PAUL LINDEN

12428 Melrose Cir Butler University Fishers, IN 46038 College of Communication Ph: (205) 535-6493 4600 Sunset Avenue Fx: (317) 940-9014 Indianapolis, IN 46208 [email protected] Ph: (317) 940-8855

CURRICULUM VITAE

EDUCATION: Ph.D., French Literature, Emory University, , Georgia, 2003; M.S., Mass Communication, the University of Southern Mississippi. 2013.

TEACHING EXPERIENCE: 2016-present Assistant Professor, Butler University College of Communication, Department of Creative Media & Entertainment, Survey of the Recording Industry, History of the Recording Industry, Audio 1, Media Law, Talent Management (Introductory, Intermediate and Upper Division);

2013-2016 Associate Professor, The University of Southern Mississippi School of Mass Communication & Journalism, Recording Industry Program, Concert Production, Music Copyright, Collegium, Entertainment Industry Seminar, Capstone Experience (Intermediate, Upper Division);

2007-2012, Assistant Professor, USM School of Music, Entertainment Industry Program, Music Publishing, Live Production Business, Record Company Operations, Talent Management, Music Copyright, Live Production Management (Intermediate, Upper Division);

2004-2007, Adjunct Professor, USM Center for International Education, Abbey Program, Literature (Intermediate, Introductory), French Language (Intermediate, Introductory);

2006, Adjunct Professor, Belhaven College Department of English and Foreign Languages, French Language, (Intermediate, Introductory);

2003-2004, Adjunct Professor, Northern Michigan University Department of Modern Languages and Literatures, French Language (Introductory);

2002, Adjunct Professor, USM Center for International Education, Literature (Advanced/Upper Division);

1993-1996, Lecturer, Emory University Emory University, Department of French and Italian, French Culture (Introductory), French Language (Intermediate, Introductory).

ACADEMIC ADMINISTRATION: 2010-2016, Sequence Head & Internship Coordinator, Recording Industry Program, School of Mass Communication and Journalism, University of Southern MS; 2005-2006, Interim Director of Academic Affairs, Abbey Program, USM.

PUBLICATIONS: (Linden, p.2) Peer Reviewed I. Book chapter “Race and Popular Music” in Routledge Companion to Race and Media, Ed. Chris Campbell, forthcoming; II. Music Business, articles “Entrepreneurship: Theory and Application in a University Arts Management Setting” in MEIEA Journal, vol. 14, no. 1, Winter/Spring 2015; “Malcolm Chisholm: An Evaluation of Traditional Audio Production” in MEIEA Journal, vol. 13, no. 1, Winter/Spring 2014; “Race, Hegemony and the Birth of Rock & Roll” in MEIEA Journal, vol. 12, no. 1, Winter/Spring 2012; “Coping with Narcissism: Causes, Effects and Solutions for the Artist Manager” in MEIEA Journal, vol. 10, no. 1, Winter/Spring 2011; III. Lyrical Analysis “Measuring Insistency: A Content Analysis of Tom Waits’ Lyrics,” under review; “Alain De Roucy et la voix anonyme de la Canso de la crozada”, French Forum, vol. 32, no. 1-2, Winter 2007, 2008, pp. 1-18; IV. Pedagogy Co-Author of “A Comparison Study of Student Retention of Foreign Language Video: Declarative versus Interrogative Advanced Organizer” in The Modern Language Journal, vol. 82, no. 2, Summer, 1998; Research Cited, Contributed The Letters of Samuel Beckett, vol. 4: 1966-1989, Ed. Lois Overbeck, Cambridge University Press, 2016; The Letters of Samuel Beckett, vol. 3: 1957-1965, Ed. Lois Overbeck, Cambridge University Press, 2014; Tom Wheeler, The Fender Archives: A Scrapbook of Artifacts, Treasures and Inside Information, Hal Leonard, 2014; The Letters of Samuel Beckett, vol. 2: 1941-1956, Ed. Lois Overbeck, Cambridge University Press, 2011; Greg Gagliano, “Fender Amps by the Number,” Vintage Magazine, vol. 24, no. 6, April 2010; Eric Bransome, "Music Career Opportunities and Career Compatibility: Interviews with University Music Faculty Members and Professional Musicians", Ph.D. Dissertation, University of North Texas, 2010; The Letters of Samuel Beckett, vol. 1: 1929-1940, Ed. Lois Overbeck, Cambridge University Press, 2009; Tom Wheeler, The Soul of Tone: 60 Years of Fender Amps, Ch. 13, "Family Ties & Transitions", Hal Leonard, 2007; Music Industry Articles I. Music “Singing the Blues for One of Our Own: A Tribute to Sean Costello, Part 1” in Atlanta Retro (online), August 2011; "Les écoles du Blues" articles series, Blues & Co. (French), 2009 - "Zydeco," no. 47, April; 2008 - "Piedmont," no. 46, December; "West Coast," no. 45, September; "Texas," no. 44, June; "Chicago," no. 43, March; 2007 - "Delta," no. 42, December; (Linden, p. 3) II. Interviews, Blues & Co., Rod Piazza, no. 49, October 2009; Mark Hummel, no. 46, January 2009; Bill Lupkin (translation), no. 43, March 2008; Billy Flynn, no. 35, March 2006; Felix Reyes, no. 32, July 2005; Breeze Kings, no. 30, December 2004; III. Audio production articles Liner notes, Sean Costello: In the Magic Shop, Vizztone Records, 2014; "The Risson Marvel" in Tone Quest Report, vol. 11, no. 7, May 2010; "Tube Amplifier Setup for Harmonica versus Guitar" in Tone Quest Report, vol. 9, no. 2, December 2007; "Dans le studio avec Sean Costello" in Blues & Co., no. 35, March 2006; "Fender 1960 Low-Powered Brown Twin-Amp, Myth or Reality?" in Tone Quest Report, vol. 6, no. 6, April 2005; "Fender 5G8 Project Phase" in Tone Quest Report, vol. 6, no. 11, September 2005; Music Publishing I. Original Compositions Released by album (all songs BMI) Sean Costello, In the Magic Shop, Vizztone Records, 2014: “Feel Like I Ain’t Got A Home,” “Told Me a Lie,” “Make a Move”; Various Artists, South City Records: Unplugged, South City Records, 2013: “The Moonlight Reaper (The Morning Comes Alone)”; Sean Costello, Sean's Blues, Landslide Records, 2009: "The Plumber"; Sean Costello, We Can Get Together, Delta Groove, 2008: "Feel Like I Ain't Got A Home," "Told Me A Lie," "All This Time"; Sean Costello, Moanin' For Molasses, Landslide, 2001: "You're A Part Of Me," "The Plumber"; Sean Costello, Cuttin' In, Landslide Records, 2000: "Cold Cold Ground"; II. Non-original Compositions Released (by album) Vanilla Jane, Vanilla Jane, South City Records, 2010: All compositions, Subtown Songs, ASCAP; Natalie Kirk, Self Medication, South City Records, 2009: All compositions, Subtown Songs, ASCAP; Sean Costello, Sean Costello, Artemis Records, 2004: "No Half Steppin'," Nite Latch Music, BMI; "Hold On This Time," Nite Latch Music, BMI; "All I Can Do," Nite Latch Music, BMI; Sean Costello, Call the Cops, Blue Wave Records, 1996: "Take Me Back," Nite Latch Music, BMI; III. Recordings Released & Distributed, South City Records Various artists, South City Records: Unplugged, 2013; Dr. E & The Voodoo Kings, The Doctor is In, 2012; Mississippi Shakedown, Mississippi Shakedown, 2011; Vanilla Jane, Eponymous, 2011; Bad Eye Mike, Eponymous, 2010; The Boom Chicka Booms, Devil Woman and a Smoking Gun, 2010; Natalie Kirk, Self Medication, 2009; Omar Alvarado, Omar Alvarado, 2009; Jacky Jack White, Live, 2008; (Linden, p. 4) CONFERENCE PRESENTATIONS: “Old School Audio: An Entrepreneurial Approach to the Music Business.” Reverberations lecture series, Hattiesburg, University of Southern Mississippi, March 7, 2016; “Artist Management Strategies.” MEIEA European Summit, Missenden Abbey, Great Missenden, England, June 23-25, 2014; “Tour Management FAQ” Bear Creek Music Festival, Gulf Shores MS, May 3, 2014; “Coping with Narcissism: Causes, Consequences and Solutions for the Artist Manager.” Music and Entertainment Industry Educators Association (MEIEA) International Summit, Nashville, Doubletree Hotel, March 21-22, 2014; “Testimonial Reflections.” Presented at the memorial convocation “Souvenirs: Philippe Bonnefis,” Atlanta, Emory University, November 15, 2013; “Student Run Record Labels: A Comparative Assessment.” Presented at the Music and Entertainment Industry Educators Association (MEIEA) International Summit, , Hotel Monteleone, March 22-23, 2013; “Development of the American Blues Traditions.” Presented at the 78th semi-annual Blues Station, Château du Bosc, Tournon d’Agenais, France, October 29 – November 5, 2012; “Race, Hegemony and the Birth of Rock & Roll.” MEIEA International Summit, Los Angeles, Sheraton Universal, March 30-31, 2012; "Using Technology to Teach Media." Cutting Edge Music Business Conference, New Orleans, New Orleans Hilton, August 20- 23, 2009; "Phalaris' Brazen Bull: The Crisis of Witnessing History in Agrippa d'Aubigné's Les Tragiques." First annual Berkeley-Stanford graduate student conference, "Thinking Through Memory," Berkeley, Berkeley University, April 4-7, 2002; "Stilus, Stilet and the Double-Edged Sword: Authorship as Violence in Early Modern Protestant Literature." Eleventh annual graduate student conference, New York, Columbia University, March 23, 2002; “Trauma Theory and its Possible Applications to the Tragiques.” Presented at the 1st annual French Department Colloquium for Prospective Students, Atlanta, Emory University, March 2, 2002. "Transgression in the Name of the Father: Agrippa d'Aubigné's Les Tragiques." Presented at the "Transgression in Text, Language and Culture" colloquium. Durham, Duke University, October 19, 2001.

PROFESSIONAL DEVELOPMENT: Academics Financial Conflicts of Interest, Discrimination, Sexual Violence training, 2015; Associate Editor & Editorial Review Board member, MEIEA Journal, 2015; Faculty Leadership Institute, College of Arts and Letters, USM, 2014-15; Music & Entertainment Industry Educator’s Association, Board Member, 2013-14; "Methodologies of Teaching," College of Arts & Sciences, Emory University, 1994; Teaching Assistant Training and Teaching Opportunities, Emory University, 1994;

Music Industry Nashville Songwriters Association International, 2016-present; Harry Fox Agency, Publisher Affiliate, 2010-present; ASCAP, BMI, Publisher & Songwriter Affiliate, 2003-present; Landslide Records, co-producer, consultant, 2000-2012; Music Maker Relief Fund, producer, 2000-2007.

(Linden, p. 5) PERFORMANCES: Select Record Label Releases Sean Costello, In the Magic Shop, Vizztone Records, 2014; Sean Costello, At His Best- Live, Landslide Records, 2011; Sean Costello, Sean Costello, Artemis Records, 2004; Bill Sheffield, Journal on a Shelf, U.S. Roots & Blues Records, 2004; Mudcat, Mo' Better Chicken, Music Maker label, 2002; Roy Lee Johnson, When a Guitar Plays the Blues, Southern Tracks Records, 2002;

Select Independent Record Releases Frankie Moates, You Got It, Now Get It!, 2006; Zydefunk, Zydefunk, 2003; Hillbilly Soul Surfers, Hot Damn Bobo!, 1995; Mama Said, To The Filter, 1993;

Television, Film, Radio I. National CBS - "Early Show, Second Cup Café," , New York, 1999; PBS - "Austin City Limits," Bobby "Blue" Bland & Susan Tedeschi, University of Texas, Austin, 1999; II. Local WUSM Radio, Southern MS Today, 2013; WLUC, TV 6, Evening News, Marquette, MI, 2004; WAGA, TV 5, Morning News, Atlanta, GA, 2002; III. Other Instrumentalist, co-producer, audio track for Joel Cornette memorial video, Indianapolis, IN, 2016; Instrumentalist, The Hollow (film), New York, 2015; "Sessions" (pilot), Mississippi Public Broadcasting, Hattiesburg, MS, 2009; Goin' To Chicago, (film), San Francisco: California Newsreel, 2005; Commercial video, Rhodes Furniture, Atlanta, GA, 1995;

Touring, select tours & artists: I. International France: Various artists, Paris, Blois, Thouars, Limoges, Ambon, 2004-2012; United Kingdom: Bill Sheffield, Crewkerne, Dorset, Somerset, 2007; Belgium: Fried Bourbon, Antwerp, 2007; Switzerland: Blacksnake Blues, Lausanne, 2002; North America (support act) B.B. King, North American tour, 1999; & Dr. John, North American tour, 1998; II. National W/ Sean Costello, Susan Tedeschi, support act for: Nora Jones, New York, NY, 2005; , New York, NY, 2005; George Thorogood, Tallahassee, FL, 2002; , Memphis, TN, 2001; Bonnie Raitt, Aspen, CO, 1998; Fabulous Thunderbirds, Burlington, VT, 1998; W/ Felix Reyes, support act for: John Lee Hooker, Birmingham, AL, 1995; Jeff Healey, Atlanta, GA, 1995; Bo Diddley, Atlanta, GA, 1994; Koko Taylor, Atlanta, GA, 1994;

III. Regional (Linden, p. 6) W/ Felix Reyes, Chicago, IL, 2016; St. Louis, MO, 2016; W/ The Natural Act, Selma, AL, 2016; W/ Eddie Tigner’s Ink Spots, Selma, AL, 2013; W/ Dr. E & the Mississippi Voodoo Kings, support act for: Bobby Rush, Hattiesburg, MS, 2010; W/ "Big" Al Lauro, support act for: Johnny Winter, Baton Rouge, LA, 2008; W/ The Urban Shakedancers, support act for: The Black Crowes, Atlanta, GA, 1994; Greg Alman, Atlanta, GA, 1993.

ARTIST & EVENT MANAGEMENT: International Agent Sean Costello, European tours, 2007, 2008; Bill Sheffield, European tours, 2006, 2007; Breeze Kings, French tours, 2005-2007; Concert Promotion Sean Costello, Sean's Blues CD Release, Atlanta, GA, 2009; "Not So Silent Night", Benefit Concert, Hattiesburg, MS, 2007; Eddie Tigner, Slippin' In CD Release, Atlanta, GA, 2007; Tour Manager Breeze Kings, European tours, 2005, 2006; Sean Costello, national and regional tours, 1996-2005.

AUDIO PRODUCTION EXPERIENCE: Producer, CD Various Artists, Swampland Analog Sessions (demo), South City Records, 2013; The Soul Shakers, Special Edition, Independent Release, 2008; Eddie Tigner, Slippin' In, Music Maker, 2007; Flat Broke Blues Band, Worth the Weight, Independent release, 2003; Sean Costello, Moanin' for Molasses, Landslide Records, 2001; Eddie Tigner, Route 66, Music Maker, 2000; Live Concert Production (select events) Holiday Reunion Concert, USM International Programs, Hattiesburg, 2013; Matsuri Festival, University of Alabama, International Programs, Tuscaloosa, 2013; Tailgate Concert Series, USM, Mass Communication & Journalism, 2011-2014; Roots Festival, Saenger Theater, Hattiesburg, MS, April & December 2011-2012; Fall Jubilee, Fellowship of Christian Athletes, Reed Green Coliseum, USM, 2009; "This Little Light of Mine," Adrienne Danrich, Hattiesburg Cultural Center, 2009; Pointer Sisters, Saenger Theater, Hattiesburg, 2008; "Franco-American Music Festival," European-American Center, Loire Valley, France, 2005-2006. AWARDS: Academic Best undergraduate teacher, School of Mass Communication & Journalism, University of Southern Mississippi, 2013-2014; First prize for critical submissions on the theme of “Resistance, Oppression and Hope.” Holocaust Awareness Project, Phi Alpha Theta, History Honors Society, Northern Michigan University, 2004; Anne Amary Perry Scholarship, awarded by the Department of French, Emory University, for excellence in Graduate Studies, 1997-1998; Graduate Fellowship, Emory University, 1994-1998; Creative (Linden, p. 7) Number 5, Living Blues Radio Chart, November, 2014; (Sean Costello, In the Magic Shop); Number 5, Chart position Billboard Blues chart, May, 2008 (Sean Costello, We Can Get Together); W.C. Handy Award Nomination for Best Blues Debut Album (Sean Costello, Cuttin' In), Memphis, TN, 2001; Atlanta's Best Blues Act, Creative Loafing, New South Music Association, 1993-95 Most Valuable Sideman, Atlanta Blues Society, 1994; Sponsorships Endorsee, Hohner Harmonica International, Richmond, VA, 1995-present.

SERVICE (2005-present): University Calendar Committee, Butler University, 2016-2017; Faculty Senate, University of Southern Mississippi, 2015-2016; AOD (Alcohol & Other Drug) Committee, USM, 2015-2016; Reverberations lecture series committee, USM, 2015; Leadership Panel, Francis Karnes Center for Gifted Studies, USM, 2014; Guest advisor, Southern Academic Enhancement Program, 2014; Faculty representative, Stage Monkeys student organization, USM, 2011-2014; Selection Committee, Center for International Education Scholarship, USM, 2013; Audio Production, Native American Powwow, USM, 2011-2013; “House Calls” Freshman orientation, USM, 2011; Copyright administration for “Tuskegee Airmen Fight Song” (recording), 2011; Host, Producer, “Soul Food Café” Radio Show, WUSM, 2011; Recruiter, International Programs, University of Southern Mississippi, 2007-2009; Interviewer of Presidential Scholar Candidates, USM Honors College, Spring 2008; Interim Director of Academic Affairs, Abbey Program, College of Arts & Letters, USM, 2006; Organized and led tours of museums, theaters, historical sites in Paris and Loire Valley, International Programs, USM, 2002–2014; Language Center Research Committee, Northern Michigan University, 2005; College CCOM Symposium Committee, Butler University, 2016; Student Success Committee, USM, 2014-2015; Live sound reinforcement, Viennese Valentines, USM Symphony Orchestra, 2014; Live sound reinforcement, An Evening with Stephen Wade, Department of History, USM, 2014; Audio recording of recitals, School of Music, USM, 2011-2014; Music business and copyright consultant, School of Music, USM 2009-2013; Television advertisement, USM College of Arts and Letters, 2011-2012; Interdisciplinary curriculum expansion (Music, Philosophy, Psychology), 2011-2012; Coordination of audio recording, “Tuskegee Airmen Fight Song,” Schools of Mass Communication & Journalism with the School of Music, USM, 2011; Hammond organ loan and service, School of Music, USM, 2008-2012; Guest Lecturer History of the Delta Blues (HIS 479), Prof. Heather Stur, Spring 2011; Music Appreciation (MUS 365), Prof. Nicolas Ciraldo, Fall 2010; American Studies: The South (AMS 404). Prof. Allan McBride, Fall 2010; Co-Founder & Recruiter, EI program in France & London, College of Arts & Letters, USM, 2007–2012;

(Linden, 8) Department, School Personnel Committee, Mass Communication & Journalism (MCJ), USM, 2016; Southern Miss Student Media Committee, MCJ, USM, 2014-present; Tenure & Promotion Committee, MCJ, USM, 2013-present; Faculty Advisor, Southern Tracks TV Program (pilot), MCJ, USM, 2013-2104; Chair, Technology Committee, MCJ, USM, 2011-2014; Career Day Committee, MCJ, USM, 2011-2014; Search Committee, positions in Video Production, Audio Production, Public Relations, Broadcast Journalism and Multimedia, MCJ, USM, 2011-14; Restructuring of EI Program curriculum, MCJ, USM, 2010-2012; Faculty Advisor, South City Records, MCJ, USM, 2009-2010; Secretary, Graduate Committee, School of Music, USM, 2009-2010; Assessment Committee, School of Music, USM, 2009-2010; Undergraduate Committee, School of Music, USM, Spring 2009; Ad Hoc Recruitment & Retention Committee, School of Music, USM, Spring 2009;

Public Host, “Piney Woods Blues Show,” WUSM, 88.5FM, 2014; Benefit performances, selected Dubard School for Language Disorders, Hattiesburg, MS, 2014, Hope House for the homeless, Hattiesburg, MS, 2014, Tommy “T-Bone Pruitt,” Hattiesburg, MS, 2011, Ginovations opening, Sumrall, MS, 2011, Sunrise assisted living home, Atlanta, GA, 2005, Piedmont Hospital, Atlanta, GA, 2004; Interview for “Radio Stations to Flip to Christian Format,” by Garry Pettus, Clarion Ledger (online), January 13, 2012; Interview for “Moog Master,” by Stephen McDill, Mississippi Business Journal, January 8, 2012; French to English translation of legal documents, Galloway, Wettermark, Everest, Rutens & Gaillard, LLP, Mobile, AL, 2009-2012; Presentation, “John Lennon 70 years later,” Jones County Library, Laurel, MS, 2010; Roots Reunion Festival, Production & Business Management, Saenger Theater, Hattiesburg, MS, 2009-2010; Host, "Sessions" (Pilot) Television Show, Mississippi Public Broadcasting, 2009.

LANGUAGES: English: native fluency French: proficient

TRANSLATION: French to English translation of collection of holocaust survivor poetry for the Fédération Nationale Des Deportés, Internés, Résistants et Patriotes exhibition, “Let Us Remember,” Pontlevoy, France, 2003-2004; French to English translation of “Causes and Consequences of the Rwandan Genocide,” by Charles Ntampaka. Commissioned by the Department of African Studies, Emory University, March 2002; “Une Soirée avec Eddie Tigner.” Live English to French translation of radio interview with jazz pianist. Commissioned by Marie-Hélène Fraissé, broadcast by Radio France Culture, Paris, May 1996;

REFERENCES: (Linden, p. 9) Academia Chris Campbell, Associate Director and Professor, School of Mass Communication & Journalism, University of Southern Mississippi, Hattiesburg, MS 39401, 601-266-4258, [email protected]; Holly Hudson, Director, International Education, University of South Alabama, Mobile, AL 36688, 251-460-7053, [email protected]; Dalia Judovitz, Chair and Professor, French Literature, Department of French and Italian, Emory University, Atlanta, GA 30322, 404-727-6431, [email protected]; Michael Miles, Director (former), School of Music, University of Southern Mississippi, Hattiesburg, MS 39401, 601-266-5344, [email protected]; Susan Steen, Assistant Professor, US Air force Language and Culture Center, Montgomery, AL 36112, 334-953-7729; Music Business Jeff Bakos, Owner, Bakos Amp Works and Studios, Atlanta, GA 404-607-8426, [email protected]; Tim Duffy, President/Owner, Music Maker Relief Foundation, Durham, NC 27722, 919-643-2456, [email protected]; Carol Peters, President, Peters Management, Los Angeles, CA 90290, 310-455-2623, [email protected]; Richard Rosenblatt, President, Vizztone Record Group, Newton, MA 02459, 617- 250-0828, [email protected]; Michael Rothschild, Owner/CEO, Landslide Records, Fernandina Beach, FL 32035, 404-931-9049, [email protected].