Anthony Reynolds Gallery Press Release Walid Raad

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Anthony Reynolds Gallery Press Release Walid Raad

ANTHONY REYNOLDS GALLERY 60 Great Marlborough Street Telephone +44 20 7 439 2201 London Fax +44 20 7 439 1869 W1F 7BG Email [email protected] PRESS RELEASE WALID RAAD Preface to the first English edition 1 March – 5 April 2014 Preface to the first English edition presents several works by Walid Raad conceived around the opening of the Louvre’s new Islamic Art spaces. The work is part of the ongoing project Scratching on things I could disavow, and proceeds from the recent emergence of new infrastructures for Arab, Islamic and Middle Eastern arts in the Arab world. Of the nearly 18,000 objects held in the Louvre’s newly established department des Arts de l’Islam, 294 will be loaned to the Louvre Abu Dhabi sometime between 2016 and 2046. Of the 294 objects, some will be affected by the journey in ways that historians, curators and conservators could not have anticipated nor predicted Walid Raad was born in Chbanieh, Lebanon, in 1967. His work has been widely exhibited in important international exhibitions. In 2013 he was commissioned by the Musée du Louvre to develop an interchange with the collections of the new Islamic Art galleries. In 2012 he was featured in Documenta 13, Kassel and in 2010/11 was the subject of a major exhibition at the Whitechapel Gallery which toured to Umea in Sweden and the Kunsthalle Zurich. He has also had solo shows at the Reina Sofia Museum, Madrid (2009) RedCat, Los Angeles (2009) The Hamburger Bahnhof, Berlin (2006) the Kitchen New York (2006), Homeworks, Beirut (2005), Venice Biennale (2003), Whitney Biennial (2000 and 2002) and Documenta 11 (2002). Raad is a recipient of the Alpert Award, a Guggenheim Foundation Fellowship, the Deutsche Boerse Photography Award and the Hasselblad Award. Later this year he will have exhibitions at the Carré d’Art, Nimes and MADRE, Naples. His work will be the subject of a major survey exhibition at MoMA New York in 2015. FOR FURTHER INFORMATION AND IMAGES PLEASE CONTACT [email protected] ANTHONY REYNOLDS GALLERY LTD COMPANY REGISTRATION N° 2664363 VAT REGISTRATION N° 397 0987 88.

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Walid Raad 1/5/21, 143 PM Walid Raad
Walid Raad 1/5/21, 143 PM Walid Raad Eva Respini, ed. Walid Raad Exh. cat. New York: Museum of Modern Art, 2015. 192 pp.; 200 color ills. Cloth $55.00 (9780870709739) Exhibition schedule: Museum of Modern Art, New York, NY, October 12, 2015–January 21, 2016; Institute of Contemporary Art, Boston, February 24–May 30, 2016; Museo Jumex, Mexico City, October 13, 2016–January 14, 2017 The catalogue accompanying Walid Raadʼs eponymous survey at the Museum of Modern Art (MoMA) is a beautiful volume with extensive documentation of the artistʼs oeuvre from the 1990s to today; it will undoubtedly serve as the go-to resource on the artist for years to come. Ironically, it is also colored by a set of historiographic problems that Raad himself vigorously works over in his artistic production. What does it mean that alongside a contribution by the exhibitionʼs curator, Eva Respini, MoMA commissioned a historian of Islamic art, Finbarr Barry Flood, to write the second catalogue essay? What is the significance of the fact that the authorsʼ efforts to address legacies of Conceptual and post-Conceptual art in Raadʼs work—one of the greatest strengths of the exceptional exhibition itself—read like a series of disconnected points on an art-historical map, which do not fully cohere into a larger analytical or historical framework? A sense of uncertainty about just how to inscribe Raad into a canon of modern and contemporary art pervades much of the writing about the artistʼs work. For all the facility with which we habitually critique the museum, considering Walid Raad the catalogue alongside Walid Raad the exhibition had me jotting in my notes: thank God for exhibitions.
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© 2016 Mary Kate Scott ALL RIGHTS RESERVED
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