30 Years of Theatre 30 Years of Performance (1990-2020)
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170101 ATC Flexpass Interim Bro Outside
E SUBSCRIB / G R O . E R T A THE A ARIZON ! Y A TOD SUBSCRIBE 8 201 - - -- 7 201 Y FAMIL ATC THE JOIN ARIZONA THEATRE COMPANY OFFERS A VARIETY OF SUBSCRIPTION OPTIONS TO GIVE YOU THE BEST OPPORTUNITY TO SEE ALL THE SHOWS YOU WANT TO SEE, WHEN YOU WANT TO SEE THEM, FROM WHATEVER SEATS YOU CHOOSE. WHEN YOU SUBSCRIBE TO ATC, YOU’RE FAMILY! 6-PLAY FULL SEASON SUBSCRIPTION BUILD-YOUR-OWN SUBSCRIPTION FLEX PASSES The Rolls Royce of subscriptions! For the true Join the ATC family on your terms! If you know the Enjoy subscriber benefits without the commitment! theatre connoisseur, you get to sample everything shows and dates you’d like to attend, we have just WHEN YOU PURCHASE A FLEX PASS, YOU RECEIVE: that ATC has to offer! the package for you! Our 3, 4, and 5-Play packages offer almost all the benefits of our 6-Play - Best seats in ANY section at the time of pass WHEN YOU PURCHASE A 6-PLAY, YOU RECEIVE: Subscriptions, and you get to be part of the ATC redemption - Guaranteed best seats for the shows you can’t family for a fraction of the price of single tickets! - Flexibility to redeem passes in any combination wait to see you choose WHEN YOU PURCHASE A 3-PLAY, 4-PLAY, OR - Unlimited free exchanges - Locked-in pricing for any tickets for the entire 5-PLAY PACKAGE, YOU RECEIVE: - Lost ticket insurance season, at a significant savings over single - Guaranteed best seats for the shows you can’t ticket prices - Priority renewals and seating upgrades wait to see - Early-bird access to special add-on productions - The satisfaction of knowing you’re -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
Bronx Bombers
BRONX BOMBERS BY ERIC SIMONSON CONCEIVED BY FRAN KIRMSER DRAMATISTS PLAY SERVICE INC. BRONX BOMBERS Copyright © 2014, Eric Simonson All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BRONX BOMBERS is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BRONX BOMBERS are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to Creative Artists Agency, 405 Lexington Avenue, 19th Floor, New York, NY 10174. -
2013 Year in Review
OPERA AMERICA 2013 GROWING ONSTAGE AND OFF OPTION 1 TABLE OF CONTENTS A SURGE OF INNOVATION 6 RESONATING IN NEW SPACES 14 A COMMUNITY OF VOICES 20 OPERA AMERICA FINANCIAL REPORT 28 ANNUAL FIELD REPORT 30 SUPPORT FOR OPERA AMERICA 55 COVER: Maria Aleida as Queen of the Night in Opera Carolina’s production of The Magic Flute. Photo by Jon Silla. LEFT: Nina Yoshida Nelsen, Ji Hyun Jang and Mihoko Kinoshita in Houston Grand Opera’s production of The Memory Stone by Marty Regan and Kenny Fries. Photo by Felix Sanchez. CONCEPT AND DESIGN FOR ANNUAL REPORT BY THE LETTER FROM THE CHAIRMAN Since its inception OPERA America has existed as a community of like-minded individuals committed to the artistic and financial strength of the field. This past year, our definition of community expanded: our conference, held in Vancouver, affirmed our commitment to all of North America, while our growing partnership with Opera Europa continued to bridge the continents through our shared dedication to an art form that knows no borders. Most profoundly, however, the opening of the National Opera Center in New York has created a new center for our community, a tangible space where individual and company members can gather for auditions, recitals and professional learning programs. The center’s technology capabilities enable us to share these offerings globally, even as its flexible amenities enable us to share our love for opera locally. We are delighted to present our global, national and local achievements of the past year through this Annual Report. To our members we offer gratitude for your support of these achievements. -
January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
The Semi-Circle Basel
The Semi-Circle Play-readings since 2010 2020 2020 07 22 Vampirella (Virtual via Zoom) by Angela Carter 2020 06 24 Cooking with Elvis (Virtual via Zoom) by Lee Hall 2020 05 26 Dumb Show (Virtual via Zoom) by Joe Penhall 2020 04 28 What Shall We Tell Caroline (Virtual via by John Mortimer Zoom) 2020 03 09 Kiss of the Spider Woman (El beso de la by Manuel Puig mujer araña) 2020 02 03 The Real Thing by Tom Stoppard 2020 01 06 The Philanthropist by Christopher Hampton 2019 2019 12 02 Inspector Drake and the Perfect Crime by David Tristram 2019 11 04 We Were Dancing, Still Life & Hands Across by Noel Coward the Sea 2019 10 07 Once a Catholic by Mary O'Malley 2019 09 02 Overtones by Alice Gerstenberg A Little Box of Oblivion by Stephen Bean 2019 07 01 No Exit by Jean-Paul Sartre 2019 06 03 The Party Through the Wall by Muriel Spark This Property is Condemned by Tennessee Williams The End of the Picnic by David Campton 2019 05 06 Daisy Pulls it Off by Denise Deegan 2019 04 08 The Turn of the Screw by Henry James adapted by Ken Whitmore 2019 02 04 The Frozen Deep by Wilkie Collins 2019 01 07 The Surrogate by Patricia Cotter 2018 2018 12 03 That Face by Polly Stenham 2018 11 05 Good Grief by Keith Waterhouse 2018 10 01 The Day After the Fair by Frank Harvey 2018 09 03 Central Park West by Woody Allen 2018 07 02 The Magic Tower, The Pretty Trap & Interior by Tennessee Williams Panic 2018 06 04 A Voyage Around My Father by John Mortimer 2018 05 07 Penguin Diplomacy, by John Finnemore Borderland by Sarah Woods 2018 04 09 Jenny Lomas by David Eldridge 2018 03 05 Lost in Yonkers by Neil Simon 2018 02 05 Not Talking by Mike Bartlett 2018 01 08 Quartermaine's Terms by Simon Grey 2017 2017 12 04 Inspector Drake and the Black Widow by David Tristram 2017 11 06 An Ordinary Day by Dario Fo 2017 10 02 Brimstone & Treacle by Dennis Potter 2017 09 04 Amateur Rites by Tim Luscombe 2017 07 03 Antigone by Sophocles 2017 12 06 Bedroom Farce by Alan Ayckbourn 2017 05 08 A Day in the Death of Joe Egg by Peter Nichols 2017 04 03 R.U.R. -
RANGO (PG) Ebert: Users: You: Rate This Movie Right Now
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search RANGO (PG) Ebert: Users: You: Rate this movie right now GO Search powered by YAHOO! register You are not logged in. Log in » Subscribe to weekly newsletter » times & tickets Rango in theaters The Adjustment Bureau Fandango BY ROGER EBERT / March 2, 2011 I Will Follow Search movie Ip Man 2 showtimes and buy "Rango" is some kind of a Rango tickets. miracle: An animated Take Me Home Tonight comedy for smart cast & credits moviegoers, wonderfully more current releases » about us With the voices of: made, great to look at, one-minute movie reviews wickedly satirical, and About the site » (gasp!) filmed in glorious 2- Rango/Lars Johnny Depp D. Its brilliant colors and Beans Isla Fisher still playing Site FAQs » startling characters spring Priscilla Abigail Breslin from the screen and remind The Adjustment Bureau Contact us » Mayor Ned Beatty us how very, very tired we Roadkill Alfred Molina All Good Things are of simpleminded little Another Year Email the Movie Jake Bill Nighy characters bouncing around Barney's Version Answer Man » Doc/Merrimack Stephen Root dimly in 3-D. Biutiful Balthazar Harry Dean Stanton Blue Valentine This is an inspired comic Bad Bill Ray Winstone Casino Jack on sale now Western, deserving Cedar Rapids comparison with "Blazing Paramount Pictures presents a film Certifiably Jonathan Saddles," from which it directed by Gore Verbinski. Written The Company Men Country Strong borrows a lot of farts. -
CURRICULUM VITAE Min ZHOU, Ph.D
CURRICULUM VITAE Min ZHOU, Ph.D. ADDRESS Department of Sociology, UCLA 264 Haines Hall, 375 Portola Plaza, Box 951551 Los Angeles, CA 90095-1551 U.S.A. Office Phone: +1 (310) 825-3532 Email: [email protected]; home page: https://soc.ucla.edu/faculty/Zhou-Min EDUCATION May 1989 Doctor of Philosophy in Sociology, State University of New York (SUNY) at Albany May 1988 Certificate of Graduate Study in Urban Policy, SUNY-Albany December 1985 Master of Arts in Sociology, SUNY-Albany January 1982 Bachelor of Arts in English, Sun Yat-sen University (SYSU), China PHD DISSERTATION The Enclave Economy and Immigrant Incorporation in New York City’s Chinatown. UMI Dissertation Information Services, 1989. Advisor: John R. Logan, SUNY-Albany • Winner of the 1989 President’s Distinguished Doctoral Dissertation Award, SUNY-Albany PROFESSIONAL CAREER Current Positions • Distinguished Professor of Sociology and Asian American Studies, UCLA (since July 2021) • Walter and Shirley Wang Endowed Chair in U.S.-China Relations and Communications, UCLA (since 2009) • Director, UCLA Asia Pacific Center (since November 1, 2016) July 2000 to June 2021 • Professor of Sociology and Asian American Studies, UCLA • Founding Chair, Asian American Studies Department, UCLA (2004-2005; Chair of Asian American Studies Interdepartmental Degree Program (2001-2004) July 2013 to June 2016 • Tan Lark Sye Chair Professor of Sociology & Head of Division of Sociology, School of Humanities and Social Sciences, Nanyang Technological University (NTU), Singapore • Director, Chinese Heritage Centre (CHC), NTU, Singapore July 1994 to June 2000 Assistant to Associate Professor with tenure, Department of Sociology & Asian American Studies Interdepartmental Degree Program, UCLA August 1990 to July 1994 Assistant Professor of Sociology, Louisiana State University, Baton Rouge M. -
The Influence of Bushido, Way of the Warrior, On
THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i This thesis is dedicated to My beloved Family: ENY HARYANI and ENDHY PRIAMBODO You are the best that God has given to me iv v ACKNOWLEDGEMENTS First of all, I would like to thank The Almighty Allah, SWT, for giving me the amazing love, courage and honor in my life. Through Allah’s love, I can stand in every moment in my life to face the sadness and happiness, and I can see that everything is beautiful. I also would like to thank my major sponsor, Drs. A. Herujiyanto, MA., Ph.D., who has devoted his time, knowledge and effort to improve this thesis. He has not only given me considerable and continual corrections, guidance, and support, but also great lessons for my life in the future. -
Aactfest History
AACTFest History AACTFest had its beginnings in 1957. At that time, the first World Festival of Amateur Theatre (Le Festival Mondiale du Théâtre Amateur) was held in the principality of Monaco under the high patronage of Their Serene Highnesses Prince Ranier and Princess Grace. The World Festival of Amateur Theatre was, and is, the official festival of the International Amateur Theatre Association (AITA/IATA). The typical American definition of amateur, implying a relative lack of skill, is not accepted by AITA/IATA. Amateur is used in the context of “to love”; thus, an amateur is one who does something for love and pleasure rather than for monetary remuneration. While AITA/IATA handles the international aspects, the festival itself is almost entirely a Monégasque production organized by the Studio de Monaco, home of the Cercle Artistique Monégasque d’Amateurs de Théâtre. Random theatres from America took turns representing the U.S. at this quadrennial international event. After eight years, the World Festival organization contacted the American National Theatre and Academy (ANTA). Through the offices of Princess Grace, ANTA was asked to provide input as to what theatres from the U.S. should attend the World Festival. ANTA felt it would be more appropriate to pass the invitation on to the American Community Theatre Association (ACTA). ACTA was the community theatre division of the seven- year-old American Theatre Association (ATA) umbrella organization. (In 1965 ACTA consisted of approximately 12 to 14 community theatres and had a membership of 40 to 50.) Howard Orms, the President of ACTA, contacted several theatres with no success.