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Hogfather: a Novel of Discworld by Terry Pratchett
Hogfather: A Novel of Discworld by Terry Pratchett Ebook Hogfather: A Novel of Discworld currently available for review only, if you need complete ebook Hogfather: A Novel of Discworld please fill out registration form to access in our databases Download book here >> Series: Discworld (Book 20) Mass Market Paperback: 416 pages Publisher: Harper; Reissue edition (January 28, 2014) Language: English ISBN-10: 006227628X ISBN-13: 978-0062276285 Product Dimensions:4.2 x 0.9 x 7.5 inches ISBN10 ISBN13 Download here >> Description: Who would want to harm Discworlds most beloved icon? Very few things are held sacred in this twisted, corrupt, heartless—and oddly familiar— universe, but the Hogfather is one of them. Yet here it is, Hogswatchnight, that most joyous and acquisitive of times, and the jolly, old, red-suited gift-giver has vanished without a trace. And theres something shady going on involving an uncommonly psychotic member of the Assassins Guild and certain representatives of Ankh-Morporks rather extensive criminal element. Suddenly Discworlds entire myth system is unraveling at an alarming rate. Drastic measures must be taken, which is why Death himself is taking up the reins of the fat mans vacated sleigh . which, in turn, has Deaths level-headed granddaughter, Susan, racing to unravel the nasty, humbuggian mess before the holiday season goes straight to hell and takes everyone along with it. Terry Pratchett was brilliant and the master of a fantasy sub-genre that probably belongs to him alone. Mort is a novel set in Discworld. The Discworld novels fall into different categories: Tiffany Aching, Rincewind, the three witches, Sam Vines and the guards, and Death. -
Terry Pratchett's Discworld.” Mythlore: a Journal of J.R.R
Háskóli Íslands School of Humanities Department of English Terry Pratchett’s Discworld The Evolution of Witches and the Use of Stereotypes and Parody in Wyrd Sisters and Witches Abroad B.A. Essay Claudia Schultz Kt.: 310395-3829 Supervisor: Valgerður Guðrún Bjarkadóttir May 2020 Abstract This thesis explores Terry Pratchett’s use of parody and stereotypes in his witches’ series of the Discworld novels. It elaborates on common clichés in literature regarding the figure of the witch. Furthermore, the recent shift in the stereotypical portrayal from a maleficent being to an independent, feminist woman is addressed. Thereby Pratchett’s witches are characterized as well as compared to the Triple Goddess, meaning Maiden, Mother and Crone. Additionally, it is examined in which way Pratchett adheres to stereotypes such as for instance of the Crone as well as the reasons for this adherence. The second part of this paper explores Pratchett’s utilization of different works to create both Wyrd Sisters and Witches Abroad. One of the assessed parodies are the fairy tales of the Brothers Grimm as well as the effect of this parody. In Wyrd Sisters the presence of Grimm’s fairy tales is linked predominantly to Pratchett’s portrayal of his wicked witches. Whereas the parody of “Cinderella” and the fairy tale’s trope is central to Witches Abroad. Additionally, to the Brothers Grimm’s fairy tales, Pratchett’s parody of Shakespeare’s plays is central to the paper. The focus is hereby on the tragedies of Hamlet and Macbeth, which are imitated by the witches’ novels. While Witches Abroad can solely be linked to Shakespeare due to the main protagonists, Wyrd Sisters incorporates both of the aforementioned Shakespeare plays. -
The Virtue of the Stereotypical Antagonist in Terry Pratchett's
BY THE STRENGTH OF THEIR ENEMIES: THE VIRTUE OF THE STEREOTYPICAL ANTAGONIST IN TERRY PRATCHETT’S ‘WITCHES’ NOVELS BY CATHERINE M. D. JOULE A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2021) 1 2 Abstract The comic fantasy Discworld novels of Terry Pratchett (1948-2015) are marked by their clear and insightful approaches to complex ethical issues. This has been noted in academic approaches from the beginning, with Farah Mendlesohn’s chapter “Faith and Ethics” appearing in the early collection Terry Pratchett: Guilty of Literature (2000) and many others since touching on the issues Pratchett raises. However, this thesis’s investigation into the use of stereotypes in characterisation and development of the antagonist figures within the Discworld novels breaks new ground in mapping the course of Pratchett’s approaches across six Discworld novels. This argument will focus on the ‘Witches’ sequence of novels: Equal Rites (1987), Wyrd Sisters (1988), Witches Abroad (1991), Lords and Ladies (1992), Maskerade (1995), and Carpe Jugulum (1998). Unlike other sequences in the Discworld series, these novels have a strong metatextual focus on the structural components of narrative. In this context, stereotypes facilitate both the humour and the moral arguments of these novels. Signifiers of stereotypes invoke expectations which are as often thwarted as they are fulfilled and, while resulting in humour, this process also reflects on the place of the individual within the community, the nature of right and wrong, and how we as people control the narratives which define our lives and ourselves. -
Tiffany Aching, Hermione Granger, and Gendered Magic in Discworld and Potterworld
Volume 27 Number 3 Article 16 4-15-2009 The Education of a Witch: Tiffany Aching, Hermione Granger, and Gendered Magic in Discworld and Potterworld Janet Brennan Croft University of Oklahoma Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Croft, Janet Brennan (2009) "The Education of a Witch: Tiffany Aching, Hermione Granger, and Gendered Magic in Discworld and Potterworld," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 27 : No. 3 , Article 16. Available at: https://dc.swosu.edu/mythlore/vol27/iss3/16 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Explores the depiction of gender in education, and how gender issues in education relate to power and agency, in two current young adult fantasy series featuring feisty heroines determined to learn all that they can: Hermione Granger in J.K. -
Volosin Margarita Transfer, Hypertextuality and Allusion in Terry Pratchett's Wyrd Sisters Abstract This Thesis Explores the B
Volosin Margarita Transfer, Hypertextuality and Allusion in Terry Pratchett’s Wyrd Sisters Abstract This thesis explores the book Wyrd Sisters by Terry Pratchett, published in 1980, denoting it as a palimpsest, the product of transfer, generated by means of allusion- based humor. Pratchett’s work has been analyzed in this thesis so as to comprehend the nature of the connection between Pratchett’s text and the texts used as its foundation, especially that of Macbeth (1999 [1606]) by William Shakespeare, and to determine the various processes through which this connection is achieved. Transfer studies and other relevant theories constitute the theoretic premises of this paper. Even-Zohar )0991( developed transfer theory based on the work of Jakobson (1959). Jakobson proposed three types of translation: intralingual, interlingual and intersemiotic (Jakobson, 1959, p. 233). Even-Zohar perceived all three as part of an arch-category he named "transfer", as well as another type of translation added by Even-Zohar: translation of models without the mediation of concrete texts. Even- Zohar found resemblance and drew a parallel between all four types of translation. He postulated that both interlingual and intralingual translations should be part of transfer studies. Petrilli (2003) built her own work on Jakobson’s findings, independently of Even-Zohar. In her research, Petrilli suggested a sub-division of endolingual (intralingual) translation: translation from oral verbal signs to written verbal signs, translation to another register, and translation between high and low languages. Weissbrod (2007, in Hebrew) chose to follow in the footsteps of Even-Zohar and engage in transfer studies. Weissbrod elaborated on Even-Zohar’s definition of transfer as arch-category and added in-depth empirical analyses of case studies. -
The Discworld Novels of Terry Pratchett by Stacie L. Hanes
Aspects ofHumanity: The Discworld Novels ofTerry Pratchett by Stacie L. Hanes Submitted in Partial Fulfillment ofthe Requirements for the Degree of Master ofArts in the English Program YOUNGSTOWN STATE UNIVERSITY May, 2004 Aspects ofHumanity: The Discworld Novels ofTerry Pratchett Stacie L. Hanes I hereby release this thesis to the public. I understand this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies ofthis thesis as needed for scholarly research. Signature: StacieaLL. Hanes, Student Approvals: Date ~ ~ /I /? ,1 ..,-...ff&?7/P;? ?~ ~C~4.~>r ,ClyYL47: Dr. Thomas Copelan ,Committee Member Date 111 Abstract Novelist Terry Pratchett is one ofEngland's most popular living writers; he is recognized, by virtue ofhis Discworld novels, as one ofthe leading satirists working today. Despite this high praise, however, Pratchett receives relatively little critical attention. His work is fantasy and is often marginalized by academics-just like the rest ofthe geme. Pratchett has a tremendous following in England and a smaller but completely devoted fan base in the United States, not to mention enough readers all over the world to justify translation ofhis work into nearly thirty languages; yet, his popularity has not necessarily resulted in the respect that his writing deserves. However, there is considerable support for Pratchett's place in the literary canon, based on his use ofsatire and parody to treat major issues. 1 Aspects of Humanity: The Discworld Novels of Terry Pratchett Introduction Novelist Terry Pratchett is one ofEngland's most popular living writers; he is recognized, by virtue ofhis Discworld novels, as one ofthe leading satirists working today. -
WYRD SISTERS – Scene 1
WYRD SISTERS – Scene 1 SCENE 1 - THE BLASTED HEATH (The wind howls, lightning flashes and thunder crashes. A hit of dry ice would be quite nice - I know it s a swine to deal with, but it gives a good effect for the opening of the play. Around a smouldering cauldron huddle three hunched figures ) MAGRAT (laughs maniacally) When shall we three meet again? (pause) GRANNY (referring to a pocket diary) Well, I can do next Tuesday. NANNY (referring to a diary) I’m babysitting on Tuesday. For our Jason’s youngest. I can manage Friday. Hurry up with the tea, luv. I’m that parched. (Magrat sighs) GRANNY (patting her hand) You said it quite well. Just a bit more work on the screeching. Ain’t that right, Nanny Ogg? NANNY Very useful screeching I thought, Granny Weatherwax. And I can see that Goody Whemper, [NOTE – whenever Goody Whemper’s name is mentioned, the three witches put their right index finger, pointing upwards, against the front of their noses, and bob (in a form of curtsey) ] may-she-rest- in-peace, gave you a lot of help with the squint, Magrat. GRANNY It’s a good squint. MAGRAT (Unflattered) Thank you. (pause) I’m glad we decided to form this coven. NANNY Oven? GRANN Coven. Like in the old days. A meeting. (holding up a hand) Something comes. MAGRAT (earnestly) Can you tell by the pricking of your thumbs? GRANNY The pricking of my ears. (raises her eyebrows at Nanny Ogg) (to herself) Old Goody Whemper was an excellent witch in her own way, but far too fanciful. -
The Witches: a Discworld Game Rulebook
THE WITCHES ‘The Witches’ game draws on some of the characters and situations described in Terry Pratchett’s Discworld® books. In the game you take on the part of a young trainee witch such as Tiffany Aching or Petulia Gristle. You have been dispatched to Lancre to improve your craft, which seems to be a case of learning on the job. Being a witch means solving other peoples’ problems. One day you will be curing a sick pig or fixing a broken leg. On other occasions it will mean fighting back an invasion of elves or dealing with the Wintersmith. It very much depends which day of the week it is. In essence this is an adventure game. As a trainee witch you Players must be careful to not let too many crisis situations move around the board attempting to solve problems which build up, as if they do the game will end quickly, resulting in come in two types, easy ones and hard ones. At first you should everybody losing. stick to attempting to solve easy problems as doing so will ‘The Witches’ is a game for one to four players and should increase the number of cards you hold, making you stronger. take around ninety minutes. Please do not be daunted by the At some point you will be able to take on hard problems. All number of pages of rules in the game. The game itself is not problems are solved in the same way, you roll the dice and see too complicated, but there are a number of situations that may if you reach the required total. -
Jingo by Terry Pratchett
Jingo by Terry Pratchett World war breaks out in Discworld when the lost kingdom of Leshp emerges from the sea after being submerged for hundreds of years. This island is a prize of strategic importance, causing the amries of Ankh- Morpork and Al-Khali to both enter into battle for conquest of the recently surfaced rock. For Commander Vimes of Ankh-Morpork, this is easier said than done. Facing potential death, torture and defeat, a small band of sardines, warriors, fishermen and squid follow their commander to battle. Stephen Briggs’ vibrant and energetic adaptation of Pratchett’s novel brings the fantastical world of Discworld to the stage. Jingo premiered at the Union Theatre, Abingdon, in December 1997. Genre: fantasy adaptation Fee: £56 plus VAT, per performance Cast: m 14 f7 Scripts: ISBN 9780413774460, £8.99 Set: various fantasy locations Length: 2 acts Contact: [email protected] Extract Carrot We should attack now. Carrot Angua! Jabbar But it’s dark! Angua There’s a couple of hundred soldiers out there! Anyone got any water? And suitable clothes? Carrot It’s just as dark for the enemy, sir. I got these off…well, never mind, but they could Vimes But it’s pitch black! You wouldn’t know who have done with a visit to the laundry first. the hell you were fighting! Half the time you’d be shooting at your own side! Jabbar They will not dare to attack before dawn. A dawn we will attack. Carrot We wouldn’t. Because there’s only a few of Carrot Might I suggest an alternative. -
Masaryk University
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Translation of Names and Proper Names in Terry Pratchett’s works from Discworld Stanislav Chvíla Bachelor Thesis Brno 2017 Supervisor: Mgr. Martin Němec, Ph.D. Declaration Hereby I declare that I worked on this Bachelor thesis on my own, using only the sources listed in the bibliography. I agree with the deposition of my thesis in the library of the Faculty of Education at the Masaryk University where it will be available for further academic purposes. Prohlášení Tímto prohlašuji, že svou bakalářskou práci jsem vypracoval samostatně, s použitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. Souhlasím s tím, aby moje práce byla uložena na Masarykově Univerzitě v Brně v knihovně pedagogické fakulty k dalším studijním účelům Brno, 26th March, 2017 Stanislav Chvíla Anotace V této bakalářské práci je představen alternativní překlad vlastních jmen a názvů z anglického jazyka do českého v dílech Terryho Pratchetta ze světa Zeměplochy za použití tradičních překladatelských postupů. Bakalářská práce je rozdělena na 2 hlavní části. V první, úvodní části, je představen autor Zeměplochy Terry Pratchett, Jan Kantůrek – autor jediného českého překladu, a také samotný svět Zeměplochy. Následuje obeznámení se základními teoriemi překladu. Druhá, praktická část, je tvořena návrhem alternativního překladu jména postavy, který je následován stručným popisem této postavy, vysvětlením a zdůvodněním mého překladu. Klíčová slova: Terry Pratchett, překlad, překladatelské postupy, fantasy, vlastnosti, rysy, Knittlová, Newmark. -
The Horus Heresy Mitchel Scanlon DESCENT of ANGELS Loyalty and Honour
The Horus Heresy Mitchel Scanlon DESCENT OF ANGELS Loyalty and honour Special thanks to Graham McNeill. THE HORUS HERESY It is a time of legend. Mighty heroes battle for the right to rule the galaxy. The vast armies of the Emperor of Earth have conquered the galaxy in a Great Crusade - the myriad alien races have been smashed by the Emperor's elite warriors and wiped from the face of history. The dawn of a new age of supremacy for humanity beckons. Gleaming citadels of marble and gold celebrate the many victories of the Emperor. Triumphs are raised on a million worlds to record the epic deeds of his most powerful and deadly warriors. First and foremost amongst these are the primarchs, superheroic beings who have led the Emperor's armies of Space Marines in victory after victory. They are unstoppable and magnificent, the pinnacle of the Emperor's genetic experimentation. The Space Marines are the mightiest human warriors the galaxy has ever known, each capable of besting a hundred normal men or more in combat. Organised into vast armies of tens of thousands called Legions, the Space Marines and their primarch leaders conquer the galaxy in the name of the Emperor. Chief amongst the primarchs is Horus, called the Glorious, the Brightest Star, favourite of the Emperor, and like a son unto him. He is the Warmaster, the commander-in-chief of the Emperor's military might, subjugator of a thousand thousand worlds and conqueror of the galaxy. He is a warrior without peer, a diplomat supreme, and his ambtion knows no bounds. -
The Final Version Is in J. Held & J. South
Note: This version is the author’s draft copy; the final version is in J. Held & J. South (Eds.) Philosophy and Terry Pratchett. Palgrave MacMillan. (2014) The Care of the Reaper Man: Death, the Auditors, and the Importance of Individuality Erica L. Neely In Terry Pratchett’s Discworld novels, there is an ongoing battle between Death and a group of beings known as the Auditors. These beings strive to maintain order in the universe and dislike humanity and all its inherent messiness. Death, on the other hand, is rather fascinated by humans and sees value in the individuality humans exhibit. This causes tension between him and the Auditors, which comes to a head in three novels wherein the Auditors attempt to impose their view of order upon the Discworld: Reaper Man, Hogfather, and Thief of Time. In each of these novels Death thwarts the Auditors by acting in concert with humans. His motives for this stem from an odd allegiance to the importance of individuality and care. Humans have different desires and beliefs; they are not all the same. While this may distress the Auditors, it is fundamental to the nature of humans – we are individuals and must be treated as such. To ignore this and attempt to deal with humans purely collectively is to be unjust. This illustrates a more general tension between the individual and the collective. While humans are driven to form communities, we also wish to maintain our individuality; there is thus a question as to how to balance commitments to the group with commitments to the individual.