TOP POPPER Supergroup hope

BRITAIN'S first ever Pop Proms - a pop SARSTEDT music equivalent of the classical music promenade concerts-is planned for London's Royal Albert Ha\l from June 2_9 to July 25. There will be ten shows m seven days featuring top British and American acts in GOES the pop, blues, country and folk fields. Among the names that Nems pr?moter Roy Guest is hoping to get is the Enc Cl~pton• Stevie Winwood-Ginger Baker " Super· group." NORTH Says Guest: "July 4 will be the Ameri­ ETER SARSTEl:IT can night, but we celebrated hitting want to make the number one in the s h o w s essentially MM Pop 30 this British so there won't be too many Ameri­ week in a spectac-1- can acts. lar way - he flew to " We want to em­ _fopenhagen for a re~ phasise, too, that this union with his Danish is a youth festival, ~ not just a music festi­ JULIE'S S0[0b', Where val." ==:....::--==:..::...-=eplaced 5 The Royal Albert .,,pe!:J~~;x aht J\1~~c~~e~,~,,:;,/;=;'--:T~ITlllll!I.E!!_ il!IO')!F[!th~e9'ne?w'-:T Hall will be decorated Free Trade Hall (March fl), sil\Rle, released on M UverpQQ\ Ph,\hMmonic (\ 5) '" " &ked Jam Roll - ...rnrur ., .....~-"T--..•.'r·~~ with posters and and London'i;. Roya\ Fesl1va\ Eye," It is a group- com- American tnp which opr flowers and a special Hall (April \ 2). posiLion July 's People on April 2 is hoped to include 1 appearances .. There ; ~edftte~~~}- Julie recorded re2,~din~p~~eir s.. Ji~heer, alt~: 55 11 The sound system hl"r BBC-TV show for \'larch at the Cluh Noreik, Totten• ~rn"~ec6r~ ~~ !~bu~i~ 15 wilh the Sandpipers, Dusty ham the States will utilise 85 speak­ S p r i n g fie I d and Tom ers. "We want to 1 0 ~~Ji~p:~~ :1 !~th'T~~- as ~!fi create conditions that a~ !'in,::1ri,:: "The Morning from ht>r new DI bum British groups in huge U.S. tour will be conducive to the artists," A HUGE package tour of America BARRY FOR REVIVAL featuring the cream or British groups Guest. A spokesman for BARRY RYAN, \\·!,o returns ~o~:;ngor°'f:;~i: o/iu:;u t~!ah:mmg;~~ from a Continental 1our on East and West. the Royal Albert Hall ..-.unU•r. may makC' an e~­ His clubs have consistently showcased tensive tour of Austr.tha this the best British groups and now the commented, " If It aummrr. Barry pr~v1ously groups are to joil\ forces for a tour p works It can't do tourt>d "down under w1lh which will Jast from July into Aur his twin hruther, Paul two Among the names. set • re Joe C anybody any harm, the Who Jeff Beck Jethro Tull ye~:x~,,~eek, Bari)'. i.<. off Years After, Terry · Reid and We are quite happy again tn the Conunent to HaJ::emCocker 1oes to the US f~r about IL The only apr,ear in Milan, Berlin tmd MaUrid Sullivan TV appearance on Apnl thin: that makes us He has an a series of one-nlshter• untll lhe April Titled Rroup tou· Ufll_appy Is unruly ~mg"> P- • S-k SIX bl!liav.iber. LOUIS ARMSTRONG BACK IN HOSPITAL

EW YORK, l"uesday. - Louis A~rong Is N back In New York's Beth lsrae Hospital where his con~7tion is described as "c tlcal," re• ports Jeff At.t!rton. His cpl'~ltlon Is such that he Is not, at present, allowed visitors or even to receive phone calls. Tt.< JAZZ trumpet giant, who wlll be II OD July 4, ,·.as taken to hospllal last September with blood clots In his leg. His docton allo said that he ball lost too much wel1ht while dletlna. 1.{JU IS : " described as critical." He came out of hoapltal In January 11f11! FIFTH COLUMN PLUS TWO I st11d 1h1° nl h t• , wt·i·~ I'd BRITISH TOU R ~ive )OU -.om t: mur,· mh,rma• \ion on tht· nn., MlRCURY J A/.Z !-.tRH , _ ..., d i, h1 •r t· 11 1\ " GIFTS AND Mf'~'i".Gt'"; " h~· ROLAND KIRK (SMWI 2102 0) h,, .. ROI.AND roi;1n11i f!hout on M,m11 llow, !Itri, h. tt'nor, fl111t•, • a:~C:ce~~ :n°~~r~~si:l I 0.1• <: f1ud so Top JOHNSON ~!Jf;~ll heard on this new series-rt lat att': sold out immediately. ALB Marvin Caye, Tam la Motown ballroo'" dates includes THI-. QUINCY JONES 13 (8) ~;~n~lN-w!~n,i•(M.~~;.emt! Her European w or opens BIG BAND, Tilt. D17ZU:. ATROS S ...... Fleetwood Mac, Blue Horizon Newmarf.t-' H01 e f, Brrdgwaler in Dublin on March 12 and GILLESPI£ QU INTt f, AR! ht- rush-released within the 14 ( 13) ~OUL SI STER BR OWN SUGAR ...... Sam and Dave, Atlantic )l,c kwh'l' k Orange, she w ill be nppearing throu~h­ BLAKEY AND THI- JAZZ 11 •r. (. next three weeks. No title has MESSF.NGI-.RS, TIil~ OSCAR 15 (9) OU COT SOU L ...... Johnny Nash Ma1or Minor (l',('o; te r 1nd (i..,ic Htll, Ntnl­ uut Europe. wlcli (1 5); Rrilannit Rowini yet been announced PETERSON TRIO, T.Hf. MILT - 16 (21) YOU 'VE LOST THAT LOVI NG FEELIN ' . ( lu11, Nfrthngnarn (1 8): Nelson JACKSON QUARTE.T, nn_d TH E 8 CHf.T BAKER QUA~Tl·T. All ..._. Righteous Brothers, London an~ rys~ the ~rouri s a rt• playing tunes .., 17 (26) GENTLE ON MY MIND Dean Martin. Re prise :A't~ws!~':;<{22): from lhl• show "I HAD A Pat.1 t' Hotel and Pia e<:. f23); 18 (28) FIRST OF MAY . .. B C I d STARS' FAREWELL TO PEE WEE BALL ''-and lht•y art' very p good tune,; , w n DIZ/,Y_ sings • 19 (12) FOR ONCE IN MY LIFE ...... St~~i~\Nonde:°Ta~f: ·M~t~:~ ~~~;~ t t:!~"1~do:u(1;~ B~:1: New York Tuesday.- Dozens of jazz and pl ays a grl'at version of 1',I "'1 erca (27); Top Rank stars g;, thered 10 bid a sad ,fa rewell t~ FICKLE FINGF~R Of FATt•. By .,, '\ 20 (1 5 ) I GUESS I'll ALWAYS LOVE YOU Isley Brother~,Tamla Motown Hallmom. Hanley, Stnke-on• clarinettist Charles Ells wnrth Pee _Wee. ~~fea:; ~y-this is- annlhcr first _ 1 21 ( 14) TO LOVE SOMEBODY . Nina Simone RCA Trent (2B); California Ball• Rus$ell at a brtef funeral service 1n m o m, Oun(lable and Cue Meaplewood, New Jersey, nn February 22 (-) GOOD TIMES (BETTER TIMES) Cliff Richard Col'umbia Club, J>addln,c:ton (29); Gilling• 18 Talking of first re\easts­ 23 ( 16) PEOPLE ...... Tymes, CBS ham 130); Bligh Hotel, Seven- Among those who crowded into the which we were-" THE EU... 01k, and Scotch or St J•mes INGTONJANS (SMWL 21~?.'l\. 24 (25) YOU AIN'T LIVIN' I.April 2) and Quten of Herts. 8 t:~;tl, v:~~:on ~~~:Zn. ~~d~}li1;y, ~~~k 1s something that hasn't scen Marvin Gaye and Tammi Terrell. Tamla Motown Edgwart (3) Lawson, Zutty Singleton, Man on and the light of da)' befort'. All the 25 (20) MOVE IN A LITTLE CLOSER . Harmony Crass, RCA J immy McPartland, Jack Palmer, Jack 12 tracks were rrcorded in NEW DYLAN ALBUM Lesberg, Johnny Blo wers, Marsha!! 1944 and, as the tille sugge.sts, [ 26 (-) IF I CAN DREAM ...... Elvis Presley. RCA Brown. Kenny Davern, J oe Murany,, they feature ELLINGTON side• 27 ( 17) OB -LA -DI OB-LA- DA ...... Marmalade. CBS lf()fl, DYLAN has completed a Buu.y Droo11n. Genrge Wei n and Charles men-like REX STEWART, 28 (-) WINDMILLS OF YOUR MIND ...... Noel Harrison. Reprise new alhum, hrs fi rst since E Smith. LAWRENCf. BROWN, HARRY " Jnhn Wr11ley Hardin .. which Amid many fl oral tributes were CARN EY, JOHNNY HODGES 29 (-) MOCKINGBIRD ...... Inez and Charlie Foxx, United Artists WH rrfea.s,.d in Brit1 in a year wreaths from Louis Armstrong, Joe Sulli­ 1 30 (24) SOMETHING'S HAPPENING Herman's Hermits. Columbia • ~,, by CBS Reco,d:1 Release van Louis PrilTla and Jimmy Giuffre. is"~ ~:r~~~!nr~!~tG~;~-o~ ~h!,· •• upected to be w ithin t he The· six pallbearers were Nat Pierce, 1!J~xl .-,w,nlh and will be 8 ~!~~~~'11, a~~llft;:~u d<:_~'l ~ POP 30 PUBLISHERS tlmultamOUt in Br itain and b~~d~fla, "£~:hG~~m:~bfnd ~~ c~~:e~ much ahnul lh1i:: permd, ., tm" USA spondent Jeff Allerton. RUSSELL i::imply rlltl<;I ~('I a ('lll)V IP Jobelc/Co(lin; 20 Jobetc/Corhn; 21 Abigo,1; 22 The album was recorded fn starl your l·ducc1Ji11n French Doy ond Hunlcr; 23 ChoppcU; 24 N• , hville and ls. as yet. Jobetc/Corlin; 25 Cyril Shone; 26 Corhn; 21 urultlt"d Dylan'• producer, GERRY Northern Songs; 28 United Artosls, 29 C,ne• Doh J ohn1l0n, arrived in phon,c, 30 (yrll Shone L

U t-1 ENGILBER.T 2 !11 BUT OF lHl SHKUS Engelbert Humpi:-rdinck, Decc:o Seekers, Columbio 13 !11) FEL ICIANO ... Jose FellciOt'lo, RCA J Ml TH[ BU,TLlS (Doublt Alb•m l 14 (14J FRESH CR D ,M . , .• Cream. Reaction Bcot\i:-s. Apple 15 (16J CH ITTY CHITTY BANG BANG l~I YELLOW SUBMAal Nl Beatles, Apple Soundlro<.k, United Artists ni HAIR lol'\don Co$t. Polydor 16 ( I SJ LOVI CH LLD 161 TH[ GRADUATl Soundtroc.k, CBS Diano Ross 6 Supremes, Tomlo Motown 181 TH[ WORLD OF VAL DOONICAN 17 (181 WORLD OF MAX BY GRAVES Vol Dooroico,i, Ol!'C CO Moic Bygrovt'!., Dcc:co 8 t"'I THl SOUND Df MUSIC 18 (-) WORLD OF H ITS Various Artisls, Occc:o Soundt rack. RCA 19 (-) W H EELS OF FIRE (Double Album} 9 (1 .•, THl WORLD or MANTOYANI Monlovon,, Dccco 20 (-) OLIVER So~~~~Ck~olru.

• 1•1 SEVEN LETTERS 0-1.d Mor_.. CIAJ--1 121 WOPPI KING/ Mil, SOUL lh,,... GENTLEMEN! FRll-..flrrlt, ... , .....,MMII NUIIAT--• • 1-1 •LOWIN' IN THE WIND st BAND AIIIIANGEMENIS 7 NU l(AT OZ2 " ...... in.,tlia,C...-,.-1 lll!IIUlll!!IIL I Ill TE-TA----TOI I & I CHATIEI THAT MAfflllS Erie iotwt GAS- IN DIP DINS IT TAICU YOU & Mf UOHTtY , l'OUTILY MISS NEm um • 1-1 REGGAE CITY PIAYIOY Val htrflllil CRAl--6 .IOHNNTIIOIAIN, , 1•1 RIGGAE ON ~~-:.r OUT Of~~ MOOD IWll BROADWAY 091Y MEWMmCO .....,.._.._ UNlfY-915 OUT 10 DlfAM TAKI! A WALK of the week RM TO ONE TICO 'ftl;O YOU NU)NO TO MY HEAil I 1-1 I AM A KING YOU'VI! QW,ICED lo..,._ CIAl-7 ll&AMIMOCltO 1 • 1-1 'LULU RETURNS ~~~!'.:::~ Nina Uoyd f•,eU ,AMA-7~ fAICIN4n0M tw.i111 ff'l:.cffjleck&W! 10 111 RIVER TO •OVI Ml wmt AU YOUII HIAl1' THE BANK •AMIO Mo . J MARIA fLINA Simone MAI QUI NADA Demd M«go,, CW - 3 - PA'JIKIA i,.r., Ptodol IOUl COAXING ,,._. ColilMil NIW HI.EASH IWAY SWIIT & GIMM 'Nuff Said! SPREAD YOUR BED TIMI WAI 10-.1 SF7979 RD7979 Thi Y.-ao1,I• CIAl-5 ~=:~~~=r~ ... YOU'ii NOIOO'r 1kl SOMIIODY I.QYII YOU .., ...... , •• pl111,..... c.-...... HHO KJI ...fl. .CATAtOOUf...... , C:.lllllollf-W..+lfld~- 71C,..,.P..i, bl, ...... _, N,W,10 PICCADILLY MUSKi ROA -...... ,11,. 70 Iw.,MAfflllUIY A..Wfrllll MELODY MAKER, March 8. 1969-Pa,ze 3 Melody Maker MILES QUI NTET FOR 161 Fleet St. London EC4 Telephono 01 .353.5011 EDIYOR Jack Hutton ASSISTANT EDITOR Bob Hou:i;ton FEATURES EDITOR Bob Oawbarn ANTIBES FESTIVAL MILES DAVIS, features bassist Holland NEWS EDITOR Alan Walsh SfAFFMEN THE MILES Davis Quintet - which features Mu Jones Laurie Henshaw British bassist Dave Holland - has been booked Chris Hayes Chris Welch for this year's Antibes Jazz Festival. 8,11 Walker Tony Wilson The Festival is the 10th to be held in Juan-les-Pins, on Roy1ton Eldr,di:;c the French Riviera and takes places from July 26-30. AOVERl ISEMENl Also booked for the festival are the Buddy Tate MANAGER 1 Peter W,h,mson ~:~=n~~i~h:~ PROVIN CIAL Nt'.W~ ~~a~~~~n~;e~s t~~ ~:~~~~g ~ x~~f~!SFra~~~ EDITOR \in or Ray Charles with their own respective orchestras. Jerry OJW SO n 2•4 Oxford Road M,/ •• \~ekh~~;nd:~~lt~~; ~a8ken~s~lle~·o!!.~Z~·e~~d:a;~st'e ~o~~ Manc:hntcr 1 T elephono: Central 3232 :~fs ~:;it!, nW~~i~h'sda~~s~~y s:~,~pbe b~!p~eri:: not know at " We are negotiating for Aretha Franklin and Ray Charles but these names have not yet been finalised." For the third year, the MM Stevie Wonder is running a special holiday to the Festival, For furtht>r details. see page 12. follow-up TONY FLIES TO U.S. Again for 1969 SONGWRITER-record pro­ ducer Tony Macaulay files to America on May 21 10 record out next week the Foundations and the Everly Brothers in Detroit. Melody Maker Poll Both groups will be waxing STE VIE WONDER follows up Macaulay song!I as possible 1 new singles. ~\1e ~,1JI. w~~~ "to~u~~~~ ~h~h His orchestra, the London he helped to write It's titled Pops Orchestra, will have it's shows Selmer instruments " I Don't Know Why " and is first broadcast on Easter released on Tamla • Motown Monday in a show tilled nexr Friday (March 14), Coming Home. Long John Other singles scheduled for Baldry will be featured with release this week include "All the orchestra. to be the choice of Of A Sudden " from Matt Thi! Orchestra has a new Monro, "The Week Looked album, "And Now The Second Good on Paper " from Pete Movemement," released on Brown and his Battered Orna­ March 14, and a single, ment!!, " t)i7.z.y" br. Tommy "Vanessa,'" on March 21. top jazz musicians Roe " Bluer rhan B ue" from " Vanessa" is the theme from Roi 1 Harns, " Cry Softly " 1he film Picnic, for which In Britain! Internationally ! from Solomon King and a Tony wrote the music. rl"-release of The Toys hil "A Tubby Hayes Lover's Concerto," WONDER helped write song LOVE AFFAIR TOUR (Top Musician; (Top Musician; LOVE AFFAIR'S agent, 1st, Tenor Sax Section· Top Big Band) Danny Betesh, and co-man­ 3rd, Small Group Section) Cannonball Adderley ~IX hall sc,Jo concert TIME BOX SINGLE ager, Sid Bacon, fly to New York on March 20 for meeting Johnny Dankworth (3rd, Alto Sax Section) .~pearances at Mo nchest,a's TITLE OF the new Trme Box free Trade Halt (March fl.), with CBS Records' executives Alto Sax; Lw~r"t,o\ Ph1\harmonlc O 5) sinRI~. released on M ':.f"Ch 14, to tie up promotion and Sonny Rollins ond London'11 Royal Festival ~y~•_,ria~~d i!a~ R~:~u~ ~~~~ puhlici!y prior to the groco's (3rd, Musician Section, (1st, Tenor Sax Section) Holl (Apr\\ 12) position f~;ri~.•n trip which opens (./ n She Is currently working on 3rd, Big Band Section) Stan Getz .- qin~lc with Alan Price_ No Time Box guest In Radio The group will be In title or release date hu been One Cl ub on March 19 and America for 2! weeks and it Ro~nie &ott (2nd, Tenor Sax Section) Pete's People on April 2 is hopeJ to include major TV (2nd, Tenor Sax Section) ~~e\u~~~:;. Julie recorded On . April 8 they start appearances. There Is also a Kenny Burrell ht'r BBC-TV shflw for Ma rch rl!cordmg their " live" album strong possibility that they Acker Bilk 31 thl' Club Noreik, Totten• will 1ecord an album while in -~ 15 with the Sandpipers, Dusly ham (2nd, Clarinet Section) S p r i n ~ fl e I d and Tom the States Sprlnglleld o~ guests. Dusty Joe Harriott d id o duet with Tom as we ll Jim Hall as ,.i ns,;mg "The Morning " (1st, Alto Sax Section) Gibson from her new album. British groups in huge U.S. tour Peter King (2nd, Guitar Section) A HUGE package tour of America (2nd, Alto Sax Section) Barney Kessel BARRY FOR REVIVAL featuring the cream of British groups Alan Haven Gibson HARRY RYAN, ,,._·ho returns ~o~:;ngor°rf:~~it ~u:;II t~;ah:mmg~~~ Lowrey Organ from a Continenlal tour on East and West. (3rd, Guitar Section) .,unuuy, may make an ex• His clubs have co nsistently showcased ( 1st, Organ Section) tensive tour or Au!tl1dlia this the best British groups and now the Brian Auger 11umme r Barry previously jlr0ups are to joir\ rorcc5 for a tour tourf'd "down under with which will last from July into August. Lowrey Organ his twin brother, Paul, two Among the names set are Jot! Cocker, year~ ago (2nd, Organ Section) Next Wl•ek, Barry is off ~:ar:'h;:fte;~rr T:r~~k, i~~hroan~ullt>r~~~ again to the Cnnlinent to Horum. Terry Smith appear in MIion, Berlin and Joe Cocker goes to the US for an Ed Gibson Madrid. Sulhvan TV appearance on April 27 and He has an LP due out in a series of one-nighter11 until the British (1st, Guitar Section) April Titled '' Dorry Ryan group LOur. sinK'> Paul Ryon," it features Spooky Tooth also tour the States for Barry singing compoo;itions hy six weeks from June 25. It is their Paul !lecnnd tour, JETHRO NAMES IN THE NEWS

T";e';!odde: ~~~lon~"e1u:°~eJJ'on t~~ !:~,?1::rtf~ return ror anot.hll'r tour in London today (Thursday) November •.. Chicken Shack for their lour which opens and Deep Purple are among tomorrow (Friday) at ~~:t •~~•\\:Pb~;inA11J, 1 N~!!: Cotie:t~v~::~,s~8.nd1navia castle, on March 13 . • • r------, from March 27•31 . , , pianist Johnny Parker ha11 replaced :.2. M.~i-u:":?. w.;.': Tf! Sixteen of the belt reuom to tend for Ron Weatherburn in the Reed, la to write a 10na for illustrated Selmer brocbura. Kenny Ball band . 11aent Liverpool's In Crowd . • • 1 11 Country Joe and lhe Fish Name ...... ~~fe r:~i 1hh r~p~!:~n~:~~"}~~ appear at Waltham Forest America's Andy WIJJl1ms from a tour of the Far Eut, Technical Colleae and College Add-...... Show . _ , a Jam session in are now resident at Peckham's of Art on March 27 and not aid or the Spa1llc1 Society Adam and Eve pub , . . the Waltham Cron a, slllll'd IHI will be held on Tuesday at week. the Castle, Dalston, arranged f:un:~f~r w~~ b~~~ed ~t:.: The Alan Bown record a by Johnny Parker. Humphrey Blues Scene packaae, are now 1 Lyllehon will accept the working as I trio. Harmonica \~t :c~ ~nM~=r~harrr,~~ th player Steve Rye ha11 leh the transml,slon next montt, My UIU&I Selmer Dealer is i!t~e !~~e~he Hc~r~~!~· blues group Sam Gopal have signed ' i group has been hooked for Summer season Ruest book­ management and •&ency con­ Pleuo -d me your brochure on - their firsl Swias tour from ins:s at Combe Haven Holiday tract with tfle Robert Slig­ SaxandWCIOdwind April 6-13. They will record Park, Hastings, include Joe wood Organisation . , . Hap,­ GuilUI a live album durinR the trip Danlels Hotshot. on Saturday shash and the Coloured Coal • . Llverpool Scrne appear 11 have a new album, "The at the Institute ur Contem• ~ln., ~is)c:~d K1'! i~ Westll'rn Flier," releaaed on ~o.i- porary Arts on March 13 and (22) Bob MIiier'• MIiier• March 1-4 ~ St Pancras Town Hall (April men and Graham Bur11eU'1 Jim con• 20) • Flee~wood Mac fly to A Rell'Ves fan club Show Band appear at a Grand ventlon ia to be held at Gtrmany lhl~ Wl'tk for an Mayoral Dance 11t Waiver• don'• Nashville Room Loiz a ppt•aranrt· on Bt•at Club from hompton Civic Hall on March March 22 . . Statu, Quo Hrcmr-n . . l.evlly Lancers, I• off on May 4 for an 1..-.1y a comedy band Just returned Mls1is,lppl FrN Mcl>owll'IJ European rou, Page- 4-MELODY MAKER, March b, 1969 FIRST DATES SET FOR FIRST DATES have now been set for Martha Reeves and the Van­ de1las, whose imminent trip to Britain was frontpaged in the MM MARTHA AND MARY WELLS last week. Edgw~re date Tht Tamla Motown stars -,i.,hose " Dancing In The Street·· revived 45 is now On Thuruy 1,ut the Merw1on.1I H.1111, Ch.. .th ,t M. u"' th .ipproachin~ the 200,000 • I.lu nching of ,1 1tr1es of m,ute, reho?.1tul ci ve n1n i: 1 1n,ot,1" m:1rk - appear on Top Of top p,oft111on.1l1 with ,~he.1,ul b..if'lds •h,ch u C"'rt"tt) Top The Pops on March 27 THE VANDELLAS U.S. being spol'lso,ed n,1hon.1lly b) rhe MU"s • C...m,... 11 F , The, folio"' "1th a week /'J ., the Continent for th ree Live Music." Ta,,t't fo, thl' first " 1nv,1s10 f'I • t-, M 0 at the New Theatre, Oxford, months and will spend hi~ Tubby H~y~s. G,ei Bowen j tpt l, Keith Ch ro,t,.- t~111 from ~arch 30 to April I, qi - flrst three week~ in London then star at Fairfield Halls, recru11ing and rehe-a r~ing a Ronnie Chambc,b1n t .alto \, Jeff Clvnc- Nul ,11d I ~b,, stars lro}·don (2), Astoria, Finsburi backing RrOup which will bf' O rr (drs ), w~s the 25 shone Mrdw,., D.1 n,e Ou~eu,.1, Park, London (4), Dome, billed as The Greatest Lilli~ w hic h is normdlly led by Wall~ Scott Brighton (5) followed by a Show Band On Earth week lit lhe Fiec;1a . Stockto n He w,11 play a series of ~ (6) club, ballroom and caharel o~;tt~)~- ~~•·:::.:.~:.,, ,. 'lt.&Jt hr tht tt"t u..-, • '­ to tour Also set is a ~uest spot dates from April I "'o,t ti f'\fen n,.n ro , • c•""''' :-in ATV·s This ls Tom Jones at New Ve,-. Va1v.,-.lt, •"' This is tentatively set fo~ MARTHA REEV ES ROLLINC STONES J J . is being hrought to "'howing on April 20, but this tg.~~o~at>:r >~ r~:~rs~: : ~,rctU o::::~:J~~~ .. (:!), date mly be switched g~i~~~ ChUIH Hadt"' ( IMI t. \ al'l4 29 :ll the Imperial Repertory makers, Lesley Gore, Jan tion which has hooked an o , n, ttt'ti s..- Oe1111 , • - Britain To tie in with the visit of Theatre. Portobello Rood. The • Cllrto1m'J 'l nd Dean, Billy J . Kramer and American group, the G-Clefs Martha Reeves ar.J the Van• times of the showings are: the Dakotas and the Bar• for a tour which ope.ns PLATTERS, G<:11net Mimms, dellas, an album titled " Dane­ FULL h •to1n at tht l ot Ch1• 1 3.15 pm, 6.15 pm and 9.10 barians tomorrow (Friday) with a A l illtUd UOO l"t Wff' ,.-h,a '.\1a~ Wells. Inez and mg m The Street " is being pm with an extra showing at released double date at the Cue Club, Hto1mplo ny I.YH•h•"' .. , .... , ... Charlie Foxx, Chuck Berry, midnight on March 29 J. J. JACKSON RETURNS Padd1nRton, and Rockstead) •" all-stu s lo• w In a ul ..r o,, Rufus Thom:1s Sam the The film was filmed at the Club, Islington. Spastics Soc••t.Y •~•l\f llo• DEKKER TOURS g to1e SlS who I•"• Uteir ltrY•Ct\ Sham, Solomon Burke and Santa Monica Civic Audi­ AMERICAN SOUL star J . J . Another Sellers-O'Donovan rr-n • • , . K•lth Chrh,ht. W-1lh Len Barry an all set for torium during a huge music Jackson retu rns for his th'-:d tour brings Oscar Toney Jnr Fawlles . .lotu.. ny fl'•rlltf. T..,., British dates by promoter DESMOND DEKKER and the festival and also features the British lour on March 11 back to Britain for three hy\l.u. .d41t ny.. , . • Ill Roy Tempest Aces open a British tour on Miracles, Gerry and the Pace. He will be in Britain an d weeks from April 25 March 14 at Eastbourne. L------, ~;.•:::~•.,.-,;:,r.; s1;':~1;;;. K::!l The itinerary includes They follow with dates at colm C rlffl th. ·~- Putt ••• appearances at London•~ Leeds (15), Slough (16), Fel­ famous Flam1ns:o Club. tham (18), London's Sa­ Platter-. open at the Royal, mantha's (19), Bristol (20), Tottt-nham and the Flamin~o Leyton and London's Roaring Cl ark e-B o Ian d Big B an d E~:~;J;;~::•-::~-:•7:: on April 11 20's (21 ), Cat ford and Hollo- Fo•d• fllm Ct,1'""'"Y hl"9 t.hol Gamet Mimms opens at the ~s!'emhh' Ronms. Worthinlil:. wafhf ~Ju~n~n~!a!~0'J..gi~)2I and Hatchl"tt ·s ( 17). followed ~fit}~-{~:··~~~:~. h\ \\'h1te Lion, Edg"are. and STONES IN FILM breaks Robe rt.,011 (Ut\bs). Hutlo C•lt- Flamingo (If.). Scott Club records man. Teddy •dwu 1- •nd \t:iry Wells kicks-Off at the THE ROLLING Stones. The IN ITS two-week season at On the comnullt't' with 1he­ H•.-.ld I.and (q,c,~\. "o•ntU While L1t,n, Edgware. and Ronnie Scott's, which Rev Fra nk li n a nd Art" lha • ,u1h1 (pl'IO). Ill• IHHS (b,u.,\ Beach Boys, James Brown and and J°' Harris (dnl Flaminio (May 2l. followed by the famous Flames, the finished on Saturday with a Frankli n are Harry Rtlafo nt Uockwork Orange and Civic Supremes and Chuck Berry triumphant farewell session , Lena Horne. S1d nt') Po1l 1t'r H-211. '.".antWlch (3) are some of the stars m the K £,~. ~l~t":::-e11.!·~:::~ t.'!~ Inn and Charlie Foxx pla'" the Kenny Clarke-Francy ~;~cy MfJf1~"on . Lt4tl~~; btrley. on Mard, , TM-. U put I American film Gather No \~!~· Boland Big Band broke all or clwb',, 11•w poh~y • p...,. the- Pnnce!l!i and Domino Moss, which is to be shown Berry Gord) 81II Cnsh~ and th• clul'1,;.. \hnche!ller (Ma,· 6). a!i attendance records for the 11trtl dlffe,e111t llar tl"Oto1p, lt•t ror three days in London this James Brown. tt1e two bands that h•ve hlth1-• their flrsr dat .. month London club. As a result, to been ttsldu,t. kid M•rt1A'-. l..huck Berry upens at the The film has been shown in it has been invi ted back fo r MARYS' NEW DISC R•·th"• a.•d aitd th• H lll Pnncesi and Domino Clubs. England only at two or three a month's stay in October. ~~:c:e,w::::;r;"· WIU be f-t- , \ 1anche,ner (\tav 23). London cinemas and is being Ba nd ma nager Gigi Campi A NEW Mary Hopkm sin,:le q;ulus Thomas starts at Vic­ shown on March 27. 28 and told lhe MM on Saturday that will be released wi1hin a toriana and \1ardi Gras club~. the engagement had been a monlh. said Apple Pte!-S r:ui.. '::~ ,,::--~.. ,..~--~,:·;: I Liverpool (Mav JO). very happy and successful officer Derek Taylor this lhe R•-~ • •Ud11119 S•~IIY• ll numbers to hear this orchestra wants to be free to write and The Beatles, said Taylor, Bruce, taped at the Estahh h• BURRITOS DUE By the end of last week we record in America." are still recording material ment. from satirist Peter were turning them away. and filming for torlhcoming Cook. " W e are planning a KING Princess Margaret and Lord album and single releases and seriec; of albums ol Bru~ EX•BYRDS &roup' the Flyin1 BOB HAGGART HERE a TV documentary. Burrito Brorhrs romt' to ato11rin1 now Snowdon visited the club last after we have h!lle-ned to all Britain from C.:ahfomia on Friday with Peter Sellers. We AMl:.RICAN BASSIST-com• the tapes," said Taylor arch 12 for a six month verv much hope they'll be poser-arranger Bob Haggart, AFRO MUSIC FESTIVAL back here in October." co-leader of the Wor1d·s ALAN AT MONTREUX 1 0 HOLLYWOOD, TUESDAY. - :=~ 7H~:~an'!;od1::;, l~~f~ FREDDY o~,il~~n Hii~~~sn,, Greatest Jazzband of Yank country music, have been :u~~~ ~~~~~ Lawson and Bob Haggart, Aretha Franklin's rather, the ALAN SKID~ORE. one of that there 11 every probability arrived in London on Thurl- Rev C. L. Franklin, has formed by u-Byrds Chris HIii­ that the band will also accom­ Britain's top )·oung jaumen. ma n and Gra m Pan.ans disclosed plans to produce an hu been chosen by the BBl pany Salena Jone5, during this ~6f1da1:stw1Ulet!~ls r°;ir:. ~h~e: International Afro Musical The rest or the aroup are BACK next season at Ronnie's. to represent Britain with his <.: hr1a Ethr1d1c- (bus 1uttar), left Britain on Sunday morn• And Cullural Festival, at the Quintet at this year'• Mon, SnHk) Pete (pedal steel ing, Astrodome, Houston, Texas, treux Jan Festival ,.uita r) and Mike Clarke SECOND GOLD DISC from June 13 to 15 (reporls With Alan on tenor 1n the ddru.m1) Their flnt album ta IN MAY Leonard Feather) THE FOUNDATIONS will be BEATLES SAY ND Franklin 1t1ted; "The 8'~;1':~o~'!ndK~~un~pe~,h~~ •;,:; ~~M=i:ereh:::r:: .by AMERICAN bluesman Freddy presented with their second object of the festival 11 the Marshall (drums). Harry Trisha Locke at f.mpukl Lid. fflE BEATLES will not be unllin1 of black people In this Miller (bus) and John Taylor :~~Sh cu:f:~Y hi:_uri~,re;:; l~\~e~~; .for -~~~~: Meth~fr country and throuahollt the (piano). DONOVAN ON TV American tour which has now ~~~~n~o1r:rs o:rc,er pl~~ ~~~~ world. We are concerned with Commenled Alan to thl' ~':m~a~ ~~~,:g ~ :a\:o: been put back until April 16, concerts in America this MM on Monday: •· I'm biahly because of advance sale1 on summer, nld press rffloer dellahtedr' Derek Taylor on Monday. r:t~:u~r:,t::i:.~:.~:,mrur:;~ DONOVAN HAS been booked :i.::..,r: Jf1 =-~nn ~~; their latest record " In The at evenll of this kind. ' Peatlval, which taku pla~ 01d 0 The money has been r"' ·ed between June 18 and 22. C'f:"J:'NT~ ~9' '":t~ 30 ind work here untll June aa~:,ad ~!~;" American by American promoter Sid pr~!t:8!:o~~nh~f:;!_~O •el a feature• entr.ies from all over Bernstein for concert appear­ ration to fllm the affair= Eurape. Excerpts will be H ..Tha 1ultariat•1ln11r bu the tour al re Fillmore East in .... ~:-tra-: New York on April 18, Total ances In New York, Loa wlll Include Jan, rock, pop recorded ror future trana• -ar folloWffla en1aaementa 1dU to salu or the 1roup'a ftrat four An1eles, Chlcaao and Miami music, blues, and Goipel mlaaion on BBC's " Jua O::.,!: !~ on In Lal play: s~.• ...Ho~ ~':.f.d:~~ recordl now exceed 10 million Bernstein was the man who music Club," Aaa•lea 1ut wNlt after London K rk1 I um and they will be havin1 a celebration party at the open• rcrtsfaw°" .::t tu':redW!~ ~U,.~Y~\ub (7)~ 1.e8:tt:i. In& ni&ht or the Stevie CLUB NEWS dte Smotllerl Brothen Show. venllYry (8), Boat Club. Not• Wonder tour on March 7 at Dono-,aa ftlea to Paris oa tlnahlim (I) Annabel's, Sun• Hammersmith. March 17 for a conttrl a1 Ute derl1nd (lb), Pllhmonf,,-• ton. The Mac had to withdraw from this lunch-time session O~pi: Ul~~l'!ew American r.:.,= NJ/ ;;~ Ki.: TREMELOES BACK but will play the club's qaur In Hollywood on Septem• back to the USA on arch a.e1~~,o:luJ':'.::e~onre!o~'f.~t1 the club on AprJI t ~ followed tour and this week bealn ~ sonny Terry and Brownle ,="':'::lS~;;::::::::::::;:;13:::;:;;;~;;;;;;::~, m:promotion ~f:'~~5,5 on their _rm~u:.~~ latest Fu~~(ie'ray I) and Jesae 1 1in1le, "Hello World," the ~ ft DED SOUND A six month• experiment to ·• ~ --K.ECOR r.o:1it;~r a':~~~!.~~.~ single, take pro1re•1lvt and blues music to Leeds ha• ended STUDIOS LIMITED ~;~1~:il.fil r~~f with the closure or tbe New 27-31 BRYANSTON ST., LONDON the aa111 BruIh Show (28). =:~:9:anci:!we!!~ :~a~J WlH 7AB M!:,'.''::t::'.~,:'~ S~in':i~ 'i,,!:~i'!t. and the REBUILT AND RE-EQUIPPED ancl toleYlilon work. The l9ulra, formerly Tom f:a,~'!c,::C~Cre~ro'Z\»u~~~ ARE REOPENING ON DAVE MASON LEAVES Club Poco-Poco\..S_tockport, for MONDAY, 10th MAR., 1969 DAYE MAS~!!... -~- cT:I! ~e 's;,,...la~~stir~ • 8-track 20-chonnal Ne,.. mi- ~ Jll:'u ca~•~P Ibo fo'i.c:.'!tu:~~~ KJnab, • 8-trc.ck 3M company recording machine f:"nfc. t"'pia':':nato Stroot, lo for a - to~= ~nllt IO-••1 •~r nlalftll.i • 4- and twin-track Scully machines, .tc. A7:"..:.C.pald~Wood and Club OWftlr llan Kimber au• • Accommodate up lo 35 mu11cion1 ,,.. play ..tboli[.,.~ ho wm be ablo to~ da: an he feel1 Ilk• • Separate vocal booth Todlnlcal•~•ea:, ~::fat ntum to Jina = ham'•~"'IAck Cid liir PHONES Jonff wt1own11 =ca a;:..:•,.,'°=.,... thare on 2 nd I', .,______01-499 4634/3726/6594..,;;_..;.,_JI II-tr- :;:.:::1'11;,Nld on Maoday·Jallad Jot Harrlo anet_ IIIU .II "'"b on Ma 12. -II Girl dentist put P ETER SARSTEDT would probably still be tramping foot­ sore and penniless around Europe if it wasn't for a Danish dental student named Peter on the JERRY LEE Anita who stopped true to hit im~,i:e songwriter Peter from wandering. " I mel her about three years ago," said Peter, whose " Where Do You Go What a To" has gained him the most unexpected hit or the road to fame! year. "It was just arter I'd been in Paris, busking fave down the olher side or the my hair is too long. When Peter has just started a • road from Don Partridge. the news came through m ajor concert tour, 1 "I fell in love and star­ that the record was at asked him w hat he would ted writing a different sort the lop J was asleep ... be including in his a ct? rave 1n of song after l met her. All " There are about 60 the things I wanted to say ~t~~u,rt~a;i~ ~~~ ~~~; songs that 1'11 be picking to her I started to write. ties, it seems ridiculous from to play o n t he tour. She stopped me from trav­ that so many people are I don't have a ny stage Othello! elling around." going out and buying it. presentation at a ll , I don't It was in Copenhagen It baffles me." believe in it. I think all that Peter met Anita and What about a follow-up this ' Let's get o ut there JERRY LEE LEWIS one of wrote "Where Do You Go to "Where Do You Go a nd sock-it-to-em ' has fin ­ the lea;enary rock· names To" among many others. To?" We have a selection ished. I suppose you could of the past decade, Is true " I've written a!>out 300 of songs to choose from say I'm a n anti-hero of to his lmaie. songs - all filed away in fo r the next single but the sex symbols. -- The hard-rocking slar new my head. don't write " Bob Dylan has been I now I'm thinking in terms inlo London last "'eek for an appearance on a Tom Jones down any music or make of the next 20 years as my main influence. A fter TV special, puffed a large any tapes. I write the I'm basically a song­ listening to him I thought cigar (" I have them 'it'nl over words and then I just have writer" this was really it but from England, they're Cuban to look at them to know everything I wanted to say and we can't gel them in the Peter started in show States") al London's May what lhe tune is. business playing tea-chest seemed similar to Dylan. Fair Hotel und declared: " Some of the songs I bass with brother Eden It was two years before write arc a little bit Kane·s skiffie band. Has I thought 1 wasn't copying mu~,':~t:e:t d~y~~inJec~~~~lrr naughty and my mother, Eden, now in Australia, !TI· him anymore." don"t hear anythinR worth llslenlnH 10 in r>OP, i>eople can even though she's very nucnced him at all? Peter is celebrat ing his understand country music. broad minded, says 'why "I'm drawing on his mccess by flying to Copen­ fhcy surely can't understand do you have to wrile experiences a lot. I used to hagen for a champagne lhO'ic r11r out Beatles albums songs like that.' But il drive ahout a l,000 m iles celebration with Anita. -all that being naked. "And their lllms! People seems that a very wide a week for Eden - which "It's funny you know. l .,...P~ <:.adJ, for .ill that yet. cross section of the public completely put me off d riv­ used to be known as Eden ,\n; way, I never did 1/ke the are buying my record. ing. And he had a Jot of Kane's brothe r. Now he's Bo tles.'" "Even my bank mana• financial trouble so I'll be thinking of saying he's H was almost sacrilegious. careful about the money. Peter Sarstedt's b rother!" I\ v\i.i\lnR Amer\c11n o;\ar ger - and this 4uy's really ac\ua\\y knockln~ the Beatles. conservative - , hkes the Eden helped me a lot with lncredlhle - and refreshing. record though he thinks my songs." ROYSTON ELDRIGE Didn' t h\! Uke any ..i f their music? " 1 gue,;s ,;ome of their early tunes we-re o l-- ay, bu1 the rest or It, no, not ALAN WALSH meets the country greats for me.'' Jerry Le\! Is taller than you con tact with his audience, said Jerry Lee. i;a:~nn~; ~es~l;~:r. b~11~Iili e;n:~ 1 " He hasn't done a show In "killer '' In greeting hut has 10 years. I haven•t seen him The day Elvis lhe abllil l< to cric>a te .1 n instant rapl)O rl . r~~u;~'I( I Orsa~":" brlea~;· th'; Born in 1935 in Ferriday, TV show he did in the Slates. Loulsian,1, Jerry Lee roared 10 And w~s that a load of crap! lnlem a ti onol fame in the People expected Elvis to come split his Fiflic.. wllh his uniquely e,i; ­ 1 1 ckln,1t record,; like '' Greal f;~diie i :~~ ~~e~~: !:J•s/;; B1i1 1ls Of Fire '' and " High a rew songs hlmselr. School Contirll'ntlal." st 1 pink britches Out hi' CRITIC uo lhrough bl;~in 1:~~he~~c;w~~~ i~!m h1~ ATKINS country music :ind ll't. lo the gui tar, singing rock songs and 1 last ten Y• •n, t.oo~ t.he rKord roolo; lhat he halt returned. pickin' hJs nose.'' WH~.NH :~; ~:r:::s ::01~~?r~~: .and music busl11e11 side er the His first ¥\er record was a A year ago, Jerry Lee un ­ record that launch, d him to city has boomed and w• new counlry , oni:i. , "Crni;y Arms " wrapped another facet or his ad ul ation l11v el In Great Britain , h• ve studios ownad by all th• and he currentl v has a num­ talent actinR. He took lhe h1 rea ll y tore th• stud io .apart. major American record com• ber one In lhe country charts In fac t, said Chet Atkins, panlu." star pa rt In a special play guitarist and country music U was doln1 studio work as a with "To Make Love ·sweeter based on Othello. wrillen and produce r, he lea p• d .a nd gullarlst - U1at ramad Atlllfll f"or You." produced by Jack Good and squirmed so mu ch " h• spilt 11n1er•1tyl1 acoustic guitar wo,.. " fl was always In counlr)' ca lled Ca tch My Soul, hl1 pink britches right down I• an m•111 Na1hvll1e-produud music," said Jerry, relaxin~ In the back ." records - lhal he ,tarted doln1 THE NAME Jerry Lee sta rred .ti the some pred11cln9 . This l11cr1ase• hi<. hotel <,uite. " I started in huge Armison Theatr e!' in Los Thi• WH back In the mid• until ha bocame t.he be1t•lc11ow11 It and I ' m in It now. Bui I Angeles and received rave re• FIUle,, when Elvl1 had just producer 111 Nuhwllle, stlll ha\·e 10 do all the rockers views for his acting ability and moved rrom the Sun label in the aet. which dl1cover1d him to •cA fo r the s ix rock numbers the Victor .and wa1 ru:ordln• tracks er:u:1:::r~~,m~~ll;UI! ~~7:!t IN LIGHTS " Even if I olnv a pure play called for. The play took with Ch ll! I al Ylclor'I Nashvill e 1st. " I'm a m1o11lcla11 nrst aad coun try engngemenl, Chere a r1cerd producer H cond. •ro• If ,ov want ...... n, do It w11, - 90,000 dollars a week. sludlos ductn1 wa, somethln1 lhat I hold.,...._ they are in the crowd, youn~ " Thal was a year ago and 1 of .... -- llghla. we~~••;o~~o -:::11"1,t"o~n::n nrt er 9ot Involved In by 0....- ...... _ __ and old, shoutln~ • Great Ball ., ne w Jack wants me to do 11 i~f! accident,•• he said. " I've done 1010UTl-for colourecl ...... ,. Of Fi re' and ' High Schoo l 11 Tom Jones tor ATV (his first - • ._ halo...... ;...;;..-· on Broadway, but I won't. • ver worllln9 trip to Great It fer a lon1 time n._, and • ..-~...... ahda. brighlw -• Contldcntlal." Apa rt from havlna lo spend Brlt.a ln) , recall ed th ll! Incident 1 111 ._. !Maira, holel1 - _, .. laal< t:; " I give them entertainment; ~~~::•:; 1t':'n ,::'};,i:,,..~ 1•\~.! .. .. l:Mnlneu under lololotond lighls• 2 year in New York In a scruf• with a smil• at his drenln1 __ handing a lot of the racord to,wec:•dor. , .... nteonll...,.,- a show. I ca n tell jusl by room at ATY's El stree Studios fy theatre wit h rals, I think worll OVt'r LO three et.her 1uys Jooklnp at an audience Just ii would be heller as a TV last we•k . and be dol111 a lot mora • ... NWMI~...._..._, what they'll want and I tailor " Elvl 1 had on a pair or special, then as n flJm . brl9ht pink brltchH and when shows.'' ::::...... my numbe rs to that." .... 0 11 81 1 1 - In lhe States, Jerry l ee lo·~~: ,ri: 1!:·r:n: ! ~~! r!~d ~! tel~ h• !;ri~n,, m· ~ •.ar_tb:i~~~ Fl:;d •;::;..r:a!~~ : :r,,Pi::~e INY1NMUTl • - llllth Wlt,a ... travels 100,000 miles a year be a Jot or others who"d do down the back . He had te take ~~:yl~:• ~1!' g~i°i!'~n: ...... for engagements, He h rarely lhe s:i me, Dul Jack has this them off and put on another ~~:!~'.fht0 C01.0u1u n-wort1n .,_.., oft pair and threw the eld ones lot more in th• comln1 monlhs. 8 home for mo re th an a few th ing: he wants ii on Broa d­ Not that h•'• aver stopped cOftloct ••• ettllffied to._, days at a time and In th ree ou tsid e the studios. One of tho fl.A., &-,...W.. o fabuloUI ••oo1, way, but he won't ge t It, not 9l rl .1 who work ed rf9ht th crl.! ~ I playing...... __ years has clocked uo 180,000 If hf' want!I me lo star In the studios ukad who lhey NH hvllle , of coune, Is Ula miles on hilt Lincoln Con ti. II.'' belon9 ed to. I tol d her Elvis home or the Grand Ol e OprJ DIMALln-co•,lota wtti. c....i nental limou .. lne . A film or the play Is some• 1 ceu11try radio programma, ltoa. 2eola.-.ofllthb ...... " I fly to a Joi of things, thi ng Jerry Lee would dearly ~e"n':,•~ ~=y••,f ~~ •~';;,::;' : ",:r~~~~ which hH bHn a hit pro- soon.' She did n't belleve me 1ramm, ,1 11u It 11.arted way --,--..s-...~­ too, although I don't li ke to love to do. " The oth('r thing 11,en, but ten ye.a rs I.ate, she back In 1924, celow,.4e-i•, f•...... - fly Ir I can help It," he said. I'd like to do on the screen tried to 9et 011 What's My Lint' le~• ...... "Why do I sllll travel so is the Ja le J imm ie Rodgers becaUSl' l ht! h~d a pai r of lyeha~~~ r'::aesd :!• ltOr:l ::: u ¥11 ~-...... much? I'll tell you, il's not story. I kn ow I'd be suitable : ~:•s~ hoe..~~ts! She dld11't get on !~~:;s bdore that and •ot fad ...... y...... for the mont'y. I could retire for that, but at the momenl, tomorrow and Jive in luxury Johnn y Cash owns the stof) . Tennnsee•born Atk ins has Whlla In Lendon, Chai was ...... on the record r\ea l I have bten in country musu; .all his due to guu t yast.rday at Ula UVll.llll-el...... _.,._._ " He's hu n11: on to It so IUe . He started pl ,1yi n1 the apanin• ni1h1 et Landn'• ...... w ...... with Mercury. far, bul we ta lked aboul mt' guitar before ht' was tan and Nashvil le •oom and Olis wlll ., But I !Ike working; I like doing it nt the last Country bec.ame • profe ssi onal c:ountry 1-'-'I.. U.,...... , ...... to h.ive contnct with the :\l u">lc Conv<>ntlon In Nashvlllc muslc:i1 n .a t •round 1•, working :cr.::~:~r:! ~lr':~t h;'•a a::;:.1 ..__A_ __._ ...... _.,.... • audience. I like to be sln~ln~ and there's a ehance It' ll hop­ both .as • backing mu si cian and In a club with th e people right 1.a ter 111 • st.a , musician In his pl'n.'' own right .. ~~i'~:',. •~'"& .... .:~a~ :1: rhere. nex t to me. I said my fa rewe lls to th (' He was working In , tudlos In ~ ~::::r.::.- , •• I lhink if I laid off and Rock !\ton of the s,-.i1 mp~. as Nas hv ill e a lot and Chet "'° i::k1~:. to~~nl u':.!'llfl:: 11.:;: ju'il worked a few TV showr. he was once billed, soon aft er call ed th 11 t 1n those da ys, Ill• Olf ers to t.ur h1r1 I• ill• ,ut. and cut rccordlt, I'd Jose that an English friend arrived wilh conlaCI, and I'd lo\e eVNY· lc~~us~ :s ,!.;;u''ft h::•-•,:::!! :~~Mg~h•r~v••• :::: r:-:.a 'I a fre~ h consignment of Ch urch today ~~-·-·-·-. thlnK then." ill-si1:ed cigars. ·- " You c: ould get a11 acr• or r·.l vir. Prt"i,;J('y is Mn example "See ya. killer," ye lled Jerry =~~• I,:• ..:-:n:•:.-:HM:.-.: la nd for ),OOOdollars TffaJ it In th, f• l• N , 1•111 hott1111 t can of nn ;irtl\t who h:1 o; lose lhl<. Ll'c after ni t' do" ·n the ho tel. wo1o1ld be lt'n Um11 thal.. Ill the malte It har,'"

• JAGGER How do you IN 3-D Th• flr•t of three 1reat artlclH on translate Mick J•11er b• aln• next wHk , 'Boom Bang a Bang'? McGregor to the rescue SO WE CAN release those bat~d ? reaths and "'' 1uo1c-,o.AN I J:U OUht11 , 11 11 power • nd Ron Malhewson 11 • Jeep untroubled in our beds o mght. Some­ , . .. ,. 11111 11 Ii• • 11 ,. ••1111,u , 1t 11 1 un1Uh11 and artlcul11t1 bHI ' " " W" 111 tt1U • l11•11• l ot 11 " •1• player Anll In Louis Stewart ~h' g with the international ti tle of " Boom • •1ttt•lt1l111t • •111 11 11 1 JU !I . , Ito• Tubby hH round • guitarl1t B~~g-a-Bang," written by ~~ter Warner and llll lt trnl u ll o, 11 II• • 1,1 11/illl ht who rolly du.rved the almost 1"'1 1hHII 1" 11 11 11 1 h WIii llt11 110 ln111nl IUCCIU hll achieved Alan Moorehouse, is the British entry for the ,,., r,J,, .. 11 , Ill• 110111 ltrtu,- tjl &Ince he moYect to London from lf 11 l1111I Hul h • ' tt• 1t111111 111f • I Oublln - ALAN WALSH Eurovision Song Contest. I 111111lo hl11 "'• I ,ulv HIit h • II fl ll ll 1tn lllunrl• r AL AN PRICE BIIJJ Mnrtin, who with ------. M•th• II h 111I \ 11111,-tl1ht y t,1 IIH p h I Co u I t c r ~rote wlllt 11l•Vllli, In 111 11 11!1+,111111111 Brita in 's only Eurov1s1on fnt ""h 11,, 111 ,111u11Uv ,IM 1!111 ALAN P RICE made hi• flrlt m1Jor London appe• r1nu ror winner, "Puppe! On A ::~~"'\~,\~ 1~"!n~ :/:,~.,~•',,,"'~I~:~; ,om• time when he wa1 pre,C!nt• String" as well as last fthllljl l IIHlr 111 11 tnllh•III Wtltlt UI ed In cabuet at the Brunel year's number two, "~o~­ hi• 1,.lh1w 111111111,111 l11t111,1y Unlvrr,lty, UxbrldgC! IHl we• k grntulallons," tipped 1t m ~r.~t'~li',u 1,~~ ...·.ii•;~~,~1.~::1 1,1.~"Zj, ,:~ ~:,c)~•d J:in Ly':.."u!:O~~on g•,::~;: lnsL week's MM as the •u IUotM•II l1,,lw 11 "11 1h11 1111111 H11rold Beckett and Denis Andre '' c.lnrk hor~e" of the con­ .,., •• llo\011 , .. , .. 111,., ltjU l 11 m111u•, II' (tpU), WIiiy P1yne (gtr), Boots test. This week he de­ tit 1/l!llfll•,. hut IJI .. Wllltl 111111 Sl11de (bau gtr) and Hughie Lluil, M11l111h1 Flynl (drO, Al• n, In a llghl• clined to join the chorus lh loo )111111 ,11111,0. h• hi.ii¥ hHrted mood, led th1 group of mutterings against the ,,.,.,., • 111, ,u111 rtu1 • 11,1 111 through • vuy good ut sonk's potential, but d•.d 1h1ti, .. 1I Ill • f PW lllfl l' 11111111> Th• group h11• • big 1ound say: " I do think lhat ll tl•III, 11111 w•• • hit U'f h ll tl! with pl• nty of punch, 111d Alan lh• 111 • 0 whu ,,,. ,r,1r,,,.. ,1 .,, manag•d to kHP them tight doesn't give Lulu the • nd twinging on • variety of ::t~ll,~:,\11' t• H Y* IU • I W ig chance to show off her - n u mbers that Included " Can't (hoh,u '"" 111<11111111111• l• NU Turn You LOOI•," " Mr Rich• bubbling persona hty and that could be important." =~~" ln:otf ~~f,':'" II~ , 111: ~.~¥01N l'!'I~~ :: ;'o°o~d~11 F~~~ur~~l.~'onti•~• ~•.!=; • " "" 0•111.it •• •,. 11,, ""' " N1w m11n compositions " T ickle Mo " a nd " Si mo n Smith And H/1 D11ncl ng Baar,•· " Don 't Doubts I-1a.'7ers : ,:~ril~ lll'f~." Al~r\~• ,'~: ~•:!;!~,• !1 ml11111n w h lll l 11111011 '1 lol •I• ol r h )'l hmlr ht111• lln , llr1 11nll roellh1' chelr , Dul Jf )'OUw.nn a Slop Th• Ca rnival " a nd " Hi• WEEKLY TONIC 11 11 1 0 1 1 Llty,Hl•Lo." ~,;::,':·.~~-,,~r •:,~:(•;i.~:~:~:~!~~~-·~~:f !::, :1~1 ~T:~ :;:u::~·· ~0~·;,.::~.: ~r. .:~ !"'" •.' :,!;:~:. ha il . ,::~,1 ~~. r.:~~1n l°ih1n"~ k~~;t yo: h ~~:, 'there WH • p rav lcw of h i• as Billto 1hcexpressed song's chartmild doubtspotcn• .______1 111, 111111•11111111 1h 11 1t,o,11t,• nr :•,: :u ~/!~." .. ~,ii"~~j. f/.'i /•~• ~: 1111 1,h lnu ..111 blow lnu wlh lly on 111 1,d .~ " ~ u ~1k•1 m~ fee~ 1 1 1 1 =~ 1 111 111 1 1 ~! : 10: :::,-~• •~ ~~~m:::g i~•~~! tial ond pointed out that !"~!"'~ ;,~:,, •~,w " :,~ ~:• 11 ! ~\~,'. ~ 1111111111 11 tflw 110 111, , hut lh1 ~rf: W~~I•: tl Hl H . VAi., - ~~o ~ ,uu : n:.re of Mw:w~t f~. la t, pitma n-poe t, Tommy Arm• peop le Including a psychla 1tron; , a bo ut a Du r ham pll 0 t'11111t, ,11u,1 0 ,11 1 " "' ,.11 .. 11111 1, "' '"'"" ' Of • 1111111 10• w,._ " " i t ~~c"~ " OH 00: 1e,hl•F•~~~.!1, ':~ ~!:; ~~~lf~s ~! ~!~l~dsst;!. tr,st, bu s i ns pec to r, layatory 11 1 11 FRED M DOWELL d ls .. tc r , Ala n'• modorri ar­ "Ju~~: cleaner, _m od, twelve bishops 0 11 11 1 r• ngom e nl r elalns lb sincerity c iation fo r the Contesc were w•; : ,: t..• n n :~ M~~~~r,1; f' r~rlr~:; urly Imp !rouble 1 0~!r ::,t" l~ri.. f'££!~f:~.:111 f':,t. C 11n d lhC! words s ta nd o u t we ll In Cli ff Richard's "Good angh:/ ~1kf:.,d ~f~g a s ur- 1 1 1 1 1 1 10 lholr new surroundings. Trmes," whic h 1s already i:!·!:~t ~.I~.~": }:E1f" ~~:!::"l:ir ~l~==h:! '.~. !:,Yr 11 ~ 11 1~:~ •~~~~ 11 !: ~·11: ~~ r . ~i! o~ ly r:i~ 1"c::i m~t ~ ~ ~~n~:;t' g 1: ::!~ ~~~nl ! "111t~ ~::~ TON Y WILSON, m the Pop 30 a t 22; 1he prise guest spot on Dnve ,rr111 ,.,,11nu n 1111 ,1u11 1111 10 111111 0 l h t h 11111 11 w hlle Iha me ro(k 11 hy 1> ultln11 m o In • lou red po11cho , t w11 ng Into Tremeloes' " Hello Allen's County Sly • ~, ; 111111!:'ri"••• ,h:~ World "; ~ _;_::._;__;_::,_;_::..:.;_ _ _;_::. ______I; ;,:~=~• .:i~~~ 0 1 INCR EDIBLES and the nl'xt llerman's Her­ on Radio One . Folkies mit !! StnJ: I\• Weston Gnvln, Salfron, norin11 He got • tremondo1u &LIICTRIC lncredlblul It had Amory Knne, Stephen rocop1lon ror " Coln' Down To 81ll''I 1fp. for the Etuo­ lo hapiion . Hiving tr11 ve ll•d l he V1!ltnn 111•1:"., \t11,ly with l n•• D e1pht pla~ed at Wormwood Th o Rlwor " and cl•••II hi• nr• 1 world, rifting th1 c:ulturu of Scrubs prison recently - '"' with ••• or hll bHl known limd as thl' out'iider most North Alric:•, Amorlc:a 11nd hkel)' nothing like a captive audi­ ~~•tL\ : , :~,11 11 Mt A Few or 1 10 cau,.,. an upsl'l :;;:~: ti ~r •:!,duuf-~~c:1:sure~ Hollin manager Robin ence! ~~, MM's H1 ooonod 11 11 111co nd , pot h Bri tten refused admittance Reports hot scoop whh " Kokomo " played with ~:~~•ei:i, b~! m;.!'1~g• "C:. a~~l ,h ~~: to BBC's Top Of The Pops man Alf Marttn: " On Satur­ typlUI 11-.y boltlen, ck ttylo, 111r 1Cd taking e lune nl1 lrom studio 10 sec his own group. day 4he MM Football te~ m 11 nt1 1wung through the r u t of moda rn pop He was told lo \l,d(Ch lhe 10 O81 l~o J',ro~~!~.';(I t:; ~:~IIIJ of't~ce And ,o In "Ju1t Writ Down " programme on a monitor S:!~ch x 1. plac'an::11ed, t ~ ~ OUT TODAY II lho Falrri~ld Ha ll lu t MM decided to have a kick 0 01 1 Sund•y. WO had Robin WIiiia m­ set, hut thC)' were all tuned '"" pl11ylng ampllfi1d guitar to ITV . DJ Mike Quinn, about and as a result Noel f~!PP/iJ,~g::: Z'!. !Y• cf1~!lc:~~~ (vii a clip-on pick-up I nd wah• on thc Gene Pitney packa~e Murphy managed to fracture F ,ad c a m• back ror two encorH wah podal), Mike Heron on Roy Burchell's ankle. Mr "Cood Mornln ' Lillie tour , reports an all-night eloctrlc org11n , Ro se on bass Jam session with Joe Cock­ Murphy has not had much Schoolgirl " and " "1 Highway." uulllr, 11nd Llcorlc:e on tam• pubhc1ty recently." A IM•II balanced progr11mm1 bourlnc The result was fo,r er, Marmalade, Lucas and aho f••twred tho Ian Andorson from harll rock, however. By the Mike Colton Sound. Co wntry • IWH Band, with Dob11 th1 111mc urangc alchemy In th e Fu rnvi s1o n S o ng Rowe on olectrlc ban and P11.11 which allows them 10 take Conte~t I 25 ,000 voted for all Row1n on harmonica, who also Celllc myth, lndlan mode and sonRS, hut la~t year 179,000 UC In With McDow•II Local Amcrlc11n harmony and m•~ Jlnger,, Mick MolfoU and Pete something distinct and lndlwld• voted tor lht" winnini; entry Taylor provided II good 1pot, ual out or the mixture, the In the Babylonian Tripe John Peel on the Con- bwt tho min who rac• IHd thct lncredlbles mad(! these elcctrlc: Contc!tt 63 Arabs voted for 1:urdc - "It's all rather I lrtl(Ht acclalm WH 1hy WOllh• sounds seem to be soml!lhlng public hani::ini:: , while J,000 amadng. Perhaps they can man John JamH - • 11nlu1 or hurd for the nrsl limo. voted ror Y •fronted unde1 • house Britain's homeless In • t•~d~•••~-:i• ,.u~t::~1ln':ch t~~~; wenr hcini:: provided free 1t" m::.:"::!~ter ·~::" :t·~:.,:1r.cs~ for lhe people. B I u es and progreS!ive :::~:," ',', ':.~:. 111 T!h• s!:uh;~~~ 11 ~~~ 1:::,~~•c:; .:. ·~rc.. ~:: Grut Seou - Princess 1 11 Mara:artt, Lord Snowdon a'~t~o~o~~~b~e the gteat :::; "!..:1~!', '!-m.~11~ ',', s:! fflHS ., the •oyal Alb•rl Hall, h:e~"\a:e:t 11 and th• Whimsy th•t Sfflll• d lo and Pt1er Selltrs at Ron­ close because of ,roups not ::::. ':ewn~ro~" G\t~ h•v• Intruded In lh1lr ru111t nie',; last week to see the turning up for &•I•• Peter J:~•-:r:t p1rferma11c11 had b"11 ba· Reddaway. mana1er of the •• RT. 11l1hed anti replaced by • flUlle :~"j~~J~r!i;:r:~,he~•~;t 1enul11• _..,, which Jumped the Locarno, Swindon, Ht• be- NEW aoccet weakly! ence were tht Amen Corner TUBBY HAYES t•P .u.. and •11dl1nce betw••· cror the fourth successive •:~fln•t M f lhe b I ev f footba ll weekly Pecked w1 lh 1ntoresf fN ovorybody a11d llll"Betl Ille W... '9 nenf•1 ~!::i':d ~~m~r a:~ l11a. • really delltlltrul p•rty. nl1ht) and Charlie Watc. or for technlcal reasons, hi• ,t Rood lobby Chorlton', wNlily Tllo , ..111ed tt lie ta•l•1 audience droppad from 1,000 lhemHIVH IIIIICII ,...... :.':,n,~omit...,:•o":!,, Kl, to 174. even ror .lolul Peel diary ly, Andln1 such olw6e1t1 .njlly• course, absent rrom the ind Ten Years After. menl 111 Whal th•y did WIiii scene. "CMal11 Cat•rplllar," In which Top national journaJl1t1 Rollln lMk up the INIH 911l&ar 'JJie Move were atven a tcted like p~• l John LN and combined II with the wall• •ec,t on ATV's Today rrom Hoebr rece ... A ftbn wah to praduce • new, 1r11II 81~~,1:,ha~uthe:h::: wa.1 made o Ami He.....-. ceu11C•rpoh1t. KARL DALLAS. R~v:~ Albert Hall concert. tummies had never ap. Julie Fda:'1 next 11:_ peared on Midland TV ~:: . ~ici:iukl,I :... ::~:on form ht1 owo ric~:~d an:••=,~: 1:::1 than m01t 1ro11p'" Don Parulqt btlnatna ireat demand for Uckell tor F:lk ~W ~o~n11..:::: Paddle SIN•r, undet ground ""p are beln& ii=t:i~.~ knoebd out by S

~~b~•-=•~:,~de6::ance for two year, •=; Pffkr 0te 1.Nt a MW f.'1l"Pl not the manap r of r.:•1 known elub • .. Ch.t~ii,~• ,tn• ala,ned FINGS CERTAINLY AIN'T WHAT THEY USED TO BE FOR RICHARD HARRIS

Wlll-1N THI Theatre couldn"t do thar In Urllaln Work1Jht1p production or "w., can do chi, ne-w one here, but thtre'1 no polnl the mu,lcal .. Fln,c,; Aln'I untll Wt' Jtt the relu,f' Whal They U!oed " was dutf'.'' movln,c rrom the Theatre A!lkl!d how he rtaClf'd to Royal lo the West End, the 11nnounctmt"nt of hl"I one of the company nomination• for Gummy r efu sed lo go with the Awards for Album of The Year (" A Tramp ShlnlnR '') i.how. Il l,; two songs had and Hes I Contemporary fu ll ed to get a ny a pplause. Mole Pertormanct' The same aclor Ill now (" McArthur Park"), Richard f'llla bl iil hed .... • tllm .-SUL t , replied; "I couldn't bt'llevt ha,. a blx Tra n•ntla ntlc It. I was lhrtll('d, I tell you, record hll to hl1 credit a nd I WU more thrilled by lhllt Is bt lnk nominated for than by th(' Chcar nwurd.'' Gramm)' Award~. Jim Webb Is currt"ntly He 11 Richard Harris, who havlnR a hit wllh hl"I sonK had 1nimt ndnus 1ucceu with " W ic hlla Lineman," sunR •• McArthur Park," hi• fi rs t by Glen Campbell 11 1 Would Richard llke to ~;;,~~(ca!t ~r-:,.K!::ut m l~ have recorded that? " We-II, Webb. h's such an American s o nJ(. I Now Richard Is taking llke It, but I d on't reRret he another crack al the cha.ru has given It lo someont «- lse, with Webb'1 " One Of The There are a te-w other song~ Nicer Things," to be re­ leased here 100n. It's a io~lc: ~~!a!1f~~-r~ee: p~ [ rather sad 1ong, whh a full• No one else will havl' them." soundlna orchutral backing. Rlcha.rd'!o tlm«- I• prelly And 11 1hould bt a hit for the well taken up wllh actln1t llarrl1-Wtbb comblnallon. and recordln11,, yet he manages to fill the tiny aap1 Richard Is very enthu!llas­ between the5c two demand- tlc about the 1on1 and told me IHI week: " I love It, ::fe::~:,S- :'n~ hbs c~::~•.hl~: absolutely love ll. Jim produce. his own son11 on an wanted to become ,a pop album without Jim Webb. 1lnJ(er himself, nnd he had H e has ju.,t completed A IL His manager didn' t want Man On A Hor•e, shot In me to have IL Durango, Mc,clco, where he " Jim did It himself for wrote some •onJs and Ounhlll but It didn't do any poetry. " I've t'omplled I buslnU"I, so they pulled II off the market. When I came :°i:1~'::e1 .!~n~ro ::b11,~~'3 back from Mexico I told him 11 I wanted lo do II." pu~::,::t;::0J!;fn1i::, L°;:h- Who Learned Continued Harrill: "Jim ard seemNI uc:lled about would have liked to make was a film script he bid the record 1cene, but I think wrlltt'n, lnsplrNI by an un­ he knew he'd made a dtvelopcd Idea he picked up ml1LD.ke. I was very di•• durlnJ a plane journey, 111~':!:ledRl~~;e ~ld~~~rly "1 Hnhhed that In Du­ rango and Aftl"C-'Panama ~ d•te to h•ve ~t ~t. It Wat only a How To Stop •McA ur ll'Ve-• Worrying

rangement !I and make them "l'VE GIVEN UP whole. There ii, more involve­ BY CHRIS WELCH ment lhe way we do things preaching to people. than with many groups, But wouldn't take off hls dark tha t's bt"cause I am working It never does any glasses for phntogr.1phs), it Is "-'1th. Wally Stoll and thar's like good." Scott Walker a mu ch milder Scott who still havmg Del111s write for you, sweeps fa ns off their feet w ith and I rt'ally rate Wally as stretched, yawned hi~ voice and look s and earns hl i:,h as that. r have tremen• the respect or those who guide dou!I regard fo r him and slipped on a his musical career On his 1V shows, Scoll al­ "I didn't have any plans pair of dark gla,s.as ways works with top class art• for a single although there SCOTT WALKER : grven up preaching lsts who!le approach and ah1l• ar(' alwny.s pressures for me to do On(' Bui I can't thmk as he emerged from ity he admires How much !lay ;~fn;'d lpra~uc~n:st•rrn::~e!::~ does he have in lhe choirt> thot way. I couldn't bear to a refreshing nap. work on a beauuful record 10." of guests? 1 "I took a pill that is sup­ " I can't have too much of and havr II heaten by that " I am do ing an tllhum wllh MIKE oESTOH , 6 , tdll Lane , llrOckworth, Gloe. pnsl·d rn make you sh:ep, hut a choice because, unfortunate• thing thot's numht'r one or st~inas and altoisl Ray War­ l Just d idn't sleep, and now ly. this isn't one of the h1gger 'Lily The Pink.' leigh and ~mother whh 1u1t- I feel like I've got a hang­ budget shows. Rut there arc " I could put out a sort ar1sl Terry Smith.'" over," explained the Man Who certain peopl r I resprct I can of pub ballad, I suppo.se, but Ray and Terry are two Jlea.r bira, Lf'ernE"d To Give Up W orry­ have on I wouldn't do it . I put too youn,:: Jan stars who have in,z Is thl' i.how an amh1t1on much 1mpor1nnce on lyrics and worked -a lot wnh Scott in Tum.• w11 s whtn Scott was fulfilled? merody, I'd be cht•ating my­ his hacking groups, and Terry A ao11th ago I pw,oba ed. a fft or ark l.'a lt'n up with , elf-doubt and ·• Well, it's somclhln~ lo do self" has heen lo Japan on one of nervi•s. Now he takes the pres­ I've given up trying to prench The goldt•n youth with aes­ the old Walker Brother fours guitar otr iap t,,011 Mu.aioal lnan'lllt surl'<; of pop in his stride and to people - It didn't work thetic 111andards has been "Terry plays happy jnn. Cheltoallaa. hi, , ense of humour is win­ I'm just doing my scene 1 He is the kmd or person who ning through "I foe] most l!nthusiastk bJ~~~ °i-for~~"os/d:~:~~~d, ;~h~~: walks into a room nnd every­ Althou~h ht· !llill refuses lo about writing, hut I'm not en­ people m•y he the salt of body is happy. Ray is an intro_ b1 put upon or d ic tu_l e-d to 1f thusiastic about showbusme!I~ the earth hut are rarely con• vert and a pertectlonist When hl' feels he 1s right (h t• in Reneral. Music •s all I care­ !lldert'd ae-,tht"les about, and I'm still discover• we did his LP everybody, In• ing new thmf:, I listen to How dnes Srou find the eluding the string pLayers. dasslcal music all thf' t1m1• •• North and how does it find come to hear Lt phlyed beck Scott has a new album re· him ? "The North finds me "Johnn)· Fran7 collaborated least·d soon ,ind he says· " I'm be-wilde-rmg and I find them with me on it and ht is prob• ha pp:,· with thi~ o m• I wrurP cha ltengmf!, when you'rr smg­ ah]y reapons,hle for everything tt'n of lhe soni,:!!o and it IOl.l k a m,:: in a club somewhcrt" and I d o He'-. such a marvellous cveryhocl v is chatterinR and hell of II lot of work drinking. " The thmg wrong with mc·~I 1 nlfll popular music is that you ~t i " But 1 love it there and I an~ ":at7o~•~tin~! t,~ro:'p~ TONS OF SOBS snml•onc like Dylnn who writ es thmk the peoplt are marvel­ pen and I'm only happy when -n arvellnus lyrics and fr.iudu lou!, Generally speaking the things happen fest, ALBUM 11:nt mt'ludil•s - just diabolt· audiences are ver),· .attentive. Inn ta1'htlll'.q, cal - then vou get ano ther and bu.', we nrc trylnR IO c-om couldn't rnrt• lcsa If I

·- - - -~- - ~ ~- l'o~\·;.. /VI I IIOY MAK I k. Manh 1'1, l'lh'I This big band just WILL THE big band~ rvpr romp hnek'' Wt• II , there's onC' chat cl'rtoinly must ,llld it's It'd by KC'nny Clnrkt' nnd Frn nc) Boland has to ·1 0 .i fanu~tic fortnight (\I H. onnit• ~n1tlS \\hllh broke ,"ltH•ndanrt• u•cords .uul ,1ttr11rtt•d rn,.11 p.11 ron.1ge in thr prn,on 01· fl rinrt•ss M,11g,1rt' I, tht•st• 16 music,11 nuss1on,1rif•s frorn -. 1 t llflt"'rt•nt r oun• tnes mon• tht111 lin•d up to thrir h1llint,: ,1s " 1111t• back of the ~rrat big b,rnds." come I hl'\ ,h11ultl put Ii Jl\1111111• 11 n th1• \\ 1t ll t•I 17 I 111h S tn·t'l rt·.ulm~ " I hr 11,tr\ 17 lo M,1r1.h I l 11t,'I Nfl BOl)) -.It-pl hn1· " In l,11 t \~hilt• ' llltll ~fdlHI, ,Intl :'\mnt hloo~ ind th1•1f ,!~II c,1lr1I ,11-.nplt·, \\t Ir tnnk lllK c-01bt't· r.1lt'tl ).!l1111nd ul l h111 p ..•uunil,1r p,lll h ol Snhn nu ll(lth ... 11•pl mm h IH\\ w h, rt· I· 11rh IU).!ht, 1H lh1• t·n1I u/ fhl' -.,•1.·nncl ..,t·t, "twn th, 11nal. hl.P,tmp )l;/cu:11111 /u rhord nl " S," N,1 I 1hl ' \\ft'i t'<.lthmi,: 11 \\a\ tht,1ui,: h lht· l:1mrh1 ... mo~l'• h,111· th11t ,rnl11.1t11• c h1.·h1\ 11 f , ho\\hu..,, nt')o.., t,inw r1•,1d1h to lh1 lip, " .. olhm th.HI" f' h1, 1~ ti hunt! 11 ! ,m h lllllnl'll)ot' 11r11n t IHHI J:. Uh 1h111 I it:; r,1Ultl, ~ llt• inln llhl}l,tllll c.1nrt'. T tw r nl1r. 1nnt·tl11 hH1 sl\ S:l\'Ollrlll~ lht• ,1lmthl ror~otkn 1hnll 1\I t'\t llt• nwnl, p ub aw:1, h..., d1s,1 t I m~ knift· trnd n•o.rh,.,_ lor lht• s upf'rh,11vt•, lI So let'i. s tnkt• ... nml• tnm m~mornllve mt•d,,b tn mar~ The band in a familiar setting-an airport lounge. Left to right-Derek Humble, Ronnie Scott, Benny Ba iley. Jimmy W oode, Eric Van Lier, Johnny thl.' C)CCllsion Griffin, Kenny Clare, Ake Persson, Kenny Clarke, Francy Boland. • FOR tht' sinuou~ tAt)t'slr;t of the SRXOphones, tht· ml"l­ lo\\ authorit y of the trnm bones, thl.' Slt'Cplt••:;t•nlm~ tn 1d:1city or the trum p<'ts 11 ntf the irresistihlt. propul..:11111 and non-competit ivt• r,1pp1 1rt Boland the backroom boy of Kt•nny Cl rke nnd K,•1111.\ Clare And then we had Derek Wat• " I LIKE very much to play • FOR Ron M!\llht'W'ion. un ;.:ood pianos. But I've kins, and he made it with o;pl'/11 somt· sad evenings on BY MAX JONES no rehearsal." depping supcrloti,·N\ 1hr had ones It c.i11 be torture There are man)" headaches .limm)· W oOde connected with keepinr. such rur a piano player, rea lly." our conversation Boland ex• collective spinl is unique. The an occasional orchestra to­ e FOR F r t1,nC".)' l\o\und'i- h, For Fr.nncy Boland, the CO• plained, when ttlling me how men get on well. they're used gether. But. Boland indicates, \i«.>f thut swing's tht• thmll, ll-ad,·r or the Uarke•Boland the idea of the Clarke~Boland to each other It's difficult e FOR K nny C\arkt•'!I. l .000 Hu: Anne.I. thi'I wn 41 quite a orchestra took shape· "It was to explain. Yes, I know people ::~e~on~~ ·:!;r a~im;;~r~n!~ ht•1h .., ,ateml•nt alway1 one or my dreams to often talk about the ~ood He shifts the \.\. Urrles to Gigi candlt>-pow~r 1Zrin Hl' dn..,!-n't ~t-em keen on make the best bht band.'' spirit In a hand. It's true this Campi_ the band's manager, • FOR t h e- ffi i\Jt'sltt , rnb• 1alk111~ ahnut lunu,elf, e ... pocl• And he means the best or time." record producer. PRO and alh in tn~lll'h, 81 d I imagine all J asked: " How ROOd do After a remark like the last, most enthusiastic friend binicnl aspl'Ct or Snh ih S hi 1 ~~:,:ak ~:r ht~cti~~~~~'-" ":!!ou; you really bt:lievc t_his band Boland is Inclined to lau,:h •· No, it's not a headache hab. the best l'\·trittm t' pl:\;t t' r lumfoml'n/11/ l'fTt·,·I on his is?" He ruhbed hi s mous• in an enigmatic way that sug• I leave lhlngs to Gigi when in thl' w orld I can. None of this could have .,___ ,_,m,ach tu what has heen !!~~~dtou::f~~~ly !~~w~rr~:. riri~ra~~n~ul~ut•~e :rei:~ • FO R thl.' coltu~t•·lonr 1877 happened without him. Gigi :,~:t/~·~v,· 'ht• id .. al co· then smil ed hair.apologetically. to keep off personalities and was always in everything from chops of ldrel'.s SulWm.1n 1\)o 11 i.~n·t a matter or lack of "For me, it's the best on music. the beginning." he hie\\ a sttlrm on " Bo, pritk ur rnnfldl•nc-e. F.arlv 1n band," he said quietly. "This Asked directly about a band For Boland, the music Is the 703." driving fo rce-not the mo_ney ------::::::::::::::::::::::1 ihe ws~~)~ne~sus~;a~~ c:~~~~sr~ or limelight. Ask him how he • FOR Johnny Griffin's FAMILY >rogrammes, he said: makes out financially. and he nii:htly response to thC' qut•, " Perhaps so. Of course, in shrugs and sa_vs that h~ still tion. " How nre ·ou fet•I PRESENT >ur band we have so much arranges for other band!> be­ ·epertoi re that we can chan~e sides this. But there can be ing?" (" I'm hight'r than ,1 THEIR 2nd >ur programme every time no doubt about whicfl is the mothl'r•IO\'er " - ti r .. omt• The mu5icians do nol gel tired most rewardinlt. thin~) '~' ALBUM lf it Will 1he band's first Brilish • FOR the JOkt• which ~ ~ ON REPRISE " We need 10 rehearse some• appearance help? Should 1t . ,.... ,, RECORDS times, but we rehearse very now visil the Stat~? So far as Ronnie Scott us6 10 find t}lll =1uickly because they alt read the reception in this country if ther\:' nrt' an\' newcomt."rs I very well." Is concerned, Francy is happy. in the club. · FAMILY Now, of course, the band •· The atmosphere has been !las t>een working with a new fantastic the best I could • FOR the sphnterinG lead ENTERTAINMENT face In the trumpet section Imagine. It is important be· trumpet of Benn)· &ult) and -t Has It heen difficult? Boland cause the public in Britain the superb ltad aho of Hid no. knows more about Jazz than in France, Germany or Italy. De rek Humbli' Fi~~::: J:ed~~~~~ ~i: ~~~~ • FOR the articulate solo rehearsal, can read very fast "It's more in their tradi­ tion. Put on the radio here and work or Ousko Go)'ko..-lC you can often hear ROOd • FOR the gre.at tenor 1010- bands. . The poi; music In Franc~ 1s completely different ists in th~ band - Cot mak• from Jan. whereas in Britain ing a breathy maslerpi«e of 1 " Gloria," SC'ott in h11 bell ~ ~s c/;;e!~e ttJS~~·~~at ques- uraent and ain,wy rorm and tion elicits an indifferent re­ mean I have ne1:ative feelinas Griffin wailina and cryinl ~ponse. "Well, oh sure 0 we'll about music. I have poalUve CLASS INTER.NA TIO.NAL make a big festival. Bu1, you fttlings about everythlna." lik, I . - - (lff abov,). ~:i;.-.. there are danaers We talked for • time about e AND finally for all lh• the band's arra"-ements people who made it poulble, ~,,, cordially invite you to sit back and enjoy Dangers? Well, Boland virtu~lly 111 Francy's, and should know about that He mentioned odd crille• l com­ lncludina upecially 01,1 lived in Harlem during '5i and plaints that the ma1erlal was Campi, th, band"a master WORLD OF OZ ·~s _(he went to the States at not, well, sufficiently modem mind, patron, advocate, wit filt~:r~~as~eq~:s~f ::.d <;:fJ or free-form nurae, trouble ahooter. when he returned Boland, who seems to write zn the comfort ofy our own home on not only for th~ men in the • nd No I Ian. '." Life in Harlem Is as if band but also for his own Bring 'em back, Glal ::;::wh:::. ..'n everylhinR and taste rather lhan to satisfy Soon. B.B.C. 2, Saturday, March 8th, llp.m. a trend or rashion, was not ha~:W c~!n:~s: •;t~sut ~~~s~s 0 much worse. Life d • ~~;~ B~ t ~sf~~ th:ls ba~d~: 19 100 musical policy, that was ~r.':::5.a:~ha:~e~f~n :,r::s~: stra1ahtforward 8 liJ:;ts a ciaar_ette, draws afnd " In a word . swina' There 1~ no mystery aboui ~~m! ~:t, ai~~:;s .at ~! ,{"J 1 11 ii' wC~! ~e ~':~s p~!t. ~! FR:EE sa~ a:::. •lh~~1ev~a~hetner, mlaht play dodect1phon1c- for TONS OF SOIi~ specific ambitions 'for himS:~ s . whne; and we play some RSVP or the band? Once more h kind of free muak, as when ALBUM for dalu availabk. Be~ny pla1.• a c1~enu." He ::!k~ to the subject of U.: smtle&, as if at • pr1vatt- joke.'" First-c/a,s Agmcy •• It aoes slowly, but the .. I .~uppo:se we play tonal music, more or It-as, very Released soon C/amc House, I /3 Westboumt GrOIJt ~ nd aets better and better stretched. ~ut any mu1ic we londJJn, W 2 . 01 -727 3505 N':, je7on~~Pf:1nt"~ ':.°-1:'u~ ~~rU.!oba~~1~! would be triNt 11 1m ;: 1'111 band has •~ral writ­ ~::1n~rn:/.~ul d'::n.; en laesid(' Boland Goykovlc I

MELODY MAKFR, Morc h ~- 1969---Pair 9 M'I Hl(iH -.lhool friend Al Gold MIKE stt.•,n hkt> the r,·st ol 11~ tat!; ZWERIN Second took H profrs su,n~l namt• and i1 • n Americ.a n 10 1,1rn ,1 l" t - musi<:1<1 n i he wu on Arch ie Shepp's " M• m .a had 11 pnn1rt1 in \fo,.; ,c for a 11 Too Tn;ht" LP who contributes • weekly colu mn Po the V1ll,1111e Voice:: m ntllu.l him rhvthrn Lt1,,r, v., perh t t l t-~t~r l,olc..l'-t••in for that surl , I thito1,: Th(' St!'r1,,u-. 11,1nt h,·101:"" t ounl Ha.I'll/ llr.d I fftt-r. :,r ~( nh1r,1)t-d Prt·s. h1'1 tx.ou hr quit- - II dul'!'>n"t mud, lount and cha! hand Our m.,11,r llta v.1 xnn1 t'n!lr. world cnn~1<;tt'd of ,\ dt lt"TIOralmJil mtin 1, things 111.e ., l·vt-r\" Tuh," at11,ut a, ad a clln be hut ( lap H.lnd, lkrt· Cunu·~ \nu dnn'I knov. <1hnu1 fhLnJ!" t harh,· ·• and •· Lt•,1(•r l C'dl\'­ llkl that al lifll t'n, m, felloY. ln Straddhnx """In.II. and he• rf'~nlut1,1nar1 • ., and I ~1111 hop 1n tht tla\, wh,·n ,a,.r wc,r,hlPP"d th, ,a,nphnnt was fitlll .1 r,•J111,11•n. V.f' v.c·1t• pl;nn whn Y.t•nt nn nc-t•rdm Barbarin's down home beat •n u.ndterirr,und c1,n,:reR.al1d on man ~houldn't ~nund hke done--played music the cover of Nt"wsweek nnd that crlliu th rouAh his many re• on the table with his fingers Tim..: s;mokin,: ,hdrgt>-J(rass cordings in the Twenties His He Aot together a band or and tapping h1~ foot in time <:ert:unlv I here hv way or pot Jaz, is called were dr ummint in the Lui s Ru55ell his own which he kept going f learned more in the fifteen mClments. lt isn't so easy to orches tra . J!.ave the band that un til a couple o f weeks aAO - minute break than I had ever roc-k, hipsll.'r,;; around c,ans, and lourinA thf' US and Beatie,;;. BIO(}d Sweal and overseas with Norman Granz' LOOK Tear.. Crt'am and Stone!'> J1.11z at the Philharmonic unit The last lhrre ve-ars nf hi!> /lfe v.ere markl:"d hy a series JOKE 1 ~ :.rv~~~a~t;;;:khd~:n ~-n~lr~1~~!li\a I t >ne Ihm~ t/11s dav· udh atmn for m.ilnulnlllln and FOR ,..._~~--=· ,, 1mpticatmn Count alcohnli!im he h.11d Ju~ t Basu~ is .,,rn thl' llvinc. master, returned frnm a mi:htduh t"ll· o mu<;iC"al Ht•minp.way, la}Jn~ out, p;\rnlhnR omltl1n i.:, what ~~lj":,1n~ ~~m~~i:1,,~-h~f atr~ he Knnws, umkrstalinit. and ffit" ll{!o In hi, N, w York hHtel " under~taodtnit what ht> pla~·s THIS The he!<\ ''"" armed µiann pla)·er in the world, v.e kids LUMPY used to joke m wonder Hl' ~its there :o1lill, blinking, harely Thc Alv.11n Hotel, I touc:hmi::, tht· key~. playing up might .:dd, a rnach-mfested, his lumlnes<1•nt !>tnrm And raunch~ mu!i1t ian~· inn on SIGN tha1 same tim(·. th"' o;amc l\nMdwuy a had plaCl' tn Freddu· Gn'l'nt· nn rhythm dil' Do vou rem1·mht>f a photo­ gwt,1r-cof1 and mvisihle. felt i:raph "I \all- Lt'-ler? Thin, nut hf' ard. hul \-flU !iUrt' u II bla<:k SUI viv"r from some hell wn uld know if he stopp1 d Bucheov.ald nl lht' 5nul. he lump~ II 1s the !inht-sl, (')a,;si1•st. 'ills on a COIi}. hed ,;uhtlt>sf t>Ot" twn thrf'l' four holding h1.~ tenor whiC'h, m (I! m, lifr-shll mrraculnust, '-Call', ,eem._ 01 l(•a!it a hari, Jnlttll Bu'lif''< 1•flll IS s1mph­ tont- ,md 1•vt•n ht!i nld trade dirc1I, l,niv<'r«al and it knt>\\., mark pork pu· hat ~eems to no date he dit>ini,:. Hl' 1s lnokini:: a t lht c,1mera, II IS fl f:it·, I wnuld Lester Ynun).!' never n·allv hk,· lo fnr).:l•I Roland Kirk $i•untled cl!i v.1•11 without rt f-fe V.ilS lhl• M,17.irl nf ja1.1- I prefer tn rl"mtmht.•r Gifts and 8 master sp1nn1 r or melodic~ ·• Tickle Tne, • •· Taxi War PUrt w11hnut (nllrd,Ud read 5th COLUMN+ 2 (on page2) for reviews of these I ._...&C• Lkl , 75Chon.. 39 G,,_fo,d O.de,,1 c,.. •--.l--,WC2 °'""""°'' Moddlete11 Fingers are crossed for Hollies 'stopgap' single

111,,, ., w,,111 11ulh ~ 11,"" POP'S most consistent ::: ,!.'i"~:U;.t:, ""!,":''111 111C'i : "Mt1h111 fut 1111 w.,. •, •111111111 111 lu q 111 ll t'll 1111• l t' I hol,110, ol hitmakers, the Hol­ .col Ill nunilwt 1" 11 I l hl11 k 11 1 lies, are back on the ::: :;~ 7,!!~\ ~ 10 ••• 111, lh" hlNI N~:;~1: :: 11Y: ~~,~~" )'h•••l,r " I h,•v' II lw llll 111 lhultl u r 1uwN ,.,.11 )' luul lo l••rn chart trail for the first 1011q,ll'IIII) 111111,lllMI nunih .....-,,. time without Graham Nfi flf lh11I lh111h• \Ool.U I• 111 ~1;:11 )' 1~1~::::l•~:•~,-i1 ,::~,/ .,111t,, Nash but reeling di• 11 111111111 ltuh111111•1lllll llow Wil• h e u,11111111 111 , ,,llh Mil un tw-1 , .. 111111 I ,, ' " " '' ' h 11\I II lo h t1 fl!l l\r more ot a group than ".Ill Ill ittl •1ulll'lhln1t 11 1uod 11h l1• 11 0 1 tn n ll h- In they've done for ln1trl hl'r 11 Ith • h1i1111 I \\l1•'vr A ll I h lll'r lo dll 11 Ill Ut Ii, 1111 uo11 nlll )' wl•"• 1111'1 lhl"y"r, some time. !\~~:~,r ~hl;:~,:11~ .. ~'[t1,:!''~:ri11n~ 111r h ll; f l'III 111•0111!• " The Hollie!! are working J1 1HI Iii lo lk llllr tno" " I 01 n 11 11 h1 lll ~)' IU 1111 · la11t 111 100 per cent to5tether, be­ V""'" In Ill)' two 11rnu11 11 11 lieving In what we are wnul1I h o of lr1•mrn11m11 dolnf( and know v,ihw, 11111 11 '111 ll ll dlU11tt1nl Ina FUTURE II'• •• If 1' 41 J11111 1 rnnu, 111111 exactly where we're ao­ 11111 h11 111 l11 f'11 • illUI WIU 1 h1 1 lng," i.ald Alla n Clarke 1hr II H lh1ll h•- w1u 11IM•'I' o fr 1 before the "roup mnd c Ill h ll 111111 l 1' 1111 rm lh l'l lf "/"ft1 1~\~~;~l~lt~1~t" :11,,11 Urnr,· their Top 01 The Pops t1 1111t1ttr11 1wo, ;\ ~11< 1\\ 11 11h 1 1111 appearance this week. ALLAN CLARKE: ' we still ,:et sc reA m ers' 1 11 11 ~;.H 11 .!:;' · ~ \~::~· ·:,um:; "Graham left becnu11e ht' ~~1~/- 11~J: ',',~;' 11 :~11 1lt~ n?: llrllhrn to look 1111 hrlh1tf wanted to d(I hi• own thlnx, 1•!11111 11 hnu l tht1 folu1 t1 ot thi, 11 11 I Wll,i 11111 n11w llilllll', hul Ht was writing 1ongs for r onllnut d. " W 11'vt' lrh1fl Ill M, f tlllll, I Wfl,11 J, 1 n 1· 1111111111111 Wlwn hlmserr • nd not ro, the do tl1t•m • ., clHf11 r ('- nl "'- " l\ ,i> 1111 1.i, 11'1 lhf" 1111hl h' \\ IUll!i lh1•111 W l' h l J1u1 lhtlll' of UIII . l-lollles, a nd the Hollie.Ii u e 1 11111 M11tl 11 11• ) '\•1• w11 n1t1d I hlil\ll'll'1 J1 1ll 11 '1 111111 h known for 1hdr putlcular ~:::t~'~ S..' :. ~~ 1, t~:~ 1:~:~h• 11 /11 fM llh: , 11111 " Wl"' II r onll1lr111·" 1111w 10 thl"n 1ound and style. " Wt'" i\ d on11 • rln11• • 'l hr.y tt1r r)' 1111 . I 1l n11'I " 1111 1 111 hf' 1 1 111 Are A (" h 1rn wl nk' 0 11 .lihjtl" " ~ r, "'~.~:; i l~:/!~111 ': lu::; for aho ut th rt1• )'NWI nnd :, .. ~,1~,.~·-•:'~k, ~; ~:;:'",~;;~!~ 1111~1 lhur 11, look fut • 1111! for NATURAL W t rt't'Ordrd • lllo "'III M In 111,, llnw I h ll\ 'I"," 1111111 UIII In I otHIIIII .\ rt , wr'\<11 11, r W ind ' "hh II full l\ lhrn '"'"II "o hu• v. Hue """'? orch t~l r•. II w iu; 11111 o n 111o1 " You kno~ . \\ I' " till MM " He w as l(rowl nR furthr r a U 1,Jdr or" I h l t" n 'l o M r' /rlt r1'lillll t· 1, \(IN llt'I' 1 lmi• ,thll:;~• I r~;m;;(a ltO away from u1 In 10 mnny waya. It wu Ju,.:t a natural bre11 k. Sure, there we re a few hu ly word, b ul th eu• are bound to be after six year.\ , He's dolnl( what he want, to do .. good Jud 10 him. " I feel a I 00 pN cent better In the way I ff't'I a b o u t life, aboul recor din K, t've n a b o ut dttaltH"!i Interviews B t" fo r e thert" * bcu·"ain!; were two open ro11ds a nd I didn' t know w hich one lo take." For expert advice on purchasing and playing-see your local dealer "Sorry Su,anne " Is the flrs l record the i;roup have made sin« Terr)' Sylves 1cr r e­ placed Graham. How do they reel abou1 the song, 11 SCOTLAND NORTHERN ENGLAND Tony Macauley and Gcoll Ca11 tl11ut'd LONDON Stevens number? " It's really a s lop-gap sort of ,-- thing to 1111 In untll we get Om1,UOO, 600 n l ln,oQttr\\Nor, """ """ oonl,n 1 SAVILLE BROS LTD ANDRIA MUSIC CtNTM,[ \111(11; ol M cio lu• M, ... ,,., R1• !1tll,· 1 MUS ICAL INSTII.UMlNl"\ ,\l1IA.H \l'I, IA,L '" BIGGARS MCCORDS e MUSIC ""WI O\lkl Mo n,totln, 1 • . ill (UCTRONIC) luh llonjo, ~IC HIC.H flOtLITY rQUll'MINT of?€ W ore st r, I 1,.....• nth. r It can't be long 011d oll-rownd • 11 1\'IO 11(1 I UHNJ'l'- l I ~NI N 11 Em . KING ST. SOUTH SHIELDS 0 1 1111 '491 l { lt:t:,l\l I V ~! l. h,11 211 S SAUCHI J.!,Hn , [7'> C.1t'l,ch GLASG HOL MSID(, SUNDFRLANO Br,I l l'fm "' At,n1v r , ,,11 y . Htl ..:n~ , I lofnc.•r Aini> 1,,.1do1 39 before Ron Geesin ~ P[TC SUTON Ctlft?D:MM8 ~n, II Hc, pa Pork Ta rron• hi No. Sowlh Shlehh 60)01 , ti n-bwr g h II. Nawlf'l9- t o11 1144J S\lndr,lof'ld ~9-U I SOUTHERN ENGLAND S lmcr of London, ~ 1•11 oil Mu,1<01 ln\ huu,('111 , 0 11 ,I Acc ci,,0,10 d , Lnwn,1d1., 11 "'"'• takes over the world ~ ,)CO\I,;,\ I .1h,olu h ly h, ,md h,irdly LYON & HALL LTD. usrd, I 70 A tAVING bl-dy loo11y., he l11tptc:tio11 reveals order a 11d Wint them to IH the Jokes a s M1un n\)1\nt!>. lur JT1ay be. bu1 t11tr1t ii no call m,thod well M, DLA ND tfommond & l\h1hClHd,1 ~•" , l ll 2 for lhe Scou J,m, He11dri• ol A completely ,elf.taught mu,l­ ":!!t~~;~~rtr;1~.\TO ] s " I rind Lh c South or l!nglllnd I I Wult\ ph1,1111 or l ,111 h,1\~ '-"• b.i,.,ja to b.- accused o1 c:1•11, ht illtackJ In usort• a torpid pl•c:o lull or latent ABERDfEN 29) lO ' b••119 a ••,,c:o.,d-hand Spite m•nt of t11strume11t1 Including lntelllge11ce 1111d nobody dou 92 W at1 t1Hn Ron d M1lhfa11.· guitar, b•nJo. piano and har• muc h about It KAY WESTWORTHS Brlflhton T\\I 27fl91 A11,-1Nd,- who u11 arouse such monlum. " At •edhlll Art1 Lab I dell, dast1111g compari1011s and Aft•r 9lv111g up lht Jtudy ol vered a spetch to l' IIC Ourage Melod)' Houu c:nt1c1srns rnus:t, al Ult v1tr,­ ard1it1tcture, he pl11yed piano their efforts. II 11 thl Britis h l1t'11I. hav.- somr unusual with the Orlalnal Oowntown 1ducallo11 I Y"C!m whic h 17 (luaflll" about h,m Sy11copators. Now ht conu11- NORTHERN ENGLAND ,:;:;';;:, ~";" A•d • o• Grt11n wild prophtl trates on twin c•reen of Hlo :r.~'/:,i,.: ~111c:o~:;. c;:re:l~o~ 8 fro"' U11arlld1lrt who h.15 performer a11d composer of lndlvlduallly 81rm1 .. ~I, Ill fl''" h use,- ,,. lh• nudst of lhe Mm music " P.-ople " f'ed to !Ind 'l'lf• 111H•reround sc:.-n• has a •· l'vt got • splll per,0111llty dl1clpll110, not to watch too SOUTH WEST ENCLAND rt,a"J'" ..-omb,,.a11on of tale,.t1 There is lh• Jilillit thi119 1nd mwch TY , e t c:. Thore ha1 be on I l a pt•cha,u for sta9e the othu as:pect 11 r.tm a yrt•ilt advanc•mcnt of J. p• DIAS LTD. Tt l Ml OL ANO 91)•) JWrro,,manc1t1 Ui;tt baffle dul• compos:1111 . Although I have sclt nc:t but thrre h••n't brcn lardt a .. d •ntranc:(' s••kf'r1 ol Ont album owl. tht rl i111'I 1 gr.-a l advancem,111 or the ..-.-al,or aw&rl'fleH t1mt for mit to do a11othtr al emotional 1ldo of tho mind 1,9.)St:~~fl~fRC,AH I I BROWNS .-1,d.-d and a wearer of I • the momt11l - I am s:o bwsy," •· I' m woak myulf I watch frultby bul rug9.-d bl.ad: he WJS TY and own a car but Ai, •lllc1 lluo11 rt u ·•J l MIDLAND MUSIC C(NTR[ OJ ftAl t-H)l U O pwllo-.,~,s and trouser,. ht •• I star~d wJth th• SJncopators you'vt> got to qUHtlon lhl' (A.Al I It 'li COW PtA; HRl(T I ·'" ~, "1•1•h•n s , ftn•t.11 \ ""'""'' c:0111,dtrablJ older than who wert a copy of h e lmport1 11 ce of mec:h111lsation Ml:'!1'!'f'f~ lt>!l>.,•11, ·JI"' I 1•1•1•h1u1, ,.,._ .. lS H ,, ht ...,.. lhl heir to Orig111al Oi•telilnd J auba11d. How dou 111011 fecl 1bou1 II.I, , I , ~ ~ th• ••sdom or the hill, of criticism? •w/H!w@JIIU NORT,~~:roN Ladbr .. e Gr...,• ~:::u!,.;o~=dbt ..:;::,~•~I::'~ 1 l A., ''. Ownng performanc:•s. ,;tranJe left •bout lhr•e and a half " :4e";.';'~ .. ce•:er: s:r:e ::irn~:~ a111tc:dot•s 111d curious rhymes Jtars ago Someone accu111d mo of beln(I arr wt~rrd 111 a plpin, Scot, •• When l "m Ptrforming I'm 1 1ccond-ratc, Mllllgan bohlnd ••tc:t th11t ,;ownds P••vtsh but tryi11g to create I t:lille ol my bHlr in a bar. I spoke to profou"d lnttrtslment and enlivenment him a nd he bac~ed away R. S. KITCHEN LTD. H s .-tad1t1vs •r• •musing, but I don't Wilnl to milke the 11 LEEDS 6- NEWCASTLE BAND BOX lflll!'r~ ,~ • lrsnn. or men•9e, 11ud1enu a 1111 oyet1 too !~'; ;~~t ~~;~ 1~k/ei°p::,.'i~ (Wolverhampton) LTD, ..,.. /~that c•r• to l•arr,. much . Ev1ry01111g 1s com­ that I would lllte to bl' pc-c1 t1l ;:1~ At: he pGlrH lun ill automobile pletely Improvised, except 1 S. 1 1::n~~:~:l H,md 211 SNOW Hill WOLY(RHAMl'TON Kl!:! WATKINSON illHlltrrs a11d bus quewu ht the rec:lt1tlons which •r• "~ci~rn':'s~~~c m~~.~ 1~.,. 1, 011(' •L~•UTID r.1 01111k,11• • bout the grey wrltte11 btforrhand or the major commontator1 of lh 0111,w.,1 ,1 1, , tl" •.\,,u1y m • s,.-s a"d their rehance 011 •• I don't believ• 111 the solo our 51110 of Hf• a11d the, ""'ti b, In ~• m , ., 111 ,., 1 ,\II Mv I I I.,"" I m.-c:ha,ucal props to an tlll:• p•rlormer a, a gllltrrlng wealt11tues of 1ocloty. • ul he rCtlitdfih1flt IV• 1\111,J M11111 I\.,, ,1 I\ ll•v,,h 1,1.. 11ct where spe1c:h and figure 011 stage with the h u ball•rtd hl1 hoad against S1,•. \, • 11,,,1 t'lralr, tt1eu•h• •r• prwned lo tht audience H minion, down the brick wall for 10 10111 and H I• ,md f>\111 r, h..l"'c loul ltt'\ ... ,.... ""'" below. The •wdltnc• should a l•b•I ha, been 1twclt on him uvml,,t,tt' \ t N A1n1'1<1"•• S!•••t • Tit• raw,111 100117 " g1b1t and b• hke a11 orc:hutr•. a11d If to ellminatt him " I 1pe11d Ph.,nt Wo1~ " l

FkEDOY KING ,w,,e"tly H.ci ,t.,tt4 , h1f ,1,1,, .. tA•t , 10,m•"I th,ow1h h,, ,ecottd '"' ., ,, ... ,,, ~ • 1u,t•r. explosion of bl1o1 p(.-,e,1 ,...,., 8,1t11h tow, "'tht d1o11>t end blwt1 1poh " •n• of th, 1i1•1t4 t,-. cl•"'• fuUy .., 1 m1n1, ·1 you111 l,ont A h• WI• .i,• .,t 1~ IMfQ,. M 11,on• • yo,ud 111d •motion.ti c04.lld ,e•rft pl,y ~"' •he, 11nsc, ,n the mode,,. m11111•r that Ht 1 ~5Q wh ,. he fo4 hia.h t .,.....,. from Faces ha II uupt10,.1lly 1,ft•d on nh,t:4' ,,MOI. family mo-"t•4 fc, Chin,c.o ~MAI.I IA('I-, / ::P~;~;~ce~~it:;,t~'~;:'a ;;•~~ .. W ..,1:11 I •rtte.4 M uy1 "Wham I\ 11 m a 1teel thumb .,.d fotgc, " • lot of bh, .. WH ,..,"S ,.._ r h n n k You pick- •amn,,.t1y wuile '""sic Muddy Wit•" WK •' th.t Mnn" (lmm('d\ whi,h ,how, the 1nflut ,.ct of z,n•1bar w,th l•ftf.t W1ltw, Alf'), Wh111nl A rnmrn~~ WIB1rnrn l•mmy RoSkU inti l.J~, M htallh> Niplo­ bind 11n. as well •• t,1di­ ' tion1I bluet. . L,ke I I , K,n1, drumt Th1t WH tM whole r.lon of 111ltAr Ot~ and <:ymbMI", no ,elation - " Jud soul h1td befOf'e s,,,.. u-.. <'rathlns and b,otheo ". whom he 1ome• 1" We 1,wed ,,.,., 4'"' •• tit., ro,•klna lhnl wlll ti met ,e.. mble. Freddy Z1nw:1b,, e1td t uu-d te t.. ,,.. 11lned hi, ..,ly voul t,•i,11n1 to th,t bud TM'n Jo"tt•J' ~~~~R ~~!i •~~ from church choin ; like 1 ,B Tempi. - • f,.,.,., of ..,,. too, he combine, 1howm1n- let m• 11t ,,. wtt.11 M s1:::· Marrlou and Ronnlt l. an,. 1h1p with blu" feelln1, • juz wH at tN Spot •" M•pl• 1 l>4i•t ind • natural Hn1e of After that I J011tM $oft""J i~~fdl' l:~~. '!t,~; dr1ma; ind f,k• 1.8 .• ,..in, he Coopar', 1'1nd K enny Jone and i1 one of th• men whG-te blue, So,,,....~ • .,, 1,s,. ,c,,,. Ian McLagan lay reflect• tha tension• and mad• hl• fust ,eco,-d,ttl ti" .. down a foot drive of big ci ty life. F,cddy der hlf ow,- ,u,... (he ld4 atomplna b,u:k Kins w11 bo,n In Cilm er, near , eco,d• d fo, P1rrc,t at,cNy beat. on MtHOnt j , h Wff fo, Th::c:~n:lst~~~I: n;,;kttw\~ Long.-iew ln Teu, oi, t.._ Whllt lhl' tuture or lhl' Septembe, 30, 1934. He H YI Chiuso (1- S.e 11kt, a.ul Face, as 11 !H!rmnntnt tako off', Oncc •Brtln they the " Country lor " ,.,,, - aroup Is uncl'rt111ln, t here future their flne vc.cal that hit family wH mu1iully Is no doubtln'i lhc hll hnrmonlu, bnckt?d by a inclined. " My uncles. could on whid1 M•re,,,et Whith..,_. ~fJ.tnllal ut thl -. hC'nvy salkl band, on a Gcor1iic play 1uitar, my mothe, could 1110 sans - 4id '' p,• ttf Alexander composition, pl1y, and I took it up by th• good. " But betwHn th,t:" and I\ double A aide, It hi that sou nds Ilka n hit, time I was ,cvon or 10. I 1960 he maci. ,.. M«e rt.c • 1 8111 who can tell. tA1ught myself, but ord1, " thou1h I'd asli:: i...,_. ~~u~~~r t~:c :.· t!~~rf~~~ my uncle, Leon ard Chflt and he wCH114n t lh,1 album-an l'tiunlly WII.LIAl\1 Ol·LL & JUDY listen.'' But Sonny T.,.,_,.._. good number. King, wu the ont CLAY·" My Haby Sp~lnl- who helped me d,d lf,te-", and put K.1111 " WHO: "Plnhall Wlurd " ~1~:;• h~~,~~x)butN~oufr1f-1:; molt, My aunt had the fede-nl l1MI (with h,,.. . (lrack). " Ill' aurt- play,., n rnrely requlrt' much that tome records ind ..1, on piano I w,th four mun pinball! •· Is Pctr deviates Crom lh<' normal, I li1tened to those, yoc:111 ind one 111ttrumu1tal lownsht•nd'!i d<--.t·rlptlo, and the Shu: form\l la nt and the radio. Louis Jordan, numbe-r The litter ••• or flJpp< r kin A who can work nl't"d~ no dt'11crlptlon tha H.llophone player and " Hideaway," ,.,d thtouP bounct ball-he .1rlnw1 lrom or rcrommend111lon, b('• si n1er, was tho ona who took the ye.au Freddy follo-w t d •t U1r9t'l to roll-nvu wpot•, )'Ond a brll'f: " Up 10 my f1ncy When I was, oh, "P with iu,h 1u1ta, item• n (when Iii) wltli nrnulnR standard," Alexis warns eight o, nino I wH listeni"I " 011ion R,n11:• - S ..._.. sklll, In s lot p11IIIC''-'" from Tracli::ed." · Th« Stumble:• Soho to DrlRhton, KASE-,Nl- ·r / -KAT/ SUPI- It to Louis Jordan . And if you 1 ht' wlurd 1, tht' du1f, CIRCUS: .. I· mbrM.Sl't' •• li sten to hi1 horn 1nd my " Tna, Oil , D,,_.'"I SuM• dumb and blind ho, wl:, (Dudd1th), 11'11 an ln- guitar you'll find I'm do1n1 ways,'' " Man Hol• •• •"d Is the central themt• or trlttulnl( conc-ei,1 - Re l• some of tho ume thing,. I m,1ny more. The K1ng.fedual thti Who·., n:-,1 !OnK ling .)II lhr wnr I J(rOUI)'', t,y to, anyway, So that was comp1ny iuued Myer,I Lr, awalled nlhum. In AmNi('n lOR<'lher to 'There's a lot one of my influence1. I'm not - " F,eddy Kini S,np/• h n ~,11~/(', lhl '" A lrack 8 0 1 1 ~'ie :::. r::o~~j'· tho pl1ying the real country " Bonan:n Of ln1t,ument.l1~ whkh wlll •PJ><'nl lo pin• 1hi': b~ i!1 " Hide1w1y And Dat1«aw1y·• tnbt(' nnd Who fan'i allke. otht"r bubble ~um pro­ blues. It's mo,e modern than It will 11110 hanl( 1111 the dt•e• duc1,; th;it. I belioYe it ,1111 comes ind " The- Crcat 24 .. - Ht Jays, as lh(' Oll•~nln•i bnl"'I ori1inally from T Bon e none ha, been iuucd he-re. con~l•q or u 11ullnr hnek• fllANK lrll, I.I>: "I.C"I Mt. Walker. S.B. King and I were All he hu got out i" B,,tarn ln,t recordt'd nt 11 much ln10 Your LICt•" (Deccu). more to blues' lslking about that not long i1 the ,•cent Atlantic ••nsfe. lower ltvel than lhl' main " llow could anyone- hurt 110, and ho thinks that, too, " Play It Cool "1nd •• Funky.'• --r-lntl'l!'uo,uctlon. It'!> .:iulte n )Ou?" 11,;ki. Fronk, In hi, shock-o&nd quill' u hit. rich tones, to ,;upc-rb " I THINK thnt whut Is technique for their age," he orche!ttrPI ilCt-omr,anlmt'nt. 11:oln1,t to klll the blues 5C('nc sold ... Rut th ey arcn't dolna M\1-:tl\ F RA.Nkl..lN. "The And haw can anyunt rl!~l~t l'i the drcndful re1tlrlcflon of ~~rt':rlnKpl:;~~s It. a:os;n~f We\ghl" (Allantk). /\ h\" romantk OVHturt'1t. or material." ,:I~~ labulou• 'oluu guitar In­ ls It overtones? • Thal l• lh• opinion or Alexis gulshable from each othu. troduction, then Arclhn Ovl'r to th.II lrnpresf.lblt Korner who ha1 probably bun "Too many ol them haven't \akH off With .a soul young pop fon Wendy worklnR IOnRcr In the blut'S d611eloped an lndlvldual sound trutment of the Bob Potts: "Oo--C'r, I've gone flelt:t th11n anyone elst' on the at all - and the same ~oes Dylan band tunt that all knOCk-t'yl'd nnd aoot"y• currcn1 scene. for th• 1lnaer1. hun't btl'n a hll for kn~~d . S'lovely." lie wenl on "They seem to What a,. Alnla'• a1111Nlout anybody, reject so much of what goes memories from hi• ,._. • a TRifU:.: "All Toicther up to make the blues-the ALEXIS KORNER student or the bluet? CILLA. by Ac~o:.:':1fn11.'?n ~Y &~~~~':!~ Now" (United Artls11). an lhlng,, the worksongs and "One thlna that stand, o• t, "Thi, donn'I muke ll. One or lhO!le chlldlshly. Just about anything thnl even though I don't think h• It sounds like vocal ,:ym slmpl<" but slnsularly doe11n't have a 12 or 8•bar t.nd he'd much rather pluy played particularly well on her husli nasties to mt'.•• efl'cctlve tu Ms that chorus, In fact about 90 per ' Canadian Sunset ' or some­ tour ht're, was the nl1h1 Lennon and McCarlney cent ot what mnku up tht' thlna 11kt' that. I've had this TREMELOFS: "Ht'llo lhrow off rrom time to blues form. But you can't just argument with other Ameri­ :r.~~k~:d R;!:e~t ~:ew~~t ~~~ Bobby time, u11d ohen make hll_. say all that ntV<'r happened cans 100. To them, blues Is credlbl• blues piano until the World " (CDS). Intro- and Ignore II, reminiscent or a bad pa!lt and duction ls a bit 11kt' • for others clamourlng for :,~'ff~bours banaed on the crumbs at the pop table. "And Ir they Uri! going to Is not hopeful or a brlah1 recent Lulu hll, then tht.• future, "Then J think Ornette Cole. lads .are otf on another rhls WU Jn tht' .. Yellow lnsl11t that blues 111 ft 12-bnr n 11 th man 11 • classlcal example of chtterrul trip 10 the chart Submarine •• cartoon, form wllh • spl'clflc harmonic bl~•c:u1~ :y~=~rn: fine film that de!l<"rvcd lt'Qucnce, wllh only about d,ti~~ !~~ a reellnK musician and he I• and back. After lht••r 111111 morc, If you feel a particular 1 eJCcur,;Jon on • Bob Dylan gr~1tcr recOM nltlon, nnd n thre<' varlotlon,, and lhnl the basic lyrics arc • My bnby wny and piny a partlcul11r way !~~ ,::n;::•!~ i:rlt1.t u;:rfo~~: * sona " I Shall Be Re­ r,1vc It o It h11ppen1 lo comt! out H era are concernt'd, there have J('ased," which didn't ~f::,r::u:~e!~:::11 done 1er1 me· or 'This Is the blues. H's not really a mu11lcal makt> II ou1 or thl' coach nnml' or th<" bird I mnde Inst m!"~e':nyoi,:~t SANDIE SHAW: nlRht,' then thcr, can't l'Xpcct form any more, It's a fecllnK, ;i~r;.,P~~~s~~• ,talion, th"Y art' b11ck to RONNI• BOND OF' THE Just u In ju:, since the crlllwl with the way ht plays tht' trlt'd and trustd TROGGS: "AnylhlnM f'or the lnlert!II to ast very loni 19401, II has became much ball, Trtms hit formula. You" (Paae One). Well 1 1 mor• difficult to tf,11 whltt' colour picture. ht'rt's a turn up ror the 10 "v1~1~~~ry at~· tl~ nir::. ~~~n " And. of coune, then wu With bits or enry 1uiw you the standard or conltnt must solo players from Ne•ro solo the first time 1 •aw Bis BIR Troq - a surprlslnaly playert." Broonly In 1911 . In a dltrenat can think of and som• fM>d vocal dt"but b7t tht"lr 1 vflry .. 101•1ht1r" voc•I•, II t':y: :~•1: r::r~~~t:!~l':h:tnf~ Ale.ls IMllovts lhat too way, there Is the memory of special interview can't ratL b~::::er'ba~:t'da cyu~~! tht' most lmporlanl, not the many British blUt'I playert qulelly weepln1 at home be-, sound allh, aun the actual. pbyalal act Larry Pa1e OrchHtra. form. .. Thert are an 1malln1 FUNKY BOTTOM CONGU­ " It's become the trendy of ...Ina Sleepy John Eatta In GATION: "Hara-Krl1hna" Ronnlt' may well Mve a hit llrtll.ln for the llnt time wu on hit hands. thing to wrlle blues aboul :V~:;:be!m:!k:b,~nfn,~r!:~:!::. (Beacon). A 1ood 1on1 one'a own life, but that can JUII mon ..... I CDllld 1tand.'' from Hair and ~II .,.r. TIMEBOX: •• Baked Jam Roll hardly maintain tbt lnteretl. form•d, but the lyrics After alL the number or about dropplna out •nd all In Your Eye " (Deram). * people who want 10 know tht' that lndlan sluff sound• Groups who play well on at11e and have a deal or name or th• 1lrl yau made JOHN PEEL Vt'ry 1987. 1111 nl1ht la pntt)' llmlttd. musical talent orten have BLUES RECORDS 1943- 0 " And It amu1t1 m• to '" 1966 yr;~r~dryio Ashu~~• bf::~•~a~n .::nd~=: comd~~::,~r mat~ by M,~. L1•adblller ~~~~n:~1rr:. t\~~': ft~Jj~•; ~~~;he:, 1;J11i',':d\1:e:-c::i 011d Nt,i/ Slaven. Hanover "thouaht to be or lnlenst." writes his own on my foot ha1 Ju•t rlol than awful band• that rtmerkPd: "Hara-Krl1hna? 1 Boolfg, London. CS Ss. lnavlta~ly the ruull la ff• sounds llke • J•wl1h It c~d~an~ )'11r!a~n8.. n:;:pffl =~~~df!~!•~asJt~~:n -~~~d butcher," a couple of yean 11 now ~t~kB t~l l~~ '!nJ column the band I would be • lot JT CA~'t b;0~~~~,;- ~ha~~ ':~:mr A hit alr.ady. ruder about thla sad d1scogrophlt1 cut 1hort for producllon about "Mar­ ::::~:r ~rai, ~:.: .~:=r~~~~ mukt1 n dl!o.:ogrnphirul hook vaaue "critical" ru.•ona GRAPU.RUIT: •• Round r,adobl,, but the author11 or (l.t'adbilter 1eem1 to be unfair tians comlna to earth - ll~•A~:t:::•!':afn;n{lb~:ft Is Goin& Round" (Stateside). you'd ht'lll!r watch out " Blu1111 R1•1.:ord!I havt a fa,r stab lo Ledhttter, fnr eumple). IC lt't'ffll as If then Is • lht' way p,,ople catt1orl1e 1 llt'. ::) n~~la r!~:ri1~~j~~e~~!~ Chuck Berry and Fata nallonal con1plracy amona themulvts or olher people as }r,!t Oomlno are out, and 10 are rerord buyt>n not to buy N NCY SINATRA: .. God It mu11t ht' arlppinR to hh1t•s anythlna by Gr•pcfrult. ~~t.:l~:!i1, ;:;•r~r ~~~:: enthus111s11 conrt•rnt•d nhout the Jau-bluts men like With• Knows I Love You" "rspoon, Joo Turner and GET Tht' facl that you play an nl11ck Acf', Wal!N 0BYih, Hia Wvnonie H rrlt. Jimmy and ~o7r~::!? ,t~e l.t'COU UC' • ultur dO('lln'I makr, ll11y Sr,1rl'II cir lndt't·d 4Jmost • :~! ,::: an\' hh11•!i 11rll~I from Alahama Mama Vanc:,y a.re Included, to bt' blaspht'mou11, 1h01 I )'OU • rounlr)' hlue, pla~cr.'' hut not Vklorla Spivey lndt"NI lht' obvlou, qul'S· /\lf'lll, •aret•d II "''. Odd Slllll 111 [ 0111111• Ynuna whn 11on thl' )OUnR cynk of 1h11 th\' -\ml'rlun1 11014 ho,q fl• r nrdt·d 111 lhl• latt'd Sllll. • ucond volume - t.l'em,•d to ht" COPtln11 Brlll•h p1•not.1 '-IJ in ·r,1; dl'VOlt'd to thtlt RAD and A Rrl!:~n knot Jan hlut>s •rtist - It on the •1~:s:::• ~~/ blue,m<'n ralhl'r thin lht' rht• wo rk fl'J'rt'lll nts ·enu. d,awlna board And, with ao conc-t>rnl'd whh bulldlnJ a \111t'rlc1n .. ourc:(' mu,lrlan\. of rt'h',Lte h. 11nJ I'm nut F:REIE: s11rprl11d. Ml'.'illkH and mlt• n1u1 h Information oa hand In M·orth•hllt' Sotlallst stale, "I t"un undt"ntand Wh)." cltar layout, 1 feel It would bt TONS OF SOBS II Is hardl)· surprl,lna ht 11dmlltl'd "In M,\'nt'ral churlish to oompllln about tum• It', bt'UU'il! t.rlc Clap,, g~~~:l1::~~•:f'1:::• 1~1/t'"~n ~l;::.~~ ALBUM ~out!: .:~. =~d orr:::1•::':~ Ion I, a btll<'r romantic: htro lftl mort' or le I vtr1tn aoll ln~p\~~= )'OU look ll cynldam, drua takln11 and than Muddv Watt'r1. The yC111 11m hound to ran foul of ttn•t>t vlo le nt-1!, l lllllt'lhina ~~ 1\:-;,:,r~~=\!t'"I Released soon Mt>•nwhllt', this bour•Nll1 ~::1:f1y ";'!~~h .:;::~~~~• t::: Whal 1hnuld hr m1do cloar be.hive yC8dt"nt't It frd 1he An,erlcan Nt>aro orl1tnall. 1 a mllntoae lG be 11P lib opium 10 lhl' mHIH, " And of course, •ni ~~"\t•'~" t~rt,~~j~d~m ali' f't.~ 1lone•ld• the DI on-Godrlch (n) a aymbol of 10-t'alled N•aroea are Hhamed ot llM 1 Westtm c-ullur.. blu11. I ,.member whl• Llltle ~:!~;!~ ,~•~:_ ~u~\'=: !!! ~J;• to~ta ~r.' ILPS 9089 lrothcir wa her, he uld he has not bten adlttvtd Som, wh~:.:"r~ thou1ht blue. w1a IIW tl111 1lnaer1 art excluded on :. ":"iJ':-7~~ =· 10 t'at,:t 11-MUUOY MAKllt, Mu~h i., Hlb!f No more TV . . . and Ci Ila feels lost Dld CUla h1vt any yo 11 gel on the 1how 1 1 honeymoon untll 11l1r you ru r 11k t coll1p1ln11 -ro:,.:,r~:;::~a~y)d1: CoHnlr)', .. I hlYI to more mm plans follow• 1t1rt rehur1al1 form)' Ing htr Work Is A Four­ "I'd llk l to do • h• th 11ft of "our Lelttr Word - which spectacular - maybt Clll1." And of courst sprint 1how there once a month. I've a lot hubby aobby WIiiis. ~or "Arter 1h11, I play had a ml.ad reception lht Alhambra In Scot• from the crllla? of ldtH, but whan 1l1hough they 1rt, of you're doln11 • s how COIHst, now man 1nd land, then I 1t1rt my " Fllml an not 11kt JU mmtr stHOn II evuy week, you don' t wit,, they'n t11vln11 • m1kln9 a record," she havt any thna ID put church cuemony In Blackpool. I'm looking 1ay1. "It', Ju1t mt on forward lo that, II It'• them to work," Cllla'1 home city, LIHr• lht rtcord, and the crlt­ Cllla, naturally, It pool. the nnt summ• r HI• ln Just crltlcllfl you. 50n topping th1 blll on happy aboul the Slit• Whtr111 In a flhn, tht ceu or "Surro-.ind Yo11r • I Tc'i;ri ~!~!:O':;l••dt 1: m)' own. I'm very e11 · dlrtctor lends to gel cited abo11t It." th• praise or bl1me. ,elf With Sorrow." Now rtglster offict on Jan• Marrl1g1 11 not llhly she' s working on • new uuy 25. " aut now the to chan91 lht pattern of " I can't hont1Uy say album. Problem 11 lht marrl111e /1 being - Clll1'1 life for some I undtntood the lllm tlUe. wh•t'1 th• word?-unc• time. "Wt don't intend rny1ttf. I'm never ont "Why doe1 an album tlri1d In church," nut­ to 1tart I t1m11)' for to 11,t any dttp 1ecrel haYI to havo I tltlt," ltrtd Clll1 H lht rttl• abo11t ll monlht or H," mu11gu from a fllm, Hkl Cllla plalnlivtly. td off lht n1mu of HYI CIIII. " EHn lh1n, But I loved working "Why not call It lhost clo1e mtmbtrl of I'll only 9lv1 up my with 01vld Warner." ' lloots' - or anything. lht r tspectlve f1mlllu uirur ttmponrlly. I'll Cl11a WH Ytry hippy "I think Stoll Walk­ who would be att,nd• 1bo11t Iha reception to Ir has th• but ldta. Ing, :~r:•:lydrr~yonb::• 1~'!: htr rtctnt TV 1trlu. Nt Ulh:d his 1lb11m1 "• ut 11 will only be 1tlcklng out! " I don't know what lo • Scott•l,' Scott-2 • 111d 1 ten • minute cer.­ " I WH reading 1bo-.it do with myHlt now 11'1 • Scott-).' I wish I'd mony," upl•lned CIII•· b1bl11 In a woman'• endtd," lhfl 9l9gl1d. lhou11hl or lhlt nnt. •• I won't bt marr ied magarln• thll we.ell. I'm ., But I don't Ht my­ " lut Bobby's s11gges, 11kt a nor mal 1lrl 1olng quite terrln1d of h1Yln9 stir doing another In ltd I call this nut al• to I church Wtddlng for tlllctly lhl Hml WI)'. bum "Surround Your• lht nr1t time. On ly my ~.~~~:g -;,,::~. 'i:!t I don't know whether ulf With cm1." N• lmmedlat, Jamlly-and for lnsUinco. • 111 I 1up-­ said It II a joke, Out • obby's Immed iate fa m• po11 I'll fo rget a ll aboul r.~:P!• ,::::.~c~;~=-~::: I think wt'rl 10/ng ID Uy - will be pruent. It whtn th• tlm1 job. You f ttl absolutely UH thlt I\Ut.'' UUlllE Thu1'1 no chance for comes," 1h11tertd ; by the time HEN SHAW The public image of a musician rarely reveals moch of the Come swing man himself _ vet his attitudes to all aspects of life are likely to affect his with the MM music. In the final part of this series, BOB DAWB~RN writes of Jimi at Antibes Hendrix, the Man. Jimi talks abou t his HOW WOULD you It's a gay, young re­ like to dig the bril­ sort, packed with beliefs, his likes and liance of trumpeter nightlife of all sorts­ dislikes, his problems Miles Davis and revel bars, clubs, restaur­ as a yo'!ng Am ercon. in the excitement of ants, a casino, etc - Aretha Franklin or midway between Nice Jimi He'ii"arrx, the Ray Charles? and Cannes. It has Musician, is known huge beaches and You would? Then • MIL ES DAV IS to millions of fans why not come with some of the most round the world. So the MM to this year's names to be announ­ beautiful weather in Antibes Jazz Festival ced for this famous Europe. """ ,.~.. .~ ' in July - a sunshine festiw-al. The MM will take the Man, It wilt give superholiday in this This will be the you by coach to you a better warm, palm - clad, third year that the Anti bes for a 10-day nderstanding of wide-open Riviera re- MM has organised a holiday olferinc bed sort. For Miles, the holiday for its readen and breakfast accom­ what he is trying to Marion Williams Cos- at the festival. In the modation at a modern say in his music.

pel Sin1en1 Hie luddy previous two years, hotef fike the Pacific, Tate Quartet and almost 200 music en­ used by many satis­ Aretha or Ray Charles thusiash have enjoyed fied readers last year, with their respective a swing"ing holiday in for only 33 gns. ~-big bands are the first Juan-le1.Pins1 part of This hotel, like all of a host of inter• Antibes where the fes­ used for the trip, is national jazz and R&B tival is held. only a few hundred yards from the sea and PLEASE suri10 FULL on AILS OF THE MM'S su:;-H;;E I I the festival site and is I SUPERHOLIDAY ATFE!~IEY~~69 ANTIBES JAZZ I right in the heart of swing'ing Juan - les - I I Pins. I No,., I The festival this yur is held between I Add'"' I luly 26-30. The A LIFELIKE rubber rat sion of distaste. " I like to leave are presentable enough, but not we will all be right MM'1 Sunshine Super­ alt that to the glamour people as as good as I wanted them to bf we started off 20 yea I I stared at the TV in far as possible - the Engelberts 11 l5 w holiday starts on July " It was the same with our last LP. seems to me, and Tom Joneses. They are the It could have been so much bet­ trymg to do. I I 23 and lash until Jimi Hendrix's top­ ones who sing beautifully enough ter but we were working all the • It bothers me that Aucust 1. floor flat just off Lon­ to have their voices in TV com­ ·,oST TO : Anti~ Trip, , ...... , .. ,Moy Ltd .• 221 -223 I time and couldn't spend the time people now can't g lel1rave C,te, lrice,ter. ___ _j The trip leaves from don's Bond Street. mercials. Me, l'm just trying to in the studios that we needed music right away b L ____ Victoria Coach Sta­ get music together A stuffed panda sat on the " That's the trouble with this bust· are so hung up tion. The route is via floor wearing a green hat and " I don't like having to dress up ness. People see a fast buck and thin~s Dover-Ostend, where and go to social parties much, what seemed to be a teddy· have you up there being a sla,.c " I suppase m the en a luxurious coach with but you JUSl have to do it. I to the public. They keep you at bear in the last stages of mal­ !.end people like me reclinine seats will always have the feeling that I it until you are exhausted and so nutrition hung from a nail in Dakota Concentratio journey through will arrive at one of these things is the public, and then they move that seems to be w the wall. Over the bed a per­ France, stopping for in all my own gear and they off to other things Americans are wor sian rug served as a canopy, might not let me in." siJhheeinc in Paris, "That's why groups break up - "'Or course, the whole giving the effect of a four­ Jimi is a man who gives a good and then on to the they just get wom out. Musi· is getting very poli deal of thought to his music and Mediterranean. poster. cians want to pull away after a see many to the future. so so.call The journey home A large Roland Kirk-type gong time or they get lost in the whirl· they can't all be mu pool. starts on July 31, arri­ stood near the bed and most "I have plans that are unbeliev­ "·s, actors or p able," he told me. " But then, ving back in London in availabl e surfaces were covered "'As far as Noel, Mitch and I are clothes. And the o with gui tars, asso rted electronic wanting to be a guitar player concerned, we will stay together can explain their the evening of Aucust equ ipment, transistor radios, a seemed unbelievable at one time. through music or I. as long as people can dig us and cine proJector and a vase full or One thing, I've written music and we can dig ounelves. American flag as a The V form amount feathers. The general effect was a screenplay for a film and they " Mitch and Noel were quick in that gets banned s for the holiday is £13, as colourful as Jimi himself. are getting it together wanting to come back home from " But nobody is co leavinc £37 out of the As we sipped tea I wondered if he " I am also producing rttords by the States. There is all thi!> v10· Ind age 1s the han other groups. enjoy doing that £50 allowance. Travel­ enjoyed the non-musical side of I lenl thing in the Stat~ right comes to politics an lers can also take up his business - the interviews, as long as I like what they are now, It's really a clash between the Queen said a t to £15 in sterling, the pub I ic face and the efforts playinR. I liked doing the Eire the new and the old. They make Igo, or the Presid making a total of £52 to be nice to people who might Apparent record, but 1t was black and white fight against Years ago, 1s what be of help, however nauseous never really finished according to each other so they can take over hve by and ,t just spendinc money - my standards. lain to nowadays more than enou1h for they might be at each end. "Then I produced tht Cat Mother " H they can get the Black Panthers All the new things Oh Real ly 1? ""' ,.,., 1s, "It can be a hang-up," admitted a really great holiday I also did five sides for the fighl ing the hippies - who are don't match up to "UIMrnudU11.1tt.a. -•eftMl wludi, - HtliM Juan-les-Pins, All for Jimi using his favourite e xpre s- from 1Normat1on IMelltioully K<11ai r.d .... f,­ Budd y Miles ExpreH album. They really the young whites - thCl'I old ways of thm Up,!nntH'llia1 - Ml - 11 li....i t~l'Vllp. ~ 33 ens. T,..,1Mn19 or Cuditd. Fill in the coupon NOW. And swine D A Pye P.ecords P.elease with us. MfLOIJY M.i\t-.:1 H., Mnrth l-1, HH,U llAJlC' 13

• Recently back from a U.S. tour, sold out?" storm, visited the MM Fleetwood Mac, whose single offices for a Blind Date session. " Alb,1tross ' ' made the coveted Peter Crecn no longer sporting hir number one spot in the MM moustache, acted as spok sm11n for PETER Top Thirty and unwittingly the group and commented on GREEN involved them in a " Have they some new singles and albums. anything or ~et in the Pt"ter Snrslt'Cfl blClkt' 1~ ASHVILLE TEENS: B ?. ~-! 1.r:~~f~1~~ charts. it? " The Lament Of N Fair " (Blue Horizon). I 11•:~yth:,~:~:i~~c ~r~\~~I~ The Cherokee Reser- like that. Is it Bobby HICK COREA: "The vation Indian " (Major come in. I 11kt tht' sontt Pa rker? Great! H I don't C 'Law Of Falling And but I'm not struck on Minor). get a copy free from Catching Up" (from his voice,. Like thr son~ It's no.t the Fairport Con­ Blue Horizon, I'll go out the Solid State album definitely. vention - or the First and buy one. " Now He Sings, Now Voice sounds a lilll~ too Edition? Nashville Sounds quite American. He Sobs" USS7011). false. Probably A vrry Teens? They're friends good LP Moybe I'll huy of mine. H's nearer to ~:Ju~~is~8 ~n 8Entt\i~~ Really weird so far. I'm this. " Tobacco Road " than like that. Bobby's great expecting him to go anything they've done. anyway. somewhere but it doesn't OHN LEE HOOKER: I suppose if it's played a What's the B-side like. tt~a~t f~i;~hti~? Is " Going To Cali­ lot, 1t could be a hit. Not (" Couldn't Quit My !!:; J enough in it, basically Baby'") Ah, I thought It's original anyway. I'm fornia " (from the Joy image of two chords. it would be a slow blues. getting bored. lt's very album "Travellln ,. It's nothing really very curious. I feel I JOYS l 29), rarely should listen to another INGS KOUNTY special for Bobby Parker Sounds completely out of h of the but a lot of peopl e will track before really say- tune. Sounds !Ike a John K KARNIV AL: "Dont' buy it for the B-side. ing. • Lee Hooker thing. I've - vet Vote For Luke Mc- But I like " Revolution No. to all Cabe " (United Art­ 9." And for the blues ft°c:oke~h'{;s, ~~~'re L:,i ists). fans-it's definitely not TAk~~1iii::~o~~ e are I qui te like this. Ve ry well blues! pJb:~& ~~~~ r~~ ~~ier ect his made, very well pro­ Is this Taj Mahal? Great. et his worst, this trnck duced. Good sound. I Jove Taj Mahal. I ROCOL HARUM: is anyway. Don't like ft. e final think this is great. It's American? Yea, I like P " Wish Me Wen " series, this, but 1 wouldn't buy one of my favourite (From the album it. Could be a hit- but American groups. I think A ~ ~;i!.!.e10~\:,.~ : BARN 1'm not on Juke Box this could be a hit. I " Shine on BrighUy" LRZ/ SLRZ 1004). (from the Stax album Ju ry. really do like this. 0 i This is also in the same Off the LP? The coolest This reminds me of the Live Wlre" Xats Man. vein as the First Edition. blues band I've ever Traffic. Procol Harum? 1002). Like it. Nice. seen. They're very good. It's Sounded like Bi~ Brother bout his a very good LP. This is and the Holding Com• likes 3nd HE BYRDS: "Bad their new LP? pany for a minute. H ~. Tha~•!DD~~~; Like it. Very good band. Is this "Live Wire"? I've problert1s T T Night At The heard this in the States. (CBS). Whiskey " (CBS). Some of it's nll right. I Amerc3n. Peddlars. Doesn't move Who is this. The Byrds? wouldn't buy It. Good ,x, the me. I'm told they're a the record I heard in then I don't think they We played with them in V '!~Now•!T~1;-\;,~N,; one for JJUilnr fans. very good group but I Blind Date. ever stopped playing it. Chicago. I like their old (from the Dot album t like his singles. He is known don't like this record. It makes a refreshing It's been re~ released too records but this doesn't sounds like this on I don't think it's commer- keep up the standard of "Grey Life" LPD/ stage. He's probably the s of fans change from the usual soon. Good though. SLPD 527). cial. H's not what wailing guitar that most their old records. most funky guitarist or e world. So people want. groups are coming up I don't think this will do I like that. This isn't that all. :.. ~ .Ke.--.-- -· with. TH:ou ~a~' .. (~i1t• an , It will give JE~a: •~~'EA,. ~e The Gun! Don't like this. r------~~------HREE CAPS: "Cool 1 don't think it will better tor). T Jerk" (Atlantic). touch " Race With The g of Great so far. Instrumental? " Cool Jerk " is it? It is. Devil." Doesn't move I like that. I don't think This is old. t like it but me. Doesn't appeal to trying to it will do anything in it's not o1d enough to the charts. l'm not go­ catch on! :~ug~.t's n~~t i~~~h music. ing to buy it but every­ Very funky, verJ good to enou~h. time I hear it on the dance to. It's a good The guitar sound gives it radio l shall know it is one for discotheques but away that it's the Gun.

THIRD DIMENSION : HENDRIX THE MAN

we will all be righl back where what it is all about - new ideas drugs, is that most people let we started off 20 years ago. This, and old laws. it rule them instead of using it 11 seems to me, is what they are "In some ways it"s getting like as a step to something else. trying to do. Pompeii. But people could still "And in this business there are so many artificial people. J can al­ " It bothers me that some black enjoy it. Let's strip away all the ways tell the artificial people people now can't get into our old laws along with our clothes from the real music people, the music right away because they and maybe have concerts in ones who care about the music are so hung up about other swimming pools. things , "But I guess there are so many and what they are doing. people who wear a hat when they " The thing is you have to be posi• •• 1 suppose in the end they will brush their teeth in case they tive. You have to keep going un­ ~end people like me to the North see too much of themselves. I til you have all the negatJves out Dakota Concentration Camps - don't understand this attitude to of your system. that seems to be what a lot of flesh. As long as you are not " It's funny the way mo1t people America ns are working for. harming another human being, love the dead. Once you are dead "' Of cou rse, the whole music thing what does it matter what you you are made for life. You have 1s getting very political now, I do? to die before they think you are see so many so-called hippies and " This I really believe - anybody worth anything. they can't all be musicians, paint­ should be able to think or do " I tell you, when I die I'm not ers, actors or people selling what they want as long as it going to have a funeral, I'm go­ clothes. And the only way they doesn't hurt anybody else. But ing to have a jam session. And, COUNTRY can explain their politics is those old laws and ideas really knowing me, I'll probably get through music or wearing an do hurt people mentally. When busted at my own funeral. FEVER American flag as a shirt - and natural feelings conflict against " I shall have them playing every­ .. ~hat gets ba nned straight away. laws that were made hundreds thing I did musically - every­ Too Much of Ut nobody is completely free, of years ago - that's when you thing I enjoyed doing most. The Nothing Ind age is the hang-up when it get the hang-ups." music will be played loud and it comes lo politics and laws. What How does Jimi feel about money? will be our music. Bell BLL1052 tilt Queen said a thousand years "It's great stuff if you use 1t " J won't have any Beatles songs, ago, or the President said 200 wisely," he laughed. "~ve!'Ybody but I'll have a few or Eddie Coch­ rears ago, is .what they seem to needs it and you can t ~•ve a 11 ran's things and a whole lot of ~'Ye by and ,t Ju st doesn't per- your money away. But when you blues. Roland Kirk will be there ,, ~t to nowadays. have enough for your own needs and I'll try to get Miles Davia d ~he new thmis we have 1ust then you can go back on the road along if he feels like making it. f" t match up to ~ld Jaws_ a nd and try to do a little preaching " For that, it's almost worth dying, i d ways of thmkmg This 1s " The trouble with money, hke Just for the funeral." l'uft- I• MI JO[)) MAKf

JAZZ LP OF 11IE MONTH The rumours didn't exaggerate-superb RUMOURS that this album of t ht> fu.JI to na l pa llete a nd have was something special have not l ,ce.n a fra id to s lap on g r eat thkk s labs o f sou nd. been filtering through the The orch estra Itself is fu ll o f GO RDON 8 1-.C.: K TRI O· jazz scene since it was re• mus icians from a wide varie ty "Gyro.,cope" (Morgnn MJ I). th is serves up a measure or corded last September. of backg roun~ - pop rans ma y no5talgic memories for old ~t'~'ln GnrdNI Hct·k, Jelf They didn't exaggerate - it be s urprised to d iscover tha t J o n .i. ( lynl' Mnd To ny Oxley h& Vl' timers who dug dance and t·ume up WHh • complex novelty music in t ht" is superb. Hiseman, a nd Dick en1nyahh· and alw ays inler• Twenties Every thing here 1s Section by section this t5 a mag­ Heckstall•Smith a re s uch fine t'!> t1n 11 nlhum from '26_ - it even incl udes jazzmen. Bea Ll_lli e and the Original nificle nt orchestra a nd it is Memphis Five - and most or pack~ with rine soloists. Hecl

AGreat NewAlbum! POP lP OF THE MONTH THE FINEST ALBUM RELEASED IN MONTHS INt. American Parkt'r. to modt•rn rock 11nd N musicians roll vilollt}' and blut'I lnlf'n• co llaborate on a ~lty. Particularly out1tandln11 Bac.k " 1s th~ best ol a set or labour of love that h lhl' Hill lt' llollday favour ... \ \ \ t. ~o~~lt ~ Ide ~~ E~~ reissue tra_cks which are all encompnsses a 11 ltr " God Hll'J\ Tht Chi Id " l'row1 nn you A v11rh ,j C• h ·• (Dot), Well performed and a tunt borrowt'd from pr1111:r11t111111· w1lh 1lu •, h1·, of excellent dtscotheque music st)•les of modern 1 ~ " ,,r'>du«'d ,;:iund!t from popul ar mu s I c, Brltaln"s Turtle <.roup "Smll 1 11 1 0 ~;:: :' rt, 1(~11:y~~.,.~1~J'1 n~~~~ EDDIE. FLOYD: " I've fro m Jan to rock fm :-n11e' n~~~f~ ".1'd1 c!~ i nd folk, and pro­ ~ rnul~h=~~\~Jn;~~k:~~ n::: <,IIIIJI Never Found A Girl " (S tax). ,he band ,how thty h11Vt' a empl 1) ~Id Uf"aOJrl""'lel"lb Grea, singer. a tight soul duce • thrilling backing sound a nd some JUiC\' il nd often moving complete gra'\p or mojt thlnll"i •• MORI I A 11 NIC.11 I .\PHRODITI·."S CH ILD· girlie shouts N1l"e · album. TheJ com• th11t art' lmporlllnt to modr rn 'tOUNO\ IN Sl I RU> " .. l nd or The \\'odd .. (" ercu• bi ne fo rm, disci­ mu11Jc Bobbv Colomby'11 (Mnrbltt Arch). A 1wo-11 lhu11, r)). Thrt"..- Greek"' form a pline and spantan­ drumming I.• an object lf' HOn lit'! wllh mrlnd1r r1,11 tt 1hut 111 n1 8\-7,lllllne foli.. ,troup and JP THE FOOL_: (Mercur}'), 1967 in tnsle and drlvt", and Di ck s tyle_ d reamrng. ineffi ciency. elty with e,,: traord• I rum !1t1th •~ J arkh I rt·nl. I Par1,; lCI record, and Ont: llalll11an't. or)tRfl and S tt' ve Ton}' IJ.11 rh'• Ordu-11t r11 Roy da) \ anict,s Papa1hana"-<1: iuu !nary panache that D~~~ahn\~;; i~~s pushes them way BLOO D SW(AT C, T EARS Vo,,oroon1 Ka lZ.' !i guitar add tunklnl''lt. to Budd, th1· J IHk l1ur1ory Or ,.rih:s this ,troeilll arran~l"ment g~~;~~~ • d o~~~ On A Theme by Euc Solie hi ond 2nd their lh1ng ahead or m os t the proud shout"i and whoop!/ and \fan. llke thl"1r record!> Mo,1emcnhj, Sm,lmg PhQ5.t'1, 0 Somc11me ot h e r g r o up or tht• bra"is section. T hh IJj f~;·~~~I J1::~:,~n prri. from a new name Country MERLE H AGGARD : ht" outllully prndun•d by Ka .. ,• A.'i\'LU.'1 CHOIR: " Looi. .1nd soul are featured and lain " Mama Tried " (Capitol na t1 and K a1 1 111 Nl'w York ln,;Jde The AS) lum Cho it ., handles the vocals very com­ Stereo). Anotho?r in the steady Great pti rt y n.•d In blues/ rock/ jil u music il f ber t he old dilys s houl d PAT BOONE: .. Look pler which includes Small happily cncompau eve,y­ 1963. An ttlhum ln k1•1•p furn ~:~:~Jtfes her technical an exceptionall y low price find it hilarious. Ahead .. (Dot). A counlr)·· Fa~t'S, Chris Farlowe, Nice I 15, J. fhins horn Rock il nd Roll lifetimt> tin,:e-d album from tht" man Enc Clapton. John Mayall and to poetry. CLAUDINE: " Colours" •hu personified Good Living mort' PLASTIC PFNNY: " Curren­ And anc1·.. Religion in the (A&.\-1 ). The gorgeous Mrs cy " (Page One). On th(' 1r ftr st F1ft1e ~ Andy W illiams is no vocal IM PRESSIONS (Buddah). Impressive arrangements and album without Brio n Ke ith the giant, but she talks her way Synthesi1er treatment. Have or early Kinks w hich shows group proves to htl ta lcnl('d charmingly through a selec­ a lot of soul ful wailing mercy on the ir souls, a nd lour-year-ol d tracks w ea:- J AMES BROWN: " King Of how much more individual well songwrite r, 11n d p; ond per• Soul .. (Polydor). Average tion of excellent songs have mercy on our ears Ray Davies' songs became formen Brown "ioul with tht: Flames ISLEY BROTHERS: " Take DAVE DEE, DOZY, BEAKY, lat~r. Contains the excellent THE JOHNNY MANN Jumpin,t nic-ely Some Time Out " (Marble WOODY KERN: "Thl' " Tired Of Waiting " MICK AND TICH · " Tht' Arch). The Brothers whip up Awful Disclosures Of Marla SINGERS: " Heart Full Of ' ' POP EXPLOS ION'' MA X Bl'GRAVES: " World Legend of . .." (Fontana). A excitement on ma terial that Monk" (Pye). One of the FRANKI E LA INE: "Take Song" (Sunset), If you like (Huddnh), A surfeit of huhhl1• Of M ax Bygraves" (Decca). recap or many of their b ig can be dated by the number a~ful disclos ures Is the lead Me Back To The Laine V?Cal <" horuses, the Mann Rum tousle at only 14~ 6d \1a~·s world i"i corny. but nol hit!I including ·· The Legend of times the word " Twist " is singer, who manages to be Coun try'' (S ta teside). Frank­ S maers are still about the lncludc1 The Singing Orrhrs unt'nt .. rtamin,: at times. or Xanadu," "Zahadak," and mentioned consistently and horribly out ie craftily includes three or best. This album includes lral Circus, Ohw F.xrm.•!1 , and CALLIOPE: " Steamed " " Last Night In Soho."' of l~ne throughout, _ not to "Nancy," "The Whlffe npoof the current album favourites :g/~h~ri:/i1cly~i;~\~fnny Ont• (Buddah). A,·erage American WANDA J ACKSON me n11 on the guitarist who on on~ LP - " Honey " " By So n11 ," . " Downtown,'" and Vnder11round rock Plea.<1:anl f°ATS DOMINO (Sunset). " Cream 0 1 The Crop " mus t be playing with boxing The Time I Get To Ph'oenix" ·· Stomp1n ' At Thl· Savn_y ." ' but hardl) particularly ongin• The rolling beat and groovy (Capitol). One of the cream of gloves. Flu te sounds nice and "Little Green Apples'." JIMMI E. RODGl:.RS " In voice on songs lik e " Won't al or memorable country singers on some t~ough and the rhythm sec­ And he sln.e.s them well DE.A N MART IN: "The But An f nallsh Country Garden " You Come O n Back:· '" Good plaintive ballads and some l!on try hard. But that lead Nostalgic. · 1 1 GLEN CAMPBELL: " Wlch• Hearted Ma n " and " Goin " lively hooting songs. singer - wow! itx,:!~a~opMt~~ ~k;· fr~~pgr~i ~:s:i~s p~~~':Js r:~~~ec~I ~~ lb Lineman .. (Ember), Fine Home." and the Litle sums It up evergreens like "Hush Llttll' JOHNNY JOHNSON & THE KI NKS: " Kinda Kinks ,. DONNIE ELBERT: " Tribute " T ENN ESSEE JIMMY Bahy."' " Widd 1comht! Fair " BANDWAGON: The Band­ (Marble Arch), Cheap reissue and "MldniRh1 Spet"ial,'' ' T~ A Kin1 " (Polydor). The wagon·s fi rst album holds 11 0 MARTIN " (MCA). Anothor in king ,s Oti s ReddlnJt an.d here s urprises for anyone who the e)lcellent stream of coun­ BILL PHILLIPS: " Counlrl' Donnie does some or his bes t heanl ·• Breakin' Down The lr~ a lhum,;; coming from MCA song!. Action •• (MCA). A nict mel ­ Walls OI Heartache, " which is this time by Grand OIi.' Opry odic If ROI sensatlonnl COUii · star Tennessee Jimmy Marl in. " ELIZABETH .. (V• n1uard). included. Johnson gets good try offering vocal support from the res t Rather precious m usic from MEMPHIS THR EE· an American group which is PROCESSION: (Mt rcury). pre!lumably called Eli uibeth KALEI DOSCOPIC VIBRA- ~~: )~ki~e/' ha~~•tl~~• The Mt-rcury label s~cm to "<:i:if have a talrnt for spnttin1t the The occasional use of harpsi­ TIONS: "Electronic Pop Music year~ d~ve\opma thh, hrand of chord only adds to the general Of The Future" (Van1uard). medlocrt' and dull and in• mu!. 1c 1n Germany.'" It turns llanlly purveying it to the rather twee atmosphere or Out to he ancienl rock !Ike rather old-fashioned ·· beau­ ~l~~~f t~~h~=:~ti~~h c~~f~i;~ 1 1 ~~~!',f :t~~m:xp;hsi~ve liedr;i; t1fo l " music or rather, the non-musical ~'/tit e-~i~~;• :fpi~d ll: ~~ 1:; filth or the twentieth century " Wild rhlnJ" VIKK I Just think of " Winchester CHARLES ~~;~ t ~ t T~;~a~~m~lorr,;~S I~~:. lra lia and New Zeala nd ----..- inspi,ed Cathedra l " given the Moog f,11r from bn t 8 0 Gr~p~ •~9 s;tMtt~ "~f:t~:A Continued on pagt• J9

PeffR~__ GREAT TO H~VE YOU B~CK SMASH !- AGAIN STOP LIBERTY RECQRD S SINGLE i ~ WEL COM E VIKKI CARR SMASHLP. L ' ' WI T H PE i 'I I N HAMD' ... got it? !... BP 15 16 6 + SI 9 ·-----·-..!! BLUES LP OF THE MONTH

(,al ·· in a ,ad uld vu1tt", t~~:°::i::.d~;: touchlna in Its \41~ Ill\ l(UI· I' tar, su rprlsingh full, ,;up. \1\1 rt' , 1 • "" t' r ,, pllu ans "" ,n and undt"r­ m.cit' t "" o r" t'f\&• scotlnit'i lo lhe ,oul ""hlch uoos.; thal II h att' Yt'f~ interHtlnit It'\ amoq1 lht' bt's1 ol good arch•it' stuff a IDNl1um • quahl\ inoath"s ,urph o·r Bukka deli\oHI a Spt't'Ch bJ~i,,. ru-otd"\. and l>Pfort' ""elghln!f inlo •• l_lello that 11, appeal Is Central" In hi., usual hue, h .,.,,,_ to be limitt"d fuhion. On thh and " Plea<,e to IO\ t'r, of oldt'r Don't Go " and th, hnal bl~ st)IH. lhat " M y Moth, r Died," hii ra"" uid, 11•, a Jt'm for delht'ry and finl' Dt< lt• 1!,UI 'I IIMit'ftl\ of lh t" N ATH AN tl [ AUR(GARD. 8 UK KA tar are roundt'd oul b) Jim ' t 1111 music. WHIT(. FUltlU LE WIS, R(V RO8(RT Cro'ith'4 ail's wuhboard On Hack ""1th a<. dr, , nd W I LICI N5 . JO[ CALLICOT '' Th< 19611; t:ll.lra ,:, ,, ',lH t Historic•U~. th, Mc..,pho c..,,.,,, 8111 n Fn t •v ot ." Nolhon tht< la'il 1l tl t', Ruk ka sounds \ ,.,h' rttard's valut' must 8co11n-909,d H Qh- ~ ~ sll ahtl) dampent'd J OII' LU HO(Ud : R lht' bt' ltt'at. , athan 8 11 ld11 c, W h tl\ H nl M q fl t' IS folk11"'~ b)' f urr) Folk LOrl' or John Lff """ Buutt1ard, • bh nd D-:vl"l M>r M II O ~ Lewh,, who manai,:es to Hooktr .. {JO) Jo , (; 133). l tu (ui1aris1-iin1t"r said F11uy l"""'~ F ulf\ Bl Re w AobNI f,1 irth LP m th'° J.,, lr,,n1 \t' w,11,,,M !n • )vcn ' II r-o O "'""· Wt,.it m• kt' an impresi lon \4.- llh his lo be mort' than • "'f T Ab _, 1 lf'1 Joe: C0Wc11t humorous slngina and 1tul tar Ja, "r'"' oncludt'<. T11rt'lt• bund~ \ Un old, 'Y I II.,.., Mv M"' , ,1 l">nQ phi) Ing and l1pp1n 1t In spilt' \1ad Again,'" ·· Th• H Cl h.a.s not apparu,tl~ w, ,,, t 9 111 e Ho11&0n 7 -63210! of tuning problem,; F1vt L, ng 'I ear., an-.. btt-• rttordW bt'· Wilkins. IS r,e uld, r 1~ -•~h~~:-1 ~,~lrn~~- _ , , lnrP.. Bukka hills bet'n quite anolhu umi • lt' ~end at) ~•~~• 1 1 ...,.,. 11 t'O \ rt'd sintP his rt'dls­ fi~u re. Ht' cut , .... o sides in ca rri es lht' di) with t\4 o rt'· ,otl h,t 1d H, ,l..,·r liglou.s songs bt'lled oul b) t-o,·t'T) in ·SJ, but n""" rt'· ,1 emphis url)" in 1930, plus a rew In s upporl of Garfield the Rev and two sons (pl•)· l AJ ,, \}I \ l..: " Tht' , a1 c h' I rordinss art' "" t'ltomt'. Ht' b Blut'\ " (Dlrtttlnn). Thrt,w tht' onl) ont' of tht' fh­ Acken, and unlll now ha ,; ing C) mbal<; and 1amMurlnt' tut no mort' so far as I am and b:is1 ituhar). The .ncond a,....a~ tho>,;_ 1unk 8r111,h blur, Jlngus 10 havt' vlsltt'd alhum.,. .Jnd '""t-"l in 1h1, Britain. awarl', Is a bit repelhlve, bul lht' Thal lt'3VH WIi kin ... , an­ ,plrh never fl • J; 'i peiltt'ful. !lt'nth hip. hlu•s " "allt'r "Furr) .. Lt'wli,,.. man\ .... ork 1•n '-i 11tt<"n111 ~ht'. '1emph1 s mu sician \4 hO other folk artlcal hlur., ""i lh 1he blut'S puL Again, styl "-1ct' band t1 v, 1t h ·\ l ht' has madt' • fe,.... do1.en but more rt'ct'ntl)· moved ) ears ago, and tht'St' pro to• over e:11:c luslvel) lo ,:ospel type blues help us lo undt'r• K, •Pf't ,n p11n, titles i int't' ht' W U Tt'· JIW\1" RH O "Pl•)~ 12 dlsCO\'t't t'd In the !ale fifties, Bt'a uregard, 10 s tart at the sland where tht' mush: tame beginning, sin gs the tradi• fro m, where It's bt't'n and S lrlnJ., Guitar Blut'\ " (Jll) but lht'rt''s mort' from this JOYSU2). !'. nt unr ,,1 Rttd fa bulous Vt' tt'un Cl onal hi~hway song and a where it ought to bt' al. nice. high, hollering " Kid M,J mn~t atlractiv r .11l1'L1rTh. th1~ '\h,;si'lisippl Joe Calli cott Is r,rt-" nh t h« B<·" \tan pill)'ln~ a 12•Hr1nJt: o:-r 1n .. lt>ad ~ I ~1na ini - ,n m st ca!> t\allh "n mcc- th• numl'>t-n; (""' 1th (Rht'rside 673005). HOOKt'I 1 ou1• Hayt's (dr,1) Avt·rai,· pr t·nlln,t John I u 'a Vt't' Jay tht- t'XCt'pll OC'I flf t"" ) 8r(' pl.l)s acuust1c c,n thl'> Ont; l !-160 Hook1:r r,rev1nusty nu t f l r rdm,<~ of lht· 1•arly ~IXlk:S 11t11(1n1l rtturdmg!o ""1th the­ th on Fonrnna per1ull , th1~ hnld~ "Solid nrw ,:u,tar tuck, dul'>bc-d 1n :~~f~dfng ;e~u<~le;~ D~~~\C;;;l JOIIN U .. i:. HOOKl:-.R : S(•ndn,' •· Dusi)' Ruad. plart' <•f tht' v1>C'als Prrv111uil~ JOH, LEf HOOKEK; \.1an •· - and tht' rema111der " Tnvelin'" (Joy JOYS129). " Run On " and "No Shr,e,,. • availahlt' , , Statt"Sidr '\ ou·r" l••" in• " " Ba b} ·• -....nh Sam Jont'.s {hasi.) and Ont' nr tht: Joy albums Swmj!.inl( stuff. all t•~ct-pl one Jl"ll'\1' Rl'ED. ..At Soul Cit) " (JO) JO 'I , 12i) a typical R~d pn>srammt' - 1ncludin& · l'psM!e Your MORE Head:· .. Help '1i <...,.r.1,e,lf, When Yflu TC' Dnmi Al• risht •· and .. I Wanna flt' 1 revue, cu rre ntly I'll London's !~~vr:!,t - C"d ~~tt, I) p~~\~I ,,, Wl~~rop!~tsN•~(~ol:~b~f. e1 Apnll u Theatre 1~uc:~~ tint' young organist, who has ALAN RANDALL: " 1 Rt'• &lurrl."d \'OCal-. and c f"t't'Ch\ been a long time emerging m~mbt' r George " (Pagt' Ont'). harp Th11u,h it's callf'd a rrum the fringe or group Remember George? It sounds " Live ln·Pt:1"!,Cln R.and. inspired this Isaacs on sonp.s like ·• After WIid " (Dot). Mort' qu1et than fW~mw~~~o~l~fre~o~~:ed~: d tlon " (Libert\- LBL 83114£) &u1te b y C'l rnposer-arranger Hours," "Just Funky," and wild, J?,entle and tricky instru Martin's Lau,th-ln Example. Papa Lightfoot t ·1t11"' C " Dream Sequenct'" A l e rod. At be.~I it 15 original mentals of some familiar Martin'~ Laup; h-in. nier. Eaahri a)!a1n, h' 81 and ,en- dl'\'erh done. At it's SHAKE KEA NE: " Dig It! " mt'lod1es. w n.t it- saunds like themes in (Decta Phau 4 Stereo). Beau• JR. WALKER AND THE w-arch o ( a film tifully re corded and there are ALL STARS: "Home '1r. ACK ER BI LK; •• Folio nice moments from Keane's Cookln' " (Tamla Motown). POP (continued ) 11 •· (Columbia). The svelte llugelhorn though on .some Many saxophonists feel the c arinet o f \1r Bilk !mks with tracks he u ill-served by urge 10 scream on their Lron Young's slmky String Material and backings instrument, and no one's PROCOL HA RUM: " Shlnt' lsh Album " (A& '1 Rttard.sl. lh ra le once aiam_ lo undu­ MAURICE LARCANGE: scream is more recognisable On Brightly" (Rt'gal Zono- Still tht best WN- on · ate throujlh songs hke •· Am't ·• Tht' French Touch " (Dt'cca). than Jnr Walker. •· Guantanamera •· &nd it's. :,Wfr,;~h.n 1n .. •· Sweet Lor­ Superbly recorded. well• ~~~::). s~~~ ~~~:i~due11~r~~ hert So i.s .. La Bamat>a, raine " · I Gave ~ y Love A play_ed actordion on !'i:ymp~­ Brooker-Reid compo5ition.s are •. \llc-ht'II<", ·· Lo ..i 1 OUlt - Che;ry ., and Strangers In thet1c songs hke "Pla1S1r STACE & SCREEN thoughtful if tt'nd1ng to be too and other bt'aut,fulh su.n& ~ ~1gh1 D'Amour" and ":i.1ichelle." much in the samt< mood melodlh B OSTO'\ POPS. A RTHUR Backings by the Roland Shaw REVELATI ON: " 1\-lan " 11\A Sl)l01\E l'larbleo Orchestra and C:horus 0 (Py('), A competent enough Arch), Knoc-kout old tnck~ FIEDLER : " \1uslc From Mil­ ~ ~lg'inal (M C:j~ndtr~~~ lion Dollar Sho""s" (RCA JA \1ES LAST ORCHt:STR A: "B 8 from Nina. too 1uz, t,, ha\·e Victor). The rather elephan­ "All Aboard!'" (Polydor). music by. John. Barry for the ~~~~~~unh~s t~~ef~u~ot ~1 t\·er made the, chart G1"t'<1t t ne Bos1on Pops aggregatwn Nautical navoured orchestral new movie which stars hus• trouble wi th thl' arrange­ .,. ,1d through "On A Clear pieces fealurlng such tunes as band and wife team Elizabeth mt!nts Sl1~rJ "·::Tpic~ r:cH;_IV Oa. You Can Sre Forever," "The Wreck Of The John B," Taylor and Richard Burton RHINOCERUS (Elektra). " Off Tht \hll '' (Bt'll}. Whitt \1) Fair Lady," •· Camelot," " Rolling Home " and "When with Noel Coward Good mus1t 1n a hard.hitting, blues-based Amencan s.roup and· The Sound Of Yi u.si c." The Ship's Accordion Plays.'' DORIS DAY ~CBS). Oriw n• progressive rock vein. Some from Lo. .\ngtles The) can Too much heave-not enough whip up tht' excitf'ment and THE BUTTON-DOWN f:oms°Lonv~ ~r:cor ~ : nice original material too BRASS: " This Guy's In ho L~~~~d RHYTHM N'BLUES: " The 1 Love., (Fontana). The pleas• THE LARRY PAGE OR­ and Young At Hearl. End or An Era Vol I." ~~~·e d~~NJ~~l~t sf~ srh~,; ant trumpet of Ray Davies is CHESTRA: " Instrumentally FILM MUSIC (Liberty). Most of these earl) own personalit) on much of featured with voices and Yours " (Page One). ~axo• " HITS FROM CHIITV 'fifties cratks have little 10 do lh,s .,ruov\ backing phone, backed by strings, CHITTY BANG BANG, wilh rhythm or blues The "THE SOUL Cl.AN " (At• EDDIE CALVERT: "A rhythm and voices on s uch FINIAN'S RAINBOW AND ~roups - the Shaweez, lllntk), Solomon Burke, bmbler On Saf• ri " (Colum• tunes as "Hey Jude," " Little FUNNY GIRL " (Marble Jewels, Dukes, Shup Tones, Arthur Conlt'}, Don CO\'I ) , bla). A bra.s.s tour or South Green Apples," " Those Were Arch). The title is the review. Mellow Drops, Bees, Spiders, B_tn. E K1n1 and Jo. Tu Africa from the Man Witt! The Days," and " Light My All that need be added Is Hawks, Jivers etc were the singmg all 101etht r as "tll as The Golden Trumpet and the Fire." that a large orchestra plays 0 sing\)· :1mc aJloy tute CH ARLIE PALMIERI: the l;lts extremely tunefully ~~~~~: of ~ts ~~eir Tad~~~ SPENC.E.R'S W SH80ARD CARMEN CAVALLARO: " Latin Bu1alu " (Allantlc). MERTENS BROTHERS intent on produt ing dttary KINGS (Oavjon). PINsa.nt and STYLE: " FIim Themts " M More Carmen Cavallaro" Lots or rhythm section rattl­ ballads, with banal lyrics. shghUy amus1n1 ~ ctt-ations (MCA). ~ ore piano corn on ing, Julian Priester's trom­ (CBS). Belgian trumpeter and TEX RITTER: " Tu Rltttor'1 of I 920's sounds bone making early Kenton trombonist brothers Merten WIid Weal" (Capllol snt74). EOWI STAlllt, "Soul ~nnf R~~! .:•.~~Y~. w~~es1~~ noises and occasional monoto• give their tuneful versions of Tex gives out with a set of Muter .. . (Taala Motowa). Lovers .. ny - but in 1h e main a gutsy such movie themes as sonas about the WHI, which ~lbum llllt mi&ht be p1lchin& FRANK CHACKSflEW: Latin band. his deep, sombre vo!ct" suits 1t a bll h._h, but Edwin roc:b " The World or Frank BOOTS RANDOLPH: "The ~::~~::~~~tho £~~~;, .. ',', ~~d well. Tracks Include "Hi&h and socks 11 to 'em on another Chacksfield ·· (Decca). What Fantastic Boots Randolph " Couple " and others. Noon " , " Stranaer On Boot doz.en off the D&trolt ronY'f!yor can you say about a new (Monumtnt). A competent "PERCHANCE TO Hill " and " Conversation heh PrNlu:tablt. but Yer) 1 DREAM" (Columbia Studio 2 With A Gun ". Chacksfield album except that 0 Stereo). Sugar drip11 from the strings • re as highly ~~~ fors~~::~~lar :!:~~~:; MARTY ROBBINS: " A Por. '"{~ft_b~n:~~~ Gny polished as ever and the tunes playio& as corny as possible. every groove. trall Of MU1)' " (CBS). Ure.. (Dot).. Unknown namt' He had a hit with "Yakety• SWEET CHARITY (MCA). Twenty.four fint' tracks on a but don't bf put off. lb• 1s a •.s tastefully arranged. The original soundtrack re• LENNY DEE: " Reluln " Sax " and Monument ma_ke double-album set for on! )' £2 very sood df'but album from (MCA). More Dee pop organ. 1 cording, 3s 9d. Marty proves aaain this )OUfll Ame-ttcan IOnl· Not for those who have ;~~~e~e a4~~:!is'°~fetm!rcii'~~~ TILL DEATH DO US PART 1hat he is one or the finest noticed any cha nges on the musical torture (Polydor). The original sound­ performers in the field of :ir~~t~y ln:::i!\l~n:on~, I~ pop scene over the past ten BOOTS RANDOLPH: "Hip track from tht: current film. country music. W~bb. Well worth I lillo ears Boots" (Monumenl). Hour You t'lther di,e. or you don't DIANA ROSS & THIE UNSHl E COMP . THE FLUGEL KNIGHTS: after hour he must spend 1n THE TOUCHARLES (Statt'· SUPREMES: "Funny Girl" "SuntllloeA-••~ " Knight.s On Broadway " the studio churning out side), From the ori~inal sound (Tamla Mo1own). Yet another Hty). PIN.ant musk tor (CBS). Musicall y interesting tracks. This is the best of his track or 1he film . We liked the fine album from the trio. beautiful people WI') 11roup fea turing nugel horns current series, where he Wynder K. Fro~ contributions Supremes fans ITIUII lel this on h1t.s from s uch shows as 1 THE RUSSIAN STAT£ a~,~~t.M \lblam T aa • " F1ddler On The Roor," ~~~ve:bnfty~and~;~ricw !n ti~!i ACADEMY CHOIR: •• Evenlna dreadful "Yakety Sax" rub· HUMOUR Bells" (PolJdor). lmprusivt ~!~ wt' ~~ !e r r see~ St~~;_ry, G,,.t~m~,l~~.s t Sai~~ choral wo_rk make 1n1trut1na 1 Rnar Of The Grea sepa int." bis~ 0 OT s RANDOLPH: hsten1n1 m stereo !:!'~:-. :1bu~ an'J>P )'OIi~ .. Sax Satlonaf!" (Monu• BARRY ST. JOHN: .. t-­ FONTANA CONCERT OR· ,:!~D~:~= ~ C H E STRA : "Neapolllan menl), Not compared to M::eT"A o~'J cordtna To St. Jolin " (Major kn~C'ltTlo J:"'tiu Nigh ts" (Fontana). Living Roland Ktrk he isn'l1 (Ot'tca), A.!. ui.ual, thi~ 1sn'1 Minor). Prt>du~d b) tht VA COU Ea ~ Presence Stereo orchestral ROLF O RICHARDSON: near!\· as funn, a hi!'i: TV Emperor Ro kCI and l1unds MotoWII). IM, 111...... - versio n!! of pieces like •· Rollo's Tabanka Rhythms" ~hows but fans of the 1reat likt' 1t Barry sock 1t 111 the f' acll soul. ft'Ufflt' fra.a • " Poppe Pi ccohno " and Mnrty will en1oy his cavorting wa) aluna the line- She's 11ka) 111 ' Funicull Funicula" Mor~ for t~r~~d~~ia st!!~dtgan~ ~:~~~~ hert- but th!!' album. as I whole, 1 n!~'" ~~lk::-~Jr:'r:f bl H1 -F1 lover <11 than pop mus: ic­ remarkable melodic- sounds in " 40 YEARS ON " (Decra). l()vn1 <11upt>r !ilt!rt"n , P1euan1. Alan Btnnelt's hit come-dy a ~;v;~~P~\ : .. Span• '"If.' GoodYEAIIS OF GOLDIN FOCUS ON FOLK Getting to grips with the people ,. I THURSDAY SATURDAY cont. TUESDAY

'-1 V ' •,,,r• CLIFF AUNGIER SENSE of frustra• "I r••·~•·nh A tion is not an un­ ... , common fee I i n g II

THE STRAWBS among many young h :-.1 ,, JI! ,1 th, ()uni:1·"11 lluh Tilt C "-1 ,11 Cu1•i'•• r TU\h'I 111 ld.:l· ll uad creative songwriters ,:,,t I and singers. Someone '" COLLIER'S RANT, H<>l·hud ,; who is experiencing •·· Tul ('I Rd this at the moment r NI COVENFOLK (OXF,UC), R11 m is Marc Brierly, a \l. .,11 d,,., ur t h young South Lon• ;-- ---+ THIS TIME FOR REAL, IT'S doner whose first rl DIZ DISLEY album "Welcome To

THREE HORSEHOES The Citadel" was re­ FOLK CLUB cently released by lk;,11\ St nr lhm11~h',1d 1'11h1 TllOUllAOOUll 10 la. 1•1,·,,• 11 1, CBS. Marc has found himself al a THE LEES IDER S cross-roads, somewhat STEFAN GROSSMAN ,lfld \\IU I n·,,d.-rlt i,: ruup THE undecided which way to .,... EXILES Ht·(h1n ·d ,,dmhMun go . h d .. n· ... I r> m WHITE HART COLLIER ROW His biggest problem is in MARTIN WINSOR finding outlets for his music. The folk club \u, WEDNESDAY circuit Is one area he can I m work In but he feels he SUNDAY HOLY CROU NO, 4.1 /1w,·rn<'~!t can take his music Into .... '" f'l .ac-,• ff;,i,,1,1,11,•r JIM HcCAHN " & RO NN Y 1111rvdun bigger fields. MARC BRIE RLY : · I wa nt to move into the pop scene ' " I'm not quite folk and I'm RON GEESIN JON BETMEAD nol quite pop," says & COLIN SCOTT Marc, 0 which makes It was making a name for people of the same basic augmented by n ,mnll !.l'­ FRIDAY 80UN OS GREEN F OLK C LUB, plu,- F ION A diffi cult to know where I h imself on the fo lk scene nature. The things I amount of CJ1refully M•"- Tav, n 11,,und., wa nt to work." Ma rc has as one of the good new listened to were the lceted lnstrume11tntlon. THE '.; I -.;..,xi MIKE ABSA LO M mlrudun·, TI N K ERS been working as a solo singer-songwriters but complete opposite or •• I was to n certain e~tl'nl artist but Is now getting then he suddenly quit. what I wanted to do - happy with the album but COLIN SCOTT KI NC'S H EA D, Upp\'f Str,•el FOLIC C'OUll:IERS J~hn~tnn 8EAUX O F LON DON a small group together " I !,, pent two yea rs getting Cream, H endrix, like all albums you could THE TINKERS CITY. I.uni,: Swurd and Morris and will be appearing at things toget her," explains Jefferson Airplane.'' start it nll over again. It NA.CS HEAD 't k R,,,1d D~ntmi: Wn•krnd~ Tomm~ Lo ndon's Middle Earth Marc, " I was trying to The result Is " Welcome To was somNhlng I'd wt1nted \lt:C11r1h, Tea •·r:1nld1n club, a new departure ror gel something of my own The Citadel," an Inter­ to do for a Jo ng time JON BETMEAD LEEDS UN I VERS ITY UNION Marc. together. I found it easier esting album with Marc's something different.'' .J OHN TIMPAN Y. FRED McDOWELL About three years ago Marc by not listening to songs and acoustic guitar Now Ma rc Is pinning his w.-lc ,I H bu, frnm I pm - Ac f t>c tor y . hopes on a forthcon1 ini: single. lie hns two acng~, SURBITON, A"wnlh h Roum~ II " Flaxen H~lr" and "Thl' pm DEREK SARCEANT FOLK FOLK NEWS W izard's Eye.'' He thinks T R IO JOHN FRAS ER, PETE STANLEY omd BRIAN C OL8EY . "Fla"-en 'Fii•~ ->rll,h..!_.--•"'""'4' 5 the A-side. " It ':!.! n much WAKINC T E NDERFOOT. R E~~run ~~~~~~ost ~~~ tighter sound, much m OI'\' PLAIN DAVE PLANE Third London Night at Cecil together. " l want to move Into the ~:!7. H~=~OnRea~sl Pa~~ pop scene. It could bt• WESTMINSTER HOSPITAL Ri ch March 14 and their guests .,rd 0111,ann· ve.ry exciting. It's a pit} will be Pete and Marlon they've been puttlnt out Grey, Professor Alexander's all those old singles. Punch and Judy Show plus There Is too m uch old singing waiters, a mind stuff in the ch nrh. Wcal FOLKSONG reading .act and the evening Jiu " I've been shu ttln11 mysell will Include street cries, away from people de li be­ ballads, music hall songs rately but it '.!> tot to the PANAMA LTD JUG '69 and broadsides. t;E] El'A. NA'WELOCI!; •L FDAO point where l'"e got to go SAT(• MARCH 29, I p.m. TltO U BAOOUll, , 30 DAVF "Free sweet, will be hu rled DEREK SARJEANT, HAZEL KING AND out a nd s:,e t lo grips with JUG TRUST COOl"E A l" ETE CHOPl"INC at the audience, Dr · Winsor people - or they'll never HEDY WEST wil~ give free advictl to young GRAHAM BRASHJI.W get to grips wllh me." T\\ CO CERT AT ladies" says the handout THE JOHNSTONS about th e concert and adds, MONDAY "due lo unfo r.see n circum• and Ann McConnell are leav• SHIRLEY COLLINS stances, the Boston Stra ngler lng the Penn ine Folk a nd ROY HARPER AT CATFOAD •ISINC SUN will nOl appea r," - a pity we th eir places are being taken DON SHEPHERD DAVE COOPER, by bassist Paul Bridge nnd JACK50N C. FRANK P ETER CHOPPntc BOB DAVENPORT were a ll looking forward to th at' Ticket!. arc 6s 6d .and Judy Burt, who was wi th the THE HERON DAVI & TONI ARTHUR there will he a bar and soup Fllk and Fred and duo. CEILIDH GERALD T. MOORE Compet"e: JOHN FOREMAN kitchen. Co rse ts, cocoa and On March 15 thert- is a HUCH •tPPON headache cur~s will be on sale Grand Ce ilidh a1 th i> Civic FlrtOAT RAaCM lCTN 7 JO P M .JOHN IIU.Kl"AT•ICK in the Vt'Sl ihul e Hall Wallasey, Cheshire. with DICK MUSSON ROYAL FESTIVAL HALL TIC.•FTS 7 • & a - F• O N 000 111 Peter Dashwood officiating 6 6 ..N N CKIE'S O F RUOI N G l"ft p , 4 .11~ L,1,;: h , n, ('uur \ 7/6, 10/·, 1216. 15/ 21 Redd ii nd Ma rtin regularly b d S!r, .1'h ,m S W tfll receive communicants at the Guests in clude the Yettles, Obta inable from Ha ll , usual Troubadour, Old Brompton Folk Lectures will he hel d between I I am and S pm 01 CLANFOLK. "·'''I'" "' Cla nn Agencie~ and Road, London SWS every THE JOURNAL OF ~.,...,., ~ u t,,.,d, _._t,,•,•I t'.add1ni;: aritllh Peace Commltta• Satu:-day and among those the Royal Institution, Liver• I DEREK RINSTONE • takrnti: part 10 the next few pool, and WIii deal with folk COUNTRY MUSIC 14 Cl.vflMn St,, LOMon, S.W.1 lore, industrial songs and ltii,h ENFIELD FOLK CLU• week!! are Stefan GroHman (March 9), Stdan Sobell (15), folk mu sic. Tickets are Ss 6d H _,.. :, R ~'-• r St t'nlh-ld th e Valley Folk (22) and and a re ava ilable from !he Flnbar and Eddie Fury (29). E.F.D S.S. at 4 Bluecoat ... all th• latest country news ROGER MOSS & Chambers, School La ne, Li ve r­ . .. up to date Disc raviaws 0 pool I ... lalHl Billboard Charts RICHARD DICANCE :~~1sc: a;o ~k ~~~~dio "o~~una\~~ ... Readers Letter Page Two) on Saturday. The Glasgow Folk Centre CEOFF • JANIE CAMl"• ELL ... features on:- A_rter eight_ years of pro­ presents a country blues Bluegrass THE CLI FFORD FAMILY FOUC CENTRE, H .'\MMERSMITH weekend on March 14 , 15 and Modem&. Old Time Country Music fessional s rn grn 11; 11:o; a soloist Artlst,ts TERRY MASTERSOI( CLUBS Surbiton fol k cl uh chief ~rek 16 a t the Folk Centre, •S Sarjeant, hai. formed a trio Montrose Streel a nd a1 the The Nashville Scene LONDON NIGHT ft, f r1 Mclellan Galleries. Jan An­ :ri!:sra-;~1T!~~g haa:~ ~r~eha~~ dttnon Country Blues &and C EO• G i< RO• EY. • H> !-,1..,t.-r ,... ~P~L~E!!!"!AS~E~N"!"!!O!':TE~-11 Gordon Gibson and Al Coch: H I'd f111 Lur'.' P,,rk SI it111n made a numher of cluh rane guest at the Cenlrc on I.UJITI N W INSOR DON MARIAN • KEITH appea ranCt'!I . Says Derek ·v.-no, o Bn,11 " Working with a trio 1s mosi M~rch _ I _4 and Js , and REDD SULL IVAN rewardin~ and has opent> d up M1 ss!ss 1pp1 Fred McDowell 1t ppear!'. at the Mclellan PETE 6 MARI ON CRAY HAMPSTEAD RU(;• Y CLU• a whole nt> w Reid ·· ADVERTISEMENT Gall eri es on March 16. An­ Guest!. at Derek's Surhiton oth er Gl_asaow Fo lk C-en1re , SHl~~~y •~~~:IN:"' COPY SHOULD club include Pele Stanley presentatwn feature !li sitar Y-. lt'1 .. In Opry, •very ....-h. Pri.. 3 16 ' player lmn.t Khan, also at lhl' Bri~~!~~by ~~ rch ;r~~ ... , JI M O "NEILL. STAN OUNNACE ARRIVE NOT LATER c~~II Mcl.ellan Galleries, Saut'hltt· UI I THAN FRIDAY lames (26). Other a rtist" lines hall Street, on May ~- H.4UIGI NC LAMP. ! ~Jt,,.l,rlh ...... -.... 11'W'ovgf!_..~1~1 lll'b-, ,,. SATURDAY ~~;Id M~:e":p~~~~~n t:an_,bridae folk FeAt1val _,bee, P''lll'I Iron, BCM Op,,- l(>hdoo \\ C I Tr \ ,n , ~111 Riehm• nd • ~~~fo~e organiser Ken Woollard pre- before the week of and Stev• Benbow. ' .-.rc,LI• '> T£DDINCTON COMEALLYE publicalion to ensure Pennine Folk fan Teresa Ae~~ri~~~ F•l~~~r~:':;:~•i~; aAARELHOUSE J. B. r , ,. .,,,, 1 ,,., fu1ur, nt, ,. k"'~ HolmH writes to inform us ...,,.... &OE~ n..un inclusion in the Club that ,:roup hove a limiled :~~~ky,.:~ St~:::• 1::u8al:~ ll11 ""s ,.,.,. L.ES ceui,., MI NA TA UR ii,. d Nur1h edition a lbum - " Rnth Sides concert on behalf or Ll~r•- Columns. Of Tht' Pennines " du• out nexl month, that the group V~:ti~~\eH:i~i~:a~!~;:e2:oyal "" FRIENDS OF THE POOR u n ht- heard on My Kind Of "' DAVID GRAHAM RIIES I D IIENT \ UIIE TAYLOR Ken informs me that the LIWISHAM CONCEIT (S-'l) Hell, C•tlri S.l6 "" ...... , .. 1: .. , 0 .. Folk on March 12 - • SOio BE SURE TO USE ~~:r::r.e ea~~~iA•~auatta ke; an RIDAY, MAICH 14th •DYAL O AK T!'!t"!r~ :;: •~..::beftrou:~: 1 , nd 3 on/ omona the •••; t, FIRST-CWS POSTAL bffn invited lo write lh• ~en ~• hoping lo aeL to MALCOLM PRICE CERRY LOCKRAN second Polk Explorations 0 i~dihr~d:: DAVE COOPEI CHOPPING ... RATES show at th• Manchu ler Fl't!e 1 •Muc~I. w~~~~ a Pm and other .-a T .______JI i;i:; ::~~~:•:y 1h:e~~: people Ken hu In mind are T1Cke1t from Len s..a.. Music Lid., 233 tlftth SfrNI, l•-"'- S.l ,, co· lhe Fairport Convenllon and Ad'<'Clllced llckeh 6/6., S.A.£ Al"'- door 7/ 6 che.ter Spnrt• Guild Lyntoa Anr and Happy Traum. ,.______, "'AUi Ml LODY MAKf-R , Mnnh H, 1!101) P IIJ!l' )II DRUMS HARD TIM[S AND TROUBLE CLA SS IFIED ADVERTISEMENTS We are A CONCERT OF POETRY AND SONG ALL DRUM S . 11, JIU! knocked out to n1 •• 1~1 s upply musicians IN TH! COUNTY IOOM5, WIEL UNOTON HOTIEl ALL c;ooo •111 Ill ,hutu DUNSTH, COINWAU MELODY MAKER 1, ,,11h rl J,,r t.l'h for MONDAY, 10th MAICH (I f •h~ !!I .'.'It, I 174 16 1-1 66 AHt 5-t. london. E.C.4 . Tel. 01-353 5011 . bt 171, 176 an4 234 A LUDWIC KIT I, 11 -lflll" • I \ml· ,I 1, !' rl 11 CLIVE WADE 1t ,u •, , , t>hrl [ 11 Ill h /\1 APPLE - ,., Most recently for A PRfMIUI k11 ,1>11'11' ( ~ ROY DOWLING TUITION PUBLIC NOTICES PERSONAL )<,\ l J '-1 1 BARCA.IN OL YMP IC ~ dl\1111 \'uih on I It• •1 l I• 111 l MARY CLIFF CHARLES 1, '~ COMPLETE OLYMPI C ,m - Phont· new date has been a rranged : .. , ' 1d, we, T<"I ',; 0- " 01 2211-4 lU3 fur ~wnuln1• bargnlni;, Sunday, Morch 9th : from U.S. A Current h it " PEOPLE" JANE SCOTT for ae-nulnC' part 1•xch11nJW tonsldt•red .MONDAY, I 0th MARCH. ~uR~:~ ~;_~N~A~~;~::~ I frn•nd~. mtrodu<•t1on~ opposltt• lo ad'l'ani:f'd - ltl Thf' 't\"b!t,.._ ,------, 'l''\; wllh ~.n("l'rlly lllld thOU&hlfu\. FAMILY Houk' N W.1 El'S IZIO. HI, 19%. nl'" lld1\h ft'\•\•. Sd Sllmp to THE TYMES ELMER GANTRY Janf' Sroll 50 ' R4 Mllddox SlrN.'l, ORGANS King's Head, Romford CLA• INET S.Al(Of"HONE U•nd,in W.I 1u,1i.-.n. b(gu,, r ... ad,anttd )~ II- per word CRYSTAL PALACE HOTEL Crystal Palace Roundabout VELVET OPERA MAKE NEW FRIENDS or lhl' lmpnnbatk - Tc-I W1n,..ton . ALL GOOD quallly org1111, pur· Crystal Palace lnio:ram 1-4' ~ ~~U ln,trum nt, Th• \leiv.t Opera has pamd from "PPl"III" ~(',; Ln thl' most r1,1\111bl e Wednesday, Morch 12th ~nd m,,,p,...n,1•-~• way ,l\'all.-bll'. - chand for cash_ Will t•a ll - 1ppl d Orangl', 01·11311 (137 fn-,- dl"laLh ~ I M (19) Brat'mar • A MODEL LIOO H;1mmond Ur• D~8=:~~ELY ..::~~:~E 11 ... u ~ thll: tt..i voul,st Hou, Qurf'n , Ro1d. Rf'ad1ni;: Al~ Bl'rk-. ~an fnr ult•. Only right montl'l1- M(S- Kick out the Joms ROGER KEllll'S DRUM STUDIO ' •«.ms the MM! a- Ganuv old USO 1:Uh 021•772 7977,8 THE FLEETWOOD MAC PEN FRIENDS HOME and 1 -POL IJ~ and the '-elwt Open .-.i., .. Ill FARFISA COMPACT S lol Nt'w -'bro.id ll>lltl' ag..-) - DetaUs V(IX i ·J;Pl'Cd Gyrutont•. 15-watl -~~#,RUM TUITION Oarlfnrd OWl\tlt'-.-ld ... COI\UnutWlth,_ --.Sf' f'rtf'nds ~·or All (JUI), l.S .am p. co1blnl'I 1170 - 44 0 311RR STEPPENWOLF l'h.1b11orth Ro.ad . Lnndon, NW2. E.LECT• ONIC ORGAN lu.sr ns memb. Johnny ~ O" t'welvn of 1:unan. in s t111..·k - UNUSUAL f"EN•FRIE NDS! Ex­ writ!' for 111us tr11tcd leaflet 01 -734 S626 BLAISE$ CLUB, 121 Queensgate, London, S.W.7 d\•nt, a -T\.JI. nGR~E~~9 27~~1ahst MOB.LE DISCOTHEQUES WORLDWIDE CONTACTS! Frt'I' - REG 71154 . delails plus photos II :,; 7. Contact vox DOUBLE 111,IHUIII organ, !~,MMY l:1~!";;~ :t~<> ~~rn 1, 4 per word Arrana;:-,ment, Munchl'n 1 B Box Ll.'Slle l".!lblnet, SOW amphfler; all CHELSEA COLLEGE BLUES SOCIETY TRUMPET TROMBONE TUITIOIII AFTER YOU-.,,£ ME.ARD DUil 3U. Cermany. · excellent 1..·ondl110n - 01·4•4 -T hjll ,n, •1-4t:.. ~>-4 HEAVY SOUN OS l JU won'I ~ 111175 m11,•, ,;.1hd MADDOX PEN CLUB. The \eTY saU'ifiltd Yllh )u~t ;my di«· be-51. Brin& f'ltci H•m•nt, new ln• IM10<1.,c,,.9 lh• •. ••,..., KEEF HARTLEY cothf'que. Collec• club. party - 1 1 1 + GREAT CIRCLE Ill for J'<'U Hook }~!~~ d:fa1ft!.:v~~e·s:dM!:~~ fift~ SOUND EQUIPMENT """K1-'-t-"'-"wt,ch,..thod ""·"-'"-·~· l hr o NARO U E E•MARTIN L11ndon. WI. o• MUSICAL SERVICES £:,;am pies _ 30 w11tt PA columns .,_ ...... , .....,. .. CHU.HA COWGI STUDIO 1...... , ,..., to~ y·our d.on('(> parl) mto a 1/ 4 per word t27 each. UO p a ir. 60 Y'llll lead a1.,,..,_, s,., ... , .s.,, 7.30-11.30 11M MANUIA IOAD, I.W.3 m cabinet~ (4x12) no each 1>olld Profen,onal Tut,on, 101.11 t"tperiu,1..-t" -Pt, ,1t-93i AdvuUHrneou under tbll; ... ,,,.,.,.... , o..t,201-. iu,... l stale amps from t1$'- - Full clanic al or modern headlnE are NOT accepted details t11e pleasl!) frllm, 10 I •Olll,0/ •. • WftN••yaiifl "'BAllKER.JEf'FEASON AGENCY wllb • ox No•s...... Also string bou and - 91·340 5frll3 ha1- lhi: be~\ D.J ·s. and equipment f,,r all f1.1ncUun~ ADAM AND EVE bass gurfa r AMATEUR SONGWRITERS. Sf'nd :c~t ~~?~a;~~ri~;:;:~c~1:~~~fij PCCKHAM HIGH STREET, 5.E .1 5 CURINGTON-SHARP ASSO· CIA.TES LTD DJ'., rnr Jill you sonc• or lyrla, with SAE to 1 83 3 Doily from 10 a.m.-6 p.m. .U1ddl1"s~x Music la Byron ca~LL r~!i~ltionl'd Di red from for East Tou,. ~ ·tal funeU,1n~ - 01 ni ~l":1$· ~r. ======~ sound fqulpmt•nt sold Speedy f•'ll511t(l-.,Sj , JO .am t, 5 pmJ Parade, JIUllngdon, Middx THE MODERN SOUND D I S C O TH E Q U E A.CENTS ARRANGEMENTS, harmo• r epair service. - Jennings, 121 Charing Cross Road wanlt>d A.£: .. nh ,r,mtf'd m Lond,in nh,.it1011i., lranscr1pltons, com• 117/119 Dartford Roa d , Dartford, and suburbs ror moblll" dh position, - 88S 3636 Ken• Tel Dartford '1•1291 nnd London, W.C.2 25'197 LEVITY LANCERS <:uthe qul' un1b. m;1ny other party Openl,. Oft Monday, March 10th, 1.30 hi. 01 -240 1167 .and dHcothequ,, ,;en,i:c~ offt'red ca~::!.~"~Nf dd1~~ft :: c:ac:'nradll vox AC)O T/~ J: IIS. Vox de luxe - Th(' Pl('a~un· lla<"hlnl" I&:? Echo .u s. Hird I~ wntt fl'V t•rb Drlvr. Bl'lmnnt. Londonderry, N 0 0 RAWHIDE JACIET Wu1bourn,: Cro\"t· W II 01 :?2" Ireland Brook.hall 306 (050 488 amJw ~ulT~e~~~~fge:~ ff5 on11 N• O'I ,~ .. 9 306 l h otn,t\UIDI II UMI LIGHT SHOWS available for - Oi•S89 3962 JAZZ PIANO TUITION EAlltN MONEY songwrltl ng 100-WATT Sound City PA ; ••,~ ..... , 1-... ,._. ' .• parlin. danef's and dubs - Tel -.l•f•ODfUI P_, I Amu1n1 free book tells how. - ampllfi .. r, 5 channels, scp aratl' by young qualified teacher Ol-4U Uts, '"' t,,, 1•·•111 W. • IL LIGHT SHOWS. - Jl-•6~ 07U LSS, I O•Jl M, Dryden Chambers, controls Perfect condltlnn. UIO ,... ,,, .. , -.;, orcheslrol and p10no LUNATIC FRINGE. Y<>rk1h1rc·s 111 0:,;fotd Street, London, WI. - Phont• 01 -22 11 1742 .. 1,,, ,,.,,, " '' ARRANGEMENTS MADE ,:rcah'~1 d111,eolhequ,· Exp..,r1..-nced MUSIC TO LYRICS, \lolcc11.ip1..• t1Jlt6.P ·~ !tpmneri. ,tr -•a~rin priu no11 -36 Sudbury Aveni.le, Wembley ~ 6 o• •o OU •• ,..,hly EAST OF - LUNATIC FRINCE Rlnt,: n1.902 3411S ,yn ' EDEN INSTRUMENT REPAIRS Rtng ,nu SANDER Rawdon 3'74 Pr,·,('nled br Chris• Agency: J. P. SCHOFIELD, 01-136 2199 PllOFUSIONAL A R ll AN G - 1/4 per word 01 • 459 • 1711 drll'I On:anlliill!in I NC, topllnes, e li:.-EIII• Rieb, :~~•I!~~•! pnu §,,~ ~ • • U •~it MO ILE DIS COTHEQUE f"r all • 550 0171 (evenings) A BEAUTIFUL JO•, Overhauls, Al,o ·•wttxfNDE• ' No •52 en obo-t,r b.,t ---- social ~a~lon - 01- 1' 16U Rrlac qucrlng $·7 days by IP· P OFESSIONAL GUIDANCE ror wilhout Mngff Sc,..,. ailfl ond ,.,.... fl IE SCHOOl 0, CONTtMP&:UV'" f'Ventn.;s • p olntment. Suophoncs / wood­ AIUNGtNO HCHNIQUE5 SOUL REl" ESENTATION . Tt\(' amateur songwrlteu. - Details A MIUOI H PUIINTAnON • ue Ha)'e!>, 2S Arundel Drive winds/ brass - KEN TOOTELL, ,_....,...,.._ ramnu5 oa,·c Lee .Sound Tht· bc!<.t LHLI• EVANS, 275 Colney Hatch TI,e,T~...... _.~ 0 ~-­ mobik ll6UI, ~ll .idy •nd rode reg Lane, London, N .11 . Enterprise _ ..,_..._n....rMNOI,-,.-, ca'¥ sounds tn th,· CflUnlry Latl'lil w5~Nl~l~i~".tll\2S~e-mos by - 4137. THE n..~~-o1c--. .... prr•rrlusr"' (rorn U!-A a nd JA A o,:Xpt·rt arranger Mclodlei. to ACCORDION llEl'AIRS ('B rrled ~-~A111o nt• • •~ Tttt,,,,q,..e, ,., s._1,1..o --., P,ll(kal 1 r.-w d•tc~ a,·aHablt· n "'°"'rch - r~r~ll~rr;;1:i1:r~'icidl;= out by t'Xprr1 crafl ~ml'n Thor• ..,_ ,1,,p Aho ...., on,j tr; 11nd br,,,•,ur, - \t .. ac,· 11:round n,,or - 1437 321" TIIANSIT G• OUP Tran~p11rl o,.~ .. , 39112 Laurel Avenue, Gr11vc~cnd, Ki:nt w,011M 1.;i1i ...... ~ I ' . '71M'; OJ ,:,7 ~?15 UHEARSAL ROOMS at Ceoritr RECORD • AZAAR, so.ooo from DEMOS U PA HOU!lt . \lul11 IV Briston Jilli 674 29411 1------•••••• , ... "110ti, ...... , r,.~ , de - , I ·• II 5;,_, 2/·. Wrlw tor lists IU2 -II Argyle 1-..Ho;ehl l Jlft."-..-i THE WAY St. Clasgow StH, 6-11. 0-'rfJ/., fl I, ii' SNARL MUSIC. SOUND STUDIO HOTlb SOUL SINGLES on American $/6, or_, for BEYOND ~~~- DEM OS . .0 l lk f"ER HOUR - BA' PRINTING Jabe!s 11s c;1l"l1 l.argt· SAE - 10/- Dep. .... 6 1/4 per word Kllllck 21 V.ak An-nUl". Brl,:hton ...... , .,.. ., 2 Monmouth Sheet, W.C.2 t,. SO UND ORGANIZATION 1.'· per word STONIHALL HOUSE HOTEL (20 1111/H ... 411, LPs for n le 1t11ny U / 10 !Cr aw­ ''I• fl SCREEN PRINTED POSTERS m l nUll'~ Wut End) . Flnt-clu~ rare dclct111ns 1ncludt•d Sl'nd SA i. lS.f .01 IA n1 I , U • ? • 1!. m ,. i 1n 20 x )fl 311 s 40 room and brt·•kt u t hotel. Terms ror lht to Moon·, 7$ MIii Road. CUFF STUDIO SOUNO (MITCHIN) frum 2'1• lld d;,rlJy. Hui and cold. Lrl&hlun Huuard. Bl'd• RN"Urdi, • .S lt1 d 1 twnio· Ad· !'-1na;:- le r mulll, ,1, ur <.::,· I ~,,ur fully r,•ntr.i\ly healed nil room, )00 LAT• ·so-. 11l n ,: lt-1 - \rrt1 lug l'rodu -t, , 1, Tar• 1,, Jt n >llt• ,,{ c luh '" .. I•,.:~•·· "'I~ - REFLECTIC;-, --. JBP< TOT 42P5 Shnwcn t. a th Inclusive TV/Radio l)t'l 1f1, r 7 prr, furm )l'r .. up nn blu1·1 - HS 05 l2 Gt Yarmuulh. N11rrn11c AU DIO ~ ~ ◄ •hU • --.. , / 'l P•; 20-MELOOY MAKt.:R, March ~. 1969 I 000000000000000000000 MUSIC EVERY NIGHT I § MIDDLE EARTH g and Sunday lunchtime, 12-2 pm 0 presents a t O 8 THE ROYALTY THEATRE ~. ~l hu,.dor , 8 -1 1 am 8 LANCASTER ROAD, LADBROKE GROVE C) STAN GREIG QUARTET Thuuday. 8 11 Pm JAZ.Z f .,doy, 8-11 pm BRIAN GREEN ·••D 0 Saturday, Morch 8th 11 till Dawn 0 TED WOOD JAZZBAND f"dGy/SolurJoy, 8, 11 Pm Salurday, 8, 11 pm ..._-.,...... ,_,.,, BRIAN LEMON TRIO Sunday Lunch1,m•. 12-2 p.m HUMPH and Su nday N,ght , 8-10 JO pm. 8 TH E NICE 8 Sur,ckrylurKhhlM, 12-, pm TALLY HO! BIG BAND Mondor, 8-11 p .m 0 0 JOI DANIELS w;,h AlAN WICKHAM jTrumpetJ JOHNNIE RICHARDSON ~ 8 ARCADIUM 8 S1ll'lday •11ght, 8- 10 30 pm DIXIELAND BAND FAT JOHN COX BOSSACAIIDA TuuOO}'. 8-11 P m l't.UI VOCAUSTS DENNY OGDEN'S OCTET Mon lluH 8- 11 o m Wednetdar, 8-11 p.m g MARC g JOHN WlWAMS TRIO WeAY*. MAICH * *tth *.. FRIDAY, MARCH 7th, 7.30 p.m.-12 midni"ht Where social injustice is buried deep, Where the Spoils of Wor will not be reaped, • END OF TERM FLOP OUT I BARKING COUEGE S.U SPOOKY farewel l Appearance of UGIIAll MDAY, MAICM 7th ..• • TOOTH "NEW" TRAFFIC leod more will follow, STRAWBS: wtTH CAPALDI. MASQN IAftaDAY, MMCH NI , .. JOHN PEEL + FAIRPORT CONVENTION Onward to o New Tomorrow .. WOO D &---fROGG • SEARCHERS fTH i TUFFICJ e SU'CtA*Y, MAIOt* * JOeli * • .. + TERRY Agency: Peter Richardson 021-427 5321 JUNIORS EY[S COUNTRY JOE Adm. 10/-; Ladies Sf . Men must have $,U, CARDS Management: Russell Thoma5 021-351 2953 REID • & THE Fl H STRANGE DAZE PANAMA JUG BAND pki• Pole G,- IJ,nou1\ne U9hk th.us 6th fv\ard1 .. . -=::.f~• Soito Agency: PrTH JOHNSON lNTHTAINNl!NTS Lambert11,1rst 516 !089:2-71), KUndown, CN11nbr-k,. Kent Sot., Mo,eh Ith ~ . fn.7lh Marth BROKEN WHm saNE •mo•o. NOTTS. nui= l oteu r•l•a•e lkenHd 80,, 7 30 U ,TUIDAY, MAlCH I t h, fr om New York, U.S.A '~ 91118th March .. JODY GRIND on l"hlllp1 &o,k,,.11 l~b.,lu1•, l3, 17, 162 131 Now on lour in thi1 country - TH E SENSATIONAL WATERLOO lOAD rn1 141h, '·'"J, Pi\t Flo.t:d JASON CREST ~~ Monog• rnent, JOHN SULLIVAN , 11 LondOf'I ROGd, Tunb1id99 W,111, PLYMOUTH 'toll Jr;1h,\ \.ird1. E'AAA;,:',: • Kent !Offiu) Tu nbrld g• Well1 27196; (Home} Crowborough 4491 HORACE FAITH SHOW JOHN LEE HOOKER THE GROUNDHOGS BIN LID CLUB - DEWSBURY EAST OF EDEN UNION STREET HNANJHUIA • UOHTI SAT., 8th MARCH 10/ ; THE CRAIY WORLD JOHN DUMMER "ALL NITE RAVE" OF SATURDAY, 8th MARCH BLUES BAND Direct from the U.S.A. SOU u, TONY HODOH RONDO ,ROMOTIONS ARTHUR BROWN 6 IUTON MIWS CHlVAL ,LA.er SW 7 01-519 5647 plus BENE. KING SEVEN AND THE GLOBE SHOW on stage 2 a .m. KILLING FLOOR STAR DJ/FILMS/BAR SOUL 11 p.m.-9 o.m. Pay at door turpins bend SUPPLIED SATURDAY, 8th MARCH KLAN NE ED MONETARY SUPPORT ANO 0522 23014 IC A FRIDAY, MARCH 7th AIIE WILLING TO DO OIUGINAl THE POLYTECHNIC THINGS IN JA.ll ~ND ILUES IN CONCERT LITTLE TITCHFIELD STRm, W.1 CATERHAM 44862 (O:,r,0,d Circus Tub•) ANDROMEDA Admission at door - 7.30-11.30 CLUB CONCORDE BRIDGET ST. JOHN JOHN PUL 8 pm 6 / d,d ICJr, Meml»n S/· 37-39 Oxford St., W.1 (nr Tottenham Crt. Rd . Stn ) Bo,. 011,u, WHI 6393. 11 Corlton Hovi• Ten-ex•, S W.l ••••••••• FAMILY AND THE VILLAGE ~~::arch FAILED HERITAGE 13th MARCH LIVE GROUPS EVERY FRIDAY AND SUNDAY c ON STAGE WITH NO. 1 GROUP 5 B C 100 QUI, OlfOID STREET SUPERSONIC DISCOTHEQUE s Bar, DIKothe11u• A 0 OPEN EVERY NIGHT, 8 pm · 2 o .m (Closed Monday) u 7.3~12.0 MR ••••••• o: MOIi INTHT AINMENT CHI SWICK POLY RAG BAU 000000000000000000000 C E N ADYHnSEMENTS WILL 8 Mistrale Cub •d1""'"' ~:,'";;h;;:'/i;;~'" s""°" 8 A ~ N E H POUND ON PA.Gt 19 0 Fri., 7th March r,. R D R 5 ••••••• and SERMON o BEN EKING Plus o :~All:~~:: ~I.'.~ -- HTS BAR DISC.O 8 al:a 8 SEND YOUR 'SMALL' ADVERTISEMENTS TO FRIDAY, MARCH 7th 0 .sun., 9th March O CLASSIFIED ADVERTISEMENT DEPT. at ACTON TOWN HALL Tick ets 1 0 / - 8 John Peel Show 8 ·,~!~2!l!u~~D~~~t 000000000000000000000 TeL : FLEet Street 5011 . Ext. 171/176/234 ••••••••• • Mf'LODY MAKF R, Morch k, 1969-Pa~e 21 BEDFORD COLLEGE RAG BALL ot a..tford Cel'-9•• 11,,..r Circle R•~"t, Pork, N.W ,1 THE SOFT MACHINE ECLECTION TIMEBOX :~ -~·-" Q*AUDITION NIGHT..B THE ~SHOWCASE- ~ NIGHT SATURDAY MONDAY cont. DR. K's BLUES BAND *TERRY REID Thursda.,. Match 61h STEVE MILLER'S *CLOUDS • FOR NEW GROUPS FLAMINGO ALBANY .JA ZZMEN Surat F, Kfa,, March 7111 (730-110) * CLOSlO TO nn l"UM.IC AT )).)7 WAROOUR STREET, W l NEW ERA JAZZBAND 11..rl'- THE RESURRECTION DELIVERY Tue.001 March 111h (730-110) Fr,~y. Match 7th BLACK BULL, WH ETSTONE, H,20 ,.,,th f O LII: and FILMS FRI MARCH )1h. 9 pm -6 • m • LAC K80TTOM STOM l"ERS KID MARTYN'S ••••••••••••••• f'unlnrt,,w...... ,, • 210a HAVERSTOCK HILL NW J GOT HIC JAZZBAND, Earl ur & THE"BAND" .,..n....,.., SA.TUltDAY MAltCH Ith GENO WASHINGTON l .....,_. lhtlMI ...... , (op, l•l•IH l"o rk OdeonJ S11 ndwkh COOKS FERRY INN C.~ • M.,~h JIit 11U. 1.1 IACII Tito Th<,,.dQy March 61h JAZZ IS ALIVE AND WELL. ~n. !'.al. & M.. lw,ct,._ ...... E...... , G r aha m Colller Sl'xl e t . guest ANCEL RD ., EDMONTON - ,,... , ,,.. 71h Sand y Br uwn . Ho ward Ril l'}' Trio PHIL WOODS ,!~0~00~ M~!~!m · , • EDGAR BROUGHTON Con way I/ a ll , WCI Marc h 14 CHICKEN SHACK ...... HAIOLDMcNAIII The P1N{'\ Fit ;, T1d w l-' trum 6 LcWl .\ h a m Wa), EUROPIAN RHffHM s-...,, ,-..._i.---.. BAND sr.u MACHINE TONY LH TRIO DAVE JONES JAZZMEN ,--.. 91CW. II.L LI UGI TIIO THIRD EAR BAND NEW ERA JAZZBAND Elm Park Ho tel UPSTAIIS-f.aturing nightly S-.0,, Mllr tt,-~-,...... KLOOKS KLEEK ---,, ~ ITYS LIGHT SHOW Elm P,;,rk Hotl•I, Hornchurd1 MIKE L_,NOX 1-·.\1., ""!, ,",f·.·1,,. ,:,•,, ..... 1.,• .. ,,,.,i,,,11•. , JhurL, Mor 131 1'1 ~ - II~• GOTHIC JAZZ• AND, Earl or MAYNARD FERGUSON Sandwich M.clllth-46th Su~, Morch 9th OSTE~ CLU• - HAROLD McNAIR __,AY. MMCH 6th LIYHPOOL SCENE _. BILL LE SAGE TRIO HATFIELD, Red Lio n Ke n _,.,,. ....,, ... 10. LIVERPOOL ALEX WELSH Colyer JOtlN PLUMI TONY Lit TRIO AMBOY ,....,,Matlllh ROY AL OAK, Tooley S treet, , LOUGH, STOCKWELL, S.W.t . SCENE S .E I N.J .S CLU• , PHIL LINNIE HST DUKES .,••• llACK vnvn SIANl!N, ltONNII IIOSS, TE"ltY JIMMY LAWLESS w.....,.,._ n• ~y. Motch 16th SHAN"ON, ltlC. P ETTIT. 47 Frith llreet, W. I DICK MORRISSEY --, -.~~~ I .,,._.,, Mar ,,.. n'fH111M~:.,.11r:.-J~ lynlal THE ORIGINAL IAST .Genanl 4752/4239 ------1STONPI H . - Wt•mblry HAIOIDMcNAII Plus D.J.- PAT B. · l l/(1'1 ! ' 11 1 Ml I t1llY Ml\kl H, M1H~h "' VIICAII I WANIIII BANDS ······································· ··· ·· ··········· ····································· ""' I 11111 wo rd Classified Advertisement Depculm nt Lcwi'~gton " MELODY Nlllltl". 1'1•1" FIHI 51,...1. London t C.4 l IM 11 r 0 ,c, fnqum•1 flht ShHI 5011 1,1 1• t I fl & ?14 1 .l. .Jo1 Al ,1us DATES Every efto,t .,.,II b. mat10HU 10 a m on the Friday P'~"oo' to ...... ~ I ,,\'t,1, 1,11,\•n flUU(hU •oo ,110 00 :tNl)~~;ltllA~:,.:·•;~:r.. , CLASSIFIED ADVHTISlM(NTS IROUGHT INTO TH( omet Will H AC(I PIH'l u~ 11;, "''"' ... NO fflAN 5.00 p .m . ON TH( MONOAT PUYIOUS TO DAY PUlll(Alll\N Ci,1• •• UH OIAUI. ,... n.. ~,,.,_..._,,f/-#"r~ ,.r.,.. or •'"' .... 1.,.~io ·•·•,..i-. , ,,.~.. ~ H>f>I ~INB NNNl'l'l'IIANIA. • ••• 11911! ,,. fO,t If foi- t ,. ,0 0\-'o,d ,..,,1ol t1 ""'t.,.. oof ·•~•.,...... ,. , .. ~,.1 ~ ,.,.. .. 1 t<-• M•••._ lhuuh•• ""wUlltft IIAllM/'l'U ' "f"'• I• "' 11 nutn "' (>10 1","J,": t::-t>~~ ~:"4~=~1tnDw OIMrlNtlAIDT, 1..... I~ Uot OIAI\I ,,,,. UO per MOO.I 111 , "' "· r ('le .. UI JI- mllYI "H MltNHAl01 All~ "'"' , ~pie•• Off POIITHll'IOfflMIINJIIIIAIN IIO!NAlO IIUl "1•·~••11•• " "0.,-,.,,,1,·· ..... 11.11.._...... ,... "'"°' +.t tll d.,i.,.,. • -14 ,,,._, '-"""' ,.,. ,.. ,,..~ l ClAIIN111 1unu A.,.,, o. ••••"-"' , IAPUUI ...... d __....., .. IUtllON. •• ...., , UllllAN( ,-.., , '" N w '171"' TIIUMPIU "' NDI lUf't.l "•• •••~,,,.,, UOO MA'l'NAIO "IOUSON ,..,. U IJ LA Mill.11\N COMMITUt .,,.,,, ,, , OS MODll Jl , """'· ,...._,,,, UJ COUUNON l ho~ •• " '"' to"'llltto £67 VOCALISTS l'Ui.Ctttl, ... "°" Ul Mtuo,HONIUM .....,1, .,, UJO flOMIONU If y1111 thin~ ynu UI• 1111,flr l!INU 21, ,,,., 1 "'I••••• (163 llv• .,,rn,ull r1111I \IO(Qlly C\.'\Ul!Ol\llt.i l "'"' cu, '1'111.MAHA, ,...., h,,.,,,1,1, 1n11fl1l•nl 11 1111111• u1r,up ,11 IUND'I'. D ,i, .. ,,. ..'" , qulr11 11 r11mp lm111,1• mnl• llONillh)Nf . .,.,. , "r'•t• 11 11111!111, I' A 1y,1am 111p "' pllnd n,. IIJIII p•npl• on 1 3ANOSWANTEO n•~d i.111,ly I I ,,, \\Uld l I 5 !>580 oflor 6 p.m, I\Ll c;AOUP'r, f, 1<, •J..d.,1 I •I: !'" I , I ,1 rn \I,,, lh 1,1 \,>1h J"d \l.111~11,· (I VO( I'll IIT• WANTf O 11111111 II \11 1•111•, id,11,11hd1,:,·1L 111,11, 1 ll\1111 1•1111111111, Ill HI 11 II .. ,11 ASUl! IUII OPf: b.111d 1,rd,·r ,._,,,;.ti•! fur r, •llh 11r1o,1 t<•qd - l':1111 \',ink YOUN(, (,lfH \i,:, nt, 7B 1:nll•t \111 ffn;,d, \l,rn Ill ul · huw! ..11111 11!111 •luHII 111 1 t,. !('f lfl l.fll11h11111t, 1 IHh ol' l\llt(I' 1•1 11d1 UH 1111 Ull)·I !111~ GOOD G•ouPS n•,1111r,·d for 'fOUMc;. H MI l'lt0 ,out ... ,, l'lllll M,uui:, n1rn1 n,m i lM<.. A 01 11111 4011 I VQM p 11 - T1•I 01 !'.3• lflllt'I INC. I'! .,::: c~3• T[~ ·~ n c:~cr:~:.~v I r111111 1m1 \prll ttt11d1•m1 Jnu ARTISTS,JIAN 1to ~~;~,~~,.t ~::n trl~,._~•:.'t 1?. "~•~~rt :~ J,.-..1fi,r word !ht \I 11:\r,:1 r n, I( 11 ;1 I. lld,111 !to-l11,1 ll11rn,1,·1, ll'!Hni,: him of ,11 ~,~l~~~lt ~fhll c•I l''')')\tt.-r lhd1 frt' .Old 1t1·l1t r,, hr ,1111 ~•·r thrm pl.111111,: IIOLIOAY CAMr ~ 1111•1 l11ln n,,,111 hlutl 1Np1l1•1I f111 M,,v O•GANIST I OIIUMMUl, · 11~·.11~ ••v1+·mh,·1 111~,. U111•·t1l11ll•I• I •t /'l;urth l 0111J.,n 1. .. uni::,· - On, 1 "21'l' :::,~~\:\:~i••:,n ~~(\,~ ~1• •·~:1,1 ~::. •;,'.:~\ 111l~l'r~ Nu 111111•11 Wtll1• a I' 111111 11h11lu I" l ,tlll·llil\llllltlll • f>hlllll(l"f 'IJ llotl,oUI l,,Ul\oJII ll111r\n.,.t 1... 11111111 N 4 MANo\GI R 1t1·1lh 1n111tll11 Cull lr11,1 ""' r hi l'T'l'll••· ,,, 1or.,11 11 ~1111t•·1 ' ,, "" 1111 tllt:! TABBY'S CLUB 011111, It, ~ 1111111 llrn111lw11y . ~114 tlun f1·1111lri· H11111 kfllll/1 (,u .... du1111·r~ ·1,•1l·pl111111 Mt ~•·ry !1117 1111 llf\l.•t 7 11111

PROFESSIONAL GO GO DANCERS roquirot.l tor Lond1 r1 0 Mnlloroe Oiacoth~uo Toi 690 2671 /2481 Oll8AN QUAl1EI' ., VOCALISTS Show. - "IIIO&•VOCAIIST c::r.r b~s-;t::d J/- pn word ~ _._.. __ TNII N•IIUL • • N• DY lor .. your muate1I prl'Krlpllon• - ~ PIIS.IL IE: Y TVPI olntl'f •Hit Phone Welwyn Garden 21177 11rufru1onMI work ur man•1• - ~,...... , ..,...,...., VIOLINT J are now aullabll' m••nt - Uox 111\.l ...... a l a reasonable prlN' Bool: now ,11110F ISSIONAL Juul ~111.:;u . -- :::dto .~:.fu.::~l?Wi2:• Hopton hnnd ur i,ernu 11 1171 111~11 !H;~~A~~'~' ?ccle A(IJ it! FREDERICKS INSURAN CE l!t ~' 1 C 1 \ ,11 111 ln1111, 11' BASSES GUITARS I 1o I Ii,: ,., t, Ill ~r, I · ul ,1,N(l •t j [15 l I ,, 1'1111 Hr1 '\ .. , ANQfll,A 1- I •T•.- ll7,I II.tr, \11ehl l.UII>, ,. c1.,.,, fin•••.,... t,S t VAIii V, ,o ( 1-... f,,,,.,,,.,._ UI 0 ""','1,N\J(LCflNN,la<&,,f •IYI• [Ul 11 IO$l lA,..1IIU u -d .. 11U ) INSTRUMENTS FOR SALE l fWr \\ 1111/ ALPAT DEALERS o r-r· EA SALES SERVICE (ti· h,tll 11 .. 11 ..... 11 .. ,1 l\1~ llurn Premier '"" l~' llutm, r I I.,, ,HI II n, '-htn, \1n1 11h, r, \ t\7 IILt ·k1 ·11 NCW KITS IN STOCK PERCUSSION 1,,.1!..11 l!llli rw 11 .1rru1111 ., M\'1,•u r . l'tlMH• 1.,, ...., .. ,11 ,.,,, CONGA A~l,/11-0,,1"-d ,...,(12'10 (;') t'Pnd11 Slr•"'lll•ln n ,1111 1 11 .\ 1111111 \ 1,,.,,,,,01, u ·, Uurr1 , ...... _, .... CONGA. A~lol p, .,., u-d 1/hd [ .. 10 -- rn f•u,....+1.-_... •. ,1O ..d no 1, 11,o 10 /lnflwr £'nrnm 11t-,. JI •• ~~ tUOW10 ••'-• gl,11., VIUAl"HONE ,,...,_ 701 . ,..,. tlU 10 rn 11,,1111 r l\u1u,l l1 11;.,,!,, 2 1111 i.. l:OGtl'll~ , .. Vlllt,."HON{, ,-,..., •U~A!. .,.., UJ.S 10 UP [Jll \lo\ \l.tr .. utk 1, Un TI~ bf Pt_,., l..d .. ,g ~ ... ~ ..tc l'httn, .:1111;,r lrnm U lt ~uuntl ( \I\ 8~,.. tH·,1k, r 1 J ,-111 r.uud FULL STOCK S PREMIER SPARES AND ACCESSORIES m.111,1 (Ill l\lllJl' h11 rn t'.'i vu,. .,r11, ,.,_1., 1.tt1l11-ll, I ,ti l O I ,ti HIO 2 TIU...,,-, _r __ ,,.....Gl r-o .. tl910 S1•lmn l'A l'ttlun111,, [ Ut llyn,1 fJ\J,..,U •~1 Ol ,..,. "' Al.TO. (.,..n gold plolff good tU 10 \l1urtl F.tl1111hurd t.13 C11r h hvr 11 ca,e tl7 5 ALTO, k,ng, Mwt, G l. "'W U9 10 11111w PA ['Ill Vto\ .\("50 Sup1 r TfNOI. ~I- /,I,~ VI b,ond ,,_ tll.S 5 ~1JM''ll Olch ...... - .... ("'l .. tl,S 0 lk,.·1li l',;, Rf•~lrt "11kt· 17 r!UGfl 1101N t..11•., 1,,., .. "" UAtlNft. a.,- 5.S' woool, .,..., '32 10 'lr.11f.,11I Hlut· 1', ,1rl. 111111111..t, ClAIINH Nol,1•1 An,,1 9ood '49 10 •••• llll1 UII lll.Hll)'11 V./1!11• 1umpl1·1t· llAltlN[T l&H 1... p. ..ol ,16. r.... 10 ION{(,.fl.,,,..-0,,., .... ,..wtll I u, Ui '"II\ It ,1111~ ,11•r1•n 1,1JH' T ION[ 1t...... ,1 Gl .,, ...., - t39 l T11111c:l1·t 11t11·,11 h,1 m11111tr;11!.. r11,ud11\tl [7!, I 111111 l.11..t· ,1lm11)\ ,Ill\ lh1111: I fl turd pl.I\ 1 n l,IIH CHAS. E. FOOTE LTD. r,•cv1tl,•r.. ph,,l,.J.:1nµl11t ,·1111111 llH'nl r,1c:l1<1, 111 • I I h I Ill Jl,trl 20 DENMAN STREET, W.1 t·uh;,ni,:1· f'r1d1t f,111hlh.'k ,n-M' Tel 01 -4 37 1811 llhlt· Al1, .. 1 U1·.1h·1 , 2:1 i'lum ~~'.".'.".'.".'.".'.".'.".'.".'."...___ ,:·,, 48 ),"'Qt' ______, ~lt•;1(1 lln,,d "t' IN 1d OJ 1154 1!111 ALTO MK VI ~dm, r lw;1u\lful tund1!111n 19'1 01242 lt~l~ 1•~1~ BA BY BINSON f.t hor1·lk H5 ,o \\lilt -ltnJI. flO '.\ ~.l ri lwuud REPAIRS AND O VERHAUL S A SPECIALITY . FIRST-CLASS WORKSl10PS 202 kir,9 StrMI, H.nn,enfflllh, W .6 BARGAIN CENTRE :~~~~:~:LING ROAD c·ri•,tenl Klni,:,huq NW 4 SKI LLED CRAHSMEN HIRE PURCHASE - PART EXC HA NGES (arolmd the UWMor ~ • ._.. M.OUtt !"of• BALDWI N, 1~ ,tnnJ,( 2 ()Ill.. up, IJftdeta,wnd, 011trid line I 01-560 os20 I \Im\ u•nc:l·lmu l'ost no An·q1\ {U - RIil): Wi· \IWI II tu ,! Ill 11 4-116 Charing Cron Road, W.C.2. TEM 5432 ~ ,W p Ill .luh11 : : ~~::D~:LE Opon 9 .30-6 w ..k doy1 All day Sa+., jfhur1. oh•r l p ffl unt116 P ffl SIMMS-WATTS GEAR • e ~ s~4\/1~, i,:uu.J 111nd1t1nn HO I :~~~~v;;~;~ 1 4 01 R1 poln and paym1nt, only} ;•;~• CO MPAHntf:Sll'IICIS SlMMS-WATTS ,o..,.otl , • U ffNOH 6 1tnno Ian. aooc1 t \lS Kl NOUM'Aa:1G DIUMS C. ot, , 69 1M Olf1SCH T..,""'"" ,ff, no tl lS n: u''n,~ seii•1o~"~:1RE .1:-. tn" '------~ O• SON 171,D, S...bo•II a•- [171 AJAX New.,_.. lllf,o,. .,... llSO SIM MS-WATTS IOOwott, • 12 CONN TENOR, ~k 10. li.~ """ lP1PffONI c...... , Su,,bu,ot us ,alMtla ''"'-' ou,.,, pocl ,ao HOYll J...,bo. Lc.w, • nc• I' U U0 ,... ,.s .... 114 Alm;, }{n .. 11. Soulh.omptun ------fRtDfl TelMt. .... N11.-p. ,.__ Gfl=. 1 = )110 - 0 1 272 830o. 11r11• r "\·\'l' l1 SH AFTE SBURY 12-, tr,ng, 0 1 SELMER 2 II 12" CCJb-b £15 OIHON Jl60I, IHN90,n t15 YOX I.MO, cal ...... - .. C UI LD MA NH ATTAN X -175 new CAO SHMERT. &B . SO Amp Unit t20 OIIMSHAWl,I U0S30 l116 VOltT_..___,O....,...... ,,.•dlll ?'iay safe you ge\. 1.\,.c c u1t.1r. t''Ht•llt'nl t undltlnn . f PIPHONE Ri•oll l ou, 11,m- 18" GOODMANS In cabinet £20 OIISON 192 ....._ 01 now l.120 VOK 4•12 200-waet...... 1100 i:4611u 3tum ,,\hl', 111 0 """ - Ol -72? buut £100 lEAK 50 Amp, w,th pr• IICIUNl,ACICIIShertkalo, 01...,. ltS YOX'-'t_,.,0..-, ...... IIH s ALE t l !!drlr p1Jnt>, nneni - FENDER f'••cition, Sunbunt, a mp £20 IKl:lNIACKrl. l '1vp, g: fAlf"U.0..-,•o- 1 .... ,UMIH 4-...• 11-1, ,.._rt 1(11 !Li ;;~!'.;}~h: C: •.nyr:~;~ : ; •• :~: n!=s 2 P/up lou, MW :~Rl~~~-Z::it~!~. Reverb ~rt:~=-~=n t~ ,UMlll....,_, ,N,i­ REAL 1 ~ ~~ ... B~-rll~i Ollo Link muu t hpicl·t• 11nd llltcd HOFNER V,olin, Ian, ilnnMK'. t40 WE M. CopycatJ, f,om £10 OU«.D LES ,AUL. j>¥1..:t EIIO OIANOC STl.011 UNln "ow • ,u.,. ·:r.i,~ -.w.1"""!~. ---- - •.H..H. 11: ...... s-wtt...... ~h~ocrit• ff-~';? 100 f1411 11 n c1 - 1,1,._;W;::•;::";::'N.;;S:..;R;;:•P;;;"';,;' :..;•""";;;;::~:...... ;':;;';;;•_;c:;;•;;;";;;';;;";;:O...;l;;:OO;;.;.;•·;;;•·.;.-=...;;;UO;;.._,I• Nmat ,..,,,,...,,._";;-~-alllJI' MCIU1W ..... 2...... SITAR, RLkhl R,1m , N!!w Dl'lhl, 7 Ml...... 90 .,,. , ...... ,,,., c-.. u...a..-.1ung m111n • t rini;;s. 2 g-uu r ds, h11nd ------,, .... . T-•• ,... ,..,,.,_1e •s .,• . u r vl!d inla id 11 75 onn Y•11 o....,.or,,1_. 14S.-. l....._•J' trv..... , O.L., M.L 14 .... Oxford SS:14:i. • fl1•r 6 pm VO)C DOUBLE m 11nodl organ , C-lol Sf>-'-, ...... let-• ...... i.,. Drvffl ""· '....,_ Leslit' t'Mblnrt, sow •mpllfi t•r 11 \1 ...... _ ,.,..,., q~I ond OODIII IOI- 91,tlet 4S .... IVOR NIA/RANTS* CXCl'lll'llt ~·on d ltlnn - OJ U4 * l ,N.N, tm.,..._, ..0 ...... , ....,...Dr,o.,.lllt , , ._ q,,o, 1575 Br1ta,ns lead ,n Guitar 'Ex erl ,. .... balo..,j..u.n . ,...igt.lM< IUlfM., SOUND CITY BARGAIN WINDOW l lT(H!~I uf (l!~S IUOIOIO IIIMHIU LARGE GUITAR TURNOVER MEANS JI ll OIJt!I Jl(H)III 11 UNOtl NflUOf 1t ll~ll 1 ' LI CI .. ,. , ..., .. . '-·--- -·-­ HD\ nm 1!l I U OfOt O mn m Nll\ CASlll moo INSTRUMENTS WANTED LARGE SELECTION OF IARGAINS ...... ,, .. ,~. --·-· Mcdl• r-•do.lA"-~•_!"'_ '-12~ - ______~ " "'" ...... Lo.,, J/. per word .... o .. ,...... ~ - ALL COOD qw1III }' t•Q Ui p nH'lll OUILD X1 7' , ...... OUILO o...... Eddy400 1'JO .... "'-''"''' · -~"''" .... rur1·ha,ld for t'.1\h Wlll rnll - OIHON t.,.( 1..0.,., GlfflCH t ...n_ 1:u.,.. •••i•"• ' ••O••< Or;,nj'\' Ol·R36-037• UYTN S.,pe• Col..... 42 .... HAOSTIOM ,...,be, SI .... THE TOUGH CASH PAID fo r PA u n n , k lld NAIMONJ' '"'ut )0 .... MOTIi h,...t:oa ,...... ho1i.~ J:Ult;1r 1un p llft1•r,.,. - REG rtAMUS C & W 22 ... lllO J.,,,,ba 22 ... 765~ MOTIi 12 ""~'1 1 l ..... lllO /..,,.t,o I 2 .,._ '50"' SET! CLARINETS, FLUTES, OBOES, IOMONO J~lf'OO 12.,., MOfNII CO"O••" 12.,.. lho1'1 RS-4 1 'Scene King' TRUMPETS ;1111.l ,CUh d TENORS r.;,,g,,,to,J;1J,....--1yp1o)"lno------" •mh'd u ri,: c nll~ - PAN 33/3? ,., ""'"-• .._._ , ,..,.._., ••" - lhe 1dsol Roc k 'n' Roll 11 15711 11 set. All tM roge 1n the ~ ;ig~r otJt\:ftt•~ i p~ER 1,·oa MAIIIANN #1 1.ftlll'El\'7.lf U.S.A Plul o olo,n 3rd FEN DER · CIBSON f'UHari. I S6 RAT'M&ONl l'lAO, lOHOON, WI' IA.I m , 01-6:16 .... , "" Set 25/11 t~l>u1;;y ;01 -t~/3f(5 c46:~~:J H. R,!jl'VWl'nl c~n,Jl:tt..,: 111 •7:Jr~fi J.-':::::~~~====":::"':::::...::-::::"""'::::::-::::'•=='-::::•::ll::~ 0~6 C.IBSON, FENDER, ).11lri. h 1t ll AYoiloble from your Vox , onar,. l)a i. 11 gullari. and ROTOSOUND dooler :1 mpll ikr~ w,mh:d ror c;"h· - OPENING SATURDAY , 8th MARCH, 10 a.m Pl1unl' RIV 26111 d1ty , COP 7701 S•la -vfocluron _...... i-t.w THf WOIID'S IIGHIST GIIADI lndv,lr• Ud . 'ao Upio,dlood ''''G'~~, CUITAH. AMPLIFIERS ..._,.,._ h lo,,t und ,11 C r oup F.qulpml•nt for IN MUSIC STRINGS t •t " h- Will t;11I 11n d enl\l'rt.- GE R 1S711 M U S I C A L INSTRUMENTS, .unpllflcr . drumi,,, 1•lt'. w11nll'd fur ui.h WIii cull 11 1\d tot IN I - T,•1 s..tHtt..,,,.o.,,.u.. ,11s,-k REPAIRS I SPARES I 0l-1154 7911 TOP. GEAR MIIMOND M 10t USG WANTED . S·OCTAVIE MARIMBA MUSICAL INSTRUMEN TS MAalMO.. CJ •I· Lao .. IH 1•10 SYD WEDELES XYLOPHONE - Ou, tl u 111 {: t<: H LOWIIU MOteAT UH EIKllO-MUSICAI RIPAIRS 11 ~11 5 DENMARK STREET, LON DON, W.C .2 ORGANISTS I If you think the only LOWIIT...... ,. UJO lNCIAl O•fla. SPMIS&IAIGAINS (Just off Charing Cro11 Rd.}-Phonc 01-240 2118 .: 234 7 organ for you is a H ... then LOWIIT •.ac>N ...... _ 1AC1S ,...,• ..., ...... , ..., ...... 11 SHAION OIGANS .,._,._ •• STO 5 SHO,, _, MAURICE PIACQUET Ol'IION UI, doorry, 01 new MAISNALL 100• MIC P.A .-.p. cte ,112 2 a.....i • ., lo•4, De ...... ,. nu srnn, ".,...TON w., MION UIO, wnbwot . ....,, MA11MALL 100w l-- • ••12Cell 1111 have not heord the ko11I T.i 101) 6H 0911 / 6 ,...._,.,, -....ia1e all••II- •• ,_ elacttono: GIIIONJ41.,.,,..., 1_,lcrlo MAUMMI. 50w. A-. .. 4•12 ta Clal •UONuo,_.._.._. MAUMALL ,0., A-, hdo. UO MC>II,.,_.___ ...... ,.,, .. , MAIISMAU.41l2UMC• IN lilll , U ! I ,\ NNDU~,blontf,co,. MAl:IMAU 4alB Celt., ,/..._, '79 rlNDH J.. -. , .... bw11t, i,••fed CAUSUO IOOw P.A. 1•1112 Cel1)IICS FARFISA ~M ~II 111',I ·. 1t:, 1i1 FOLK SONG ALBUM ...... Stt...... ,IIOCO taMIIJ/1111+...._, .. 11 11• JO Al',I IAEZ 37/• TW MUSK o ',,_ I I! ll',\l'. ;ll'lil l'INDII "ockleft ...._ bloc~ HI.MD Tl• H + .,.._.. CN- UI 400 LILLIE RD ., S W.6 ,fl'.,; ''HI ffll'HONI I...... _•, Hufflbudi-,·. YOltA.Cl- • 2 ...... c.111.CI. COUNTRY BLUES " ~:,r 1 , !I .,,I I! 111 , plu'1 1.IH VOll IOw. P.A., v.. 4• 10C... 111e PROFESSIONAL FUL 4630 11, 111 [1 I0Ul\ 1111 ' l ' l tl GIPICH C.... AllilM, Hollaw lo4r 1.1:U VOit Ill•- 1/INle A-, ... GUITAR NfnCM.,_...c.r....i..110} DI ...... ,.. s.,.-~. (5 GR OSSMANl 3'/, ••11 .... 1.1.. ,,.... i,11111 \il • 1 l lll' l L0l) IIICKaeACKa 1,...... , ,_ CHO ...... , 5,.., .. ,, .... :!Hl 11\\ 1111 '\ fl0III .... SOLO GUITAR IIClflN•AClfH, J p/u. 1/ H.._ no VOJ A.C 100 • ...... C. '110 fe .....,Janm•••o• " 11111 1 I ii\ (011 , LP f VOit O•H•• Or,-, ~ow 1100 Demonstrations all this week in Jo11N,,,.cl•1•11. frr1"' vox,. .o._u.11,•• ... PLAYING .._ •U[1'111 G\.:,{l ( IA I\I( •, • YOll lpMlq 12111 .... - US IILMll ...iallllOOt.a. ... organ showrooms by our sales tNO DE I 20/ .. ... G1lrn•n SG Spa<•o' co 1i1 , 1t11 , 111 ;10111 ...... ,.soc.a. ... INCR[DIBLE M...... 11100- lou -4 1,11" C•b• (11S l"UI! 11 \ tJ l U . 111 111 :'.:=.,~~8~ '!: IIIIIPACJ 4•12 Ll94 C. ... PIJMIII S-4n!M KM, 01 no.. 1100 vo,r: A.C.JO ...... , ager, Jimmy Smith . M---'IIOw ~+4•1J" C- ll!JI HMOI\ I ~ C,OlD ltO lil ... STRING BAND rARrlSA c..,.... 0..-" 1141 SHUii iMS Mlle,•- ...... + 4 • 12 , .. tlJO T1 . ¥ ml I 110 1i1 10~1\ 110 11 •o,1e... 1,....2-uorCon1• a.. ,., 'Ye•,_,,,._._+ l:lek llSS 1111.0 M ...., t._. "'u .if (.J,\ ;o;J.·U ', "I ~Ill Vu At ltl tMl G SCARTH LTD. lo•l' prOJ,?ressive pop as well as jan (ans The 1wo W ESTBROOK forms or music ar(' C'tlming brilliance .and excite me nt togt>ther, each horrowin~ heavily from the other, - L SMITH, Wembley Park, perversions This 11 fl'Olrl bit too far I lsn'l it l1mr Mlddlesu Melody Maker stopp,·d cor­ rupting the minds of the I WAS appalled at the youth or today? - JAM ES suggestive lyrics and images BARRACLOUGH, Maa;dalene aired in Melody Maker (22 College, Cambridge. • 2 69). Reader5 were subjected to a most di!lgusting scene in AFTER READING so man y the MailhaA column - criticisms about blues group~ J name ly, an Oxford man gyrat­ and progressivt>s rt>1f'llSln_K ing in an open forum commercial records, I think 11 may well he that their cri1ic-1 KINKS ,o:~e,;., s~~~"e~t:J' t;:~~h~· ~~~ don't realise that many g,oup SMALL FACES had stripped his seedy mind find 1t a vehicle lo reach the completely naked and R,Ont­ uninitiated and make thf'm for a wallow in its own aware or the hetter side of THE WEST Coast has their music. 8 . V.' the most sophisticated PA RKER, Liverpool 13. audience in the world. · MAiLBAG -~.__ s,;.. ~ ·. • • • ,._ WIN t!!~!,.~A!@~ Wav WRITING To MAILBAG e LP WINNER Our p~ople educate I Address: Melody Maker, 161 Fleet Street, E.C.4. CONGRATULATIONS t themselves with music Keith Altham for his hri\11an1 ' . . sa1irt> o n rhe ridi<'ulous over- because I hey really exposure of And~ Fa,r· care. weatht"r~Low. Ti:nnrmi;t thl'" resl of the i;troup almost v.:,, want to hear the complelt"ly, he ~ave uo; tnvi:il best - tht" Smull Face5, the and unin1erest1n~ snippets Kinks, Manfred Mann. the from Andy's conver~aflon at ZombH.~ (who~e "Time Of alarmin~ inlervals. One nf th~ l h~ ~"' Jr,ns " 1s a hit her~) truh,• grea1 artlde!'i - BILL and U'1t Pretty T~i!1gs, WHELAN, Dub li n, V.'lt've hef>n waiting years Come to the sunny West THE CR ITltlSM of Flt>l"tw•·.vu to St'e these groups We Mac ,n Mailh~t ~ the ep11ome h,iv~ t" buy En!(lish LPs at ~:;;,te';'~~f 1:~!;'. y~~ sh~ h~~-o; of narrO\\ -~lindedne:,is_ Thr rr outrageous prices. Inform French name and froni whal is more enterpri5e, ,,r1aina ht) the~e f;;tuups that there is we nre told of hN - clothes, and s: inccrity in " Albaln.>a " friendship, etc - ~he cerlam­ than in • II f lf't'IWOnd Mac's , rnnn~y and comfort await• ly wouldn't take her _summer 101,: on the West Coast. - varia lions on "Dust M ...,,, Blurs" put tOKl"tht'r · DANNY HOLLOWAY AND BROWN, Put'i Ord , BOO MIX. Long Beach, C0 a S t I . ;:~:~: ·:~::":~:·:::~:~:; California. ea Se IF t c bl u~a ta" s _w,:.:;·h:;.;."- --- problems, but what a JOY to Tami a Motown workshop Granted the mostP popular not developed this way, par­ complain Cnrdinl( pop ti cularly the more successful world _ ." - P. LEWIS, and an excellent son,: - •l•na~ tha1 c-nmt: oul of the ulous stick to 1hat same form ul a of ones who could afford to London E3. J O HN PADDY CARSTA1R.S, mu~1c had hcm~ht thf'lr a s imila r heat, orchestration make better arrangements ' Kln«,'il0n Hill, ~ur-rey. ~r~l!l~;~t> hlu~Y s1n~l~/uc~i~s and vocalising technique, but with 1he1r landlords reaardJng ESTHER AND Abi Ofarim 1 this is the sound that has cu s t om e r comfort. - were q_uoted as being the Lnn~" and "N~•t.·d Your l11\.'t' HAROLD DAVISON PRESENTS THE proved a success. - TERRY ROBERT ELLIS, London " sensations of '6&." • M1 Car.,talrs is a film So P.ad,'" pcrhap, we \',Ou ldn 'I WATSON, Haverlordwest, NWIO. Why were they not men­ dlrcclor, artist a nd novelist. havt> lost our he\l and most Pembs, tioned m 1he (hrtstmas Among the films he has a ulhenlic blue:. ~roup Bumper edition of your paper? directed a re Fools Rush In. GAYF SMITH, LichJl•kl, MUDDY WATERS' la1est EVERY T IME a ballad makes Tom my The Toreador and A S ta fh MODERN JAZZ a lbum, "Electri c Mud," shows the chart there are protests Not everyone has forgotten Weekend With Lulu, a n4 he Just huw simple it is to that the mums and dads nre them.-BARBARA BAS HAM, London SWl 9. has produced and directed produce progressive .blues taking over, sneer.s at the 0 ,.-guARTET Perhaps this album, which is singer and nasty remarks oil ~ :in~el:;~i! ~n s!:~~f:;n\o~~: not Muddy's best, will prompt round. This is selfish and I AM sick to death of tht' Moore. He also has 34 those people who are so-called !.horU i1,:hte.d There isn't anti-Diana Ross and the novels to his credit. JOHN LEWIS, PIANO Mill JACKSON, VIBES blues musicians to listen to usually more thnn one bal lad Supremes policy of Top or hia other albums and find the in the Pop :rn at any lime, and The Pops. Both "Reflcc1lons" PERCY HEATH, BASS CONNIE KAY, DRUMS real blues - DAVID JOHN­ it is there because peoplt buy o!"d ULove Child" - each a I WOULD like to thank STON, Aberdeen. 11 - OOLORlS CLEW, Wal. big h11 - were pl~yed only you far you, wotes in the ton-o n.Thames, Surrey, once Alter three weeks in thE.­ recent " Melody Maker •• THIS SAT., 8th MARCH: 6.15 & 9 p.m. WE HF.AR that POP music Pop 30, " I'm Gonna Makt­ ha!I progressed, but if the You Love Me '' made the top polls. You will honestly music ha,; progressed, the IT'S a µlty that so many of three and it has 001 received newer know how much it LONDON • ROYAL FESTIVAL HALL machlnt-ry for selling it has your corrt>spondt-nlS choose IO one play - ERIC WHITF­ inspires me and helps me. 6 . U p.m, CONCERT, 001 criticise Donald Peers, Dt•s S IO E, Belfast. I would ,1110 like to th,utk Only 16/ 6 and 21 / · tickets l•ft The pop machine is geared O'Connor and similar sinRers the whole st.aft of tha • .-r to sell easily foritotten song,; It St>ems a very narrov. ROLAND KIRK !">pokt" loud 9 p.m. CONCERT, SOLD OUT fo, all their e11co••1in1 re­ quickly How can a serious mmded attitude. and clear in the mlerests of po,h on the 111erits of my claim be made by the modern musical sanity when he said We arl' furtunnte thnt there troMboM playing - NICK MON., 10th MARCH 8 p.m. pop fan to hcing adult when are so man~· different varieties "m those days peoplr didn't tht> indu,;try he buys from 1s of pop m11,;1c performed. hy put lahels on music·· EVANS, Cl.1ude Ro.ad. Ro.ath slill chained to the ballad such an a,;sorlment of artists People have a right to place Cardiff, Cl am. BIRMINGHAM • TOWN HALL hnom 111 the early Sixties As long a~ you can b~y themselves in mmoritirs; and TICKETS, 8 / -, 10/ 6, 13/ 6, 16/ 6, 21 /. B•·fnre WI' revolutionise the records hy your favountt r------•- ~ound source, let's alter thl' arli.<;ts, thl' charl doesn't psychology of the machiner} reall~· ma11 cr IAN ~~r:~~~rs~~~~1cugc,~}1h1f:~~ lr-----:D~E,....,.M"'o=N-::T::F"'o=R"'T'""H,.,.,A'"'L'"'L'","'L'"'E"'l"'C"'E'"s"'T,.E-R---~ that proinotes it - K EN MAC LAY, London NWM. THURS., 13th MARCH 8 p.m. CHARLES, Birkenhead, Che­ ~~~~ • Lowe. Ba•n, Co WEDNESDAY, APRIL 23rd, 6.35 and 8.50 shire. 0 CROYDON • FAIRRELD HALL ALMOST HALF the Top COULi) SO M E record com• l'D I.IK F to correct Tony Thirl} recrndly nt~l' dt·d ~ow,;, ...., -----~.....,'iA! inrrt>d ihle that folk dubs havt· nn Radio Uni' is II programme Tl< kets avallable from all usual box offices and ~pecificnll y lor LPs. Thl'n tht' ticket agencies rt'ol talent of many xroup, who don't hothf'r wi lh i inRl f's THANKS MM, FOR A would be reahard . -N. R. M ITC H F, LL , Normandy, PARADE ALBUM FOR IUSllERS Surn,y. SO 6r1•1 Hits PETER WELLS GREAT FEATURE I HAVE JU!' I heard Aretha No. 1 Franklin'a vr rs1 on of " The ONE OF •h• ..... •••••• .. •••lea•••••••. 1 1 Melody Maker 11 the ·• Men Who Make ::,!';·"a~~ Jlyi~!:' 1~ \ , w~~~ No. 2 The B_lue, " Series, especially the OftH .about wo r11 record evr r made and Sonny T• rry, Otis Spann and Li1htnin' an ln,ult In the wr11er - 91 No. 3 Ma. '..,. ORNING DEW Hopkins, The one I • njoyed most of .all w.11 ALEX CLARK, Dund..-. =~,:.. ::°"' .abo•t Fred McDowell. I shall be 1Hi• 1 him Mt ln1trumenta (ORGAN. BASS, LEAD / RHYTHM. DRUMS, VOCALS) too" and Mn Jonn' .article h•s enli1htened THE LYRICS of J>eler Sar- ...... •• immensely .altout hi, mui,iul telllnh 1tedt's " Where Do You Go Piono .... AMMMALTN AGUI0£5 LTD .. ..,_Nn, l111t. lantRdtfl lit a114 Made me want ta 1ee him ..-en IIIOte, To" are ench•ntlna ao t hupe FROM ThH• yH.-KEtril PALMER, South Shiet•a. YOUII 64 DEAN ST Co, Durha111. ~!o~r~~r m,,:1~u"11n cu!!~l.•ln, DlALl!R OR FELDMANS McDOWELL The tnference .ti 1.hat. th• LONDON, W.I