Inside the Exploratorium
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San Francisco, California
updated: 10.18.2017 Compressed Area - 4.5 Miles 2.5 Miles B C D E F G H J K L M N P Q R Fort Point Blue & Gold Blue & Gold San Francisco Bay Red & Fleet to Fleet to Vallejo, 1 Cable Car Route Golden Gate Bridge San Francisco, California USA White Fleet Angel Island Jack London Square 1 (toll south bound) San Francisco Bay Cruise Sausalito & & Oakland Street Car (F-Line) Maritime Tiburon & Bay Cruise Golden Gate National Recreation Area Alcatraz Ferry Service MasonCrissy St Field National PIER Historical Park 45 43 41 39 One Way Traffic 47 431/2 Pre Marina Green s Hyde St id l io Aquatic End of One Way Traffic l Pa rkwa Marina Blvd Pier d y e Park Blue & Gold v l Cervantes Blvd Direction of w Lin Jefferson St Ferry Pier 35 o B co MARINA Fort Mason The Highway Ramps Cruise Terminal D l The Walt n n Cannery Anchorage 2 l E 2 c m 33 Disney FISHERMANS Photo Vantage Points o B ba M c Family Palace Beach St Beach St r l c v n Museum Ghirardelli a & Scenic Views i WHARF d Baker d of Fine Arts L (Main Post) GGNRA Square e North Point St ro 31 BART Station Beach North Point St Headquarters t Shopping Area S Bay St Bay St Bay St Pier 27 a Alcatraz Departure Terminal Parks br James R. Herman m Cruise Terminal R Alha Moscone Francisco St Francisco St 3 Beaches Letterman i Lincoln Blvd c 3 h Rec Ctr THE Veterans Blvd Digital Arts a Chestnut St Points of Interest Center Aver Chestnut St TELEGRAPH EMBARCADERO ds “Crookedest HILL o Hospitals n d Lombard St Gen. -
1875 El Prado San Diego, CA 92101 (619) 238-1233
Volunteer Orientation Handbook 1875 El Prado San Diego, CA 92101 (619) 238-1233 www.rhfleet.org The Reuben H. Fleet Science Center seeks to inspire lifelong learning by furthering the public understanding and enjoyment of science and technology. Welcome Welcome to the Volunteer and Internship Programs at the Reuben H. Fleet Science Center. We thank you for your interest in helping our organization inspire lifelong learning in our community. We sincerely hope that your experiences here will be rewarding, educational and fun! Volunteers and interns play an integral role in the operation of the Fleet and its programs. Our team is made up of over 200 dedicated volunteers and interns (and roughly 100 employees) serving in a multitude of roles, all helping to spark a better understanding and enjoyment of science and technology by the public. We would like to express our sincere appreciation for your interest in our volunteer and intern programs. We couldn't do any of this without your support. THANK YOU for sharing your time and talent with us! General Information Mission Statement: The Reuben H. Fleet Science Center seeks to inspire lifelong learning by furthering the public understanding and enjoyment of science and technology. Physical Address: 1875 El Prado (at the intersection of Park Blvd. & Space Theater Way) San Diego, CA 92101 Mailing Address: PO Box 33303 San Diego, CA 92163 Telephone: (619) 238-1233 Website: www.rhfleet.org Hours: Open every day, including holidays! We open every day at 10:00 a.m. (exception: 11:30 a.m. on Christmas day). Closing times vary—check our website for updates. -
School of Motion Pictures & Television Program Brochure
School of Motion Pictures & Television academyart.edu SCHOOL OF MOTION PICTURES & TV Contents Program Overview ...................................................5 What We Teach ......................................................... 7 The School of MPT Difference .................................9 Faculty .....................................................................11 Degree Options ..................................................... 13 Our Facilities ......................................................... 15 Alumni Success ..................................................... 17 Partnerships ......................................................... 19 Career Paths ......................................................... 21 Additional Learning Experiences ......................... 23 Awards and Accolades ......................................... 25 Online Education .................................................. 27 Academy Life ........................................................ 29 San Francisco ....................................................... 31 Athletics ................................................................ 33 Apply Today .......................................................... 35 3 SCHOOL OF MOTION PICTURES & TV Program Overview Taught by professionals working in the industry, including Academy and Emmy Award winners, our students learn their craft through hands-on filmmaking experience. IMMERSE YOURSELF Direct. Produce. Shoot. Edit. Production Design. Write. Crew up and follow your passion -
1 Grants for the Arts Advisory Panel FY 21 Docket Meeting #1 Action
Grants for the Arts Advisory Panel FY 21 Docket Meeting #1 Action Minutes Wednesday, May 13, 2020 Virtual via Zoom Advisory Panel Present: Jon Moscone (Chair), Lanita Henriquez (Vice Chair), Kimberly Brandon, Yoyo Chan, Hagen Choi, Erika Gee, Nicola Miner, Pati Navalta Poblete, Marcus Shelby, Debra Walker, Anne Wintroub Mr. Choi departed at noon; Ms. Wintroub was absent from 12:00-12:55 p.m. Staff Present: Jason Blackwell, Ecaterina Burton, Matthew Goudeau, Kara Owens, Khan Wong The meeting was called to order at 10:11 a.m. 1. Approval of Advisory Panel Policy Retreat and Subcommittee Minutes Motion to approve September 10, 2019 Policy Retreat Minutes—Ms. Wintroub so moved; Mr. Shelby seconded. All in favor. Motion to approve October 2, 2019 Subcommittee Minutes—Ms. Wintroub so moved; Ms. Walker seconded. All in favor. 2. Assistance List Docket AfroSolo Theatre Company American Conservatory Theater Brava! For Women in the Arts Cartoon Art Museum Circus Center Frameline Magic Theatre San Francisco Contemporary Music Players The Marsh Theatre Rhinoceros World Arts West Youth Speaks Motion to move Assistant List Docket to Consent Docket for FY21 and return as part of the Discussion Docket in FY22—Ms. Wintroub so moved; Mr. Shelby seconded. All in favor. 1 3. Late Docket American Indian Film Institute Creativity Explored GLBT Historical Society Other Minds Motion to accept Late Applicant Docket for FY21 funding considerations with a 10% penalty that will have further monetary consideration at Docket Meeting #3—Ms. Walker so moved; Ms. Henriquez seconded. Ms. Brandon and Ms. Henriquez opposed. Communication regarding late applications will be discussed in-depth at the annual policy retreat. -
Fort Mason Extension SPUR Preso 101911
Extending Success: Streetcars to Ft. Mason Rick Laubscher, Doug Wright, Rich Hillis SPUR, October 19, 2011 Historic Streetcars: Huge SF Success ! “Trolley Festival” started Trolley Festival, 1983 momentum 28 years ago ! Used Market St. surface track ! Chamber-City joint project ! Mayor Feinstein was champion ! Community support led to: ⊕" 5-summer run ⊕" Adoption of permanent F-line F-line, Pier 39, 2000 ! F-line open 1995; to Wharf 2000 ! Today: 23,000+ daily riders ⊕" Most popular vintage line in U.S. ⊕" Service increased to meet demand ⊕" Still more service needed Rail’s Role: Commerce, Commuters, Defense Ferry Bldg. 1927 ! Waterfront rail – 1900-c.1960s ⊕" State Belt freight RR served piers ⊕" Supplies, troops carried to Fort Mason & Presidio on Army track ⊕" 25 streetcar lines served waterfront ♦"World’s 2nd busiest transit hub ! Maritime & defense evolved ⊕" Waterfront’s face changed forever ⊕" Today: recreation, visitor oriented Troop Train at Crissy Field 1941 Fort Mason Streetcar History ! Muni’s H-line served Fort Mason 1914-1948 Fort Mason Streetcar Revival ! Historic waterfront streetcar line repeatedly proposed ⊕" 1970: San Francisco Tomorrow suggests waterfront route ⊕" 1979: First Muni Embarcadero streetcar proposal included in plan ⊕" 1980: GGNRA General Management Plan proposes historic streetcar shuttle from Aquatic Park to Crissy Field ⊕" 1985: I-280 Transfer Study evaluates Caltrain-Fort Mason route ⊕" 2000: F-line extension opens to Wharf ⊕" 2001: Fort Mason Center, Fisherman’s Wharf Merchants, Market Street Railway -
Bay Fill in San Francisco: a History of Change
SDMS DOCID# 1137835 BAY FILL IN SAN FRANCISCO: A HISTORY OF CHANGE A thesis submitted to the faculty of California State University, San Francisco in partial fulfillment of the requirements for the Degree Master of Arts By Gerald Robert Dow Department of Geography July 1973 Permission is granted for the material in this thesis to be reproduced in part or whole for the purpose of education and/or research. It may not be edited, altered, or otherwise modified, except with the express permission of the author. - ii - - ii - TABLE OF CONTENTS Page List of Maps . vi INTRODUCTION . .1 CHAPTER I: JURISDICTIONAL BOUNDARIES OF SAN FRANCISCO’S TIDELANDS . .4 Definition of Tidelands . .5 Evolution of Tideland Ownership . .5 Federal Land . .5 State Land . .6 City Land . .6 Sale of State Owned Tidelands . .9 Tideland Grants to Railroads . 12 Settlement of Water Lot Claims . 13 San Francisco Loses Jurisdiction over Its Waterfront . 14 San Francisco Regains Jurisdiction over Its Waterfront . 15 The San Francisco Bay Conservation and Development Commission and the Port of San Francisco . 18 CHAPTER II: YERBA BUENA COVE . 22 Introduction . 22 Yerba Buena, the Beginning of San Francisco . 22 Yerba Buena Cove in 1846 . 26 San Francisco’s First Waterfront . 26 Filling of Yerba Buena Cove Begins . 29 The Board of State Harbor Commissioners and the First Seawall . 33 The New Seawall . 37 The Northward Expansion of San Francisco’s Waterfront . 40 North Beach . 41 Fisherman’s Wharf . 43 Aquatic Park . 45 - iii - Pier 45 . 47 Fort Mason . 48 South Beach . 49 The Southward Extension of the Great Seawall . -
Balboa Park Facilities
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Sphere, Sweet Sphere: Recycling to Make a New Planetarium Page 83
Online PDF: ISSN 23333-9063 Vol. 45, No. 3 September 2016 Journal of the International Planetarium Society Sphere, sweet sphere: Recycling to make a new planetarium Page 83 Domecasting_Ad_Q3.indd 1 7/20/2016 3:42:33 PM Executive Editor Sharon Shanks 484 Canterbury Ln Boardman, Ohio 44512 USA +1 330-783-9341 [email protected] September 2016 Webmaster Alan Gould Lawrence Hall of Science Planetarium Vol. 45 No. 3 University of California Berkeley CA 94720-5200 USA Articles [email protected] IPS Special Section Advertising Coordinator 8 Meet your candidates for office Dale Smith (See Publications Committee on page 3) 12 Honoring and recognizing the good works of Membership our members Manos Kitsonas Individual: $65 one year; $100 two years 14 Two new ways to get involved Institutional: $250 first year; $125 annual renewal Susan Reynolds Button Library Subscriptions: $50 one year; $90 two years All amounts in US currency 16 Vision2020 update and recommended action Direct membership requests and changes of Vision2020 Initiative Team address to the Treasurer/Membership Chairman Printed Back Issues of Planetarian 20 Factors influencing planetarium educator teaching IPS Back Publications Repository maintained by the Treasurer/Membership Chair methods at a science museum Beau Hartweg (See contact information on next page) 30 Characterizing fulldome planetarium projection systems Final Deadlines Lars Lindberg Christensen March: January 21 June: April 21 September: July 21 Eclipse Special Section: Get ready to chase the shadow in 2017 December: October 21 38 Short-term event, long-term results Ken Miller Associate Editors 42 A new generation to hook on eclipses Jay Ryan Book Reviews April S. -
Download the Pdf Version of This Essay (48Kb)
EVALUATING OUTDOOR EXPLORATORIUM EXHIBITS Joyce Ma Although not all findings from these studies found direct application in the final It was also during this period that we began to envision the Outdoor Exploratorium Senior Researcher exhibits, we learned valuable lessons about supporting outdoor noticing. In as a set of exhibits at one or more distributed sites away from the museum itself. Toni Dancu particular, we identified some of the reasons why visitors spent time noticing outside, We know quite a bit about Exploratorium visitors, but considering remote locations Research Associate including wanting to be in an attractive area, participate in independent exploration, required us to reevaluate our audience assumptions. The team thus began asking and see things they hadn’t noticed before (or familiar things from new perspectives). fundamental questions about the people who might use our exhibits: Who are they? valuation of the Outdoor Exploratorium We also discovered some impediments to exploring and noticing outside, such as What are they doing there? When are they there? We were particularly inspired by began in 2001, years before the project’s limited time, worries about safety (outdoor environments not always being well- the work of William Whyte, who conducted observational studies in the 1970s of 1 final realization as a set of exhibits at Fort bounded or predictable), and self-consciousness about activities that might seem how people use New York City plazas , and we conducted our own set of informal Mason. The Exploratorium has a long history unusual (such as using a magnifying class to examine dirt). Our findings also helped observations to learn about the ‘social life’ of the candidate sites our exhibits might Eof evaluating visitor exhibit experiences to better us redefine project content areas. -
The Greening of Balboa Park: a Holistic, Sustainable and Replicable Model
The Greening of Balboa Park: A Holistic, Sustainable and Replicable Model Julieann Summerford, Heschong Mahone Group, Inc. Risa Baron, San Diego Gas & Electric Company Anna Stark, U.S. Environmental Protection Agency Rory Ruppert, Balboa Park Cultural Partnership David McGrew, Reuben H. Fleet Science Center ABSTRACT Developed for the 1915 Panama Exposition, Balboa Park now houses more than two dozen major museums, performing arts organizations, gardens, and the San Diego Zoo. Located on over 1200 acres of land with over a million square feet of property, Balboa Park is one of the nation’s largest urban cultural centers, attracting more than 6.5 million visitors annually from around the world. Through recent collaborative efforts, Balboa Park is poised to become a national model for cultural institutions and urban parks to achieve environmental sustainability. In 2008 the Balboa Park Cultural Partnership established a Park-wide sustainability program that includes 26 cultural institutions, the City of San Diego, San Diego Gas & Electric, and many other community stakeholders. Designed to be a replicable model, the Partnership’s goals are the creation and alignment of sustainable business practices; the identification of, and communication with, key internal and external stakeholders; and the education of visitors, employees, stakeholders, and the public. All sustainability initiatives and results are benchmarked, measured and quantified—a vital component for measuring its carbon footprint and aligning with the state’s plan for energy efficiency. The Balboa Park Cultural Partnership (BPCP) has become the first network of cultural institutions in the country to benchmark the energy performance of its buildings using the Environmental Protection Agency’s (EPA) ENERGY STAR® Portfolio Manager. -
Metreon San Francisco, California
Metreon San Francisco, California Project Type: Commercial/Industrial Case No: C030001 Year: 2000 SUMMARY A 350,000-square-foot urban entertainment center on a 2.75-acre site in downtown San Francisco. Developed by Millenium Partners and WDG Ventures, the project is located within the 87-acre Yerba Buena Center. Within the first few months of its opening in June 1999, Metreon attracted some 2.5 million visitors. As many as 40,000 people have visited on peak-period weekends. The four-level project offers amusements, games, shopping, restaurants, a food court, and cinemas—including a 600-seat SONY•IMAX theater, the largest of its type on the West Coast—enlivening the evening activity of the Yerba Buena Gardens neighborhood. FEATURES Urban entertainment center Downtown development Ground lease Interactive entertainment Metreon San Francisco, California Project Type: Retail/Entertainment Volume 30 Number 01 January-March 2000 Case Number: C030001 PROJECT TYPE A 350,000-square-foot urban entertainment center on a 2.75-acre site in downtown San Francisco. Developed by Millenium Partners and WDG Ventures, the project is located within the 87-acre Yerba Buena Center. Within the first few months of its opening in June 1999, Metreon attracted some 2.5 million visitors. As many as 40,000 people have visited on peak-period weekends. The four-level project offers amusements, games, shopping, restaurants, a food court, and cinemas—including a 600-seat SONY•IMAX theater, the largest of its type on the West Coast—enlivening the evening activity of the Yerba Buena Gardens neighborhood. SPECIAL FEATURES Urban entertainment center Downtown development Ground lease Interactive entertainment DEVELOPER Yerba Buena Retail Partners Millenium Partners 1995 Broadway, 3rd Floor New York, New York 10023 212-595-1600 WDG Ventures 107 Stevenson Street 5th Floor San Francisco, California 94105 415-896-2300 ARCHITECT Simon Martin-Vegue Winkelstein Moris 501 Second Street Suite 701 San Francisco, California 94107 415-546-0400 Gary E. -
HELEN DILLER CIVIC CENTER PLAYGROUNDS LANDSCAPE ARCHITECTURE 2325 Third Street #210 San Francisco CA 94107 415.503.0060 1 PROJECT GOALS
ANDREA COCHRAN HELEN DILLER CIVIC CENTER PLAYGROUNDS LANDSCAPE ARCHITECTURE 2325 Third Street #210 San Francisco CA 94107 415.503.0060 1 PROJECT GOALS Functional Considerations Design Considerations Playground Experience • Serve the hub of the City’s cultural life by engaging with cultural institutions • Create a timeliness anchor for one of the The design is inspired by nature with such as the Main Public Library, the Asian Art Museum, the San Francisco Symphony, great civic plazas in the world the goal of creating a warm and unique the San Francisco Ballet, and many other institutions that have active programming outdoor experience. Using extensive for children • Activate and bring the civic space to life planting and natural materials, the playgrounds aim to inspire: • Provide open space in an area where it is lacking to serve residents of the • Employ a unique, inspiring and artful Tenderloin, Civic Center, Hayes Valley and South of Market neighborhoods approach to playground design, to create a • surprise and delight playground unlike any other in the country • retreat and escape • Replace the existing 20 year old playgrounds and successfully serve current and • explore and roam future generations • experiment and investigate • challenge and thrill • Provide a safe place for children and families, in a way that is engaging and not isolating, including for example fencing design that is artistic and permeable ANDREA COCHRAN HELEN DILLER CIVIC CENTER PLAYGROUNDS LANDSCAPE ARCHITECTURE 2325 Third Street #210 San Francisco CA 94107 415.503.0060 2 PROJECT TEAM Helen Diller Family Foundation The Helen Diller Family Foundation supports programs and institutions in both the Bay area and throughout the world with a focus on education, science and the arts.