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A Guide for Lighting the Stage
A Guide for Lighting the Stage visual environment technologies | etcconnect.com ETC® and ColorSource are either registered trademarks or trademarks of Electronic Theatre Controls, Inc. in the United States and other countries. All other trademarks, both marked and not marked, are the property of their respective owners. This content may be used, copied and freely distributed for educational purposes without written permission from ETC. Introduction The aim of this guide is to help teachers better understand and explain the basic elements of stage lighting. This resource is intended to supplement existing teaching materials, providing additional information and relevant product examples to add colour to lessons and presentations. The content can be applied to a variety of venues, including school halls, drama studios, college and university venues, dance venues, village halls, arts centres, concerts and student television studios. The following chapters cover basic illumination techniques using the ColorSource family of products from ETC and provide a pathway towards more artistic lighting designs. The guide is supported by an optional set of posters, available from ETC (send an email to [email protected] to request a poster set). Founded in 1975, ETC is a global leader in the manufacture of lighting and rigging technology for entertainment and architectural applications. ETC products are found in small and large venues worldwide. All ETC products are made to the same high standards, which is why they are used in so many professional and amateur venues. The ETC ColorSource family of equipment delivers LED lighting on a budget by offering high quality lighting, data distribution and power control in a plug- and-play format. -
Photoflex Catalog.Pdf
Photo by: Ian Spanier PROFESSIONAL LIGHT SHAPING TOOLS 10 Softboxes for Strobe/Cool Lights Softboxes Photofl ex® began producing the LiteDome® softbox in 1985 and remains the world’s most popular softbox for professional photographers. Here are just a few of the features that separate Photofl ex® from the competition: • Our proprietary DuraCloth fabric interior softens light, eliminates leaks, and insures neutral color rendition. • Medium, large and extra large LiteDomes include patented Quick-Release Corners (QRC, see page 6) for easy assembly and break-down, with removable face and interior baffl e. • Optional fabric grid attaches with Velcro® for added control. LiteDome® The LiteDome® is our most popular softbox model due to its simplicity and high performance design. The LiteDome® is the HalfDome® original Photofl ex® white interior softbox model, designed over 30 years ago. Perfect for every SoftBox for strobe only ® photography application, the LiteDome ® consistently delivers even, natural light from The HalfDome features a narrow profi le, your strobe unit. perfect to use as a hair light or rim light for portraits or for getting sleek, elongated Extra Large [XT-4XLLD293] 871150 catchlights in product photography. A Dimensions: 53 x 70 x 35 in. / 134 x 177 x 89cm removable StripMask is included for Large [XT-3LLD293] 871147 creating an even narrower light source, Dimensions: 34 x 45 x 24.5 in. / 86 x 114 x 62cm reducing the dome width by half. Photo by: Scott Stulberg Medium [XT-2MLD293] 871144 Medium [FV-HDMW] 870349 Dimensions: 24.5 x 32 x 17 in. / 62 x 81 x 43cm Dimensions: 15.5 x 55 x 23 in. -
Softbox | Octabox 2 Softbox System
Softbox | Octabox www.broncolor.com 2 Softbox System The broncolor Softbox System Square or octagonal? Let your style decide The new broncolor Softboxes These quality, high-performance light shapers extend your flash system are optimised light shapers for and offer countless additional lighting effects. Three different diffusers precise lighting design in nine enable a soft light with slight central emphasis through to perfectly different shapes and sizes. homogeneous distribution over the entire area. With a light grid, light Square, rectangular, as a strip or control can be even more precise. octagonal. The special internal coating guarantees optimum efficiency. Coloured markings on the tensioning rods and the support ring enable simple, quick erection and dismantling. With appropriate adapters, Softboxes can also be used with flash units from other manufacturers. 3 Softbox System 33.565.00 Softbox 90 x 120 cm (3 x 3.9´) The Big One: Softbox with the classical 3:4 aspect ratio. Perfect for use anywhere where large area and soft lighting is required As with any rec- tangular (but not square) Softbox, you can turn it through 90° to achieve another, slightly different, lighting characteristic. 33.566.00 Softbox 120 x 180 cm (3.9 x 5.9´) The Biggest: Over two square metres of light! Even over the shortest distance this Softbox illuminates a whole body very uniformly and this short distance from the model (or object) guarantees an unbelievably soft and beautiful light. It infuses spaces with a certain magic. 33.564.00 Softbox 30 x 120 cm (1 x 3.9´) The Strip Softbox: The Striplite among the textile Boxes is perfect for illuminating edges in product photography and as a hair-light in the portrait and fashion fields. -
These Definitions Are Provided Courtesy of Altman Stage Lighting, Inc
LIGHTING TERMS GLOSSARY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A Accent Light Illumination used to make something stand out. It may be done with intensity and/or color. A luminaire that provides such illumination. Amp an abridged version of Ampere. Amperage (A) The measure of electrical current in amperes. Ampere(A) A unit of measurement for Electrical Current. AMX Abbreviation for Analog Multiplex. Analog Multiplex (AMX) A system that simultaneously transmits more than one analog signal. Analog Signal A continuous communication signal where the amplitude or frequency of the voltage and/or current takes any value within a range of values. ANSI Abbreviation for American National Standards Institute. ANSI Code A three letter system that has been devised to describe lamps of different manufacture but the same application. The letters have no relationship to lamp description, but the same letters always designate the same type of lamp. Some of the application parameters they define are wattage, base type, envelope size, and light center length. Arc The light caused by an electrical discharge between two electrodes in a gas such as xenon, argon, or air. The first usable arc as a practical light source was developed in 1809 by Sir Humphrey Davy. Automated Light A luminaire that is robotic, i.e., certain functions such as panning, tilting, focusing, dimming, beam shaping and coloring, etc., are motorized and remotely operated from a control console. Axial A term used to describe a luminaire whose lamp is mounted on the same axis as its optical system. -
Lighting and Electrics
Lighting and Electrics 1 1E See also: First Electric 2 P&G See also: Pin Connector 2-fer See also: Two-fer 2/0 Pronounced 2-aught; single conductor cable with wire size "2/0" on jacket; commonly used for feeder cable 2PG See also: Pin Connector 3-fer See also: Three-fer 4/0 Pronounced 4-aught; single conductor cable with wire size "4/0" on jacket; commonly used for feeder cable A Adapter Electrical accessory that transitions between dissimilar connectors; may be a molded unit, box or cable assembly Amp See also: Amperes Amperes Unit of measure for the quantity of electricity flowing in a conductor Synonym: A, Amp, Current AMX192 Analog Multiplexing protocol for transmitting control information from a console to a dimmer or other controllable device Synonym: AMX, USITT AMX192 eSET: Lighting & Electrics 2 Ante-proscenium See also: Front of House (FOH) Beam Asbestos Skirt Obsolete term See also: Flameproof Apron Automated Fixtures See also: Automated Luminaire Automated Lighting Control Console Lighting console capable of controlling automated luminaires Automated Luminaire Lighting instrument with attributes that are remotely controlled Synonym: Automated Fixture, Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light, More… Automated Yoke Remotely controlled pan and tilt device Synonym: Yokie B Backlight A lighting source that is behind the talent or subject from the viewers perspective Synonym: Backs, Back Wash, Bx, Hair Light, Rim Light Backs See also: Backlight Balcony Front See also: Balcony Rail -
The Fascination of Flash Photography
The fascination of flash photography. 2016 / 2017 The fascination of flash photography “Paint” with the flash. Every subject has its own particular charm. The creative use of flash opens up numerous photographing possibilities, e.g. reducing the subject contrast, highlighting certain picture areas or getting rid of unwanted shadows. The first-class flash units from Metz offer natural colours and harmonious mood lighting – with every subject. Metz – always first class.. www.metz-mecatech.de picture: Geissler Dominik 2 — 3 Contents | A focus on quality 05 Tradition with a focus on the future 24 Every detail absolutely brilliant Contents 06 Your subject in the best 28 accessories possible light 32 Technical glossary 10 A lot of power for the best light 34 Technical specifications System flash units mecablitz mecablitz mecablitz 12 64 AF-1 digital 14 52 AF-1 digital 16 44 AF-2 digital mecablitz mecablitz mecablitz 18 M400 20 26 AF-2 22 36 AF-5 digital System flash units Specialist flash units mecablitz 18 M400 mecablitz mecablitz 23 24 AF-1 digital 26 15 MS-1 digital-Kit picture on title: Florian Gerlach Metz – always first class. www.metz-mecatech.de Metz mecatech – a focus on quality. The name Metz has been synonymous with professional flash units for decades. Our company’s exceptional reputation has been shaped by numerous technical innovations – such as the use of USB connections which allow flash units within the camera system to be updated for the latest camera model even after purchase. Today, we offer a diverse range of products from Whether light output, convenience of use or reliability, the convenient compact flashes right through to powerful handheld first-class quality of Metz flash units is unquestionable – as flash guns. -
Fish-Photography-Post-Processing.Pdf
B Spring 2015 American Currents 26 PHOTOGRAPHY AND POST-PROCESSING TECHNIQUES FOR NATIVE FISHES Scott Smith and Jesse Bissette North Carolina Division of Marine Fisheries, Morehead City, NC INTRODUCTION have an older flash knocking about, it will work as well. Just There are many well-documented methods for photograph- know that you will be required to adjust the flash settings ing fishes, using everything from point-and-shoot cameras manually. Price is the second reason for choosing this flash, to professional DSLRs. These methods often produce excel- as a used SB-600 costs about $200. We find this well within lent photographs, albeit with varying background colors our “oops, I dropped it in the water” budget. and different lighting, depending on the weather. In an ef- fort to standardize our photographs, we use an approach Lens that builds off of known methods, consistently provides In order to properly resolve the fins of small fishes, a macro solid black backgrounds, removes any concern over ambient lens is an absolute necessity. We use the Nikon 40mm f/2.8G lighting, and reveals a level of detail not normally seen in AF-S Micro Nikkor on the D3000 and the 60mm f/2.8G photographs of fish. This article aims to outline our process AF-S Micro Nikkor on the D610. Due to the cropped sensor so that anyone, whether equipped with entry-level or profes- of the D3000, both these setups have an equivalent working sional gear, will be able to duplicate it. focal length (i.e., the angle of view is the same). -
Master Professional Portrait Lighting with These 20 Essential Studio Setups
LIGHTING GUIDE Master professional portrait lighting with these 20 essential studio setups REMBRANDT WITH A PORTALITE SOFTBOX REMBRANDT THROUGH AN UMBRELLA REMBRANDT WITH A HONEYCOMB GRID REMBRANDT WITH A SILVER UMBRELLA KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, KIT: One D-lite RX4 head, KIT: One D-lite RX4 head, Stand, one Portalite Softbox one Clip-lock Stand, one 16cm Reflector, one Clip-lock Stand, one 18cm Reflector one Clip-lock Stand, one 16cm Reflector, Position the light high and to the side to one Shoot-through Umbrella with Honeycomb one Silver Umbrella create a triangle on the model’s cheek. The Position the light high and to the side as with Position the light in the same manner as the Position the light in the same manner as the shadow of the nose should point towards the the ‘Rembrandt with a Portalite Softbox’ previous ‘Rembrandt’ techniques; the light previous ‘Rembrandt’ techniques. The light edge of the lips. The Portalite creates a soft setup. The light is slightly less contrasty, through the honeycomb grid is stronger and bouncing from the silver umbrella is more directional effect. because the light is less directional more dramatic. The grid makes it very easy direct and wraps around the features of the and there is always some reflection to direct the light on to the model and away face yet still creates the shadow from the from the studio surroundings. from the background, which becomes dark. nose towards the mouth. REMBRANDT SHORT REMBRANDT BROAD SPLIT SPLIT WITH FILL KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, one Clip-lock KIT: One D-lite RX4 head, one Clip-lock Stand, one Portalite Softbox Stand, one Portalite Softbox Stand, one Portalite Softbox Stand, one Portalite Softbox, one Use the principles of ‘Rembrandt’ lighting Use the principles of ‘Rembrandt’ lighting Position a light to one side of the model in small reflector to create the triangle of light on the face. -
Portraiture and the Human Subject Print Viewing
1 Natalie Krick, My Head on Mom's Shoulder, from the "Natural Deceptions" series, 2014 PORTRAITURE AND THE HUMAN SUBJECT PRINT VIEWING This print viewing introduces students to a range of photographs with a focus on portraiture where visual information such as setting, clothing, body language, and facial expression speak to the identity of the subject. Choices made by the photographer such as use of vantage point, lighting, framing, timing and composition also impact the viewer’s perception of the subject. The 2018–2019 exhibition season is generously sponsored by The Andy Warhol Foundation for the Visual Arts, the Illinois Arts Council Agency, the City of Chicago's Department of Cultural Affairs and Special Events (DCASE), and the Efroymson Family Fund. 22 JULIA MARGARET CAMERON British, 1815–1879 Eleanor, 1948 Julia Margaret Cameron's subjects were almost always family 1984:10 members or friends from a social circle of prominent cultural figures. Sir John Frederick William Herschel was a famous Victorian astronomer whose contributions to photography include the invention of the cyanotype "blue-print," inventing photographic fixers, and even coining the term “photography” in 1839. Cameron was a lifetime friend of Herschel, whom she met in South Africa while visiting the Cape of Good Hope in 1835 and later photographed on multiple occasions. While Cameron rigorously sought to maintain the distinction between art photography and "professional" photography (she proudly saw herself as part of the former), she was not unconcerned with the market for her work. That she obtained a copyright for "Herschel" (on April 9, 1867) suggests that she thought the image was especially marketable. -
Lamp Replacement for Omega D2 and D2-HI Series Aristo Archive
Aristo Archive Information Aristo Omega D Series Cold Light Head Enlargers: D2, D3. D4, D5 and Besler 4x5* Coverage: 4 x 5 inch Specifications: ■ Case Size: 6.5” Dia x 5” H ■ Watts: D2 Series: 70 D2-HI Series: 110 ■ Weight: D2 Series: 4.8 lbs D2-HI Series: 15.4 lbs Lamp Replacement for Omega D2 and D2-HI Series Aristo units designed for installation on Omega D Series enlargers come in a single unit and are self-contained. These normally are equipped with two cords on the cold light head. The two pronged cord operates the lamp and may be plugged into your timer or footswitch. The three prong cord, which operate the thermostatically controlled heater, is plugged into any available 115 Vac outlet. Installation of D Series Replacment Lamp: 1. Remove sheet metal screws 2. Separate the lamp housing and cover 3. Undo the connections between lamp and Transformer. (By unscrewing the wire nuts.) 4. At the electrode-cut the silicone between lamp reflector housing (metal) and glass electrode by a sharp knife or blade. 5. Cut the copper tie wire. 6. Carefully pull the lamp out from the clip. (Pull from position closer to the clip) 7. Position the new lamp over the clip. Push the lamp in the Clip. (By putting slight pressure at clip point only) 8. Connect one transformer black wire to one lamp wire. Repeat the same with the second black wire of the transformer to the other lamp wire. (Use the wire nuts you have removed in step 3 8. Put the cover back in position. -
Lighting 102
LIGHTING 102 BASIC PRINCIPLES AND TECHNIQUES OF ENTERTAINMENT LIGHTING WWW.VLS.COM This guide is intended to give you an understanding of the general lighting process. It is a learning tool only, and is in no way, meant to be substituted for training in lighting and electronics. Reliable | Professional | Credible | FOCUSED Lighting 102 2 Music Man, Grove City College The field of entertainment lighting was once limited to theater, film and television, but has grown to include retail, display, photography, education, worship services, corporate events and trade shows. This article will provide some of the basic principles and techniques of entertainment lighting. We refer to entertainment or stage lighting in general terms, to pertain to the varied applications mentioned above. Of course, there is more than one way to approach entertainment lighting. However, what follows is basic lighting theory and practice that is recognized by our industry. Reliable | Professional | Credible | FOCUSED Lighting 102 3 FUNCTIONS OF STAGE LIGHTING The following criteria should be used to determine if stage lighting is necessary and effective. VISIBILITY Visibility is a very important function of stage lighting. The audience should be able to see exactly what you want them to see, or not see those things that should remain hidden. Therefore, we might rename this function as “selective visibility.” An example of selective visibility can be found in the play, Wait Until Dark by Frederick Knott. A blind woman is terrorized by a murderer hiding in her apartment. To even her odds against him, she smashes all of the light bulbs thus plunging him - and the audience - into darkness. -
Table of Contents Ordering Info & Terms
Table of Contents Ordering Info & Terms Pricing Installations & Web ................... 1 Prices shown are current at time of printing. Prices and specifications subject to change Pipe & Drape .............................. 2 without notice. Please call or e-mail for confirmation of prices and specifications. Updated Draperies ............................... 3 product pricing is also posted at our website: www.bmisupply.com. Payment Terms Fabric ............................... 4 - 5 Amex, Visa, MasterCard, Discover accepted, along with cash/check in advance or COD in Tape ............................... 6 select cases. Most government, Federal, college, university and private school purchase orders accepted on open account at the discretion of BMI Supply. Open account terms Hardware ............................... 7 - 11 are Net 30 from invoice date, unless other arrangements are agreed upon by BMI Supply. Rigging ............................... 12 - 17 Payments received Net 31 and later incur a 1.5% service charge initially, and for every thirty Cordage ............................... 18 (30) days thereafter. Any collection and/or legal fees are the responsibility of the purchaser. Ordering Curtain Track .............................. 19 - 21 All orders subject to acceptance by BMI Supply. Orders may be placed via web, phone, Special Effects .......................... 22 - 29 fax, email, or US mail. Whichever is most convenient for you. Tech-cessories .......................... 30 Returns Lighting Accessories ................ 31 - 44 We understand circumstances arise that necessitate a product return. Returns will not be accepted without a return authorization (RA#) number issued by BMI Supply. Request for a Electrics ............................... 45 - 62 RA# must be placed with BMI Supply within 10 days of receipt of order by customer. Returns Parts & Sockets ......................... 63 expire 20 days after issuance of RA#. All returns are subject to a minimum 20% restocking Lamps .............................