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Paul Leighton Morris | Cinematographer Site | paulmorrisdop.com British Citizen Tel | 0086 186 1249 3918 Languages: English/ Chinese/ German Tel | 0044 7401 392 604 [email protected] paull I started shooting stills, then documentaries, across Asia and America for Nat Geo, The Discovery Channel and the BBC. In 2013, I shot a 10 part short series for Volkswagen which won the Golden Lion at Cannes (Branded Content). I shoot commercials, narrative and art projects. I work all over the world. Agency | Asia | Commercials SHP | SHP.TV Contact | Maria Laletina | [email protected] Select Recent Work | NARRATIVE | COMMERCIAL | DOCUMENTARY TITLE PROJECT DIRECTOR PRODUCTION / AGENCY BMW/ Formula E Branded Content Nick Birtwistle Little Dot Studios (Morocco) Mercedes | Powerful Machines Branded Content Stephan Hadjam Durable Goods (Stuttgart) Who They Are Short Film DJ Furth DJ Furth Productions (China) Beats by Dre Short Doc Jonathan Lim Push Media (China) BMW/ Harman Kardon Short Doc Series Nick Birtwistle Little Dot Studios (America/ Canada) 侠隐／ Hidden Man Feature Film 姜文 Jiang Wen Hidden Man Productions (China/ USA) (‘A” Camera/ Gimbal Operator) DOP: Xie Zhengyu Huawei TVC Dan Shapiro Aggressive (China) Gap Year TV Drama (UK) Jonathan Van Tulleken Channel 4/ Eleven Film (China/ Thailand) (Second Unit Cinematographer) Volkswagen | Sharan TVC Monty Fendt Pixomondo Productions (China) New Balance TVC Shih-Ting Hung New Life Films Shanghai (China) The Left Over Women Documentary Daniel Holmes Al Jazeera (China) Nike | Flynit TVC Laurent Barthelemy Weiden Kennedy/ Must Films (China) Someone Else Short Film Laurent King P.I.G China (China) Sky Ladder: Feature Documentary Kevin Macdonald Insurgent Docs (China) The Art of Cai Guo-Qiang (Camera Operator) DOP: Robert Yeoman Apple | Calligraphy Short Doc Donovan Greene TenEighty Productions (China) Volkswagen | E UP TVC Georg Warga Goodstein (China) Ramona Short Film Shih-Ting Hung Ramona Films (Taiwan) 一步之遥／ Feature Film 姜文 Jiang Wen Gone with the Bullets Films (China) Gone with the Bullets (VFX Cinematographer) DOP: Xie Zhengyu Citizen Jane: Battle for the City Feature Documentary Matt Tyrnauer Citizen Jane Films Eternally Short Film Stephanie Leitl Eternally Productions (China) 我就是我/ I Am Me Feature Documentary Fan Lixin Lixin Film Volkswagen | PCP Short Doc Series Kenneth Bi/ Georg Warga Goodstein/ Pixomondo (China) Danish Venice Biennale Art Project Jesper Just Daedalum Films (China) (1st Assistant Camera) DOP: Kasper Tuxen The Man of Tai Chi Feature Film Keanu Reeves Man of Tai Chi Films (China) (Camera Assistant) DOP: Elliot Davis .

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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019).
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Digital Media and Radical Politics in Postsocialist China
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ROBERT MORRISON a MASTER-BUILDER >I Ctttn Pai Fins' by >;Ery , 182$ ROBERT MORRISON and TWO OK HIS CHINESE ASSISTANTS ROBERT : MORRISON
L/ University of Chicago libraries ROBERT MORRISON A MASTER-BUILDER >i Ctttn Pai fins' by >;ery , 182$ ROBERT MORRISON AND TWO OK HIS CHINESE ASSISTANTS ROBERT : MORRISON MARSHALL BROOMHALLu EDITORIAL SECRETARY, CHINA INLAND MISSION AUTHOR OF Islam in China, Pioneer Work in Hunan, In Quest of God, faith and Fucts, etc. wg o-o<j>bs i Cor. iii. ib LONDON :j f STUDENT CHRISTIAN MOVEMENT 32 RUSSELL SQUARE, W.C.I jj \ 1927 I First Published, March 1924 Second Impression, May 1927 ./l/i& awrf Printed in Great Britain by Tmnlull &= Sfears, Edinburgh 798406 EDITORIAL NOTE THIS volume is the fourth of a uniform series of new missionary biographies, in the preparation of which a group of unusually able writers are collaborating. The enterprise is being undertaken by the United Council for Missionary Education. While these volumes contain a large amount of valuable new material, this is not their main ob- jective. The aim rather is to give to the world of to-day a fresh interpretation and a richer under- standing of the life and work of great missionaries. K. M. A. E. C. U.C.M.E. 2 EATON GATE S.W.I TO THE REV. CHENG CHING-YI, D.D. CHAIRMAN OF CHINA'S FIRST NATIONAL CHRISTIAN CONFERENCE THIS LIFE OF THE FIRST PROTESTANT MISSIONARY TO THAT GREAT COUNTRY IS AFFECTIONATELY DEDICATE!) " We express our appreciation for the work of the missionaries who through untold difficulties have blazed the way and laid down the foundation of a great structure for national evangelization, and for the Christian Churches in the West through whose faithful support the
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Representations of Istanbul in Two Hollywood Spy Films About World War I and World War Ii
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES FILM REPRESENTATIONS OF ISTANBUL IN TWO HOLLYWOOD SPY FILMS ABOUT WORLD WAR I AND WORLD WAR II by H. ALİCAN PAMİR Thesis for the degree of Master of Philosophy October 2015 i ii UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES FILM Thesis for the degree of Master of Philosophy REPRESENTATIONS OF ISTANBUL IN TWO HOLLYWOOD SPY FILMS ABOUT WORLD WAR I AND WORLD WAR II Hüseyin Alican Pamir This thesis focuses on the representation of Istanbul in foreign spy films. Drawing on the work of Stephen Barber (2002), Charlotte Brundson (2007), David B. Clarke (1997) and Barbara Mennel (2008), the thesis proposes five city film properties, which are used when analysing Istanbul spy films. These properties are: first, ‘city landmarks, cityscapes and city spectacles’; second, ‘cinematic constructions of social life via social and power relations’; third, the ‘relationship between the protagonist and the city’; fourth, the ‘cinematic city trope and mise-en-scène’; and finally, the ‘story of a city’ or ‘the idea of a city’.
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FLM6210 Cinemas in Contemporary China Handbook 2020
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Dossier De Presse
MEMENTO FILMS PRODUCTION PRÉSENTE UN FILM DE DIAO YINAN AVEC HU GE GWEI LUN MEI LIAO FAN WAN QIAN PRODUCTEUR DÉLÉGUÉ LI LI PRODUCTEURS SHEN YANG LU YUN CO-PRODUCTEUR ALEXANDRE MALLET-GUY AVEC QI DAO ET LA PARTICIPATION SPÉCIALE DE HUANG JUE ZENG MEIHUIZI ZHANG YICONG CHEN YONGZHONG DIRECTEUR DE LA PHOTOGRAPHIE DONG JINSONG DÉCORATEUR LIU QIANG COSTUMIERS MAQUILLEURS LIU QIANG LI HUA © 2019 HE LI CHEN GUANG INTERNATIONAL CULTURE MEDIA CO., LTD., MEDIA CO., LTD., CULTURE © 2019 HE LI CHEN GUANG INTERNATIONAL MEMENTO FILMS PRODUCTION, ARTE FRANCE CINÉMA. ALL RIGHTS RESERVED. FILMS (SHANGHAI) CO., LTD., GREEN RAY INGÉNIEUR DU SON ZHANG YANG CHEF ÉLECTRICIEN WONG CHI MING COMPOSITEUR B6 MONTEURS KONG JINLEI MATTHIEU LACLAU UNE PRODUCTION HE LI CHEN GUANG INTERNATIONAL CULTURE MEDIA CO. LTD. GREEN RAY FILMS (SHANGHAI) CO. LTD. EN CO PRODUCTION AVEC MEMENTO FILMS PRODUCTION ARTE FRANCE CINÉMA AVEC LA PARTICIPATION DE ARTE FRANCE AIDE AUX CINÉMAS DU MONDE : CENTRE NATIONAL DU - DOROT . CINÉMA ET DE L’IMAGE ANIMÉE - INSTITUT FRANÇAIS VENTES INTERNATIONALES MEMENTO FILMS INTERNATIONAL DISTRIBUTION FRANCE MEMENTO FILMS DISTRIBUTION E . DESIGN © MEMENTO FILMS PRODUCTION PRÉSENTE (NAN FANG CHE ZHAN DE JU HUI) UN FILM DE DIAO YINAN AVEC HU GE GWEI LUN MEI LIAO FAN WAN QIAN 1h50 - Chine - 1.85 - 5.1 visa : 149.868 SORTIE LE 25 DÉCEMBRE 2019 Photos et dossier de presse téléchargeables sur SYNOPSIS www.memento-ﬁ lms.com Un chef de gang en quête de rédemption et une prostituée prête à tout pour DISTRIBUTION PRESSE recouvrer sa liberté se retrouvent au cœur d’une chasse à l’homme.
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European Journal of American Studies, 3-3 | 2008, “Autumn 2008” [Online], Online Since 09 October 2008, Connection on 08 July 2021
European journal of American studies 3-3 | 2008 Autumn 2008 Electronic version URL: https://journals.openedition.org/ejas/2283 DOI: 10.4000/ejas.2283 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 3-3 | 2008, “Autumn 2008” [Online], Online since 09 October 2008, connection on 08 July 2021. URL: https://journals.openedition.org/ejas/2283; DOI: https://doi.org/ 10.4000/ejas.2283 This text was automatically generated on 8 July 2021. Creative Commons License 1 TABLE OF CONTENTS From Man of the Crowd to Cybernaut: Edgar Allan Poe’s Transatlantic Journey—and Back. Paul Jahshan ‘The Dream of the Unified Field’: Originality, Influence, the Idea of a National Literature and Contemporary American Poetry Ruediger Heinze The Migration of Tradition: Land Tenure and Culture in the U.S. Upper Mid-West Terje Mikael Hasle Joranger Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927) Anton Karl Kozlovic “New York and yet not New York”: Reading the Region in Contemporary Brooklyn Fictions James Peacock All Work or No Play: Key Themes in the History of the American Stage Actor as Worker Sean Holmes Zuckerman’s "Blah-blah Blah-blah Blah": a blow to mimesis, a key to irony Arnaud Schmitt “New” “American Studies”: Exceptionalism redux? Marc Chenetier European journal of American studies, 3-3 | 2008 2 From Man of the Crowd to Cybernaut: Edgar Allan Poe’s Transatlantic Journey—and Back. Paul Jahshan The wild effects of the light enchained me to an examination of individual faces; and… it seemed that, in my then peculiar mental state, I could frequently read, even in that brief interval of a glance, the history of long years.
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