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The Christmas Song (arr. W. Gordon) “The Christmas Song” (commonly subtitled “Chestnuts Roasting on an Open Fire” or, as it was originally subtitled, “Merry Christmas to You”) is a classic Christmas song written in 1944 by musician, composer, and vocalist Mel Tormé (nicknamed in the music industry as “The Velvet Fog”) and Bob Wells. According to Tormé, the song was written during a blistering hot summer. In an effort to “stay cool by thinking cool,” the most-performed (according to BMI) Christmas song was born. “I saw a spiral pad on Bob’s piano with four lines written in pencil,” Tormé recalled. “They started, ‘Chestnuts roasting ..., Jack Frost nipping ..., Yuletide carols ..., Folks Ventura dressed up like Eskimos.’ Bob didn’t think he was writing a song lyric. He said he thought if he could immerse himself in thoughts of winter he could cool off. Forty minutes later, that song was written. I wrote all the music and added some of the lyrics.” Silver Bells (arr. W. Gordon) British Brass A classic Christmas song, composed by Jay Livingston and Ray Evans. The lyrics are unusual for a Christmas song in that they describe a city rather than a rural setting. Silver Bells was first performed by Bob Hope and Marilyn Maxwell in the motion picture The Lemon Drop Kid, filmed in 1950. The first recorded version was by Bing Crosby and Carol Richards, released by Decca Records in October 1950. Silver Bells started out as the questionable “Tinkle Bells.” Said Ray Evans, “We never realized that tinkle had a double meaning until Jay went home and his wife said, ‘Are you out of your mind? Do you know what the word tinkle is?’” The song was inspired by the imagery of Salvation Army bell ringers standing outside department stores during AN AFTERNOON OF HOLIDAY MUSIC the Christmas season. An American Trilogy (arr. Goff Richards) Leisure Village, Camarillo In honor of upcoming Pearl Harbor Day, December 7th, we are closing the concert with this Goff Richards arrangement, a British composer’s take on three traditional American patriotic songs, Dixie, Hush Little Baby Don’t You Cry and Battle Hymn of the Republic, with a particularly stirring finish. December 4, 2011 A British Brass Band is a unique ensemble with very specific instrumentation. The rich, dark, and mellow tone quality stems from the fact that all the instruments, except the trombones, are conically bored in design (smaller bore at the mouthpiece, gradually increasing to the horn’s bell), permitting the brass band to produce a most Gary Engels Musical Director Anne Howorth 1st Tenor Horn distinct and unique sound. Originating in Britain in the 1840’s, they have become Randy Jones Soprano Cornet Kay Swenson 2nd Tenor Horn very popular throughout Europe and the rest of the world. For many years the bands were kept alive in the United States largely by the Salvation Army’s influence. Craig Spurrier Principal Cornet John Robinson Solo Euphonium Unlike most popular brass ensembles in the United States, our British style brass Mike Hunter Solo Cornet Ariel Solis 2nd Euphonium band has a fixed, standard instrumentation using cornets, not trumpets, and tenor Hal Kyle Solo Cornet Roger Johnson 1st Baritone horns, not French horns. Cornets are pitched the same as trumpets, but have the Tom Kiddie Solo/2nd Cornet Rick Perl 2nd Baritone different shaped conical bore, and the tubing is wrapped tighter, making it appear Julie Judd Solo /3rd Cornet Michael Vaughn Solo Trombone smaller than a standard trumpet. The different bore gives the cornet a more open, Jim Walker Repiano Cornet Cathy Sanders 2nd Trombone mellow and richer sound. Tenor horns are like a smaller euphonium or baritone, and Jeff Cohen 2nd Cornet Ed Hufschmidt Bass Trombone sound like a high baritone rather than the dark noble sound of the French horn. Dave Bovey 3rd Cornet Francisco Aguilar Eb Bass Our music repertoire is unusually flexible, with varied concert programs, which can consist of anything from original works, orchestral transcriptions and featured Dave Keeler Flugel Horn Rick Austinson Bb Bass soloists to novelty items, marches, Broadway tunes, medleys and hymn tune Linda Rhymes Solo Tenor Horn Faith Newell Percussion arrangements. We rehearse every Tuesday evening at Trinity Presbyterian Church in Camarillo, with the exception of the 1st Tuesday of every other month (7PM) where you can find us performing a free concert at the Channel Islands Yacht Club (4100 Harbor Blvd.) in www.VenturaBritishBrass.com Oxnard. Visit our website at www.venturabritishbrass.com (805) 512-9090 Christmas Fanfare (arranged by William Gordon) Winter Wonderland (arr. Steve Sykes) This festive fanfare is built around the tune “We Wish You a Merry Christmas”, a This song was originally intended simply as a celebration of the winter season, but is popular secular sixteenth-century English carol from the West Country of England. now popularly treated as a Christmastime pop standard. Composed in 1934 by Felix The origin of this Christmas carol lies in the English tradition where wealthy people Bernard (music) and Richard B. Smith (lyricist). Through the decades it has been of the community gave Christmas treats to the carolers on Christmas Eve such as recorded by over 150 different artists. Dick Smith, a native of Honesdale, “figgy puddings” that were very much like modern day Christmas puddings. It is Pennsylvania, was reportedly inspired to write the song after seeing Honesdale’s one of the few traditional holiday carols that also makes mention of the New Year Central Park covered in snow. Mr. Smith had written the lyrics while in the West celebration. Mountain Sanitarium, being treated for tuberculosis, better known back then as consumption. O Little Town of Bethlehem (arr. W. Gordon) The text of this popular Christmas carol was written by Phillips Brooks (1835–1893), Let It Snow (arr. W. Gordon) an Episcopal priest, Rector of the Church of the Holy Trinity, Philadelphia. He was Music composed by Jule Stein, with lyrics by Sammy Cahn. The song was written in inspired by visiting the Palestinian city of Bethlehem in 1865. Three years later, he July 1945 in Hollywood, California during one of the hottest days on record. First wrote the poem for his church and his organist, Lewis Redner, added the music. recorded by Vaughn Monroe, it became a popular hit, reaching number one on the Billboard music chart the following year. One of the best-selling songs of all time, Rondo (arr. Denis Wright) Soloist: John Robinson “Let It Snow!” has been covered countless times by many artists. Due to its This is the third and final movement of Mozart’s Horn Concerto No. 4 in E-flat major, seasonal lyrics, it is commonly regarded as a Christmas song. However, despite the and features our principal Euphonium player, John Robinson. This final movement is song's cheery, holiday feel, it is actually a love song that never mentions Christmas. an example of the classical hunt topic, with repeated intervals of musical notes featuring prominent tonic and dominant triads in the main melody, evoking the O Holy Night (arr. K. Wilkinson) Soloist: Ariel Solis sound of classic open-air hunting horn calls. “O Holy Night” (“Cantique de Noël”) is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem “Minuit, chrétiens” (Midnight, Christians) White Christmas (arr. Philip Sparke) by Placide Cappeau, a wine merchant and poet, who had been asked by a parish “White Christmas” is an Irving Berlin song reminiscing about an old-fashioned priest to write a Christmas poem. Unitarian minister John Sullivan Dwight, editor of Christmas setting. According to the Guinness Book of World Records, the version Dwight’s Journal of Music, created a singing edition based on Cappeau’s French text sung by Bing Crosby is the best-selling single of all time, with estimated sales in in 1855. In both the French original and in the two familiar English versions of the excess of 50 million copies worldwide. Accounts vary as to when and where Berlin carol, the text reflects on the birth of Jesus and of mankind’s redemption. wrote the song. One story is that he wrote it in 1940, poolside at the Biltmore hotel in Phoenix, Arizona. He often stayed up all night writing - he told his secretary, Bugler’s Holiday (Leroy Anderson) "Grab your pen and take down this song. I just wrote the best song I’ve ever The bright and cheerful Buglers’ Holiday is one of the best-known favorites by an written - heck, I just wrote the best song that anybody’s ever written!" American master of semi-classical music (what the British call light music). Leroy Anderson (1908 - 1975) was born in Cambridge, Massachusetts. In 1931, he began Sleigh Ride (Leroy Anderson) a four-year position as Director of the Harvard Band and, in 1936, his Harvard “Sleigh Ride” is a popular light orchestral piece composed by Leroy Anderson. The Fantasy (a medley of Harvard College songs) was accepted by the Boston Pops. In composer had the original idea for the piece during a heat wave in July 1946; he 1945, the Pops’ lead trumpet player, Roger Voisin, asked him for a solo work; the finished the work in February 1948. The lyrics, about a person who would like to result was Trumpeter’s Lullaby, which became a hit. In 1954, Leroy again turned to ride in a sleigh on a winter's day with another person, were written by Mitchell the trumpet, this time writing Bugler’s Holiday as a solo piece for all three members Parish in 1950. The orchestral version was first recorded in 1949 by Arthur Fiedler of the Pops’ trumpet section.

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