Was Michael Jackson a Pedophile? by Michael Bailey | July 1St 2009 12:11 PM | 210 Comments | Print | E-Mail | Track Comments
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The 1993 Allegations
The Michael Jackson Allegations The Michael Jackson Allegations An extensive discussion of the 1993 Chandler/Francia allegations, the 2005 Arvizo trial, and a FAQ section v2.1. A PDF version of the website https://themichaeljacksonallegations.com/ 1 The Michael Jackson Allegations Table of Contents Foreword ............................................................................................................................. 3 The 1993 Allegations ...................................................................................... 4 Key players .......................................................................................................................... 5 The Timeline ....................................................................................................................... 6 Michael Jackson’s first accuser – meet the Chandler family! ........................................... 20 Evan Chandler’s “Suspicions” .......................................................................................... 26 Taped phone conversations between Evan Chandler and David Schwartz....................... 36 How Did The Allegations of the Chandlers Emerge? ....................................................... 79 The Use of Sodium Amytal? ............................................................................................. 84 The Chandlers’ Monetary Demands ................................................................................. 87 The Chandler Allegations ................................................................................................. -
The Rules of #Metoo
University of Chicago Legal Forum Volume 2019 Article 3 2019 The Rules of #MeToo Jessica A. Clarke Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Part of the Law Commons Recommended Citation Clarke, Jessica A. (2019) "The Rules of #MeToo," University of Chicago Legal Forum: Vol. 2019 , Article 3. Available at: https://chicagounbound.uchicago.edu/uclf/vol2019/iss1/3 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. The Rules of #MeToo Jessica A. Clarke† ABSTRACT Two revelations are central to the meaning of the #MeToo movement. First, sexual harassment and assault are ubiquitous. And second, traditional legal procedures have failed to redress these problems. In the absence of effective formal legal pro- cedures, a set of ad hoc processes have emerged for managing claims of sexual har- assment and assault against persons in high-level positions in business, media, and government. This Article sketches out the features of this informal process, in which journalists expose misconduct and employers, voters, audiences, consumers, or professional organizations are called upon to remove the accused from a position of power. Although this process exists largely in the shadow of the law, it has at- tracted criticisms in a legal register. President Trump tapped into a vein of popular backlash against the #MeToo movement in arguing that it is “a very scary time for young men in America” because “somebody could accuse you of something and you’re automatically guilty.” Yet this is not an apt characterization of #MeToo’s paradigm cases. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Directors Guild of America Creative Rights Handbook 2011 - 2014
DIRECTORS GUILD OF AMERICA CREATIVE RIGHTS HANDBOOK 2011 - 2014 Los Angeles, CA (310) 289-2000 New York, NY (212) 581-0370 Chicago, IL (312) 644-5050 www.dga.org Taylor Hackford, President • Jay D. Roth, National Executive Director Dear Colleague, As Co-Chairs of the DGA Creative Rights Committee, we spend a lot of time talking to Directors about their Theatrical Creative Rights work problems. Often we nd that trouble begins with Committee TABLE OF CONTENTS those who are unclear about or unaware of creative Jonathan Mostow Steven Soderbergh rights protections they already have as members of the Co-Chair Co-Chair Directors Guild of America. David Ayer Taylor Hackford Donald Petrie CREATIVE RIGHTS CHECKLISTS Some DGA Directors have voiced frustration over Michael Bay John Lee Hancock Sam Raimi Checklists of DGA Directors’ creative rights, practices in the editing room; they did not know John Carpenter Curtis Hanson Brett Ratner codied in this handbook that the DGA Basic Agreement protects them from .…..................….…….…….…….…….….3 interference when they are preparing their cut. Some omas Carter Mary Lambert Jay Roach television Directors have expressed concern about being Martha Coolidge Jonathan Lynn Tom Shadyac excluded from the looping and dubbing process; they Wes Craven Michael Mann Brad Silberling were unaware that they, like feature Directors, have SUMMARY OF CREATIVE RIGHTS Andy Davis Frank Marshall Penelope Spheeris the right to participate in both. And many Directors A summary of a Director’s creative rights did not realize that, because they are Guild members, Roger Donaldson McG Betty omas under the Directors Guild of America Basic they have a right to additional cutting time if necessary David Fincher E. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. •>- I The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrougb, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
Mercy Sister Who Taught 'Timmy Russert' Says Knowing Him 'A Blessing'
Mercy sister who taught ‘Timmy Russert’ says knowing him ‘a blessing’ ERIE, Pa. – Days after being thrust into the national spotlight, Sister Lucille Socciarelli said she is grateful to be a Sister of Mercy. “That is how I met little Timmy Russert,” said Sister Lucille, Russert’s seventh-grade teacher at St. Bonaventure School in Buffalo, N.Y., in 1963. “He was one of the blessings of my 55 years as a Sister of Mercy,” she said in an interview for Catholic News Service. Russert, NBC News Washington bureau chief and moderator of “Meet the Press,” died of a heart attack June 13. He often credited Sister Lucille as the person who steered him toward a career in journalism when she tried to channel his boyish energy into editing the school newspaper, The Bonnette. The close friendship between the two placed her on the national stage during Russert’s funeral as she spent time with Russert’s family and spoke at a memorial at the Kennedy Center in Washington June 18. Russert, she said, often made her part of his entourage at signings of his books or speaking engagements. She recalled memorable summer days with the Russert family on Massachusetts’ Nantucket Island and having stone-skipping contests in the ocean with Russert’s son, Luke, then 8 years old. Sister Lucille, who belongs to the Mercy sisters’ New York, Pennsylvania and Pacific West community, is a chaplain at Charlton Memorial Hospital in Fall River, Mass. Two Mercy sisters from Buffalo who were visiting her told her of Russert’s death the afternoon of June 13. -
Brett Ratner
SLATE Brett Ratner Brett Ratner is one of Hollywood’s most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X- Men: The Last Stand, Tower Heist and Hercules. Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio, Black Mass, starring Johnny Depp, and War Dogs, starring Jonah Hills ; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and Rules Don’t Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror. His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norn's vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, HBO’s Bright Lights, and National Geographic’s Before the Flood, with Fisher Stevens and Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films. -
Michael Jackson: the King of Pop Carl W Hart
Pre-intermediate Level Points for Understanding Answer Key Michael Jackson: The King of Pop Carl W Hart 1 1 Gary, Indiana, U.S.A. 2 Gary was a poor industrial city with high unemployment, gangs, drugs and crime. 3 Oakland and Chicago. 4 Six – two girls and four boys. 5 It was tiny, had only three rooms and was no bigger than a garage. 2 1 To create a family band. 2 Four years old. 3 The singer James Brown. 4 He was very tough, strict and often violent. 3 1 1965. 2 A woman watching them told Joe that “The Jackson Brothers” sounded old-fashioned and suggested “The Jackson 5” instead. Joe liked the idea. 3 A group of nightclubs and theaters around the U.S.A. where black performers appeared. 4 He imagined himself doing their dance moves. He stared at their feet, how they held their microphone and how they moved to the music. He tried to understand what they were doing and why they were doing it. 4 1 It was famous for its amateur night competition. Many of the great black stars of popular music had used their appearance at the Apollo to help their careers. 2 Because they had an opportunity with Motown, the famous record company. 3 Because almost all of the major black stars of the 1960s were with Motown, and it was Motown that had made them stars. 5 1 It was at a Christmas party at Berry Gordy’s mansion in Detroit. Many big Motown stars, including Diana Ross, were watching. -
Serova V. Sony Music Entertainment
Caution As of: May 6, 2019 4:29 AM Z Serova v. Sony Music Entertainment Court of Appeal of California, Second Appellate District, Division Two August 28, 2018, Opinion Filed B280526 Reporter 26 Cal. App. 5th 759 *; 237 Cal. Rptr. 3d 487 **; 2018 Cal. App. LEXIS 767 ***; 2018 WL 4090622 VERA SEROVA, Plaintiff and Respondent, v. SONY Overview MUSIC ENTERTAINMENT et al., Defendants and HOLDINGS: [1]-An anti-SLAPP motion filed by the Appellants. marketers of a posthumous album by a prominent musical artist was improperly denied as to allegations Notice: As modified Sept. 13, 12018. concerning statements on the album's cover and in its THE SUPREME COURT OF CALIFORNIA GRANTED promotional video about the identity of the lead singer on the album's tracks where plaintiff could not show a REVIEW IN THIS MATTER (see Cal. Rules of Court, likelihood of prevailing on her claims, as the statements, rules 8.1105(e)(1)(B), 8.1115(e)) December 12, 2018, which concerned a publicly disputed issue about which S251822. the marketers had no personal knowledge, were Subsequent History: Modified and rehearing denied by noncommercial speech outside the scope of the Serova v. Sony Music Entertainment, 2018 Cal. App. consumer protection claims that she asserted; [2]-The LEXIS 819 (Cal. App. 2d Dist., Sept. 13, 2018) identity of the singer on three of the tracks was a controversial issue of interest to the artist's fans and Time for Granting or Denying Review Extended Serova others who cared about his musical legacy, and the v. Sony Music Entertainment, 2018 Cal. -
Jackson 5 Instructions
Jackson 5 Instructions ● There will be facts and history about the Jackson 5 ● After that, there will be slides with “Finish the Lyric” on them of famous Jackson 5 songs ● Once you guess the missing word(s) you can go to the next slide to see the answer and watch a video of the song Who was in the Jackson 5? ● The pop band was composed of members of the Jackson family ● The group was founded in 1965 in Gary, Indiana, by brothers Jackie, Tito, and Jermaine, with younger brothers Marlon and Michael joining soon after Jackie Jackson Tito Jackson Jermaine Jackson Marlon Jackson Michael Jackson History ● The Jackson 5 were one of the biggest phenomenons in pop music during the early '70s ● At first, the group was known as Ripples & Waves Plus Michael, then the Jackson Brothers, and finally the Jackson 5 ● The Jackson 5's infectious brand of funky pop-soul was a definite departure from the typically smooth, elegant Motown sound, as befitting the group's youth and the dawn of a new decade ● The eldest three sons began performing around the area together in 1962, teamed with two cousins (Johnny Jackson and Ronnie Rancifer), who were replaced by Marlon and five-year-old Michael ● Michael proved himself a dynamic performer, soon replacing Jermaine as the featured lead vocalist, and establishing himself as a dancer able to mimic talents like James Brown History ● Although the Jacksons and Motown credited Diana Ross with discovering The Jackson 5, singer and producer Bobby Taylor founded the band. Taylor fronted the band Bobby Taylor & the Vancouvers. -
European Premiere of Fisher Stevens' and Leonardo Dicaprio's BEFORE
European Premiere of Fisher Stevens’ and Leonardo DiCaprio’s BEFORE THE FLOOD added to BFI London Film Festival line-up The 60th BFI London Film Festival in partnership with American Express® confirms the European Premiere of BEFORE THE FLOOD from filmmakers Fisher Stevens and Leonardo DiCaprio, as a Special Presentation programme addition presented on Saturday 15 October at the Odeon Leicester Square. From Academy Award®-winning filmmaker Fisher Stevens and Academy Award-winning actor, environmental activist and U.N. Messenger of Peace Leonardo DiCaprio, BEFORE THE FLOOD is a riveting account of the dramatic changes now occurring around the world due to climate change, as well as the actions we as individuals and as a society can take to prevent catastrophic disruption of life on our planet. The film follows DiCaprio as he travels to five continents and the Arctic speaking to scientists, world leaders, activists and local residents to gain a deeper understanding of this complex issue and investigate concrete solutions to the most pressing environmental challenge of our time. Fisher Stevens, director says: “We can no longer turn a blind eye to the issue of climate change; we are at a crucial moment where if we don’t act now, we will forever pay the price. I’m looking forward to sharing BEFORE THE FLOOD with the BFI London Film Festival this October. London is one of the greatest cities in the world and my hope is that this film provides a global wakeup call about our inevitable fate should we fail to act." Clare Stewart, Director BFI London Film Festival, says: “We are thrilled to be presenting the European premiere of BEFORE THE FLOOD, a film that is both an urgent and illuminating update on climate change and a passionate clarion call from Leonardo DiCaprio and Fisher Stevens.” National Geographic presents with Ratpac Documentary Films an Appian Way production in association with Insurgent docs and Diamond docs. -
Michael Jackson
Michael Jackson Biography • Occupation: Singer • Born: August 29, 1958 in Gary, Indiana • Died: June 25, 2009 in Los Angeles, California • Best known for: Thriller, the best-selling album in history • Nickname: King of Pop Biography: Michael Jackson by Jack Kightlinger Where was Michael Jackson born? Michael Jackson was born in Gary, Indiana on August 19, 1958. Michael's father, Joe Jackson, worked as a crane operator at a steel mill. His mother, Katherine, took care of the family and sometimes took part time jobs. Both of Michael's parents loved music. His dad played guitar for an R & B band and his mother sang and played the piano. Growing up, all of the Jackson children were encouraged to study music. The Jackson Family Michael grew up in a large family. He had five brothers (Jackie, Tito, Jermaine, Marlon, and Randy) and three sisters (Rebbie, La Toya, and Janet). Michael was the third youngest with Randy and Janet both being younger. The Jacksons were fairly poor and lived in a small house with just two bedrooms for eleven people. A Strict Father Joe Jackson was a very strict father. He didn't allow the kids to have a lot of friends and he often whipped the children if they disobeyed. He wanted them to stay out of trouble and away from gangs. Later, when the Jackson 5 was still getting started, Joe would push the boys to practice for hours. He would hit them or verbally abuse them if they made a mistake. A Young Singer The three older brothers (Jackie, Tito, and Jermaine) formed a band called the Jackson Brothers.