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Closing Credits
CLOSING CREDITS The Tennessee Arts Academy gratefully acknowledges the generous support of the following individuals, businesses, and organizations whose contributions have helped make the 2011 Academy possible. MAJOR FUNDING SUPPORT ADVERTISERS Tennessee Department of Education Beacon Financial Group, LLC Tennessee Arts Commission Center of Excellence for the Creative Arts Tennessee Arts Academy Foundation at Austin Peay State University Belmont University Crystal Productions Earl Swensson Associates, Inc. MAJOR SPONSORSHIP SUPPORT Eldridge Plays & Musicals Delores Kinsolving Frist Center for the Visual Arts Milton T. Schaeffer Memphis College of Art Pat and Thane Smith Memphis Music Foundation Mid South Business Furniture, Inc. Nashville Symphony BREAK SPONSORS Scott Schrecker Photography Belmont University College of Visual and Performing Arts Steinway Piano Gallery of Nashville Cumberland University School of Music and Art Tennesseans For The Arts Macmillan/McGraw-Hill Tennessee Art Education Association Mayfield Dairy Farms Tennessee Arts Academy Foundation Tennessee Educational Theatre Association Tennessee Music Education Association Theatrical Rights Worldwide Tennessee Shakespeare Company Thomas Tours Vanderbilt University Blair School of Music QuaverMusic.com Watkins College of Art, Design & Film Yamaha Corporation of America GOODS AND SERVICES Alliance Music Publications TENNESSEE ARTS ACADEMY PROGRAM BOOK Barfield Elementary School (Rutherford County) Graphic Designer: Ron Watson Hinshaw Music Photographer: Michael Krouskop ImageQuest Proofreaders: Lori Anne Parker, Susan Ramsay MorningStar Music Publishers Printer: Douglas Printing, Inc. ORNL Federal Credit Union Production Coordinator: Frank Bluestein Jack Parnell Peripole Bergerault Pilot Oil SunTrust Bank Tennessee Art Education Association A Program of the Tennessee Department of Education Additional support for the Tennessee Arts Academy is provided by the Tennessee Arts Commission, the Tennessee Arts Academy Foundation, and Belmont University. -
Friends of Niagara University Theatre
Friends of Niagara University Theatre For those who love theatre at Niagara University Spring 2005 Broadway Luminary Lights Friends’ 20th Annual Gala One of Broadway’s brightest talents, exciting evening as we support the with three composer and Tony-Award winner Niagara University Theatre program major John Kander, will be the guest of honor and its students.” productions: at the 20th Annual Friends’ Gala to be Guest of honor John Kander has the held on Saturday, April 30, at the written Broadway scores for: “A Family Encores Castellani Art Museum on Niagara Affair” (1962); “Never Too Late” production University’s campus. (1962); “Flora, the Red Menace” of The gala will include a silent auction (1965); “Cabaret” (1966); “The “Chicago”; featuring a variety of items, an open bar Happy Time” (1968); “Zorba” (1968); the preceding an elegant dinner, and “70, Girls, 70” (1971); “Zorba” Donmar Niagara University Theatre (London, 1973); “Chicago” (1975); (from performance of “Flora, the Red “The Act” (1977); “And The World London) John Kander Menace,” with music by John Kander Goes Round — The Kander and Ebb production of “Cabaret”; and “Steel and lyrics by the late Fred Ebb. The Musical” (1991); “Kiss of the Spider Pier,” which Niagara University charming, bittersweet musical is based Woman” (1993); and “Steel Pier” Theatre produced in 1999. His work, on the novel “Love is Just Around the (1997). Television work includes music “The Visit,” premiered in Chicago in Corner” by Lester Atwell. The musical for “Liza with a Z” (1974); “Ole Blue 2001. He is also the recipient of The underwent a major revival in New York Eyes is Back” (Frank Sinatra); Kennedy Center Honors. -
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
The CHARIOTEER ' a Quarterly Review of Modern Greek Culture Edited by Kimon Friar
The CHARIOTEER ' A Quarterly Review of Modern Greek Culture Edited by Kimon Friar NUMBER 3 1961 PREFACE TO POPE JOAN by LAWRENCE DURRELL .from POPE JOAN by EMMANUEL RoYIDIS Small Anthologies of MICHAEL TOMBROS I. M. PANAYOTOPOULOS TAKIS PAPATZONIS DREAM AND REALITY IN SATIRE text and cartoons by Minos Argyrakis NAUSICAA AND ODYSSEUS by HOMER and by NIKOS KAZANTZAKIS TWO POEMS by c. A. TRYPANIS from the OEDIPUS plays by SoPHOCLES THE SPHINX'S RIDDLE TO OEDIPUS by RANDALL JARRELL OEDIPUS by RICHARD EBERHART Fiction and Essays by MINAS DIMAKIS GHIKA ZAHARIAS PAPANDONIOU EVANGELOS PAPANOUTSOS ANGHELOS PROKOPIOU CLEON PARASCHOS NELLY THEODOROU MICHAEL TOMBROS Published by Parnassos, Greek Cultural Society of New York Sr. so ACKNOWLEDGMENTS To The Anglo-Hellenic Review for excerpts The Odyssey, by Homer, copyright © 1961 from "The Poetry of Takis Papatzonis" by by Robert Fitzgerald. To E. P. Dutton and Cleon Paraschos. To The Arizona Quarterly, Company for "Preface," by Lawrence Dur Summer, 1955, for "Outline of Error," by rell and excerpts from Pope Joan, by Emman Takis Papatzonis, translation and copyright uel Royidis, translated from the Greek by ©by Kimon Friar. To Atheneum for "The Lawrence Durrell, revised edition, copy Sphinx's Riddle to Oedipus," from The right© 1961 by Lawrence Durrell. To Faber Woman at the Washington Zoo, copyright© & Faber Limited for excerpts from Oedipus 1960 by Randall Jarrell. To The Atlantic the King and Oedipus at Colonus, translation Monthly, June, 1955, for "Before the Ad and copyright© 1961 by C. P. Trypanis. vent," by Takis Papatzonis, translation and To The New Age for excerpts from "1. -
And the World Goes 'Round Just After Finishing the New York Revival of Kander and Ebb's Flora, the Red Menace
AND THE WORLD GOES ‘ROUND Music by John Kander: Lyrics by Fred Ebb: Conceived by Scott Ellis, Susan Stroman and David Thompson Westside Theatre - Off-Broadway - March 18, 1991 (408 perfs) SYNOPSIS "Rehearsals had been under way for nearly a month. In another week, we'd be in the Westside Theatre on West 43rd Street. On this particular day, John and Fred were coming to the studio. Of course, their appearance wasn't at all unusual. They were one of us. Even so, every few days we sat them down and showed them our progress. We wanted to make sure our interpretation of the number matched their own interpretation. Composers and lyricists are notorious for wanting their songs sung in a very particular way. For some reason, they think they know how a song is intended to sound. We were slightly apprehensive because we had been tinkering with one of their best known songs, Cabaret. We had changed not only the melody but the words as well. Our intention, unlike our intention for most of the other songs in the show, was to find a new way to present the song: to make it different-fresh-and as exciting as it must have been the first time it was ever performed. Now it was time to see if we had succeeded. John and Fred arrived. The performers stood around the piano and sang David Loud's new arrangement. When they had finished, a few moments passed. Nothing. Maybe this time we had gone too far. Finally, Fred broke the silence and said with a broad smile, "Well, you made the old turkey gobble again." Scott Ellis, Susan Stroman and I began working on And the World Goes 'Round just after finishing the New York revival of Kander and Ebb's Flora, the Red Menace. -
The Resistible Rise of Arturo Ui
Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents THE RESISTIBLE RISE OF ARTURO UI BY BERTOLT BRECHT TRANSLATED BY GEORGE TABORI with GEORGE ABUD, EDDIE COOPER, ELIZABETH A. DAVIS, RAÚL ESPARZA, CHRISTOPHER GURR, OMOZÉ IDEHENRE, MAHIRA KAKKAR, THOM SESMA Costume Design Lighting Design Sound Design ANN HOULD-WARD JANE COX MATT STINE TESS JAMES Associate Scenic Design Associate Costume Design Associate Sound Design DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI Casting Press Representative Production Stage Manager TELSEY + COMPANY BLAKE ZIDELL AND ASSOCIATES BERNITA ROBINSON ADAM CALDWELL, CSA WILLIAM CANTLER, CSA Assistant Stage Manager KARYN CASL, CSA JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE Cast in alphabetical order Clark / Ragg.............................................................................GEORGE ABUD Roma..........................................................................................EDDIE COOPER Giri......................................................................................ELIZABETH A. DAVIS Arturo Ui....................................................................................RAÚL ESPARZA Dogsborough / Dullfeet..........................................CHRISTOPHER GURR O’Casey / Betty Dullfeet.............................................OMOZÉ IDEHENRE Flake / Dockdaisy...............................................................MAHIRA KAKKAR Givola............................................................................................THOM -
The World Goes 'Round.” – the World Goes ’Round
PRESS RELEASE For Immediate Release Tuesday, April 14, 2009 CONTACT: Patrick Finlon, PR Director 315-443-2636 or [email protected] Syracuse University Department of Drama Presents The World Goes ’Round A Dazzling Musical Revue from Kander & Ebb Conceived by David Thompson, Jacques Deval and Susan Stroman Lyrics by Fred Ebb Music by John Kander Directed, Musically Directed and Musical Staging by Nathan Hurwitz Choreographed by Kimberly Hale ARTHUR STORCH THEATRE at SYRACUSE STAGE Opens: April 24, 2009 Closes: May 9, 2009 “Sometimes you're happy and sometimes you're sad – but the world goes 'round.” – The World Goes ’Round (SYRACUSE, NY) Life – with its glories, indignities, hopes and quiet dreams – is the subject of this stunning revue of the beloved songs of John Kander and Fred Ebb. Featuring unforgettable gems from throughout their incredible career in theatre, film and television, the work spotlights songs from Cabaret, Chicago, New York, New York, Funny Lady, Kiss Of The Spiderwoman and more. Filled with humor, romance, drama, nonstop melody and brassy, insightful lyrics, The World Goes ’Round is a thrilling celebration of life and the fighting spirit that keeps us all going. Presented April 24 through May 9 by the Department of Drama in The College of Visual and Performing Arts at Syracuse University, tickets to The World Goes ’Round are available at 315-443-3275 or by visiting www.vpa.syr.edu/drama. The World Goes ’Round offers a particular challenge to student actors in the Department of Drama. “In a revue, everything is stripped away and the actors have nothing to hide behind, no exposition or spectacle. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
The Big Time an Old Carter Farm Concert Reading of a New Musical Comedy
THE BIG TIME AN OLD CARTER FARM CONCERT READING OF A NEW MUSICAL COMEDY Book by Music and lyrics by Douglas Carter Beane Douglas J. Cohen Music direction by Directed by Fred Lassen Douglas Carter Beane Featuring Raymond Bokhour, Bradley Dean, Santino Fontana, Debbie Gravitte, Jackie Hoffman, Michael McCormick, Laura Osnes, Will Swenson and musicians of the Princeton Symphony Orchestra Stage Manager Jen Wiener FRIDAY, JANUARY 31, 2020 8:00PM in the Matthews Theatre Assistive listening devices and large print program are available in the lobby. There will be a 15-minute intermission. No audio or video recording or photography permitted. DIRECTOR’S NOTE Douglas Carter Beane From his table at: Sardi’s, Broadway, USA Hello Theater Pals, Welcome to my subconscious––I sure Mr. C. has a way of getting into char- hope you got an aisle seat. How you are acter and telling a story but still making it about to experience this evening is one of all swing and having you feel like you’re my favorite ways to see a musical. A con- riding in a Cadillac convertible. You’ll fall cert—no sets, costumes, choreography, in love tonight. or fancy staging. Just material and talent. So, our show about a wacky terrorist Wow. I even formed a little company, was primed to open and the unthink- “Old Carter Farm,” to do these concerts, able happened: September 11th. The I love them so much. The name, you’ll show was put on hold. Whenever we’d forgive, came from my grandparents’ get ready to do the show again, another turkey farm. -
May 1, 2010 in Conversation with Frank J. Oteri at Kander's Home in New York, New York April 7, 2010—10:30 Am T
John Kander: Passing Through Curtains Published: May 1, 2010 In conversation with Frank J. Oteri at Kander's home in New York, New York April 7, 2010—10:30 a.m. Transcribed and edited by Frank J. Oteri and John Lydon Video edited by Molly Sheridan John Kander knew that he wanted to write music for the theatre from his earliest childhood. He wrote his very first song instead of paying attention during his second grade math class and had already completed a musical for his high school. A protégé of Douglas Moore and Jack Beeson, with whom he studied composition at Columbia, Kander eventually found himself accompanying singers, conducting summer stock productions, and playing in the pit orchestra for West Side Story. One thing led to another and he wrote the music for the short-lived 1962 Broadway musical, A Family Affair which Harold Prince directed. As Kander explains: The theater community is very small. Once you pass through a curtain which lets people look at you as a professional, you can really get to or make contact with just about anybody from one or two degrees of separation. Later that year, Kander met lyricist Fred Ebb which proved to be the most important encounter of his entire career. Kander and Ebb sustained one of the longest lasting as well as one of the most successful of songwriting collaborations in the history of the American musical theater. Only months after they began writing songs together, Barbara Streisand recorded two of them. And a few years later they landed on Broadway with their score for Flora the Red Menace, about a Depression-era ingénue (Liza Minnelli in her debut) who unwittingly joins the Communist Party. -
Zorba the Greek Kindle
ZORBA THE GREEK PDF, EPUB, EBOOK Nikos Kazantzakis | 352 pages | 16 Oct 2008 | FABER & FABER | 9780571241705 | English | London, United Kingdom Zorba the Greek PDF Book His one-night stand with a beautiful passionate widow is followed by her public decapitation. He wants things now, right now. Bates set the right tone, in sharp contrast with Anthony Quinn's exuberance. OK, people, I'm officially in tears. For the song used in the film, see Zorbas. He disregards everything that gets in the way of him getting these needs. Among other things, they met at Mount Athos, worked together on a mining venture, and served together in a humanitarian mission to repatriate tens of thousands of persecuted Greeks. Other editions. Anyway, our fun was different than Zorbas. And the story is very nice. The book has been adapted into film by the director, Cypriot Michael Cacoyannis, as a British- Greek drama film starring Anthony Quinn as the protagonist, Zorba. He spins captivating yarns about his travels throughout Eurasia and attempts to bring his friend away from books and into the world. Of course Buddhism, the losing of yourself, is the exact opposite world view of Zorba who has such lust for life. In sum, while the novel is, inescapably, a product of its times, it is, nevertheless, nuanced in its presentation of women. You go to her. Apr 16, Kalliope rated it liked it Shelves: , greece , fiction-english , century , rereads , travel , translation. Granted, Zorba is interesting, colorful, romantic at times, and a hard worker, but mostly he is a joke. Women are not exactly depicted in the best of light but that is how their situation in Greece or in many parts of the world, for that matter was in the s. -
Roundabout Theatre Company's Tony Award
NEWS RELEASE For immediate release: Thursday, August 18, 2016 Contact: Sarah Knab, 608.258.4438 / [email protected] PRODUCTION PHOTOS: Click here. "DIVINELY, DANGEROUSLY DECADENT." – Ben Brantley, The New York Times “One of musical theatre’s GREATEST TRIUMPHS!” -Houston Chronicle "Truly unmissable! Even if you saw it last time, you are strongly advised - no, URGED - to return." -USA Today ROUNDABOUT THEATRE COMPANY’S TONY AWARD® -WINNING PRODUCTION OF CABARET COMES TO MADISON AT OVERTURE CENTER Madison, Wis. – Overture Center announced that individual tickets for the Madison engagement of Roundabout Theatre Company’s CABARET will go on sale Saturday, August 27 at 9 a.m. in person at the Overture Center ticket office at 201 State Street (doors open at 8:30 a.m.), 11 a.m. online at overture.org or 11 a.m. by phone at 608.258.4141. Subscriptions available now. Tickets for groups of 10 or more available now by calling 608.258.4159. Direct from Broadway, the musical masterpiece comes to Madison! As part of their 50th Anniversary Season, the critically acclaimed and award-winning Roundabout Theatre Company is proud to present the national tour of Sam Mendes (Skyfall, American Beauty) and Rob Marshall’s (Into the Woods and Chicago, the films) Tony Award®-winning production of CABARET, playing Tuesday, March 21-Sunday, March 26, 2017, at Overture Center as part of the 2016/17 Broadway Series. John Kander, Fred Ebb, best known for their legendary musical, CHICAGO and Joe Masteroff’s Tony- winning musical features some of the most memorable songs in theatre history, including “Cabaret,” “Willkommen” and “Maybe This Time.” CABARET is set in the infamous Kit Kat Klub, where the Emcee, Sally Bowles and a raucous ensemble take the stage nightly to tantalize the crowd––and to leave their troubles outside.