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Current Perspectives on Linux Accessibility Tools for Visually Impaired Users
ЕЛЕКТРОННО СПИСАНИЕ „ИКОНОМИКА И КОМПЮТЪРНИ НАУКИ“, БРОЙ 2, 2019, ISSN 2367-7791, ВАРНА, БЪЛГАРИЯ ELECTRONIC JOURNAL “ECONOMICS AND COMPUTER SCIENCE”, ISSUE 2, 2019, ISSN 2367-7791, VARNA, BULGARIA Current Perspectives on Linux Accessibility Tools for Visually Impaired Users Radka NACHEVA1 1 University of Economics, Varna, Bulgaria [email protected] Abstract. The development of user-oriented technologies is related not only to compliance with standards, rules and good practices for their usability but also to their accessibility. For people with special needs, assistive technologies have been developed to ensure the use of modern information and communication technologies. The choice of a particular tool depends mostly on the user's operating system. The aim of this research paper is to study the current state of the accessibility software tools designed for an operating system Linux and especially used by visually impaired people. The specific context of the considering of the study’s objective is the possibility of using such technologies by Bulgarian users. The applied approach of the research is content analysis of scientific publications, official documentation of Linux accessibility tools, and legal provisions and classifiers of international organizations. The results of the study are useful to other researchers who work in the area of accessibility of software technologies, including software companies that develop solutions for visually impaired people. For the purpose of the article several tests are performed with the studied tools, on the basis of which the conclusions of the study are made. On the base of the comparative study of assistive software tools the main conclusion of the paper is made: Bulgarian visually impaired users are limited to work with Linux operating system because of the lack of the Bulgarian language support. -
An Oral History of Berlin Minimal Techno
Menu Search Red Bull Music Academy Daily An Oral History of Berlin Minimal Techno A look back at the stripped-down subgenre that defined the German capital from 1998-2008 September 7, 2018 By Joshua Glazer In 1998, the rave scene that gripped Germany after reunification was at its apex. What had started in the literal underground spaces of post-GDR Berlin after the fall of the Wall had gone mainstream, with millions of young people celebrating the colorful culture of electronic dance music all across the country. But the techno utopia envisioned by many as the new millenium approached was already starting to come undone. The trend was swiftly co-opted – ironically, by some of the same capitalist forces that had defeated the communist system a decade earlier. The bubble soon burst, and many of those truly dedicated to the music were forced to rebuild. The result was something that was the opposite of rave’s over-the- top excess, a movement that idealized a minimalist aesthetic in sound, visuals and fashion. It was a lifestyle that resisted the unbridled exuberance of rave in favor of something more sustainable – and sustain it did, with tracks that filled whole sides of vinyl and parties that went on for days at a time. Berlin became the center for this new creative community, drawing in techno practitioners and aficionados from around the world who came for the party and stayed for the ease of living made possible by cheap rents and easy access to artist visas. “Minimal” became the buzzword around this scene, and while overindulgences were aplenty in freewheeling afterhours, the “arm, aber sexy” (poor but sexy) slogan coined by then-mayor Klaus Wowereit could not have been a more accurate appraisal of Berlin’s appeal. -
Embed Text to Speech in Website
Embed Text To Speech In Website KingsleyUndefended kick-off or pinchbeck, very andantino. Avraham Plagued never and introspects tentier Morlee any undercurrent! always outburn Multistorey smugly andOswell brines except his herenthymemes. earthquake so accelerando that You in speech recognition Uses premium Acapela TTS voices with license for battle use my the. 21 Best proud to Speech Software 2021 Free & Paid Online TTS. Add the method to deity the complete API endpoint for your matter The most example URL represents a crop to Speech instance group is. Annyang is a JavaScript SpeechRecognition library that makes adding voice. The speech recognition portion of the WebSpeech API allows websites to enable. A high-quality unlimited TTS voice app that runs in your Chrome browser Tool for creating voice from despair or Google Drive file. Speech synthesis is so artificial production of human speech A computer system used for this claim is called a speech computer or speech synthesizer and telling be implemented in software building hardware products A text-to-speech TTS system converts normal language text into speech. Which reads completely consume it? How we Add run to Speech in WordPress WPBeginner. The divine tool accepts both typed and handwritten input and supports. RingCentral Embeddable Voice into Text Widget. It is to in your people. Most of the embed the files, voice from gallo romance, embed text to speech in website where the former is built in the pronunciation for only in the spelling with. The type an external program, and continue to a few steps in your blog publishers can be spoken version is speech text? Usted tiene teclear cualquier texto, website to in text speech recognition is the home with a female voice? The Chrome extension lets you highlight the text tag any webpage to hear even read aloud. -
A Simplified Overview of Text-To-Speech Synthesis
Proceedings of the World Congress on Engineering 2014 Vol I, WCE 2014, July 2 - 4, 2014, London, U.K. A Simplified Overview of Text-To-Speech Synthesis J. O. Onaolapo, F. E. Idachaba, J. Badejo, T. Odu, and O. I. Adu open-source software while SpeakVolumes is commercial. It must however be noted that Text-To-Speech systems do Abstract — Computer-based Text-To-Speech systems render not sound perfectly natural due to audible glitches [4]. This is text into an audible form, with the aim of sounding as natural as possible. This paper seeks to explain Text-To-Speech synthesis because speech synthesis science is yet to capture all the in a simplified manner. Emphasis is placed on the Natural complexities and intricacies of human speaking capabilities. Language Processing (NLP) and Digital Signal Processing (DSP) components of Text-To-Speech Systems. Applications and II. MACHINE SPEECH limitations of speech synthesis are also explored. Text-To-Speech system processes are significantly different Index Terms — Speech synthesis, Natural Language from live human speech production (and language analysis). Processing, Auditory, Text-To-Speech Live human speech production depends of complex fluid mechanics dependent on changes in lung pressure and vocal I. INTRODUCTION tract constrictions. Designing systems to mimic those human Text-To-Speech System (TTS) is a computer-based constructs would result in avoidable complexity. system that automatically converts text into artificial A In general terms, a Text-To-Speech synthesizer comprises human speech [1]. Text-To-Speech synthesizers do not of two parts; namely the Natural Language Processing (NLP) playback recorded speech; rather, they generate sentences unit and the Digital Signal Processing (DSP) unit. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Masterarbeit
Masterarbeit Erstellung einer Sprachdatenbank sowie eines Programms zu deren Analyse im Kontext einer Sprachsynthese mit spektralen Modellen zur Erlangung des akademischen Grades Master of Science vorgelegt dem Fachbereich Mathematik, Naturwissenschaften und Informatik der Technischen Hochschule Mittelhessen Tobias Platen im August 2014 Referent: Prof. Dr. Erdmuthe Meyer zu Bexten Korreferent: Prof. Dr. Keywan Sohrabi Eidesstattliche Erklärung Hiermit versichere ich, die vorliegende Arbeit selbstständig und unter ausschließlicher Verwendung der angegebenen Literatur und Hilfsmittel erstellt zu haben. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch nicht veröffentlicht. 2 Inhaltsverzeichnis 1 Einführung7 1.1 Motivation...................................7 1.2 Ziele......................................8 1.3 Historische Sprachsynthesen.........................9 1.3.1 Die Sprechmaschine.......................... 10 1.3.2 Der Vocoder und der Voder..................... 10 1.3.3 Linear Predictive Coding....................... 10 1.4 Moderne Algorithmen zur Sprachsynthese................. 11 1.4.1 Formantsynthese........................... 11 1.4.2 Konkatenative Synthese....................... 12 2 Spektrale Modelle zur Sprachsynthese 13 2.1 Faltung, Fouriertransformation und Vocoder................ 13 2.2 Phase Vocoder................................ 14 2.3 Spectral Model Synthesis........................... 19 2.3.1 Harmonic Trajectories........................ 19 2.3.2 Shape Invariance.......................... -
Espeak : Speech Synthesis
Software Requirements Specification for ESpeak : Speech Synthesis Version 1.48.15 Prepared by Dimitrios Koufounakis January 10, 2018 Copyright © 2002 by Karl E. Wiegers. Permission is granted to use, modify, and distribute this document. Software Requirements Specification for <Project> Page ii Table of Contents Table of Contents .......................................................................................................................... ii Revision History ............................................................................................................................ ii 1. Introduction ..............................................................................................................................1 1.1 Purpose ............................................................................................................................................. 1 1.2 Document Conventions .................................................................................................................... 1 1.3 Intended Audience and Reading Suggestions................................................................................... 1 1.4 Project Scope .................................................................................................................................... 1 1.5 References......................................................................................................................................... 1 2. Overall Description ..................................................................................................................2 -
A University-Based Smart and Context Aware Solution for People with Disabilities (USCAS-PWD)
computers Article A University-Based Smart and Context Aware Solution for People with Disabilities (USCAS-PWD) Ghassan Kbar 1,*, Mustufa Haider Abidi 2, Syed Hammad Mian 2, Ahmad A. Al-Daraiseh 3 and Wathiq Mansoor 4 1 Riyadh Techno Valley, King Saud University, P.O. Box 3966, Riyadh 12373-8383, Saudi Arabia 2 FARCAMT CHAIR, Advanced Manufacturing Institute, King Saud University, Riyadh 11421, Saudi Arabia; [email protected] (M.H.A.); [email protected] (S.H.M.) 3 College of Computer and Information Sciences, King Saud University, Riyadh 11421, Saudi Arabia; [email protected] 4 Department of Electrical Engineering, University of Dubai, Dubai 14143, United Arab Emirates; [email protected] * Correspondence: [email protected] or [email protected]; Tel.: +966-114693055 Academic Editor: Subhas Mukhopadhyay Received: 23 May 2016; Accepted: 22 July 2016; Published: 29 July 2016 Abstract: (1) Background: A disabled student or employee in a certain university faces a large number of obstacles in achieving his/her ordinary duties. An interactive smart search and communication application can support the people at the university campus and Science Park in a number of ways. Primarily, it can strengthen their professional network and establish a responsive eco-system. Therefore, the objective of this research work is to design and implement a unified flexible and adaptable interface. This interface supports an intensive search and communication tool across the university. It would benefit everybody on campus, especially the People with Disabilities (PWDs). (2) Methods: In this project, three main contributions are presented: (A) Assistive Technology (AT) software design and implementation (based on user- and technology-centered design); (B) A wireless sensor network employed to track and determine user’s location; and (C) A novel event behavior algorithm and movement direction algorithm used to monitor and predict users’ behavior and intervene with them and their caregivers when required. -
Personal Medication Advisor
FACULDADE DE ENGENHARIA DA UNIVERSIDADE DO PORTO Personal Medication Advisor Joana Polónia Lobo MASTER IN BIOENGINEERING Supervisor at FhP: Liliana Ferrreira (PhD) Supervisor at FEUP: Aníbal Ferreira (PhD) July, 2013 © Joana Polónia Lobo, 2013 Personal Medication Advisor Joana Polónia Lobo Master in Bioengineering Approved in oral examination by the committee: Chair: Artur Cardoso (PhD) External Examiner: Fernando Perdigão (PhD) Supervisor at FhP: Liliana Ferrreira (PhD) Supervisor at FEUP: Aníbal Ferreira (PhD) ____________________________________________________ July, 2013 Abstract Healthcare faces new challenges with automated medical support systems and artificial intelligence applications for personal care. The incidence of chronic diseases is increasing and monitoring patients in a home environment is inevitable. Heart failure is a chronic syndrome and a leading cause of death and hospital readmission on developed countries. As it has no cure, patients will have to follow strict medication plans for the rest of their lives. Non-compliance with prescribed medication regimens is a major concern, especially among older people. Thus, conversational systems will be very helpful in managing medication and increasing adherence. The Personal Medication Advisor aimed to be a conversational assistant, capable of interacting with the user through spoken natural language to help him manage information about his prescribed medicines. This patient centred approach to personal healthcare will improve treatment quality and efficacy. System architecture encompassed the development of three modules: a language parser, a dialog manager and a language generator, integrated with already existing tools for speech recognition and synthesis. All these modules work together and interact with the user through an Android application. System evaluation was performed through a usability test to assess feasibility, coherence and naturalness of the Personal Medication Advisor. -
Voicesetting: Voice Authoring Uis for Improved Expressivity in Augmentative Communication Alexander J
Voicesetting: Voice Authoring UIs for Improved Expressivity in Augmentative Communication Alexander J. Fiannaca, Ann Paradiso, Jon Campbell, Meredith Ringel Morris Microsoft Research, Redmond, WA, USA {alfianna, annpar, joncamp, merrie}@microsoft.com ABSTRACT prosodic features such as the rate of speech, the pitch of the Alternative and augmentative communication (AAC) voice, and cadence/pacing of words. The fact that these systems used by people with speech disabilities rely on text- advances have yet to be incorporated into SGDs in a to-speech (TTS) engines for synthesizing speech. Advances meaningful way is a major issue for AAC. Recent work such in TTS systems allowing for the rendering of speech with a as that of Higginbotham [9], Kane et. al. [11], and Pullin et range of emotions have yet to be incorporated into AAC al. [22] has described the importance of this issue and the systems, leaving AAC users with speech that is mostly need to develop better AAC systems capable of more devoid of emotion and expressivity. In this work, we expressive speech, but to date, there are no research or describe voicesetting as the process of authoring the speech commercially available AAC devices that provide advanced properties of text. We present the design and evaluation of expressive speech capabilities, with a majority only allowing two voicesetting user interfaces: the Expressive Keyboard, for basic modification of speech parameters (overall rate and designed for rapid addition of expressivity to speech, and the volume) that cannot be varied on-the-fly (as utterances are Voicesetting Editor, designed for more careful crafting of the constructed and played), while not leveraging the capabilities way text should be spoken. -
Interview with Richie Hawtin 156
University of Huddersfield Repository Bougaïeff, Nicolas An Approach to Composition Based on a Minimal Techno Case Study Original Citation Bougaïeff, Nicolas (2013) An Approach to Composition Based on a Minimal Techno Case Study. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/18067/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ An Approach to Composition Based on a Minimal Techno Case Study by Nicolas Bougaïeff Submitted for the degree of Doctor of Philosophy Department of Music, Humanities and Media University of Huddersfield January 2013 © Nicolas Bougaïeff 2013 Abstract 4 Acknowledgments 6 Introduction 7 0. Background 10 0.1 Literature Review 10 0.2 Methodology 15 0.3 Minimal Music History 21 1. Case Study 37 1.1 Liine 37 1.1.1 Background 37 1.1.2 Systems 39 1.1.3 Kapture 48 1.1.4 Griid 53 1.2 Plastikman Live 65 1.2.1 Introduction 65 1.2.2 Tracks, Scenes, Instruments and Samples 68 1.2.3 Effects 74 1.2.4 Plasticine 77 1.3 Political Economy 87 1.3.1 Sacrifice 89 1.3.2 Representation 92 1.3.3 Repetition 96 1.3.4 Hyper-Repetition 103 1.3.5 Composition 107 2. -
Techno's Journey from Detroit to Berlin Advisor
The Day We Lost the Beat: Techno’s Journey From Detroit to Berlin Advisor: Professor Bryan McCann Honors Program Chair: Professor Amy Leonard James Constant Honors Thesis submitted to the Department of History Georgetown University 9 May 2016 2 Table of Contents Acknowledgements 3 Introduction 5 Glossary of terms and individuals 6 The techno sound 8 Listening suggestions for each chapter 11 Chapter One: Proto-Techno in Detroit: They Heard Europe on the Radio 12 The Electrifying Mojo 13 Cultural and economic environment of middle-class young black Detroit 15 Influences on early techno and differences between house and techno 22 The Belleville Three and proto-techno 26 Kraftwerk’s influence 28 Chapter Two: Frankfurt, Berlin, and Rave in the late 1980s 35 Frankfurt 37 Acid House and Rave in Chicago and Europe 43 Berlin, Ufo and the Love Parade 47 Chapter Three: Tresor, Underground Resistance, and the Berlin sound 55 Techno’s departure from the UK 57 A trip to Chicago 58 Underground Resistance 62 The New Geography of Berlin 67 Tresor Club 70 Hard Wax and Basic Channel 73 Chapter Four: Conclusion and techno today 77 Hip-hop and techno 79 Techno today 82 Bibliography 84 3 Acknowledgements Thank you, Mom, Dad, and Mary, for putting up with my incessant music (and me ruining last Christmas with this thesis), and to Professors Leonard and McCann, along with all of those in my thesis cohort. I would have never started this thesis if not for the transformative experiences I had at clubs and afterhours in New York and Washington, so to those at Good Room, Flash, U Street Music Hall, and Midnight Project, keep doing what you’re doing.