Emmy® Awards
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Report on the 2020 FOSS Contributor Survey
Report on the 2020 FOSS Contributor Survey The Linux Foundation & The Laboratory for Innovation Science at Harvard Frank Nagle Harvard Business School David A. Wheeler The Linux Foundation Hila Lifshitz-Assaf New York University Haylee Ham Jennifer L. Hoffman Laboratory for Innovation Science at Harvard Acknowledgments This report and the research behind it would not have been possible without the leadership of the Core Infrastructure Initiative’s Advisory Committee, composed of Josh Corman, Steve Lipner, Audris Mockus, Henning Piezunka, and Sam Ransbotham. Frank Nagle would also like to thank his fellow co-directors of the Core Infrastructure Initiative, Jim Zemlin at the Linux Foundation and Karim Lakhani at the Laboratory for Innovation Science at Harvard, for their counsel and direction throughout this project. Gratitude and thanks to Michael Dolan and Kate Stewart at the Linux Foundation for their ongoing commitment to this undertaking. Thank you to James Dana for laying the initial groundwork for this survey. Finally — and perhaps, most importantly — thank you to all the individuals who contribute to FOSS projects. Without their tireless efforts, our core digital infrastructure and the feats enabled by it would not be sustainable. REVISED: This report has been updated since its original release on 8 December 2020. This second version, released on 10 December 2020, corrects errors found in the original text and graphics. Contents Executive Summary 4 Introduction 7 Methodology 9 Overview of Findings 10 Demographics 10 Figure 1: Gender -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
43Rd Annual New York Emmy® Awards
THE 43rd ANNUAL NEW YORK EMMY AWARDS – 2000 WINNERS OUTSTANDING SINGLE NEWSCAST * Swiss Air Crash (Newschannel 4) September 3, 1998 (WNBC) Michael Fitzsimmons, Producer; Chuck Scarborough, Sue Simmons, Anchors OUTSTANDING SINGLE MORNING NEWSCAST * Today In New York (Today In New York) May 25, 1999 (WNBC) Shelly Harper, Producer; Angela Moore, Associate Producer; Karen Harris, Segment Producer; Steve Lucas, Director; Fran Charles, Maurice Dubois, Jane Hanson, Anchors OUTSTANDING COVERAGE OF AN INSTANT BREAKING NEWS STORY * Baby Abduction - News Team Finds Baby and Kidnapper, April 13, 1999 (WRGB) Joseph J. Coscia, News Director; Judy Sanders, Producer/Reporter; Sony Stark, Producer * New York Under Water (WB 11 News at 10) August 26, 1999 (WPIX) Michael McLaughlin, Producer; Caesar Darias, Doug Kahn, Wiliberto Ocasio, Kevin Ortiz, Assignment Editors; Pamela Chan, Jonathan Dienst, Mr. G., Rosemary Gomez, Pauline Liu, Julian Phillips, Reporters; John Frasse, Ken Hogan, William Muller, Marc Scott, David Tews, Cameramen OUTSTANDING COVERAGE OF A CONTINUING NEWS STORY * A Courageous Journey, May 10 & 24, 1999 (News 12 Long Island) Michael DelGiudice, Bob Butler, Producers; Doug Geed, Reporter OUTSTANDING SINGLE HARD NEWS STORY * Parking Hell (The 10 O’clock News) November 10, 1998 (WNYW) Dancia Nedela, Producer; Andrea Day, Reporter OUTSTANDING MULTI-PART HARD NEWS STORY * Bill Beutel in Africa: A Generation Lost (Eyewitness News) February 23 & 24, 1999 (WABC) Bill Beutel, Producer/Anchor; Jeffrey Jolton, Producer OUTSTANDING SINGLE NEWS FEATURE * Goose on the Loose, December 3, 1998 (News 12 Long Island) Greg Cergol, Producer/Reporter; Thomas Aviles, Producer OUTSTANDING INVESTIGATIVE JOURNALISM * Dr. Research (The 10 O’clock News) February 10, 1999 (WNYW) Joe Fusco, Producer; Mary Garafalo, Reporter OUTSTANDING EVENT COVERAGE * Fleetweek 99: A Memorial Day Celebration; May 31, 1999 (Thirteen/WNET) Dr. -
Publishing Research Software As Open Source on Github
Publishing Research Software as Open Source on GitHub Table of Contents 1. Introduction 2. Scope & Goals 3. Science & Software i. Reproducibility ii. Software Quality iii. Software Development iv. Software Documentation v. Guide 4. Open Source Basics i. Mindset ii. Arguments against open source... and how to disprove them iii. Success Stories iv. Legal Stuff v. People vi. Guide 5. GitHub i. Basics: Accounts & Repositories ii. Fork & Pull Workflow iii. Social Coding iv. GitHub for Education 6. Software Communities i. Community Building and Openness ii. Marketing and Public Relations iii. Types of Contributors and Tasks iv. Open Source in Your Domain 7. Scientific Publishing of Data and Software 8. Contribute 9. Glossary 2 Publishing Research Software as Open Source on GitHub Introduction How can you publish research software as open source? And do so without too much overhead and actually gain impact by leveraging the open source approach? These questions are answered in this best practice "Publishing Research Software as Open Source on GitHub". It is published by the GLUES project's SDI team. LICENSE This work is licensed under a Creative Commons Attribution 4.0 International License. About this best practice The "source code" of this document is hosted on GitHub and the book was written and published using GitBook. The text is designed to be read in the web view, but PDF and other formats, e.g. for e- readers, area available as well. Version: 0.1 Contributors Thanks to these people for providing contents, giving valuable feedback, reporting errors, ... Daniel Nüst Simon Jirka Ann Hitchcock Want to become a contributor? Check our contribution guidelines. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
SPAULDING, Mccullough & TANSIL LLP 2 90 South E Street, Suite 200 Santa Rosa, CA 95404 3 Telephone: (707) 524-1900 E-Mail: [email protected] 4 Robert W
Case 3:18-cv-00341 Document 1 Filed 01/16/18 Page 1 of 16 Karin P. Beam, Esq. (Bar No. 112331) 1 SPAULDING, McCULLOUGH & TANSIL LLP 2 90 South E Street, Suite 200 Santa Rosa, CA 95404 3 Telephone: (707) 524-1900 E-Mail: [email protected] 4 Robert W. Payne, Esq. (Bar No. 73901) 5 PAYNE IP LAW 6 111 N. Market Street, Suite 300 San Jose, CA 95113 7 Telephone: (408) 981-4293 E-Mail: [email protected] 8 Attorneys for Plaintiff 9 TWiT, LLC and LEO LAPORTE 10 11 IN THE UNITED STATES DISTRICT COURT 12 FOR THE NORTHERN DISTRICT OF CALIFORNIA 13 14 TWiT, LLC, a Delaware limited liability ) NO. company, LEO LAPORTE, ) 15 ) COMPLAINT FOR BREACH OF Plaintiffs, ) WRITTEN CONTRACT, BREACH OF 16 ) ORAL AGREEMENT, BREACH OF IMPLIED CONTRACT, PROMISSORY 17 vs. ) ) ESTOPPEL, FALSE PROMISE, 18 TWITTER, INC., a Delaware corporation, ) NEGLIGENT MISREPRESENTATION, ) INTENTIONAL INTERFERENCE 19 Defendants. ) WITH PROSPECTIVE ECONOMIC ) ADVANTAGE, INTENTIONAL 20 ) MISREPRESENTATION, 21 ) NEGLIGENT INTERFERENCE WITH ) PROSPECTIVE ECONOMIC 22 ) ADVANTAGE, TRADEMARK ) INFRINGEMENT, UNFAIR 23 ) COMPETITION, AND VIOLATION OF ) COMMON LAW TRADEMARK 24 ) RIGHTS 25 ) ) DEMAND FOR JURY TRIAL 26 27 28 COMPLAINT FOR BREACH OF WRITTEN CONTRACT, BREACH OF ORAL AGREEMENT, BREACH OF IMPLIED CONTRACT, PROMISSORY ESTOPPEL, etc.; DEMAND FOR JURY TRIAL Case 3:18-cv-00341 Document 1 Filed 01/16/18 Page 2 of 16 1 Plaintiffs TWiT, LLC and Leo Laporte allege: 2 JURISDICTION AND VENUE 3 1. This action is brought under the United States Trademark Act of 1946, as amended, 15 4 U.S.C. §§1051 et seq. -
Podcast List
ACS Chemical Biology Materials Today - Podcasts Africa in Progress Meatball's Meatballs - Juicy and spicy audio meatballs. All Things That Fly Medically Speaking Podcast Annals of Internal Medicine Podcast MedPod101 | Learn Medicine APM: Marketplace Money MicrobeWorld's Meet the Scientist Podcast Are We Alone - where science isn't alien. MIT Press Podcast Asunto del dia en R5 NeuroPod Bandwidth, CBC Radio New England Journal of Medicine Bath University Podcast Directory NIH Podcasts and Videocasts Berkman Center NPR: Planet Money Podcast Beyond the Book NPR Topics: Technology Podcast Bibliotech NW Spanish News - NHK World Radio Japan Books and Ideas Podcast On the Media Brain Science Podcast One Planet Bridges with Africa Out of Their Minds, CBC radio feed Brookings Institute Persiflagers Infectious Disease Puscasts CBS News: Larry Magrid's Tech Report Podnutz - Computer Repair Podcast Chemistry World Podcast PRI: Selected Shorts Podcast Conversations in Medicine PRI's The World: Technology from BBC/PRI/WGBH Conversations Network QuackCast CyberSpeak's Podcast Quirks & Quarks Complete Show from CBC Radio Diffusion Science radio Regenerative Medicine Today - Podcast Digital Planet Science Elements Distillations Science in Action Documentaries, BBC Science Magazine Podcast Duke Office Hours Sciencepodcasters.org Earth Beat Security Now! EconTalk Society for General Microbiology Podcast Engines Of Our Ingenuity Podcast Sound Investing Escape Pod South Asia Wired ESRI Speakers Podcast Spark Plus from CBC Radio FORA.tv Technology Today Stanford's -
2021 HEARTLAND REGIONAL Emmy® AWARD RECIPIENTS and STUDENT PRODUCTION
Caption 2021 HEARTLAND REGIONAL Emmy® AWARD RECIPIENTS and STUDENT PRODUCTION AWARD WINNERS MORNING NEWSCAST - MARKETS 1-49 "FOX31 Morning News 6am - The George Floyd Riots" KDVR • Sarah Stringer, Producer • Tom Schilling, Director • Drew Engelbart, Anchor • Lisa D'Souza, Reporter • Brooks Garner, Meteorologist • Chris Whalen, Photographer MORNING NEWSCAST - MARKETS 50+ "AM Show KWCH" KWCH • Beth Grimmett, Producer • Natalie Davis, Anchor • Brooke Chong, Producer • Trevor Reichle, Producer EVENING NEWSCAST - MARKETS 1-49 "FOX31 News At 9: First Night Of Denver Riots" KDVR • Lindsay Sax, Producer • Allison Soulvie, Director • Gerard Carleton, Writer • Matt Mauro, Reporter • Aristea Brady, Anchor • Amanda Carmichael, Editor • Jeremy Hubbard, Anchor • Keagan Harsha, Reporter • Jonathan Frantz, Photojournalist EVENING NEWSCAST - MARKETS 50+ "KRDO Newschannel 13 At 10: Bear Creek Wildfire" KRDO • Jemal Duran, Producer • Bart Bedsole, Anchor • Heather Skold, Anchor DAILY NEWS REPORT "The Denver Howl" KUSA • Anne Herbst, Photographer • Noel Brennan, Reporter "Héroes De La Información" KDEN • Rosy Zugasti, Writer • Alejandro Hernandez Pacheco, Photojournalist HARD NEWS REPORT "48 Days Animation" KUSA • Chris Vanderveen, Producer • Jaime Roy, Motion Graphic Designer • Ryan Eads, Motion Graphic Designer "Llego La Migra" KCEC • Carlos Moreno, Reporter • Juan Arellano, Photographer/Editor "San Luis Connection" KUSA • Liz Kotalik, Reporter • Nicholas Goda, Photojournalist BREAKING OR SPOT NEWS "Protests And Unrest In OKC" KWTV • Nathan Elliott, Producer -
Sports Emmy Awards
Sports Emmy Awards OUTSTANDING LIVE SPORTS SPECIAL 2019 FIFA Women's World Cup FOX FINAL: USA vs. Netherlands 2019 Stanley Cup Final NBC Boston Bruins vs. St. Louis Blues The 61st Daytona 500 FOX The 115th World Series FOX Washington Nationals vs. Houston Astros The 145th Kentucky Derby NBC The Masters CBS Super Bowl LIV FOX San Francisco 49ers vs. Kansas City Chiefs Deadline 8 OUTSTANDING LIVE SPORTS SERIES College Football ESPN/ABC NFL on CBS CBS NFL on FOX FOX/NFL Network SEC on CBS CBS Sunday Night Football NBC OUTSTANDING PLAYOFF COVERAGE 2019 College Football Playoff Semifinal ESPN Clemson Tigers vs. Ohio State Buckeyes 2019 NBA Playoffs on TNT TNT AFC Playoffs CBS NCAA Men’s Basketball Tournament tbs/CBS/TNT/truTV Deadline NFC Wild Card FOX Minnesota Vikings vs. New Orleans Saints 9 OUTSTANDING EDITED SPORTS EVENT COVERAGE 24/7 HBO College Football: Arizona State Sun Devils [Lucky 27 Media/Sport & Story] America's Game: The 2018 New England Patriots NFL Network [NFL Films] Ironman World Championship NBC Age Group Athletes [IRONMAN] NFL Turning Point FS1 Super Bowl LIV [NFL Films] UFC Fight Flashback UFC Fight Pass Khabib vs. McGregor OUTSTANDING EDITED SPORTS SPECIAL OR SERIES 24/7 HBO Kelly Slater Game of Zones Bleacher Report Losers Netflix [Topic Studios] Peyton's Places ESPN+ [NFL Films] The Shop: UNINTERRUPTEDDeadline HBO [UNINTERRUPTED/N2ition] 10 OUTSTANDING ESPORTS COVERAGE 2019 ELEAGUE on tbs tbs Road To The Rocket League World Championship 2019 Fortnite World Cup Finals YouTube [Epic Games/NGE/Victory Pictures] EXP APEX -
The National Academy of Television Arts & Sciences
FOR IMMEDIATE RELEASE THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES WINNERS OF 32 nd ANNUAL SPORTS EMMY® AWARDS Al Michaels Honored with Lifetime Achievement Award New York, NY – May 2, 2011 – The National Academy of Television Arts and Sciences (NATAS) announced the winners tonight of the 32 nd Annual Sports Emmy® Awards at a special ceremony at Frederick P. Rose Hall, Home of Jazz at Lincoln Center in New York City. Winners in 33 categories including outstanding live sports special, live series, sports documentary, studio show, promotional announcements, play-by-play personality and studio analyst were honored. The awards were presented by a distinguished group of sports figures and television personalities including Cris Collinsworth (sports analyst for NBC’s “Sunday Night Football”); Dan Hicks ( NBC’s Golf host); Jim Nantz (lead play-by-play announcer of The NFL on CBS and play-by-play broadcaster for NCAA college basketball and golf on CBS); Vern Lundquist (CBS Sports play-by-play broadcaster); Chris Myers (FOX Sports Host); Scott Van Pelt (anchor, ESPN’s Sportscenter and ESPN’s radio show, “The Scott Van Pelt Show”); Hannah Storm (anchor on the weekday morning editions of ESPN’s SportsCenter); Mike Tirico (play-by-play announcer for ESPN's NFL Monday Night Football, and golf on ABC); Bob Papa (HBO Sports Broadcaster); Andrea Kremer (Correspondent, HBO’s “Real Sports with Bryant Gumbel”); Ernie Johnson (host of Inside the NBA on TNT); Cal Ripken, Jr. (TNT Sports Analyst and member of Baseball’s Hall of Fame); Ron Darling (TNT & TBS MLB Analyst and former star, NY Mets); Hazel Mae (MLB Network host, “Quick Pitch”); Steve Mariucci (Former NFL Coach and NFL Network Analyst); Marshall Faulk (Former NFL Running Back and NFL Network Analyst); and Harold Reynolds (MLB Network Studio Analyst). -
Academy of Television Arts & Sciences
ACADEMY OF TELEVISION ARTS & SCIENCES ® GRAPHIC STANDARDS ©ATAS/NATAS TABLE OF CONTENTS 3 Introduction 4 Our Logo Versus a Photograph of the Emmy® Award 5 Using the Television Academy and Emmy Name 6 The Television Academy Logo 7 Television Academy Logo Sizes 8 Logo Colors 9 More About the Logo 10 Whitespace Around the Logo 11 Text Wrap Around the Logo 12 Placement Examples 13-14 The Emmy as a Design Element 15 Cropping the Emmy 16-18 Television Academy Typefaces 19 Approvals 3 GRAPHIC STANDARDS The Television Academy is television. MANUAL The purpose of this Graphics Standards Manual is to set forth guidelines that will assist you in applying the Academy of Television Arts & Sciences logo to all communications including stationery, signage, mailings, invitations, advertising, brochures, motion graph- ics and online. Guided by the identity system presented here, you will be able to craft communications aligned with the Television Academy’s brand. Please note the Academy of Television Arts & Sciences only governs the Primetime Emmy® Awards. The Daytime, Sports and News Emmy Awards and International Emmys are governed from separate offices in New York. It is essential to maintain the integrity of the Television Academy’s identity through con- sistent implementation of this identity program across all applications. This identity is a graphic signature that enhances our image, reaffirms our relationships with constituents and increases awareness of our brand among the entertainment community at large. It conveys the organization’s core attributes and creates value in the marketplace. It is the primary symbol of the Television Academy’s brand and delivers the message that the Academy of Television Arts & Sciences stands for all that is great about television, the people who create it, and the cultural images it projects. -
Deafweekly June 15, 2005 Deafweekly
Deafweekly June 15, 2005 deafweekly June 15, 2005 Vol. 1 No. 35 Editor: Tom Willard Deafweekly is an independent news report for the deaf and hard-of-hearing community. It is mailed to subscribers every Wednesday morning and available to read at www.deafweekly.com. For information, contact [email protected]. To subscribe, please visit www.deafweekly.com. After you sign up, you will receive a confirmation email. Be sure to click on the link in this email to activate your subscription. If you've signed up but haven't received anything, please send a note to [email protected] so the problem can be resolved. The contents of Deafweekly are Copyright 2005. Any unauthorized use, including reprinting of news, is prohibited. Readership: approximately 4,500 including subscribers and website readers. Please support our advertisers; they make it possible for you to receive this newsletter at no charge. For advertising information, see www.deafweekly.com/advertise.htm. +++++++++++++++++++++++++++++ NATIONAL +++++++++++++++++++++++++++++ NTID NOTES 40TH ANNIVERSARY OF LBJ BILL SIGNING Yesterday was the 40th anniversary of the day President Lyndon Baines Johnson signed a bill to create the National Technical Institute for the Deaf, the Rochester (N.Y.) Democrat and Chronicle reported. To mark the occasion, NTID dedicated a garden in honor of the school's first director, Robert Frisina, who served from 1967 to 1979. NTID is one of eight colleges of the Rochester Institute of Technology, and some 5,500 students have graduated since the school's first class of 70 students arrived on campus in 1968. Today, about 1,200 students attend NTID or receive support services while attending RIT's other colleges, and another 100 are enrolled in the interpreter training program.