Seeing Beneath Stonehenge; Using Google Earth As a Tool for Public Engagement and the Dissemination of Archaeological Data
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Concrete Prehistories: the Making of Megalithic Modernism 1901-1939
Concrete Prehistories: The Making of Megalithic Modernism Abstract After water, concrete is the most consumed substance on earth. Every year enough cement is produced to manufacture around six billion cubic metres of concrete1. This paper investigates how concrete has been built into the construction of modern prehistories. We present an archaeology of concrete in the prehistoric landscapes of Stonehenge and Avebury, where concrete is a major component of megalithic sites restored between 1901 and 1964. We explore how concreting changed between 1901 and the Second World War, and the implications of this for constructions of prehistory. We discuss the role of concrete in debates surrounding restoration, analyze the semiotics of concrete equivalents for the megaliths, and investigate the significance of concreting to interpretations of prehistoric building. A technology that mixes ancient and modern, concrete helped build the modern archaeological imagination. Concrete is the substance of the modern –”Talking about concrete means talking about modernity” (Forty 2012:14). It is the material most closely associated with the origins and development of modern architecture, but in the modern era, concrete has also been widely deployed in the preservation and display of heritage. In fact its ubiquity means that concrete can justifiably claim to be the single most dominant substance of heritage conservation practice between 1900 and 1945. This paper investigates how concrete has been built into the construction of modern pasts, and in particular, modern prehistories. As the pre-eminent marker of modernity, concrete was used to separate ancient from modern, but efforts to preserve and display prehistoric megaliths saw concrete and megaliths become entangled. -
GRIIDC Compendium of Online Data Management Training Resources
GRIIDC Compendium of Training Resources 1. Training Resource: Data Management Course for Graduate Students Organization: University of Minnesota Libraries Website: https://sites.google.com/a/umn.edu/data-management-workshop-series/ Disciplines: All Audience: Graduate students Format: Online videos, recorded session available online Description from UofMN: This short course on data management is designed for graduate students who seek to prepare themselves as “data information literate” scientists in the digital research environment. Videos and writing activities will prepare trainees for specific and long- term needs of managing research data. Experts share expectations and give advice on how to ethically share and preserve research data for long-term access and reuse. Seven web based lessons include: 1. Introduction to Data Management (~5 minutes) 2. How to Inventory, Store, and Backup Your Data (~ 5 minutes) 3. How to Create Data that You (and Others) can Understand (~5 minutes) 4. How to Navigate Rights and Ownership of your Research Data (~9 minutes) 5. How to Share Your Data and Ethically Reuse Data Created by Others (~5 minutes) 6. How to Digitally Preserve Your Data for the Future (~5 minutes) 7. Complete your DMP (~5 minutes) 2. Training Resource: Data Management Course –Engineering Section Organization: University of Minnesota Libraries Website: https://sites.google.com/a/umn.edu/data-management-course_structures/ Disciplines: Engineering Audience: Graduate students Format: Online videos Description from UofMN: This short course on data management is designed for graduate students in engineering disciplines who seek to prepare themselves as “data information literate” scientists in the digital research environment. Videos and writing activities will prepare trainees for specific and long-term needs of managing research data. -
August 2012, No. 44
In 2011, the project members took part in excavations at East Chisenbury, recording and analysing material exposed by badgers burrowing into the Late Bronze Age midden, in the midst of the MoD’s estate on Salisbury Plain. e season in 2012 at Barrow Clump aims to identify the extent of the Anglo-Saxon cemetery and to excavate all the burials. is positive and inspiring example of the value of archaeology has recently been recognised at the British Archaeological Awards with a special award for ‘Project of special merit’. You will find two advertising flyers in this mailing. Please consider making a gi of member - ship to a friend or relative for birthday, Christmas or graduation. Details of subscription rates appear in the notices towards the end of this Newsletter. FROM OUR NEW PRESIDENT David A. Hinton Professor David Hinton starts his three-year term as our President in October, when Professor David Breeze steps down. To follow David Breeze into the RAI presidency is daunting; his easy manner, command of business and ability to find the right word at the right time are qualities that all members who have attended lectures, seminars and visits, or been on Council and committees, will have admired. Our affairs have been in very safe hands during a difficult three years. In the last newsletter, David thanked the various people who have helped him in that period, and I am glad to have such a strong team to support me in turn. ere will be another major change in officers; Patrick Ottaway has reached the end of his term of editorship, and has just seen his final volume, 168, of the Archaeological Journal through the press; he has brought in a steady stream of articles that have kept it in the forefront of research publication. -
Stonehenge Bibliography
Bibliography Abbot, M. and Anderson-Whymark, H., 2012. Anon., 2011a, Discoveries provide evidence of Stonehenge Laser Scan: archaeological celestial procession at Stonehenge. On-line analysis report. English Heritage project source available at: 6457. English Heritage Research Report http://www.birmingham.ac.uk/news/latest/ Series no. 32-2012, available at: 2011/11/25Nov-Discoveries-provide- http://services.english- evidence-of-a-celestial-procession-at- herita ge.org.uk/Resea rch Repo rtsPdf s/032_ Stonehenge.aspx (accessed 2 April 2012). 2012WEB.pdf Anon., 2011b, Stonehenge’s sister? Current Alexander, C., 2009, If the stones could speak: Archaeology, 260, 6–7. Searching for the meaning of Stonehenge. Anon., 2011c, Home is where the heath is. National Geographic, 213.6 (June 2008), Late Neolithic house, Durrington Walls. 34–59. Current Archaeology, 256, 42–3. Allen, S., 2008, The quest for the earliest Anon., 2011d, Stonehenge rocks. Current published image of Stonehinge (sic). Archaeology, 254, 6–7. Wiltshire Archaeological and Natural Anon., 2012a, Origin of some of the Bluestone History Magazine, 101, 257–9. debris at Stonehenge. British Archaeology, Anon., 2006, Excavation and Fieldwork in 123, 9. Wiltshire 2004. Wiltshire Archaeological Anon., 2012b, Stonehenge: sourcing the and Natural History Magazine, 99, 264–70. Bluestones. Current Archaeology, 263, 6– Anon., 2007a, Excavation and Fieldwork in 7. Wiltshire 2005. Wiltshire Archaeological Aronson, M., 2010, If stones could speak. and Natural History Magazine, 100, 232– Unlocking the secrets of Stonehenge. 39. Washington DC: National Geographic. Anon., 2007b, Before Stonehenge: village of Avebury Archaeological and Historical wild parties. Current Archaeology, 208, Research Group (AAHRG) 2001 17–21. -
Stonehenge OCR Spec B: History Around Us
OCR HISTORY AROUND US Site Proposal Form Example from English Heritage The Criteria The study of the selected site must focus on the relationship between the site, other historical sources and the aspects listed in a) to n) below. It is therefore essential that centres choose a site that allows learners to use its physical features, together with other historical sources as appropriate, to understand all of the following: a) The reasons for the location of the site within its surroundings b) When and why people first created the site c) The ways in which the site has changed over time d) How the site has been used throughout its history e) The diversity of activities and people associated with the site f) The reasons for changes to the site and to the way it was used g) Significant times in the site’s past: peak activity, major developments, turning points h) The significance of specific features in the physical remains at the site i) The importance of the whole site either locally or nationally, as appropriate j) The typicality of the site based on a comparison with other similar sites k) What the site reveals about everyday life, attitudes and values in particular periods of history l) How the physical remains may prompt questions about the past and how historians frame these as valid historical enquiries m) How the physical remains can inform artistic reconstructions and other interpretations of the site n) The challenges and benefits of studying the historic environment 1 Copyright © OCR 2018 Site name: STONEHENGE Created by: ENGLISH HERITAGE LEARNING TEAM Please provide an explanation of how your site meets each of the following points and include the most appropriate visual images of your site. -
Researching Stonehenge: Theories Past and Present
Parker Pearson, M 2013 Researching Stonehenge: Theories Past and Present. Archaeology International, No. 16 (2012-2013): 72-83, DOI: http://dx.doi.org/10.5334/ai.1601 ARTICLE Researching Stonehenge: Theories Past and Present Mike Parker Pearson* Over the years archaeologists connected with the Institute of Archaeology and UCL have made substantial contributions to the study of Stonehenge, the most enigmatic of all the prehistoric stone circles in Britain. Two of the early researchers were Petrie and Childe. More recently, colleagues in UCL’s Anthropology department – Barbara Bender and Chris Tilley – have also studied and written about the monument in its landscape. Mike Parker Pearson, who joined the Institute in 2012, has been leading a 10-year-long research programme on Stonehenge and, in this paper, he outlines the history and cur- rent state of research. Petrie and Childe on Stonehenge William Flinders Petrie (Fig. 1) worked on Stonehenge between 1874 and 1880, publishing the first accurate plan of the famous stones as a young man yet to start his career in Egypt. His numbering system of the monument’s many sarsens and blue- stones is still used to this day, and his slim book, Stonehenge: Plans, Descriptions, and Theories, sets out theories and observations that were innovative and insightful. Denied the opportunity of excavating Stonehenge, Petrie had relatively little to go on in terms of excavated evidence – the previous dig- gings had yielded few prehistoric finds other than antler picks – but he suggested that four theories could be considered indi- vidually or in combination for explaining Stonehenge’s purpose: sepulchral, religious, astronomical and monumental. -
Pearson, M. P. & Al.: Stonehenge for the Ancestors, 1
PEARSON, M. P. & AL.: STONEHENGE FOR THE ANCESTORS, 1: LANDSCAPE AND MONUMENTS 1. Introduction The Stonehenge Riverside Project Background to the project Implications of the hypothesis Research aims M. Parker Pearson, J. Pollard, C. Richards, J. Thomas C. Tilley, K. Welham and P. Marshall 2. Fourth millennium BC beginnings: monuments in the landscape The landscape of the fourth millennium BC – (C. Tilley, W. Bennett and D. Field) Geophysical surveys of the Greater Cursus and Amesbury 42 long barrow – (K. Welham, C. Steele, L. Martin and A. Payne) 3. Fourth millennium BC beginnings: excavations of the Greater Cursus, Amesbury 42 long barrow and a tree-throw pit at Woodhenge The Greater Stonehenge Cursus – (J. Thomas) Amesbury 42 long barrow – (J. Thomas) Investigations of the buried soil beneath the mound of Amesbury 42 – (M.J. Allen) Stonehenge Lesser Cursus, Stonehenge Greater Cursus and the Amesbury 42 long barrow: radiocarbon dating – (P. D. Marshall, C. Bronk Ramsey and G. Cook) Antler artefact from the Greater Cursus and Amesbury 42 long barrow – (G. Davies) Pottery from the Greater Cursus and Amesbury 42 long barrow – (R. Cleal) Chalk artefact from the Greater Cursus – (A. Teather) Lithics from stratified contexts of the Greater Cursus – (B. Chan) Lithics from the ploughsoil of the Greater Cursus – (D. Mitcham) Lithics from stratified contexts of Amesbury 42 long barrow – (B. Chan) Human remains from Amesbury 42 long barrow and the Greater Cursus – (A. Chamberlain and C. Willis) Charred plant remains and wood charcoal from the Greater Cursus and Amesbury 42 long barrow – (E. Simmons) Woodhenge tree-throw pit – (J. Pollard) Pottery from the Woodhenge tree-throw pit – (Rosamund M.J. -
A303 Amesbury to Berwick Down
A303 Amesbury to Berwick Down TR010025 6.3 Environmental Statement Appendices Volume 1 6 Appendix 6.1 Annex 8 Influences of the monuments and landscape of the Stonehenge part of the World Heritage Site on literature and popular culture APFP Regulation 5(2)(a) Planning Act 2008 Infrastructure Planning (Applications: Prescribed Forms and Procedure) Regulations 2009 October 2018 HIA Annex 8 – Influences of the monuments and landscape of the Stonehenge part of the WHS on literature and popular culture Introduction Stonehenge, Avebury and Associated Sites was inscribed on the UNESCO World Heritage Site List in 1986, one of the original list of seven sites in the UK to be put forward for inscription. The Statement of Outstanding Universal Value (OUV) was adopted in 2013. The Statement of OUV notes that ‘the monuments and landscape have had an unwavering influence on architects, artists, historians and archaeologists’ (UNESCO 2013). The 2015 Management Plan (Simmonds & Thomas 2015) identifies seven Attributes of OUV for the entirety of the WHS, of which the seventh is: ‘The influence of the remains of the Neolithic and Bronze Age funerary and ceremonial monuments and their landscape setting on architects, artists, historians, archaeologists and others.’ The landscape around Stonehenge, comprising natural and cultural elements, is not just a physical environment, but an abstraction that is perceived by the human observer. Such observers have included literary writers, poets and travel writers, who have used their sense of the place as they experienced it to inspire their creative writing. The unique strength of Stonehenge is that the monument is an instantly recognisable structure which resembles no other and onto which a range of fantasies can be projected (Hutton 2009, 45). -
Stonehenge A303 Improvement: Outline Assessment of the Impacts
Stonehenge A303 improvement: outline assessment of the impacts on the Outstanding Universal Value of the World Heritage property of potential route options presented by Highways England for January 2017 Nicola Snashall BA MA PhD MCIfA National Trust Christopher Young BA MA DPhil FSA Christopher Young Heritage Consultancy January 2017 ©Historic England and the National Trust Stonehenge A303 improvements: outline assessment of the impacts on the Outstanding Universal Value of the World Heritage property of potential route options presented by Highways England for January 2017 Executive Summary Introduction In 2014, English Heritage (now Historic England) and the National Trust commissioned an assessment (Snashall, Young 2014) on the potential impact of new road options, including a tunnel, for the A303 within the Stonehenge component of the Stonehenge, Avebury and Associated Sites World Heritage property. Since at that time, there were no detailed proposals, that report considered four possible alternatives and concluded that, of these, an off-line route with a tunnel of 2.9kms length would be the most deliverable solution. The government remains committed to improving the A303 and to funding sufficient for a tunnel of at least 2.9kms length within the World Heritage property. Highways England are consulting in early 2017 on route options developed since 2014 for this road scheme through the World Heritage property and bypassing Winterbourne Stoke village to the west. This report is an outline assessment of these initial options on the Outstanding Universal Value (OUV) of the World Heritage property. It has been commissioned to assess the impact of the latest road options in the light of updated archaeological information. -
Preservation Best Practices 3D Methods and Workflows: Photogrammetry Case Study (Repository Perspective)
Preservation Best Practices 3D Methods and Workflows: Photogrammetry Case Study (Repository Perspective) Kieron Niven Your Name Digital Archivist, Archaeology Data Service 13th August 2018 http://archaeologydataservice.ac.uk 1 Same basic structure but: ● From the perspective of a repository: ○ What do we need to know about a photogrammetry project and the associated data ○ How this should be deposited, structured, archived ● Largely looking at Photogrammetry... ● Many of the points are equally applicable to other data types (laser scan, CT, etc.) http://archaeologydataservice.ac.uk Planning Phase ● Engage with project at point of start up / data creation - advise on suitable formats and metadata ● Aim to exploit exports and tools for recording metadata. ● Not always possible (legacy projects). Relevant project documents, reports, methodology, process, etc. Should also be archived to describe as much as possible of the project design, creators, and intentions. ● Data should be linked to wider context through IDs, DOIs, references (external documents, creators/source of data, monument ids, museum ids, etc.) http://archaeologydataservice.ac.uk Planning Phase • Planning phase is the most important phase • Both ‘Purpose’ and ‘Audience’ will influence what is recorded, how it’s recorded, and what are produced as final deliverables (e.g. LOD, opportunist/planned, subsequent file migrations, limited dissemination options). http://archaeologydataservice.ac.uk Planning Phase ACCORD: Project documentation. Specific project aims and collection methodology http://archaeologydataservice.ac.uk Planning Phase ACCORD project: Object-level and image documentation (multiple levels) If not specified during planning then unlikely (if not impossible) to get certain types and levels of metadata http://archaeologydataservice.ac.uk Ingest Ingest is where it all begins (for us): • Specify ingest file formats (limit diversity and future migration, ease metadata capture) • Aim to ingest as much metadata and contextual info as possible. -
ROCK ART BIBLIOGRAPHY (Current at July 2008) This Detailed Listing Contains Over a Thousand Publications on Rock Art
ROCK ART BIBLIOGRAPHY (current at July 2008) This detailed listing contains over a thousand publications on rock art. It relates primarily to rock art in the counties of Durham and Northumberland but also includes many publications on rock art in other parts of Britain and Ireland, as well as on the recording, management, and conservation of carved panels, plus a number of theoretical studies. The bibliography was compiled by Northumberland and Durham Rock Art Pilot Project volunteer, Keith Elliott, with additional contributions from Kate Sharpe and Aron Mazel. Abramson, P. 1996 ‘Excavations along the Caythorpe Gas Pipeline, North Humberside’. Yorkshire Archaeological Journal 68, 1-88 Abramson, P. 2002 'A re-examination of a Viking Age burial at Beacon Hill, Aspatria'. Transactions of the Cumberland and Westmorland Antiquarian and Archaeological Society 100: 79-88. Adams, M. & P. Carne, 1997 ‘The Ingram and Upper Breamish Valley Landscape Project: interim report 1997’. Archaeological Reports of the Universities of Durham and Newcastle upon Tyne 21, 33- 36 Ainsworth, S. & Barnatt, J., 1998, ‘A scarp-enclosure at Gardom’s Edge, Baslow, Derbyshire’. Derbyshire Archaeological Journal 118, 5-23 Aird, R. A., 1911 ‘Exhibits’. Proceedings of the Society of Antiquaries of Newcastle upon Tyne 3rd series 5(9), 102 Aitchison, W., 1950 ‘Note on Three Sculptured Rocks in North Northumberland’. History of the Berwickshire Naturalists’ Club 32(1), 50 Alcock, L 1977 ‘The Auld Wives’ Lifts’. Antiquity 51, 117-23 Aldhouse-Green, M., 2004 ‘Crowning Glories. The Language of Hair in Later Prehistoric Europe’. Proceedings of the Prehistoric Society 70, 299-325 Allott, C. & Allot, K., 2006 ‘Rock Art Indoors’. -
Monumental Computations. Digital Archaeology of Large Urban and Underground Infrastructures (Proceedings of the 24Th Internatio
Short Paper Introducing SEADDA Saving European Archaeology from a Digital Dark Age Julian RICHARDS, Archaeology Data Service, University of York, UK1 Keywords: FAIR principles—Digital Preservation—Data Management—COST Actions CHNT Reference: Richards, Julian. 2021. Introducing SEADDA. Saving European Archaeology from a Digital Dark Ages. Börner, Wolfgang; Kral-Börner, Christina, and Rohland, Hendrik (eds.), Monumental Computations: Digital Archaeology of Large Urban and Underground Infrastructures. Proceedings of the 24th International Conference on Cultural Heritage and New Technologies, held in Vienna, Austria, November 2019. Heidelberg: Propylaeum. doi: 10.11588/propylaeum.747. Introduction Making archaeological data open and freely accessible must be a priority across Europe, but this cannot be achieved unless that data can be archived, migrated and disseminated within a persistent repository, in accordance with the FAIR (Findable, Accessible, Interoperable, Reusable) principles. The depth of the problem for archaeology has become starkly apparent through the work of EU projects such as ARIADNE2 (Advanced Research Infrastructure for Archaeological Dataset Network- ing in Europe) (Aloia et al., 2017). Data often languishes in unreadable formats with inadequate metadata, and it is no exaggeration that Archaeology is facing a Digital Dark Age unless urgent action is taken. However, projects such as ARIADNE have also revealed the key to mitigating the crisis is to bring archaeologists together to share expertise and create resources that allow them to address the problem in the most appropriate way within their own countries (Wright and Richards, 2018). Important international standards exist, such as the OAIS (Open Archival Information System) standard for digital preservation, the Core Trust Seal for repository accreditation, discipline-based standards for file formats and metadata, such as those proposed in the Archaeology Data Service (ADS)/ Digital Antiquity Guides to Good Practice (Fig.