701 Monarch Street (lots 1-1184) Alameda, CA 94501 Phone: (800)380-9822 or Wednesday, October 9, 2019, 10am (510) 740-0220 (lots 1185 - 2346) Fax: (510) 749-7517 www.michaans.com Previews [email protected] Sunday, Octoer 6, 9am to 5pm Monday, October 7, 9am to 5pm Days of sale from 9am to end of auction Bid Increments Minimum Value Maximum Value Expected Bid Increment from US $ 0 to US $ 49 US $ 5 from US $ 50 to US $ 199 US $ 10 from US $ 200 to US $ 499 US $ 25 from US $ 500 to US $ 999 US $ 50 from US $ 1,000 to US $ 1,999 US $ 100 from US $ 2,000 to US $ 4,999 US $ 250 from US $ 5,000 to US $ 9,999 US $ 500 from US $ 10,000 to US $ 19,999 US $ 1,000 from US $ 20,000 and above US $ 2,500 Michaan’s Auctions - Terms and Conditions of Sale STANDARD CONDITIONS OF SALE DEFINITIONS These Conditions of Sale are binding on all purchasers at Auction. Please Hammer price: The highest bid received for a lot upon the fall of the read carefully. auctioneer’s hammer. By registering to bid at auction, in person, or through an agent, by absentee Buyer’s premium: The amount paid by the buyer as a percentage of the bid, or telephone or any other means including the Internet and e-mail, hammer price and in addition thereto. you agree to be bound by these Conditions of Sale (and changes made as Purchase price: The aggregate of the hammer, buyer’s premium and ap- noted below.) plicable taxes or other fees, if any, as may be required by law.
    [Show full text]
  • ONE HUNDRED DRAWINGS and WATERCOLOURS Dating from the 16Th Century to the 20Th Century
    O N E H U N D R E D ONE HUNDRED D R A W I N DRAWINGS G S & W A AND T E R C O L O WATERCOLOURS U R S S T E P H E N O N G P I N G U Y P E P P I A T T Stephen Ongpin Fine Art Guy Peppiatt Fine Art Ltd. 2 0 1 5 Riverwide House - 2 0 6 Mason’s Yard 1 Duke Street, St James’s 6 London SW1Y 6BU GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 20th Century WINTER CATALOGUE 2015–2016 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk 1 We are pleased to present our eighth annual Winter catalogue of One Hundred Drawings and Watercolours, which will, as usual, be accompanied by an exhibition in our London gallery. This catalogue includes a wide range of British and European drawings, watercolours and oil sketches, placed more or less in chronological order, ranging in date from the 16th century to the first half of the 20th century. Although the areas of Old Master drawings, early British watercolours, 19th Century drawings and Modern drawings have long been regarded as disparate fields, each with their own enthusiasts, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas.
    [Show full text]
  • Loans in And
    LOANS TO THE NATIONAL GALLERY April 2018 – March 2019 The following pictures were on loan to the National British (?) The Fourvière Hill at Lyon (currently Leighton Archway on the Palatine Gallery between April 2018 and March 2019 on loan to the Ashmolean Museum, Oxford) Leighton Houses in Venice *Pictures returned Bürkel Distant View of Rome with the Baths Leighton On the Coast, Isle of Wight of Caracalla in the Foreground (currently on loan Leighton An Outcrop in the Campagna THE ROYAL COLLECTION TRUST / to the Ashmolean Museum Oxford) Leighton View in Capri (currently on loan HER MAJESTY THE QUEEN Buttura A Road in the Roman Campagna to the Ashmolean Museum, Oxford) Fra Angelico Blessing Redeemer Camuccini Ariccia Leighton A View in Spain Gentile da Fabriano The Madonna and Camuccini A Fallen Tree Trunk Leighton The Villa Malta, Rome Child with Angels (The Quaratesi Madonna) Camuccini Landscape with Trees and Rocks Possibly by Leighton Houses in Capri Gossaert Adam and Eve (currently on loan to the Ashmolean Mason The Villa Borghese (currently on loan Leighton Cimabue’s Celebrated Madonna is carried Museum, Oxford) to the Ashmolean Museum, Oxford) in Procession through the Streets of Florence Cels Sky Study with Birds Michallon A Torrent in a Rocky Gorge (currently Pesellino Saints Mamas and James Closson Antique Ruins (the Baths of Caracalla?) on loan to the Ashmolean Museum, Oxford) Closson The Cascade at Tivoli (currently on loan Michallon A Tree THE WARDEN AND FELLOWS OF to the Ashmolean Museum, Oxford) Nittis Winter Landscape ALL
    [Show full text]
  • Download Catalogue
    S D R E U S R G O D L N D I N O N U W C A A H R R E E T D N A O W ONE HUNDRED DRAWINGS & WATERCOLOURS STEPHEN ONGPIN GUY PEPPIATT 2018-2019 GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 21st Century WINTER CATALOGUE 2018–2019 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk We are delighted to present our eleventh annual Winter catalogue of One Hundred Drawings and Watercolours, which includes a wide range of both British and European drawings and watercolours, placed more or less in chronological order, ranging in date from the late 16th century to the present day. Although the areas of Old Master drawings, early British drawings and watercolours, 19th Century and Modern drawings have long been regarded as disparate fields, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas. The works we have selected for this catalogue will hopefully show that a fine drawing or watercolour – whoever the artist and whatever the date – is always worthy of note. As the enclosed price list shows, the prices of the drawings in this catalogue are equally broad in scope – from well under £1,000 to around £15,000 – with most of the works at the lower end of this range.
    [Show full text]
  • André Lhote and His International Students
    Zeynep Kuban, Simone Wille (eds.) André Lhote and His International Students innsbruck university press EDITED VOLUME SERIES innsbruck university press Zeynep Kuban, Simone Wille (eds.) André Lhote and His International Students Zeynep Kuban Faculty of Architecture, Istanbul Technical University Simone Wille Institut für Kunstgeschichte, Universität Innsbruck Austrian Science Fund (FWF): Project Number P 29536-G26 Gefördert durch das Vizerektorat für Forschung, den Forschungsschwerpunkt ‚Kulturelle Begegnungen – Kulturelle Konflikte‘ und das Dekanat der Philosophisch- Historischen Fakultät der Universität Innsbruck. Diese Publikation wurde mit finanzieller Unterstützung des Frankreich-Schwerpunkts sowie des Vizerektorats für Forschung der Universität Innsbruck gedruckt. © innsbruck university press, 2020 Universität Innsbruck 1st edition All rights reserved. Cover: The Academy around 1948: standing in the background, Solveig Olson; in front of Lhote, Olle Baertling (moustache and white handkerchief); to his left Günnel Heineman. In the centre (striped tie) Salah Yousry. In the background, right, Sabri Berkel and Eren Eyüboglu,˘ and at the top left, near the stove, Hasan Kavruk. Photo © Archives André Lhote © ADAGP. Layout: Romana Fiechtner www.uibk.ac.at/iup ISBN 978-3-903187-78-8 Table of Contents ZEYNEP KUBAN, SIMONE WILLE: Introduction and Acknowledgments ............ 7 DOMINIQUE BERMANN MARTIN: The Life of André Lhote ............................. 17 FANNY DRUGEON: From Paris to Mirmande, International Aspects of Lhote’s Academy through
    [Show full text]
  • Van Gogh Lecture Jaap Van Duijn
    Vincent and his changing image of God Lecture by Jaap van Duijn, 2019 We will look into the different phases in the life of Vincent van Gogh. His religious experience and his image of God in addition to the artistic development of Vincent van Gogh's work. Sometimes they go together with his change of residence. Emo Verkerk, Vincent and his mother • That Van Gogh still inspires people needs no explanation. For example, look at the painting that modern portrait painter Emo Verkerk made in honor of Van Gogh's 125th year of death. So 2015. The painting is part of a series of Van Gogh portraits and depicts the strictly Reformed mother Anna and Vincent as an art dealer in London (based on one of the few photos known by Vincent). It shows well the relationship between Vincent and his mother. • Vincent's enormous drive and passion for painting is known. Many people, including myself, have traveled all places where Vincent lived and worked out of fascination for the artist. The website vangoghroute.nl was created from this. All places of residence are described on this website. The development was done by Stichting Gifted Art By Judith de Bruijn, art historian. 1 2 Van Gogh family The family: father Theo van Gogh the pastor and mother Anna Carbentus. The children: Vincent, Anna, Theo, Lies, Wil and Cor Vincent's birth certificate First of all, a look at his childhood: • Vincent is born on March 30, 1853. • He lives with his family in the rectory on the Markt in Zundert.
    [Show full text]
  • Northwest Impressionism, 1910-1935
    Hidden in Plain Sight: Northwest Impressionism, 1910-1935 John E. Impert A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Susan Casteras, Chair René Bravmann Douglas Collins Program authorized to Offer Degree: Art History University of Washington Abstract Hidden in Plain Sight: Northwest Impressionism, 1910-1935 John E. Impert Chair of the Supervisory Committee: Professor Susan Casteras Art History Northwest Impressionist artists are among the forgotten figures in American art history. Responsible for bringing Modernism to Washington and Oregon, they dominated the art communities in Seattle and Portland from about 1910 to 1928, remaining influential until the mid 1930’s. After describing the artists briefly, this dissertation summarizes and evaluates the slim historiography of Northwest Impressionism. Impressionism and Tonalism are contrasted in order to situate these artists within the broad currents of American art history. Six important artists who have not been studied in the past are each accorded a chapter that summarizes their educations, careers, and artistic developments. In Seattle, Paul Gustin, the early leader of the Seattle art community, was most closely associated with images of Mount Rainier. Edgar Forkner, a well established Indiana artist, moved to Seattle and painted numerous canvases of old boats at rest and still lifes of flowers. Dorothy Dolph Jensen, a latecomer, emphasized shoreline and harbor scenes in her work. In Portland, Charles McKim traded complete anonymity in Portland, Maine for the leadership of the Oregon art community, creating a variety of landscapes and seascapes. Clyde Keller produced an enormous output of landscapes over a long career that extended to California as well as Oregon.
    [Show full text]
  • A Finding Aid to the Richard York Gallery Records, Circa 1865-2005, Bulk 1981-2004, in the Archives of American Art
    A Finding Aid to the Richard York Gallery Records, circa 1865-2005, bulk 1981-2004, in the Archives of American Art Sarah Haug Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund March 15, 2011 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1975-2005.................................................................... 5 Series 2: Artists' Artwork Files, circa 1865-2004................................................... 10 Series 3: Client Files, 1965,
    [Show full text]
  • Libretto by J
    V I N C E N T Opera in Two Acts Music by Bernard Rands Libretto by J. D. McClatchy WORLD PREMIERE: April, 2011 Indiana University Bloomington, IN Commissioned by the Board of Trustees of Indiana University CHARACTERS in order of vocal appearance (featured singers in boldface) Vincent van Gogh Theo van Gogh, his brother The Director, of the Goupil gallery Man 1, at the gallery Lady 1, at the gallery Lady 2, at the gallery Daughter 1, at the gallery Daughter 2, at the gallery Woman 1, at the mine Woman 2, at the mine Miner 1, at the mine Miner 2, at the mine Miners 3, 4, 5, at the mine Woman 2, 3, 4, at the mine Anna van Gogh, his mother Elders of the Missionary Society Theodorus van Gogh, his father Sien (Clasina Hoornik), a prostitute, Vincent’s mistress Painter 1, at Le Tambourin Painter 2, at Le Tambourin Painter 3, at Le Tambourin Henri Toulouse-Lautrec, the painter Customer 1, at Le Tambourin Customer 2, at Le Tambourin Agostina Segatori, proprietress of Le Tambourin and Vincent’s mistress Paul Gauguin, the painter Dr. Théophile Peyron, director of the Saint-Paul-de-Mausole asylum Marguérite Gachet, daughter of Dr. Gachet Dr. Paul Gachet Chorus A C T I CD 1 [1] Scene 1 Saint-Rémy, 1889 The show-curtain is a front scrim on which is the word “Vincent” (in VvG’s signature). As the house darkens and the music begins, a late self-portrait appears on the scrim. [All future scenes will start which a self-portrait as an indicator of his age.] The light comes up on a man sitting in a chair, his back to the audience.
    [Show full text]
  • The National Gallery Review April 2006
    NG Review 2007 cover pp1-4 proof 4.qxd 21/8/07 15:49 Page 1 the national gallery review gallery the national 2007 april 2006 ‒ march gallery the national THE NATIONAL GALLERY REVIEW april 2006 ‒ march 2007 NG Review 2007 cover pp1-4 proof 4.qxd 15/8/07 18:49 Page 2 © The National Gallery 2007 Photographic credits ISBN 978-1-85709-406-0 All images © The National Gallery, London, unless ISSN 0143 9065 stated below Published by the National Gallery Company on behalf of the Trustees Front cover: Giovanni Paolo Panini, The Lottery in The National Gallery Piazza di Montecitorio (detail), 1743–4. Trafalgar Square London WC2N 5DN Back cover: Visitors at the Velázquez exhibition looking at Philip IV as a Hunter, painted about 1636 Tel: 020 7747 2885 and lent by Museo Nacional del Prado, Madrid. www.nationalgallery.org.uk Photo © The National Gallery, London. [email protected] p. 10 Printed and bound by Westerham Press Ltd. St Ives plc Manet’s drawing Aux Tuileries © Private collection Designed by Tim Harvey p. 14 Simone dei Crocefissi, The Dream of the Virgin © The Society of Antiquaries of London The Le Nain Brothers, A Quarrel © Amgueddfa Cymru – National Museum Wales pp. 15–16 All © Amgueddfa Cymru – National Museum Wales p. 17 Jan van de Cappelle, A Calm © Amgueddfa Cymru – National Museum Wales Hans Burgkmair, Portrait of Jakob Fugger and his Wife © Private collection p. 18 Claude-Oscar Monet, The Japanese Bridge © Private collection Vincent van Gogh, An Old Woman of Arles © The Van Gogh Museum Amsterdam (Vincent Van Gogh Foundation) p.
    [Show full text]