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PAUL LINDEN 12428 Melrose Cir Butler University PAUL LINDEN 12428 Melrose Cir Butler University Fishers, IN 46038 College of Communication Ph: (205) 535-6493 4600 Sunset Avenue Fx: (317) 940-9014 Indianapolis, IN 46208 [email protected] Ph: (317) 940-8855 CURRICULUM VITAE EDUCATION: Ph.D., French Literature, Emory University, Atlanta, Georgia, 2003; M.S., Mass Communication, the University of Southern Mississippi. 2013. TEACHING EXPERIENCE: 2016-present Assistant Professor, Butler University College of Communication, Department of Creative Media & Entertainment, Survey of the Recording Industry, History of the Recording Industry, Audio 1, Media Law, Talent Management (Introductory, Intermediate and Upper Division); 2013-2016 Associate Professor, The University of Southern Mississippi School of Mass Communication & Journalism, Recording Industry Program, Concert Production, Music Copyright, Collegium, Entertainment Industry Seminar, Capstone Experience (Intermediate, Upper Division); 2007-2012, Assistant Professor, USM School of Music, Entertainment Industry Program, Music Publishing, Live Production Business, Record Company Operations, Talent Management, Music Copyright, Live Production Management (Intermediate, Upper Division); 2004-2007, Adjunct Professor, USM Center for International Education, Abbey Program, Literature (Intermediate, Introductory), French Language (Intermediate, Introductory); 2006, Adjunct Professor, Belhaven College Department of English and Foreign Languages, French Language, (Intermediate, Introductory); 2003-2004, Adjunct Professor, Northern Michigan University Department of Modern Languages and Literatures, French Language (Introductory); 2002, Adjunct Professor, USM Center for International Education, Literature (Advanced/Upper Division); 1993-1996, Lecturer, Emory University Emory University, Department of French and Italian, French Culture (Introductory), French Language (Intermediate, Introductory). ACADEMIC ADMINISTRATION: 2010-2016, Sequence Head & Internship Coordinator, Recording Industry Program, School of Mass Communication and Journalism, University of Southern MS; 2005-2006, Interim Director of Academic Affairs, Abbey Program, USM. PUBLICATIONS: (Linden, p.2) Peer Reviewed I. Book chapter “Race and Popular Music” in Routledge Companion to Race and Media, Ed. Chris Campbell, forthcoming; II. Music Business, articles “Entrepreneurship: Theory and Application in a University Arts Management Setting” in MEIEA Journal, vol. 14, no. 1, Winter/Spring 2015; “Malcolm Chisholm: An Evaluation of Traditional Audio Production” in MEIEA Journal, vol. 13, no. 1, Winter/Spring 2014; “Race, Hegemony and the Birth of Rock & Roll” in MEIEA Journal, vol. 12, no. 1, Winter/Spring 2012; “Coping with Narcissism: Causes, Effects and Solutions for the Artist Manager” in MEIEA Journal, vol. 10, no. 1, Winter/Spring 2011; III. Lyrical Analysis “Measuring Insistency: A Content Analysis of Tom Waits’ Lyrics,” under review; “Alain De Roucy et la voix anonyme de la Canso de la crozada”, French Forum, vol. 32, no. 1-2, Winter 2007, 2008, pp. 1-18; IV. Pedagogy Co-Author of “A Comparison Study of Student Retention of Foreign Language Video: Declarative versus Interrogative Advanced Organizer” in The Modern Language Journal, vol. 82, no. 2, Summer, 1998; Research Cited, Contributed The Letters of Samuel Beckett, vol. 4: 1966-1989, Ed. Lois Overbeck, Cambridge University Press, 2016; The Letters of Samuel Beckett, vol. 3: 1957-1965, Ed. Lois Overbeck, Cambridge University Press, 2014; Tom Wheeler, The Fender Archives: A Scrapbook of Artifacts, Treasures and Inside Information, Hal Leonard, 2014; The Letters of Samuel Beckett, vol. 2: 1941-1956, Ed. Lois Overbeck, Cambridge University Press, 2011; Greg Gagliano, “Fender Amps by the Number,” Vintage Guitar Magazine, vol. 24, no. 6, April 2010; Eric Bransome, "Music Career Opportunities and Career Compatibility: Interviews with University Music Faculty Members and Professional Musicians", Ph.D. Dissertation, University of North Texas, 2010; The Letters of Samuel Beckett, vol. 1: 1929-1940, Ed. Lois Overbeck, Cambridge University Press, 2009; Tom Wheeler, The Soul of Tone: 60 Years of Fender Amps, Ch. 13, "Family Ties & Transitions", Hal Leonard, 2007; Music Industry Articles I. Blues Music “Singing the Blues for One of Our Own: A Tribute to Sean Costello, Part 1” in Atlanta Retro (online), August 2011; "Les écoles du Blues" articles series, Blues & Co. (French), 2009 - "Zydeco," no. 47, April; 2008 - "Piedmont," no. 46, December; "West Coast," no. 45, September; "Texas," no. 44, June; "Chicago," no. 43, March; 2007 - "Delta," no. 42, December; (Linden, p. 3) II. Interviews, Blues & Co., Rod Piazza, no. 49, October 2009; Mark Hummel, no. 46, January 2009; Bill Lupkin (translation), no. 43, March 2008; Billy Flynn, no. 35, March 2006; Felix Reyes, no. 32, July 2005; Breeze Kings, no. 30, December 2004; III. Audio production articles Liner notes, Sean Costello: In the Magic Shop, Vizztone Records, 2014; "The Risson Marvel" in Tone Quest Report, vol. 11, no. 7, May 2010; "Tube Amplifier Setup for Harmonica versus Guitar" in Tone Quest Report, vol. 9, no. 2, December 2007; "Dans le studio avec Sean Costello" in Blues & Co., no. 35, March 2006; "Fender 1960 Low-Powered Brown Twin-Amp, Myth or Reality?" in Tone Quest Report, vol. 6, no. 6, April 2005; "Fender 5G8 Project Phase" in Tone Quest Report, vol. 6, no. 11, September 2005; Music Publishing I. Original Compositions Released by album (all songs BMI) Sean Costello, In the Magic Shop, Vizztone Records, 2014: “Feel Like I Ain’t Got A Home,” “Told Me a Lie,” “Make a Move”; Various Artists, South City Records: Unplugged, South City Records, 2013: “The Moonlight Reaper (The Morning Comes Alone)”; Sean Costello, Sean's Blues, Landslide Records, 2009: "The Plumber"; Sean Costello, We Can Get Together, Delta Groove, 2008: "Feel Like I Ain't Got A Home," "Told Me A Lie," "All This Time"; Sean Costello, Moanin' For Molasses, Landslide, 2001: "You're A Part Of Me," "The Plumber"; Sean Costello, Cuttin' In, Landslide Records, 2000: "Cold Cold Ground"; II. Non-original Compositions Released (by album) Vanilla Jane, Vanilla Jane, South City Records, 2010: All compositions, Subtown Songs, ASCAP; Natalie Kirk, Self Medication, South City Records, 2009: All compositions, Subtown Songs, ASCAP; Sean Costello, Sean Costello, Artemis Records, 2004: "No Half Steppin'," Nite Latch Music, BMI; "Hold On This Time," Nite Latch Music, BMI; "All I Can Do," Nite Latch Music, BMI; Sean Costello, Call the Cops, Blue Wave Records, 1996: "Take Me Back," Nite Latch Music, BMI; III. Recordings Released & Distributed, South City Records Various artists, South City Records: Unplugged, 2013; Dr. E & The Voodoo Kings, The Doctor is In, 2012; Mississippi Shakedown, Mississippi Shakedown, 2011; Vanilla Jane, Eponymous, 2011; Bad Eye Mike, Eponymous, 2010; The Boom Chicka Booms, Devil Woman and a Smoking Gun, 2010; Natalie Kirk, Self Medication, 2009; Omar Alvarado, Omar Alvarado, 2009; Jacky Jack White, Live, 2008; (Linden, p. 4) CONFERENCE PRESENTATIONS: “Old School Audio: An Entrepreneurial Approach to the Music Business.” Reverberations lecture series, Hattiesburg, University of Southern Mississippi, March 7, 2016; “Artist Management Strategies.” MEIEA European Summit, Missenden Abbey, Great Missenden, England, June 23-25, 2014; “Tour Management FAQ” Bear Creek Music Festival, Gulf Shores MS, May 3, 2014; “Coping with Narcissism: Causes, Consequences and Solutions for the Artist Manager.” Music and Entertainment Industry Educators Association (MEIEA) International Summit, Nashville, Doubletree Hotel, March 21-22, 2014; “Testimonial Reflections.” Presented at the memorial convocation “Souvenirs: Philippe Bonnefis,” Atlanta, Emory University, November 15, 2013; “Student Run Record Labels: A Comparative Assessment.” Presented at the Music and Entertainment Industry Educators Association (MEIEA) International Summit, New Orleans, Hotel Monteleone, March 22-23, 2013; “Development of the American Blues Traditions.” Presented at the 78th semi-annual Blues Station, Château du Bosc, Tournon d’Agenais, France, October 29 – November 5, 2012; “Race, Hegemony and the Birth of Rock & Roll.” MEIEA International Summit, Los Angeles, Sheraton Universal, March 30-31, 2012; "Using Technology to Teach Media." Cutting Edge Music Business Conference, New Orleans, New Orleans Hilton, August 20- 23, 2009; "Phalaris' Brazen Bull: The Crisis of Witnessing History in Agrippa d'Aubigné's Les Tragiques." First annual Berkeley-Stanford graduate student conference, "Thinking Through Memory," Berkeley, Berkeley University, April 4-7, 2002; "Stilus, Stilet and the Double-Edged Sword: Authorship as Violence in Early Modern Protestant Literature." Eleventh annual graduate student conference, New York, Columbia University, March 23, 2002; “Trauma Theory and its Possible Applications to the Tragiques.” Presented at the 1st annual French Department Colloquium for Prospective Students, Atlanta, Emory University, March 2, 2002. "Transgression in the Name of the Father: Agrippa d'Aubigné's Les Tragiques." Presented at the "Transgression in Text, Language and Culture" colloquium. Durham, Duke University, October 19, 2001. PROFESSIONAL DEVELOPMENT: Academics Financial Conflicts of Interest, Discrimination, Sexual Violence training, 2015; Associate Editor & Editorial Review Board member, MEIEA Journal, 2015; Faculty Leadership Institute, College of Arts and Letters, USM, 2014-15; Music & Entertainment Industry Educator’s Association, Board Member,
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