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Wodehouse and the Baroque*1
Connotations Vol. 20.2-3 (2010/2011) Worcestershirewards: Wodehouse and the Baroque*1 LAWRENCE DUGAN I should define as baroque that style which deli- berately exhausts (or tries to exhaust) all its pos- sibilities and which borders on its own parody. (Jorge Luis Borges, The Universal History of Infamy 11) Unfortunately, however, if there was one thing circumstances weren’t, it was different from what they were, and there was no suspicion of a song on the lips. The more I thought of what lay before me at these bally Towers, the bowed- downer did the heart become. (P. G. Wodehouse, The Code of the Woosters 31) A good way to understand the achievement of P. G. Wodehouse is to look closely at the style in which he wrote his Jeeves and Wooster novels, which began in the 1920s, and to realise how different it is from that used in the dozens of other books he wrote, some of them as much admired as the famous master-and-servant stories. Indeed, those other novels and stories, including the Psmith books of the 1910s and the later Blandings Castle series, are useful in showing just how distinct a style it is. It is a unique, vernacular, contorted, slangy idiom which I have labeled baroque because it is in such sharp con- trast to the almost bland classical sentences of the other Wodehouse books. The Merriam Webster’s Collegiate Dictionary describes the ba- roque style as “marked generally by use of complex forms, bold or- *For debates inspired by this article, please check the Connotations website at <http://www.connotations.de/debdugan02023.htm>. -
Psmith in Pseattle: the 18Th International TWS Convention It’S Going to Be Psensational!
The quarterly journal of The Wodehouse Society Volume 35 Number 4 Winter 2014 Psmith in Pseattle: The 18th International TWS Convention It’s going to be Psensational! he 18th biennial TWS convention is night charge for a third person, but Tless than a year away! That means there children under eighteen are free. are a lot of things for you to think about. Reservations must be made before While some of you avoid such strenuous October 8, 2015. We feel obligated activity, we will endeavor to give you the to point out that these are excellent information you need to make thinking as rates both for this particular hotel painless as possible. Perhaps, before going and Seattle hotels in general. The on, you should take a moment to pour a stiff special convention rate is available one. We’ll wait . for people arriving as early as First, clear the dates on your calendar: Monday, October 26, and staying Friday, October 30, through Sunday, through Wednesday, November 4. November 1, 2015. Of course, feel free to Third, peruse, fill out, and send come a few days early or stay a few days in the registration form (with the later. Anglers’ Rest (the hosting TWS chapter) does appropriate oof), which is conveniently provided with have a few activities planned on the preceding Thursday, this edition of Plum Lines. Of course, this will require November 29, for those who arrive early. There are more thought. Pour another stiff one. You will have to many things you will want to see and do in Seattle. -
By Jeeves a Diversionary Entertainment
P lum Lines The quarterly journal of The Wodehouse Society Vol. 17 N o 2 S u m m er 1996 I h i l l I f \ i\ ilSI | PAUL SARGFNT ,„ 1hc highly unlikely even, of the euneelton of ,o„igh,'« f t * . C»>eer, l,y Mr. Wooster, the following emergency entertainment m . performed in its stead. By Jeeves a diversionary entertainment A review by Tony Ring Wodehouse, with some excellent and vibrant songs, also eminently suitable for a life with rep, amateur and school The Special Notice above, copied from the theater program, companies. indicates just how fluffy this ‘Almost Entirely New Musical’ is. First, the theatre. It seats just over 400 in four banks of Many members have sent reviews and comments about this seats, between which the aisles are productively used for popular musical and I can’t begin to print them all. My apolo the introduction o f the deliberately home-made props, gies to all contributors not mentioned here.—OM such as Bertie Wooster’s car, crafted principally out of a sofa and cardboard boxes. Backstage staff are used to h e choice o f B y Jeeves to open the new Stephen bring some o f the props to life, such as the verges on the Joseph Theatre in Scarborough has given us the edge o f the road, replete with hedgehogs, and die com T opportunity to see what can be done by the combinationpany cow has evidently not been struck down with BSE. o f a great popular composer, a top playwright, some ideas The production is well suited to this size o f theatre: it and dialogue from the century’s greatest humorist, a would not sit easily in one of the more spectacular auditoria talented and competent cast, and a friendly new theatre in frequently used for Lloyd Webber productions. -
Something Fresh PDF Book
SOMETHING FRESH PDF, EPUB, EBOOK P. G. Wodehouse | 272 pages | 03 Mar 2005 | Everyman | 9781841591377 | English | London, United Kingdom Something Fresh PDF Book September 5, at AM. Wodehouse isn't as political as Wilde, he isn't quite as scathing in his criticism of society, and he isn't as bitingly funny, but that makes him no less entertaining. Tela editorial algo deslucida. Soft cover. I love Wodehouse but I suppose they do tend to run together a bit. This was Lord Emsworth's sister Lady Ann Warblington, who is mentioned in Something Fresh as subject to headaches and largely confined to her room, never to reappear in a Blandings novel again. It's very kind of you to keep offering me your dead mouse; but honestly, I have no use for it. Then we have Lord Emsworth, a gruff yet lovable but extremely forgetful man, who is liable to steal the silverware from a restaurant as most people would walk off with a cheap ballpoint pen. Details if other :. He thought highly of his mouse and it was beyond him to realize that I did not want it. Throw in all sorts of millionaires and mix-ups, maids and butlers, a loveable, old, potty Earl, and the beginning of the crime wave at Blandings, and you have the makings of either a rollicking musical comedy or a long series of delightful novels. There is even a Wooster lurking about. Tales of St. Of the Blandings Castle characters of note, the Efficient Baxter, secretary to Lord Emsworth more interested in gardening and furniture painting than in his numerous guests , is the one who pushes the story forward, acts as a self appointed crime investigator and is the victim of most of the jokes and pranks, a role that would later be taken by various village policemen. -
Chapter 18: P.G. Wodehouse 109 He Ever Had
18 P.G. Wodehouse Heresy can mean doing obstinately what you do best, and doing it in the most improbable places. Jeeves, for example, was conceived and born in New York. At least P.G. Wodehouse was living there when he À rst thought of him. That may sound like an odd place to do it, but the fact is not in doubt. After two discontented years in a London bank and a little journalism, Wodehouse settled in Greenwich Village (off and on) in 1909. He had first visited America in 1904, drawn by its boxing tradition, but he soon came to believe he could write for it; and it was there in the autumn of 1914 that he met and married a young English widow called Ethel, whose daughter he adopted. War was breaking out in Europe, but his poor eyesight made him unfit for active duty, so he wrote on. There was to be another world war in his lifetime, as unexpected to him as the first, and after than he settled again in America, dying in 1975 on Long Island in his nineties. So New York was as much home to him as anywhere, though you sometimes wonder if anywhere was. He casually inhabited the whole world. Born in Guildford in 1881, his first infant years had been in Hong Kong, where his father was a magistrate, and his middle years, after New York and Hollywood, were spent in France. Like many EnglishmenSAMPLE down the centuries he had the carefree talent of being mostly somewhere else and yet never losing sense of who he was. -
Summer 2004 Through the Covers.” Attempted to Get the Committee to Revoke Its Approval “Do You Know What Means? ‘Crack Them Through of the Topic
St. Mike’s, Wodehouse, and Me: The Great Thesis Handicap did my undergraduate work here at St. Michael’s College BY ELLIOTT MILSTEIN from 1971 to 1976. How an American Jew ended up at a Catholic Canadian University is another story. I must Editor’s note: Elliott Milstein was primary perpetrator of and opening say, however, that planning this convention on the speaker at The Wodehouse Society convention held in Toronto last site of my alma mater, not to mention attending my August. This is Part 1 of Elliott’s talk; tune in to the next issue to read daughter’s graduation ceremonies this past June with his exciting conclusion. all its attendant festivities and speeches, has put me in a nostalgic mood, and all of you are about to become the unwitting victims of this mood. I was introduced to P. G. Wodehouse by my father at the tender age of 12. Having announced to him that I had read everything of interest there was to read (I had finished off the Tom Swift series, you understand), I complained bitterly that there was nothing left in life. He handed me his tattered old (first edition, you understand) Nothing But Wodehouse and instructed me to begin at the end with Leave It to Psmith. Now, if this were a fairy tale, I would tell you that from that moment on I never looked back, but I must be totally honest with you. I found it silly. I did not even get through the first chapter, and I returned it to him. -
“Across the Pale Parabola of Joy”: Wodehouse Parodist
Connotations Vol. 13.1-2 (2003/2004) “Across the pale parabola of Joy”: Wodehouse Parodist INGE LEIMBERG In his stories and novels Wodehouse never comments on his tech- nique but, fortunately, in his letters to Bill Townend, the author friend who first introduced him to Stanley Featherstonaugh Ukridge, he does drop some professional hints, for instance: I believe there are two ways of writing novels. One is mine, making the thing a sort of musical comedy without music, and ignoring real life alto- gether; the other is going right down into life and not caring a damn. (WoW 313) This is augmented by a later remark concerning autobiographic inter- pretations, especially of Shakespeare: A thing I can never understand is why all the critics seem to assume that his plays are a reflection of his personal moods and dictated by the circum- stances of his private life. […] I can’t see it. Do you find that your private life affects your work? I don’t. (WoW 360) In 1935, when he confessed to “ignoring real life altogether,” Wode- house had found his form. Looking at his work of some 25 years before, we can get an idea of how he did so. In Psmith Journalist (1912), for instance, that exquisite is indeed concerned with real life, but, ten years later, in Leave it to Psmith, he joins the Blandings gang and, finally, replaces the efficient Baxter as Lord Emsworth’s secretary, with hardly a trace of real life left in him. Opening one of Wodehouse’s best stories or novels is like saying, “Open Sesame!” or “Curtain up!” and from then on, in a way, nothing is but what is not. -
Information Sheet Number 9A a Simplified Chronology of PG
The P G Wodehouse Society (UK) Information Sheet Number 9a A Simplified Chronology of P G Wodehouse Fiction Revised December 2018 Note: In this Chronology, asterisked numbers (*1) refer to the notes on pages (iv) and (v) of Information Sheet Number 9 The titles of Novels are printed in a bold italic font. The titles of serialisations of Novels are printed in a bold roman font. The titles of Short Stories are printed in a plain roman font. The titles of Books of Collections of Short Stories are printed in italics and underlined in the first column, and in italics, without being underlined, when cited in the last column. Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1901 SC The Prize Poem Tales of St Austin’s (1903) SC L’Affaire Uncle John Tales of St Austin’s (1903) SC Author! Tales of St Austin’s (1903) 1902 SC The Pothunters The Pothunters SC The Babe and the Dragon Tales of St Austin’s (1903) SC “ The Tabby Terror ” Tales of St Austin’s (1903) SC Bradshaw’s Little Story Tales of St Austin’s (1903) SC The Odd Trick Tales of St Austin’s (1903) SC The Pothunters SC How Payne Bucked Up Tales of St Austin’s (1903) 1903 SC Harrison’s Slight Error Tales of St Austin’s SC How Pillingshot Scored Tales of St Austin’s SC The Manoeuvres of Charteris Tales of St Austin’s SC A Prefect’s Uncle SC The Gold Bat The Gold Bat (1904) SC Tales of St Austin’s A Shocking Affair 1 Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1904 SC The Gold Bat SC The Head of Kay’s The Head -
Novels by P G Wodehouse Appearing in Magazines
The P G Wodehouse Society (UK) Information Sheet Number 4 Revised December 2018 Novels by P G Wodehouse appearing in Magazines Of the novels written by P G Wodehouse, the vast majority were serialised in magazines, some appearing in a single issue. The nature of the serialisation changed with time. The early novels were serialised in almost identical form to the published book, but from the mid-1930s there was an increasing tendency for the magazine serialisation to be a condensed version of the novel. In some cases, the condensed version was written first. Attention is drawn in particular to the following titles: The Prince and Betty, which in both the first UK and first US magazine appearances, was based on the UK rather than the very different US book version of the text. A Prince for Hire, which was a serialised novelette based broadly on The Prince and Betty, but completely rewritten in 1931. The Eighteen Carat Kid, which in serial form consisted only of the adventure aspects of The Little Nugget, the love interest being added to ‘flesh out’ the book. Something New, which contained a substantial scene from The Lost Lambs (the second half of Mike) which was included in the American book edition, but not in Something Fresh, the UK equivalent. Leave It To Psmith, the magazine ending of which in both the US and the UK was rewritten for book publication in both countries. Laughing Gas, which started life as a serial of novelette length, and was rewritten for book publication to more than double its original length. -
Convention Time: August 11–14
The quarterly journal of The Wodehouse Society Volume 26 Number 2 Summer 2005 Convention Time: August 11–14 nly two months to go, but it’s not too late to send farewell brunch Oin your registration for The Wodehouse Society’s Fun times that include reading stories with 13th International Convention, Hooray for Hollywood! other Wodehousians, visiting booksellers’ The site of this year’s gathering is Sunset Village on the and Chapters Corner tables, plenty of grounds of the UCLA campus, a beautiful location singing, and most of all cavorting with with easy access to Westwood, the Getty Museum, and fellow Plummies from all over so much more. And if you’re worried about the climate, don’t be: Informed sources tell us that we can expect What—you want to know more? Well, then, how warm, dry weather in Los Angeles in August, making about our speakers, who include: for an environment that will be pleasurable in every way. Brian Taves: “Wodehouse Still can’t make up your mind? Perhaps on Screen: Hollywood and these enticements will sway you: Elsewhere” Hilary & Robert Bruce: “Red A bus tour of Hollywood that Hot Stuff—But Where’s the includes a visit to Paramount Red Hot Staff?” (by Murray Studios Hedgcock) A Clean, Bright Entertainment Chris Dueker: “Remembrance of that includes songs, skits, and Fish Past” The Great Wodehouse Movie Melissa Aaron: “The Art of the Pitch Challenge Banjolele” Chances to win Exciting Prizes Tony Ring: “Published Works on that include a raffle, a Fiendish Wodehouse” Quiz based on Wodehouse’s Dennis Chitty: “The Master’s Hollywood, and a costume Beastly Similes” competition A weekend program that includes Right—you’re in? Good! Then let’s review erudite talks, more skits and what you need to know. -
PG Wodehouse Archive
British Library: Western Manuscripts P.G. Wodehouse Archive (1894-2016) (Loan MS 129) Table of Contents P.G. Wodehouse Archive (1894–2016) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 2 Related Resources.............................................................................................................................. 2 Loan MS 129/1 P.G. Wodehouse Archive: Manuscript Material (1900–2004)........................................... 2 Loan MS 129/2 P.G. Wodehouse Archive: Wartime Material (1939–2015)............................................... 86 Loan MS 129/3 P.G. Wodehouse Archive: Theatrical and Cinematic Work (1905–2008)........................... 97 Loan MS 129/4 P.G. Wodehouse Archive: Correspondence (1899–2010)................................................ 111 Loan MS 129/5 P.G. Wodehouse Archive: Published Material (1899–2003)............................................. 187 Loan MS 129/6 P.G. Wodehouse Archive: Biographical Material (1894–2001)......................................... 210 Loan MS 129/7 P.G. Wodehouse Archive: Posthumous Material (1929–2016)......................................... 218 Loan MS 129/8 P.G. Wodehouse -
Piccadilly Jim by P.G. Wodehouse
Piccadilly Jim By P.G. Wodehouse 1 CHAPTER I A RED-HAIRED GIRL The residence of Mr. Peter Pett, the well-known financier, on Riverside Drive is one of the leading eyesores of that breezy and expensive boulevard. As you pass by in your limousine, or while enjoying ten cents worth of fresh air on top of a green omnibus, it jumps out and bites at you. Architects, confronted with it, reel and throw up their hands defensively, and even the lay observer has a sense of shock. The place resembles in almost equal proportions a cathedral, a suburban villa, a hotel and a Chinese pagoda. Many of its windows are of stained glass, and above the porch stand two terra-cotta lions, considerably more repulsive even than the complacent animals which guard New York's Public Library. It is a house which is impossible to overlook: and it was probably for this reason that Mrs. Pett insisted on her husband buying it, for she was a woman who liked to be noticed. Through the rich interior of this mansion Mr. Pett, its nominal proprietor, was wandering like a lost spirit. The hour was about ten of a fine Sunday morning, but the Sabbath calm which was upon the house had not communicated itself to him. There was a look of exasperation on his usually patient face, and a muttered oath, picked up no doubt on the godless Stock Exchange, escaped his 2 lips. "Darn it!" He was afflicted by a sense of the pathos of his position. It was not as if he demanded much from life.