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Ronnie Scott's Jazz C
GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 6 z 1 0 z 2 a r J e MEMBERSHIP TO b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n m e OR CALL: 020 74390747 n v o Europe’s Premier Jazz Club in the heart of Soho, London ‘Hugh Masekela Returns...‘ o N R Cover artist: Hugh Masekela Page 36 Page 01 Artists at a Glance Tues 1st - Thurs 3rd: Steve Cropper Band N Fri 4th: Randy Brecker & Balaio play Randy In Brasil o v Sat 5th: Terence Blanchard E-Collective e Sun 6th Lunch Jazz: Atila - ‘King For A Day’ m b Sun 6th: Ronnie Scott’s Jazz Orchestra e Mon 7th - Sat 12th: Kurt Elling Quintet “The Beautiful Day” r Thurs 10th: Late Late Show Special: Brandee Younger: A Tribute To Alice Coltrane & Dorothy Ashby Sun 13th Lunch Jazz: Salena Jones & The Geoff Eales Quartet Sun 13th: Dean Brown - Rolajafufu The Home Secretary Amber Rudd came up with Mon 14th - Tues 15th : Bettye LaVette Wed 16th - Thurs 17th : Marcus Strickland Twi-Life a wheeze the other day that all companies should Fri 18th - Sat 19th : Charlie Hunter: An Evening With publish how many overseas workers they employ. Sun 20th Lunch Jazz: Charlie Parker On Dial: Presented By Alex Webb I, in my naivety, assumed this was to show how Sun 20th: Oz Noy Mon 21st: Ronnie Scott’s Blues Explosion much we relied upon them in the UK and that a UT Tues 22nd - Wed 23rd: Hugh Masekela SOLD O dumb-ass ban or regulated immigration system An additional side effect of Brexit is that we now Thurs 24th - Sat 26th: Alice Russell would be highly harmful to the economy as a have a low strength pound against the dollar, Sun 27th Lunch Jazz: Pete Horsfall Quartet whole. -
Songs by Artist
Sunfly (All) Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Comic Relief) Vanessa Jenkins & Bryn West & Sir Tom Jones & 3OH!3 Robin Gibb Don't Trust Me SFKK033-10 (Barry) Islands In The Stream SF278-16 3OH!3 & Katy Perry £1 Fish Man Starstrukk SF286-11 One Pound Fish SF12476 Starstrukk SFKK038-10 10cc 3OH!3 & Kesha Dreadlock Holiday SF023-12 My First Kiss SFKK046-03 Dreadlock Holiday SFHT004-12 3SL I'm Mandy SF079-03 Take It Easy SF191-09 I'm Not In Love SF001-09 3T I'm Not In Love SFD701-6-05 Anything FLY032-07 Rubber Bullets SF071-01 Anything SF049-02 Things We Do For Love, The SFMW832-11 3T & Michael Jackson Wall Street Shuffle SFMW814-01 Why SF080-11 1910 Fruitgum Company 3T (Wvocal) Simon Says SF028-10 Anything FLY032-15 Simon Says SFG047-10 4 Non Blondes 1927 What's Up SF005-08 Compulsory Hero SFDU03-03 What's Up SFD901-3-14 Compulsory Hero SFHH02-05-10 What's Up SFHH02-09-15 If I Could SFDU09-11 What's Up SFHT006-04 That's When I Think Of You SFID009-04 411, The 1975, The Dumb SF221-12 Chocolate SF326-13 On My Knees SF219-04 City, The SF329-16 Teardrops SF225-06 Love Me SF358-13 5 Seconds Of Summer Robbers SF341-12 Amnesia SF342-12 Somebody Else SF367-13 Don't Stop SF340-17 Sound, The SF361-08 Girls Talk Boys SF366-16 TOOTIMETOOTIMETOOTIME SF390-09 Good Girls SF345-07 UGH SF360-09 She Looks So Perfect SF338-05 2 Eivissa She's Kinda Hot SF355-04 Oh La La La SF114-10 Youngblood SF388-08 2 Unlimited 50 Cent No Limit FLY027-05 Candy Shop SF230-10 No Limit SF006-05 Candy Shop SFKK002-09 No Limit SFD901-3-11 In Da -
December 2019 Right to Counsel for Tenants a 2019 Bench-Bar Enacted in Philadelphia & Annual Conference Photo Retrospective Photo by Thomas E
Philadelphia ® The Monthly Newspaper of the Philadelphia Bar Association Vol. 48, No. 12 December 2019 Right to Counsel for Tenants A 2019 Bench-Bar Enacted in Philadelphia & Annual Conference Photo Retrospective Photo by Thomas E. Rogers Chancellor Rochelle M. Fedullo (second from left) and course planner Benjamin J. Baer (far right); with “A Supreme Conversation” panel members (from left to right) Justice Kevin M. Dougherty; Photo by Brittany Anne Robertson Pictured: Chancellor Rochelle M. Fedullo (right) and Ethan Fogel, a member of the Association's Civil Gideon Chief Justice Thomas G. Saylor; Justice Sallie and Access to Justice Task Force, testify in support of the right to counsel bill at the Oct. 29 hearing held by City Updyke Mundy; and Justice Max Baer of the Council's Committee on Law and Government. Philadelphia City Council unanimously voted to pass the legislation Pennsylvania Supreme Court; at the 2019 Bench- on Nov. 14. Bar & Annual Conference at the Borgata Casino Hotel & Spa on Oct. 11. crisis in Philadelphia is kitchen and living room similar situation. The young Q By George Donnelly More photos on page 14 enormous. Over 20,000 flooded with raw sewage. couple moved into a rental Tenants facing eviction from eviction filings occur each They moved their family property only to learn that their homes deserve a lawyer. year in Philadelphia, with into a hotel, paid hundreds there was no running water In This Issue This has been the aspirational women and people of color of dollars in out-of-pocket throughout the house. goal of the Philadelphia facing disproportionately expenses and withheld Out thousands of dollars 6 Naturalization Ceremony Bar Association’s Civil high rates of eviction. -
The Sensational 70S Long Weekend Playlist
The Sensational 70s Long Weekend Playlist Friday, 14 April 2017 6AM It's A Miracle Barry Manilow Cheeseburger In Paradise Jimmy Buffett Feelin' Stronger Every Day Chicago You Make Me Feel Brand New Stylistics Turn The Beat Around Vicki Sue Robinson I Only Have Eyes For You Art Garfunkel Beth Kiss Howzat Sherbet Fire And Rain Marcia Hines Slip Slidin' Away Paul Simon TSOP [The Sound Of Philadelphia] MFSB The Logical Song Supertramp Friday, 14 April 2017 7AM Garden Party Ricky Nelson Blame It On The Boogie Jacksons Wild World Cat Stevens Daydreamer David Cassidy Don't Let Me Be Lonely, Tonight James Taylor Hold Back The Nights Trammps Magnet And Steel Walter Egan The World’s Greatest Mum Johnny Chester Wham Bam Shang-A-Lang Silver Everybody Plays The Fool Main Ingredient You Are So Beautiful Joe Cocker Crazy Love Poco Daddy Cool Boney M Heaven On The 7th Floor Paul Nicholas Cinderella Rockafella Ann & Johnny Hawker Forever Autumn Justin Hayward Friday, 14 April 2017 8AM Train Leo Sayer A Little Bit Of Soap Paul Davis The Last Resort Eagles Could You Ever Love Me Again Gary & Dave 1 Thunder Island Jay Ferguson Let The Children Play Santana When I Kissed A Teacher Abba One Monkey Don't Stop No Show Honey Cone I'm Not In Love 10CC Wild Night Van Morrison Wig Wam Bam Sweet Papa Was A Rolling Stone Temptations Friday, 14 April 2017 9AM Another Day Paul McCartney Rocky Austin Roberts Play Mumma Play John J Francis Sing Carpenters Better Love Next Time Doctor Hook I'll Be Good For You Brothers Johnson Son Of My Father Chicory Tip Spooky Atlanta -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Stigmata: Escaping Texts
Stigmata ‘Hélène Cixous is in my eyes, today, the greatest writer in the French language… Stigmata is henceforth a classic…. One of her most recent masterpieces.’ Jacques Derrida Routledge Classics contains the very best of Routledge publishing over the past century or so, books that have, by popular consent, become established as classics in their field. Drawing on a fantastic heritage of innovative writing published by Routledge and its associated imprints, this series makes available in attractive, affordable form some of the most important works of modern times. For a complete list of titles visit http://www.routledgeclassics.com/ Hélène Cixous Stigmata Escaping texts With a foreword by Jacques Derrida and a new preface by the author London and New York First published 1998 by Routledge First published in Routledge Classics 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxfordshire, OX14 4RN Simultaneously published in the USA and Canada by Routledge New York, NY 100 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge's collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1998, 2005 Hélène Cixous Index compiled by Indexing Specialists (UK) Ltd, 202 Church Road, Hove, East Sussex BN3 2DJ, UK All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Strong Catholic Youth
Strong Catholic Families: Strong Catholic Youth Family Faith Resource Booklet “The ssiiinnggllle mmoosst iiimmppoorttaannt iiinnfluueenncce oon tthhe religious aannd ssppiiirriiittuuaal llliiivees oof aaddoollleesscceenntts iis tthheeiiir ppaarreenntts.” From Soul Searching, The Religious and Spiritual Lives of America’s Teenagers Dear Parents, Thank you for holding fast to the gift of faith. Your commitment to your children is a witness that you consider our Catholic faith to be a precious gift that must be intentionally passed on to the next generation. This task is not simple or easy, especially given all the stresses, busyness, and demands of our lives. The materials in this resource booklet are intended to help and support you in passing on this vital gift of faith. You are not alone. Parents all over this country are standing up to make their families and children stronger through faith. The NFCYM joins you and all parents as partners in growing strong Catholic children by building strong Catholic families. Your Partners in Faith at the National Federation for Catholic Youth Ministry www.nfcym.org This booklet is often used as part of the Strong Catholic Families: Strong Catholic Youth three-part training process for changing the way parishes partner with parents. It was developed by NFCYM and is presented in partnership with the National Conference for Catechetical Leadership (NCCL) and the National Association of Catholic Family Life Ministers (NACFLM). NATIONAL ASSOCIATION OF Catholic Family Life Ministers Strong Catholic Families: Strong Catholic Youth Family Faith Resource Booklet Developmental Editor—Michael Theisen Publishing Coordinator—Kathleen Carver Layout and Graphic Design—Ruby Mikell National Federation for Catholic Youth Ministry, Inc., Washington, D.C. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
1 John Renbourn. John Renbourn Est Un Guitariste Folk Anglais Né En
John Renbourn . John Renbourn est un guitariste folk anglais né en 1944 en Angleterre appartenant à la mouvance créée par Davey Graham (co-auteur de « Angie » avec Janch, qu’interpréta Paul Simon sur son premier disque). Il est connu du public pour ses collaborations avec le guitariste Bert Jansch, ainsi que pour son travail au sein du groupe folk qu’il a formé avec lui et d’autres, le Pentangle, mais a toujours mené une carrière solo avant, pendant et après l'activité du groupe (de 1967 à 1973). Ecoutons le : White house blues (du disque Faro Annie ) : http://official.fm/tracks/323234 Little Sadie (du disque Faro Annie ) : http://official.fm/tracks/323235 Shake, shake mama (du disque Faro Annie ) : http://official.fm/tracks/323236 John Renbourn a étudié la guitare classique à l'école, et c'est pendant cette période qu'il a fait la connaissance de la Musique Primitive. Dans les années 1950, il fut grandement inspiré par l'originalité décalée du Skiffle et ce fut pour lui l'occasion d'explorer le travail d'artistes tels que Leadbelly, Josh White et Big Bill Broonzy. Au début des années soixante, la mode populaire était au Rhythm and Blues, dont se réclamaient des groupes tels que les Rolling stones. Cette émergence de la musique noire américaine au Royaume-Uni tient beaucoup à l'influence de guitaristes acoustiques tels que Davey Graham. En 1961, Renbourn a ainsi tourné dans le Sud- Ouest des États-Unis avec Mac MacLeod, tour de chant répété en 1963. Pendant ses études au Kingston College of Art de Londres, Renbourn fit brièvement partie d'un groupe de Rhythm and Blues. -
A More Attractive ‘Way of Getting Things Done’ Freedom, Collaboration and Compositional Paradox in British Improvised and Experimental Music 1965-75
A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75 Simon H. Fell A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield September 2017 copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. This page must form part of any such copies made. iii. The ownership of any patents, designs, trade marks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 2 abstract This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz.