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Du Visual Effects Supervisor Au Superviseur Des Effets Visuels, Un Rapport Au Collectif Différent ?
Du visual effects supervisor au superviseur des effets visuels, un rapport au collectif différent ? Réjane Hamus-Vallée Centre Pierre Naville, Université d’Évry Val d’Essonne Université Paris Saclay, Évry, France et Caroline Renouard 2L2S, axe Arts et Industries culturelles, Université de Lorraine. J Réjane HAMUS-VALLÉE est MCF HDR au sein du département de sociologie de l’Université d’Évry-Val-d’Essonne, où elle dirige le Master Image et société. Elle est membre du Centre Pierre Naville. Elle a publié différents ouvrages et articles sur la question des effets spéciaux (entre autres Les Effets spéciaux, éd. Cahiers du cinéma / CNDP, « Les Petits cahiers », 2005, « Du trucage aux effets spéciaux » (direction), CinémAction n° 102, 2002, sur la sociologie visuelle et filmique, et sur les métiers du cinéma. Avec Caroline Renouard, elle a publié Superviseur des effets visuels pour le cinéma, Eyrolles, 2015, et « Les métiers du cinéma à l’ère du numérique », direction, CinémAction, 2015. Caroline RENOUARD est docteure en arts de l’Université Paris-Est. Après un contrat de postdoc au Labex Arts-H2H en 2015-2016, elle est nommée maîtresse de conférences à l’Université de Lorraine, au sein du Laboratoire Lorrain en Sciences Sociales (2L2S). Ses travaux portent principalement sur les effets spéciaux visuels, l’intermédialité et les interdépendances anciens/nouveaux médias. Avec Réjane Hamus-Vallée, elle a codirigé le numéro 155 de CinémAction consacré aux métiers du cinéma à l’ère du numérique (juin 2015), publié Superviseur des effets visuels pour le cinéma (Eyrolles, 2015) et coréalisé des webdocumentaires pour l’Observatoire des métiers de l’audiovisuel. -
STAR WARS: EPISODE II ATTACK of the CLONES by GEORGE LUCAS & JONATHAN HALES
STAR WARS: EPISODE II ATTACK OF THE CLONES By GEORGE LUCAS & JONATHAN HALES Revised Third Draft Last Revision September 5, 2001 FOR EDUCATIONAL PURPOSES ONLY 1 EXT. SPACE - TITLE CARD 1 A long time ago in a galaxy far, far away... A vast sea of stars serves as the backdrop for the main title. War drums echo through the heavens as a rollup slowly crawls into infinity. There is unrest in the Galactic Senate. Several thousand solar systems have declared their intentions to leave the Republic. The separatist movement, under the leadership of the mysterious Count Dooku, has made it difficult for the limited number of Jedi Knights to maintain peace and order in the galaxy. Senator Amidala, the former Queen of Naboo, is returning to the Galactic Senate to vote on the critical issue of creating an ARMY OF THE REPUBLIC to assist the overwhelmed Jedi.... PAN UP to reveal the amber city planet of Coruscant. Two yellow Naboo Fighters fly OVER CAMERA toward the planet, followed by a large Naboo Cruiser and one more Fighter. 2 INT. NABOO CRUISER - DAWN 2 The LIEUTENANT and two SECURITY OFFICERS address SENATOR AMIDALA as the Cruiser nears the planet. LIEUTENANT Senator, we’re making our final approach in to Coruscant. SENATOR AMIDALA Very good, Lieutenant. 3 EXT. CITYSCAPE, CORUSCANT - DAWN 3 The ships skim across the surface of the city landscape. The sun glints off the chrome hulls of the sleek Naboo spacecraft as they navigate between the buildings of the capital planet. 2. 4 EXT. CORUSCANT, LANDING PLATFORM - DAWN 4 Two Naboo Fighters land on one leaf of a three-leaf-clover landing platform. -
Starwars Episode Vi Revenge of the Jedi
S T A R W A R S EPISODE VI REVENGE OF THE JEDI BY LAWRENCE KASDAN AND GEORGE LUCAS FROM THE NOVEL BY GEORGE LUCAS SECOND DRAFT - DECEMBER 19, 1982 1 SPACE 1 The boundless heavens serve as a back-drop for the MAIN TITLE, followed by a ROLL-UP, which crawls into infinity. Episode VI: REVENGE OF THE JEDI... Luke Skywalker has returned to his home planet of Tatooine in an attempt to rescue his friend Han Solo from the clutches of the vile gangster Jabba the Hutt. Little does Luke know that the GALACTIC EMPIRE has secretly begun construction on a new armored space station even more powerful than the first dreaded Death Star. When completed, this ultimate weapon will spell certain doom for the small band of Rebels struggling to restore freedom to the galaxy... PAN DOWN to reveal a monstrous half-completed Death Star, its massive superstructure curling away from the completed section like the arms of a giant octopus. Beyond, in benevolent contrast, floats the small, green moon of ENDOR. An Imperial Star Destroyer moves overhead toward the massive armored space station, followed by two zipping TIE fighters. A small Imperial shuttle rockets from the main bay of the ship and hustles toward the Death Star. 2 INT IMPERIAL SHUTTLE - COCKPIT 2 The shuttle captain makes contact with the Death Star. SHUTTLE CAPTAIN Command station, this is ST 321. Code Clearance Blue. We're starting our approach. Deactivate the security shield. DEATH STAR CONTROLLER (filtered VO) The security deflector shield will be deactivated when we have confirmation of your code transmission. -
THE SHAPE of THINGS to COME Lindsey Pauwels ONTWERPEN VAN SCI-FI WERELDEN UNIVERSITEIT GENT FACULTEIT INGENIEURSWETENSCHAPPEN
THE SHAPE OF THINGS TO COME LINDSEY PAUWELS ONTWERPEN VAN SCI-FI WERELDEN UNIVERSITEIT GENT FACULTEIT INGENIEURSWETENSCHAPPEN VAKGROEP ARCHITECTUUR & STEDENBOUW Voorzitter: Prof. Dr. Bart Verschaffel “The Shape Of Things To Come: ontwerpen van sci-fi werelden” door Lindsey Pauwels Promotor: Prof. Dr. Ir.-Arch. Maarten Delbeke Scriptie ingediend tot het behalen van de academische graad van burgerlijk ingenieur-architect. Academiejaar 2006-2007 “The Shape Of Things To Come: ontwerpen van sci-fi werelden” door Lindsey Pauwels Scriptie ingediend tot het behalen van de academische graad van burgerlijk ingenieur-architect. Academiejaar 2006-2007 Promotor: Prof Dr. Ir.-Arch. Maarten Delbeke Faculteit Ingenieurswetenschappen Universiteit Gent Vakgroep Architectuur & Stedenbouw Voorzitter: Prof. Dr. Bart Verschaffel samenvatting In deze scriptie wordt het verband gelegd tussen het ontwerpen van architectuur en het ontwerpen van science fiction films. In het eerste deel worden de middelen en processen besproken die ontwerpers ter hunner beschikking hebben om omgevingen in science fiction films te ontwerpen en wie deze ontwerpers zijn. Een eerste hoofdstuk behandelt hierbij de mechanische en visuele effecten, in het tweede hoofdstuk wordt het special effects bedrijf Industrial Light & Magic geanalyseerd. In het tweede deel worden vijf science fiction films grondig bestudeerd aan de hand van de informatie uit het eerste deel. trefwoorden ontwerpen van filmomgevingen, decorontwerp, science fiction film, special effects (speciale effecten), production design, Star Wars, Industrial Light & Magic, Metropolis, Tron, Blade Runner, Starship Troopers, Event Horizon De auteur geeft de toelating deze scriptie voor consultatie beschikbaar te stellen en delen van de scriptie te kopiëren voor persoonlijk gebruik. Elk ander gebruik INHOUDSTAFEL valt onder de beperkingen van het auteursrecht, in het bijzonder met betrekking tot de verplichting de bron uitdrukkelijk te vermelden bij het aanhalen van resultaten uit deze scriptie. -
The Magic Years Pdf, Epub, Ebook
THE MAGIC YEARS PDF, EPUB, EBOOK Selma Fraiberg | 320 pages | 06 Aug 1997 | SIMON & SCHUSTER | 9780684825502 | English | New York, United States The Magic Years PDF Book I have it on my wall here at ILM. Maybe some of it sank in. Please deactivate your ad blocker in order to see our subscription offer. Time Out London. How to Renovate. I went to dailies. Creative Bloq is supported by its audience. Our newsletter hand-delivers its best bits to your inbox. Hershey's Kisses announced today they were rolling out their first new seasonal flavor in 10 whole years—the Hot Cocoa Kiss. Today's Top Stories. For three days, I built a miniaturisation platform for the Star Tours ride. We started laughing. Count us in! Please deactivate your ad blocker in order to see our subscription offer. Steve Gawley gave me a drawing and left. Kitchen Tips and Tools. I didn't know what to do, so I went into the hall and saw Dennis Muren. All rights reserved. You may be able to find more information about this and similar content at piano. Instagram via somdasgupta. The Magic Years Writer Here, adorable pandas are surrounded by bamboo plants. For three days, I built a miniaturisation platform for the Star Tours ride. The extra room makes Zagreb a comfortable and enjoyable experience compared to many cramped markets you'll find in other cities. He reached that goal eight years later. He went on to win Oscars for E. More From Food News. We have a bag of these bad boys en route and will update this post as more information becomes available Though you've undoubtedly had the Candy Cane flavor before, we can revisit that too. -
Return-Of-The-Jedi-Press-Kit2.Pdf
www.knowitalljoe.com "THE STAR WARS SAGA ON LOCATION" Feature -2- British production designer Norman Reynolds, a double Oscar winner for STAR WARS ana RAIDERS OF THE LOST ARK, was given a million dollar budget to clear the valley of vegetation and construct a four acre stockade to house his 30,000 square foot platform which is topped by a sixty foot, fully-rigged, anti-gravity Sail Barge. The true significance of this set will remain a closely kept secret until RETURN OF THE JEDI opens on May 25, 1983. The JEDI crew was in the area for six months, employing more than fifty local residents ana pumping more than two million dollars into the local economy. Associate to the Producer Louis Friedman was relieved to discover that, almost without exception, "I could find anything we needed locally. I just had to look a bit longer ana harder." Assistant art director Chris Campbell concurs: "The merchants here really helped us a lot. They realized that with an operation of this size, when we ord~red a product, we needed it all-- not just a gallon or two." Some of the things they needed were two million gallons of water (drawn from the All American Canal) to continually dampen down and grade the only possible access road and sixteen thousand pounds of nails to keep the massiv~ Sail Barge structure steady. (More) "THE STAR WARS SAGA ON LOCATION" ... Featur e -3- The filming of the compl ex action and special effects sequence was completed in two weeks, exactly as planned despite daytime temper qtures of 120° and two days of intermittent sandstorms with sixty mile per hour winds which sent the one hundred twenty-five member cast and crew running for cover. -
XI Festival Internacional De Cinema E Vídeo De Ambiente Serra Da Estrela Seia Portugal
cineeco2005 XI festival internacional de cinema e vídeo de ambiente serra da estrela seia_portugal membro fundador da ASSOCIAÇÃO DE FESTIVAIS DE CINEMA DE MEIO AMBIENTE (EFFN - ENVIRONMENTAL FILM FESTIVAL NETWORK) juntamente com cinemambiente . environmental film festival . turim . itália festival internacional del medi ambient sant feliu de guíxols . barcelona . espanha ecocinema . festival internacional de cinema ambiental . grécia parceiro dos festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema do ambiente washington . eua vizionária . international video festival . siena . itália wild and scenic environmental film festival . nevada city . eua em formação plataforma atlântica de festivais de ambiente de colaboração com festival internacional de cinema e vídeo ambiental goiás . brasil festival de são vicente . cabo verde extensão do cineeco: centro das artes . casa das mudas . calheta . madeira Edição: CineEco Título: Programa do CineEco’2005 XI Festival Internacional de Cinema e Vídeo de Ambiente da Serra da Estrela Coordenação, design gráfico e concepção da capa segundo imagem de “Madagáscar”, de Eric Darnell: Lauro António Tiragem: 1000 exemplares Impressão: Cromotipo Artes Gráficas Depósito Legal: 116857/97 | 3 | cineeco2005 Saudação do Presidente da Câmara de Seia O Cine’Eco – Festival Internacional de Cinema e Vídeo de Ambiente da Serra da Estrela é, no plano cultural, uma importante marca do esforço que a Câmara Municipal tem desenvolvido e vai continuar a desenvolver, em benefício da qualidade do nosso ambiente. No ano em que o Cine’Eco avança para a sua 11ª edição, estão a dar-se, finalmente, passos decisivos para o tratamento de todos os esgotos domésticos e industriais. Em 2006, os nossos rios e ribeiras vão voltar a correr sem poluição. -
Press Coverage
PRESS COVERAGE Animator, Gorilla and War Top VES Awards Wednesday February 15, 2006 Animation’s sweetheart John Lasseter found himself wedged between the vfx giant pics WAR OF THE WORLDS and KING KONG as they all commanded the awards and praise at the 4th Annual VES Awards tonight, (Feb. 15, 2006) at the Hollywood Paladium in Hollywood to a sold-out crowd attending the Visual Effects Society black-tie fete recognizing outstanding visual effects in 20 categories of film, television, commercials, music videos and games. WAR OF THE WORLDS and KING KONG each won in three categories. VES exec director Eric Roth opened the evening but the stage soon became dominated by celebrities all drawn to honor Lasseter, many of whom are featured as voices in his upcoming movie, CARS, he is directing for Pixar. More members of the press than usual were drawn to check out the Pixar/Disney proclaimed heir to the feature animated portion of the Walt Disney kingdom. There were many more pr handlers at this year’s awards the Pixar awardees, Lasseter (recipient of the Georges Méliès Award for Artistic Excellence) and Jim Morris (given the VES Board of Directors Award), whose own handlers diligently monitored their access. Morris, VES founding chairman, is working on a film at Pixar he could not comment on and Lassetter was limited about discussing the future of projects under his upcoming watch at Disney Feature Animation and Pixar. The actors poured on the praise for Lasseter, not only for his artistry, storytelling and dedication, but for also bringing great joy and a child-like enjoyment and sense of discovery to the work.