Uscschool of Dramatic Arts
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Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles
experienceL.A. THE SOUND OF MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles THE SOUND OF MUSIC The Sound of Music is a stage and film musical based on The Story of the Trapp Family Singers, the memoir of Maria von Trapp. The story takes place in Austria at the brink of World War II. Maria, a plucky nun turned governess, is charged with caring for the seven children of a military captain. Maria’s delightful teaching of music to the children leads to their becoming a celebrated touring act, the innocence of which is shattered as the realities of Nazi rule become inescapable. Notably, many details of the von Trapp family story were changed to increase the dramatic impact of the musical version. Inspired by a pair of German films about the von Trapps from the mid-1950s, the stage version of The Sound of Music premiered on Broadway in 1959. The production won multiple Tony Awards, and the show has been revived many times since, including a renowned 1998 Broadway revival. The 1965 film version starring Julie Andrews won five Academy Awards and is still beloved today by viewers around the world. Written by Rodgers and Hammerstein, the songs of The Sound of Music—including “My Favorite Things,” “Do, Re, Mi,” “Edelweiss,” and the title song—have been celebrated for more than half a century. RODGERS AND HAMMERSTEIN Composer Richard Rodgers and librettist Oscar Hammerstein were one of the most prolific, successful songwriting teams in the history of musical theatre. The pair’s first collaboration, Oklahoma! (1943), marked the start of a new theatrical genre: the musical play, which combined elements of musical comedy, operetta, and drama. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
PERFORMING ARTS VENUES NEXT WEEK the Commercial Real Estate LIST Ranked by Seating Capacity Brokerage Firms
AUGUST 30, 2021 LOS ANGELES BUSINESS JOURNAL 13 PERFORMING ARTS VENUES NEXT WEEK THE Commercial Real Estate LIST Ranked by seating capacity Brokerage Firms Rank Venue Seating Event Types Year Owner Top Executive • name Capacity Opened • name • address • title • website • phone SoFi Stadium 70,000 football games, WWE, concerts 2020 Stan Kroenke Jason Gannon 1 1001 S. Stadium Drive Managing Director Inglewood 90301 NA sofistadium.com Banc of California Stadium 22,000 soccer games, concerts 2018 Los Angeles FC Michael Alperstein 2 3939 S. Figueroa St. General Manager Los Angeles 90037 (213) 519-9900 bancofcaliforniastadium.com Staples Center 20,000 basketball, hockey, concerts, award shows, boxing, WWE, family 1999 Anschutz Entertainment Lee Zeidman 3 1111 S. Figueroa St. shows, special events Group Inc. President Los Angeles 90015 (213) 742-7340 staplescenter.com Hollywood Bowl 18,000 jazz, rock and pop concerts; summer home of the Los Angeles 1922 Los Angeles County Chad Smith 4 2301 N. Highland Ave. Philharmonic CEO Los Angeles 90068 (323) 850-2000 hollywoodbowl.com Forum 17,500 concerts, film shoots, family shows 1968 CAPSS (Steve Ballmer) NA 5 3900 W. Manchester Blvd. (310) 330-7300 Inglewood 90305 fabulousforum.com Pauley Pavilion 13,800 sports, concerts, culture shows, film shoots 1965/ UCLA Erinn McMahan 6 555 Westwood Plaza renovation Director Los Angeles 90095 complete (310) 825-4546 uclabruins.com 2012 Long Beach Arena 13,500 concerts, family shows, conventions, meetings 1962 City of Long Beach Charlie Beirne 7 300 E. Ocean Blvd. General Manager Long Beach 90802 (562) 499-7575 longbeachcc.com Galen Center 10,258 sports, concerts, commencement ceremonies, community events, 2006 USC Paul Neidermire 8 3400 S. -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers. -
Venues & Spaces the Music Center
WALT DISNEY CONCERT HALL The Music Center Venues & Spaces Completed in 2003, Walt Disney Concert Hall is an 135 N. Grand Avenue The Music Center provides a state-of-the-art architectural masterpiece designed by Frank Gehry. Los Angeles, CA 90012 experience—from the design of its buildings, The Concert Hall is home to the LA Phil and the musiccenter.org Los Angeles Master Chorale and is one of the most to the programming and amenities it offers (213) 972-7211 acoustically sophisticated venues in the world, providing to more than two million people each year both visual and aural intimacy for a singular musical across its 12-acre campus. experience. THE MUSIC CENTER PLAZA DOROTHY CHANDLER PAVILION The Music Center Plaza is a beautiful 35,000 square- Opened in 1964, the Dorothy Chandler Pavilion, the first TE MP foot outdoor urban oasis and destination for arts and L E ST and largest of The Music Center’s theatres, has been the REET community programming such as The Music Center’s site of unparalleled performances by stunning music and highly popular Dance DTLA, along with festivals, dance luminaries and virtuosos. With one of the largest concerts and other special events. The “plaza for all” Cocina Roja stages in the U.S., the Pavilion was the site for more than welcomes all and brings to life the strength and diversity 20 Academy Awards presentations from 1969–1999. It is of Los Angeles County with a range of dining options, now the home of LA Opera and Glorya Kaufman Presents refreshing gardens, an iconic fountain and views of Dance at The Music Center. -
A View from the Bridge
41st Season • 400th Production SEGERSTROM STAGE / MAY 17 - JUNE 26, 2005 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents A VIEW FROM THE BRIDGE BY Arthur Miller SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN COMPOSER/SOUND DESIGN Ralph Funicello Angela Balogh Calin Chris Parry Karl Fredrik Lundeberg FIGHT CHOREOGRAPHER ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER Ken Merckx Sharyn Case Jeff Gifford *Jamie A. Tucker DIRECTED BY Martin Benson HONORARY PRODUCERS CORPORATE PRODUCER Barbara and William Roberts American Airlines Presented by special arrangement with Samuel French, Inc. A View from the Bridge • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Alfieri ....................................................................................... Hal Landon Jr.* Eddie ........................................................................................ Richard Doyle* Louis .............................................................................................. Sal Viscuso* Mike ............................................................................................ Mark Brown* Catherine .................................................................................... Daisy Eagan* Beatrice ................................................................................ Elizabeth Ruscio* Marco .................................................................................... Anthony Cistaro* Rodolpho .......................................................................... -
By Charles Dickens Er to Nailing It
SC MAINSTAGE • NOVEMBER 24 THROUGH DECEMBER 24, 2001 So u h o t eper o David Emmes Martin Benson Producing Artistic Director Artistic Director presents CHARLES DICKENS’ adapted by JERRY PATCH Scenic Design Costume Design Lighting Design CLIFF FAULKNER DWIGHT RICHARD ODLE DONNA AND TOM RUZIKA Sound Design Music Director Choreographer GARTH HEMPHILL DENNIS CASTELLANO LINDA KOSTALIK Assistant Director Production Manager Stage Manager SHEILA HILLINGER JEFF GIFFORD *SCOTT HARRISON Directed by JOHN-DAVID KELLER PAUL, DARANNE AND COURTNEY FOLINO and BANK OF AMERICA, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY SCR -1 CAST OF CHARACTERS (in order of appearance) LENA, a vendor of second-hand goods .................................................................................. *Julia Coffey JOE, a cider salesman and a receiver of stolen goods .......................................................... *Art Koustik TOY LADY .......................................................................................................................... *Hisa Takakuwa PUPPETEER .................................................................................................................... Jonathan Mariott UNDERTAKER ............................................................................................................. *Jonathan Del Arco CHIMNEY SWEEP ....................................................................................................... *Timothy Landfield ELIZABETH SHELLY .................................................................................................... -
Uscschool of Dramatic Arts
Theatre in Los Angeles – THTR 295 –663012R – SPRING 2019 USCSchool of Mondays —2:00 PM and show times at various theatres LoCation: GFS 108 and Theatre Locations. Dramatic Arts Instructor: ProFessor Frank Catalano OfFiCe: School of Dramatic Arts OfFiCe Hours: (By Appointment or before/after class) Contact InFo: [email protected] or [email protected] Course DescriPtion and Overview Introduction to the basic components of Theatre Arts from the audience perspective including basic concepts of performance, production, staging, design and criticism as it exists in the Los Angeles Theatre community. Learning ObjeCtives (no prerequisite for this course) Enable the student to better understand live theatrical performance by exploration of Unique qualities of live performance Role of audience and Critic Role of the Actor, Director and Producer Role of the Playwright, Designers and Staging Role of Music in Theatre Arts Audience Interaction with live Theatre Required materials: Course Pack - Theatre In Los Angeles - AVAILABLE AT https://store.Cognella.Com Grading Criteria and Assessment oF Assignments: 50% Exams, Projects and Production Review: One general vocabulary test and ONE Final Exam/ projeCt. Both based upon class lectures, discussions and productions attended. ONE PRODUCTION REVIEW on an assigned aspect or topic focusing on those productions attended during the semester. YOU MUST FOLLOW APPROPRIATE ASSIGNMENT FORMAT This is not a shared assignment and must be done individually - one student - one ticket per review. 50% LECTURE / PRODUCTION PARTICIPATION - LECTURE ATTENDANCE AND COMPLETION OF ASSIGNED ACTIVITY SHEETS Active participation in class discussions. This portion of your grade will be dropped ONE LETTER GRADE FOR EVERY LECTURE CLASS MISSED. -
A Century of Supporting Creative Expression in L.A
Center Theatre Group I Corporate Circle A Century of Supporting Creative Expression in L.A. Mitchell Silberberg &, Knupp's Tony Amendola Loves Great Musicals—and Is Committed to the Arts Tony Amendola Ton y Amendola is a partner at Mitchell Silberberg & Knupp What playwright would you trust to write your life story? I LLP, a member of Center Theatre Group's Corporate Who would you cast as yourself? Circle. He represents private sector and nonprofit Moises Kaufman. I love his writing. (Perhaps he would team employers in all areas of labor and employment law. up with Sondheim and make it a musical!) As for the actor, He is also an advisor to Center Theatre Group's Human it's a toss-up between Bradley Cooper and Nathan Lane. Resources department. What is the most important quality in a Why does Mitchell Silberberg & Knupp LLP support charitable organization? theatre in Los Angeles? Unwavering commitment to its mission. For more than a century, Mitchell Silberberg & Knupp has been an integral part of the arts and entertainment Which theatrical skill would you most like to have? community in Los Angeles. As attorneys, we are committed The ability to sing. to supporting creative expression in all forms. A significant portion of our firm's client base has always been comprised What play feels most relevant to your life? of arts organizations, motion picture studios, television networks, independent producers, actors, writers, and Tony Kushner's Angels in America. directors. We are thrilled to continue our support of Which playwright would make the best lunch date? Center Theatre Group and its invaluable artistic, cultural, and educational contributions to Los Angeles. -
Summer Travel Guide
Travel Guide for the LACDC Summer Intensive and LACCL Please note that following housing and transportation options are merely suggestions and are not affiliated with LACDC. The housing options below provide a sampling of what the area has to offer. All coordination and responsibility is in the hands of the Summer Intensive participant. Venue: Stomping Ground L.A., 5453 Alhambra Ave, Los Angeles, CA 90032 The venue is in close proximity to these neighborhoods: Alhambra, Baird Park, City Terrace, Downtown LA, Echo Park, El Sereno, Happy Valley, Montecito Heights, Monterey Park, Newton Park, Sierra Vista, Silver Lake, South Pasadena, and University Hills Transportation: LA Metro You can map out your trip here: http://www.metro.net/riding/ The simplest way to pay your fare is with cash every time you board a bus or train. You can also purchase a Metro day pass with the TAP card. For more information, go to: http://www.metro.net/riding/fares/ Rideshare Uber.com OR Lyft.com Housing: ● Zaranga.com ● Podshare.co ● Craigslist.com ● Airbnb.com ● Expedia.com ● Roomorama.com ● Hotels.com Hotels near Stomping Ground L.A. ● Days Inn by Wyndham Alhambra ● Ambassador Inn Alhambra ● Green Tree Inn and Suites Alhambra ● The Alhambra Hotel ● Hilton Los Angeles/San Gabriel ● Comfort Inn Monterey Park ● Sheraton Los Angeles/San Gabriel L.A. Attractions: ● LA Live: sports and entertainment complex that features popular dining venues, Regal Cinemas movie theatre, Lucky Strike Bowling Lanes, the interactive Grammy Museum, ESPN Zone, the Conga Room and the Nokia Theater. Located next to Staples Center ● Staples Center: Hosts LA sports teams, as well as concerts. -
The Music Center Brings a Fusion of Hip-Hop Dance Experiences to Downtown L.A
Contact: Bonnie Goodman For The Music Center [email protected] 213-308-9539 FOR IMMEDIATE RELEASE The Music Center Brings a Fusion of Hip-Hop Dance Experiences to Downtown L.A. Over Four Days in June -- Glorya Kaufman Presents Dance at The Music Center’s Engagement of Compagnie Käfig Complemented by Live Performances, International Dance Competitions, Demonstrations and the Return to L.A. of Beat Swap Meet -- The Music Center’s Walt Disney Concert Hall to Stay Open Overnight for Hip-Hop Special Edition of Sleepless: The Music Center After Hours Events Run from June 16-19, 2016 at The Music Center and at Grand Park LOS ANGELES (May 5, 2016) – The Music Center will break new ground as it surrounds its upcoming dance engagement of Compagnie Käfig presented by Glorya Kaufman Presents Dance at The Music Center with four days of Hip-Hop dance experiences (#hiphop4days) from June 16-19, 2016, on The Music Center campus and in Grand Park. Working closely with a number of highly respected members of the Hip-Hop community, including academics, artists, dancers and curators among others, the performing arts center will examine the culture, artistry and evolution of Hip-Hop dance through live performances, international dance competitions, discussions, demonstrations, late-night dance parties and more. The public can choose from ticketed and free events. The four days of events include a free panel discussion called “Ain’t No Half Steppin’: Dance from Soul Train to B-Boys” on June 16, 2016 from 6:00 p.m. – 8:00 p.m. at Grand Park; three ticked performances of Compagnie Käfig on June 17 and 18, 2016 at 7:30 p.m.