Testimonials

Total Page:16

File Type:pdf, Size:1020Kb

Testimonials General Testimonials Public Performances -- Television Commercials – Charities – Parades Private Parties – Musicians – Weddings -- Funerals Public Performances “Come back already!! :)” Brooklynbowl (@brooklynbowl) (https://twitter.com/brooklynbowl/status/369896 913929523200) “Thank you guys for jumping in so last minutes before the show . was lucky to find you through my good friend Maurice Brown MoBetta’s friend. The crowd loved you . one comment stood out ‘That was better than sex!’” Shari Frank, Agent at ECM Online Webster Hall “Wanted to thank you and Jambalaya... Great addition to our event! Thanks again for working with us!” Frank Goldblatt, Coney Island USA – The Mermaid Parade “Time Out New York recommends: Check out the Jambalaya Brass Band!” Brooklyn Bazaar Nights "When the second line was going across the Brooklyn Bridge I heard the sounds of New Orleans coming through their instruments and felt the spirit of New Orleans mixed with New York. I will always be honored to hear the sounds of Jambalaya Brass Band and perform around the world with them because, trust me I'm coming for the Jambalaya. I have much love and respect for Jambalaya and for them helping spread and change the 504 sound." Darryl Young aka Dancingman 504 Professional 2nd Line Dancer 155 West 68the Street, Suite 29D, New York, NY 10023 Telephone: (212) 873-0475 – Fax (212)874-9521 – Email [email protected] Website: www.redwoodentertainment.com "In a city sadly deprived of New Orleans influence in its music Jambalaya Brass Band is the happy exception. I had the pleasure to walk a second line across the Brooklyn Bridge with these guys and when they played I closed my eyes and was transported to the Big Easy immediately. " James Demaria Photographer, Film maker Producer of Treme Life “I fell in love with the Jambalaya Brass Band. I am now following them on Twitter”. LaKisha N. Williams, Connections Coordinator Goddard Riverside Community Center Bernie Wohl Center “A huge and sincere thank you and the Jambalaya Brass Band for this past weekend! Having the band at the block party was absolutely phenomenal - as soon as the first music began, it was officially a good time.” Lauren Baccus I CHDC Community Coordinator “Jambalaya Brass Band you were great!” Ariana Hellerman -- One Penn Plaza “Time Out New York recommends: Check out the Jambalaya Brass Band!” Brooklyn Bazaar Nights Television Commercials “The band did an awesome job!” Southern Comfort Lime Commercial The Lodge – Kevin Dawkins “The guys were great!” Charmin Commercial Annick Meyar -- Gimme Butter Studios “Session went great!” Charmin Commercial Joel Dean – Composer -- Gimme Butter Studios 155 West 68the Street, Suite 29D, New York, NY 10023 Telephone: (212) 873-0475 – Fax (212)874-9521 – Email [email protected] Website: www.redwoodentertainment.com Charities “Universal praise for the band... they were fantastic!” Randall Kirkpatrick -- Director of Community Development CASA for Children of Mercer and Burlington Counties “We worked with each other last year to get the Jambalaya Brass Band to play at the Valerie Fund Gala in 2012. We would love to have them come back to the gala on March 9th, 2013.” Josh McClung. – The Valerie Fund “We sincerely love the group. Hopefully we are able to have them apart of a future event.” Genese Valentine, Founder & C.E.O. Color of Teal, Inc. "Color of Strength, Support and Survival..." Parades “Wanted to thank you and Jambalaya . Great addition to our event! Thanks again for working with us!” Frank Goldblatt Coney Island USA – The Mermaid Parade “A huge and sincere thank you and the Jambalaya Brass Band for this past weekend! Having the band at the block party was absolutely phenomenal - as soon as the first music began, it was officially a good time.” Lauren Baccus I CHDC Community Coordinator "When the second line was going across the Brooklyn Bridge I heard the sounds of New Orleans coming through their instruments and felt the spirit of New Orleans mixed with New York. I will always be honored to hear the sounds of Jambalaya Brass Band and perform around the world with them because, trust me I'm coming for the Jambalaya. I have much love and respect for Jambalaya and for them helping spread and change the 504 sound." Darryl Young aka Dancingman 504 Professional 2nd Line Dancer 155 West 68the Street, Suite 29D, New York, NY 10023 Telephone: (212) 873-0475 – Fax (212)874-9521 – Email [email protected] Website: www.redwoodentertainment.com "In a city sadly deprived of New Orleans influence in its music Jambalaya Brass Band is the happy exception. I had the pleasure to walk a second line across the Brooklyn Bridge with these guys and when they played I closed my eyes and was transported to the Big Easy immediately. " James Demaria Photographer, Film maker Producer of Treme Life Private Parties “We used the brass band for an informal party and everyone had rave reviews for them. They did an interesting selection not the usual New Orleans sound, which was original and lively.” Chris Muller, Best Live Entertainment “Thanks so much for all you help. The party was a smash. The Jambalaya Brass Band was a huge hit – they are still talking about it. Ric and crew were awesome!” James Schelkle, RA Principal Architect -- STUDIOJS2 ARCHITECT, PC 155 West 68the Street, Suite 29D, New York, NY 10023 Telephone: (212) 873-0475 – Fax (212)874-9521 – Email [email protected] Website: www.redwoodentertainment.com Musicians "The spicy concoction of the Jambalaya Brass Band is deeply rooted in the New Orleans tradition." Raymond Williams, aka Dr. Rackle, Trumpet player with Hot 8 Brass Band "Jambalaya Brass Band has got a taste of New Orleans and a great and unique sound." Bennie Jones, snare drummer, leader Treme Brass Band "When the second line was going across the Brooklyn Bridge I heard the sounds of New Orleans coming through their instrument and felt the spirit of New Orleans mixed with New York. I will always be honored to hear the sounds of Jambalaya Brass Band and perform around the world with them because, trust me I'm coming for the Jambalaya. I have much love and respect for Jambalaya and for them helping spread and change the 504 sound." Darryl Young aka Dancingman 504 professional 2nd line dancer at 2nd line across the Brooklyn Bridge "Jambalaya Brass band has a new flavor and a hell of a sound!" Phil Frazier, tuba/leader-Rebirth Brass Band "In a city sadly deprived of New Orleans influence in its music Jambalaya Brass Band is the happy exception. I had the pleasure to walk a second line across the Brooklyn Bridge with these guys and when they played I closed my eyes and was transported to the Big Easy immediately. " James Demaria, photographer, film maker, Producer of Treme Life "Jambalaya Brass Band, New York's finest!" Kirk Joseph, Sousaphone & Founding member of the Dirty Dozen Brass Band Weddings “The band was GREAT!!!! Everyone loved it....it was a ton of fun. Thank you!!!” Mandy Daly – Wedding – September, 2012 “The Jambalaya Brass Band had everyone out on the floor most of the night”. 155 West 68the Street, Suite 29D, New York, NY 10023 Telephone: (212) 873-0475 – Fax (212)874-9521 – Email [email protected] Website: www.redwoodentertainment.com Brooklyn Wedding Photographer – January 25, 2011 www.modernphotographers.net/tag/brass-band-wedding/ “Great job. Thanks again for making our wedding so fun and flavorful. Everyone, young and old, family and friends, enjoyed the music. My dancing shoes are still warm. When's your next show?” Adam Varga, November 15, 2010 “You were the hit of the wedding and many people have commented that the Hora was the best they had ever experienced. Thank you so much for everything, and we would love to see you guys perform sometime soon”. Judith Hoffman -- October 17, 2010 Funerals “The band did a wonderful job today. They were professional, respectful, and brought something very special to the service. I think my grandfather would have been tickled that we honored his request in this way, and I'm just so grateful to you all for doing it so well.” Stephanie Nemser 155 West 68the Street, Suite 29D, New York, NY 10023 Telephone: (212) 873-0475 – Fax (212)874-9521 – Email [email protected] Website: www.redwoodentertainment.com .
Recommended publications
  • Rhythm, Dance, and Resistance in the New Orleans Second Line
    UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy.
    [Show full text]
  • Great Music Begins with Great Songs, and Great Songs Are What the Honey Island Swamp Band Is All About
    Honey Island Swamp Band Announces Their New Album, Wishing Well NEW ORLEANS — Great music begins with great songs, and great songs are what the Honey Island Swamp Band is all about. When they formed the band, Aaron Wilkinson and Chris Mulé had already established promising songwriting careers, both individually and as a team. Collaborating with fellow songwriter and Alligator Records recording artist Eric Lindell, the two were instrumental in the writing for Lindell’s acclaimed 2008 release Low on Cash, Rich in Love. With Wishing Well, the first full-length release from Honey Island Swamp Band, both musicians bring their songwriting to new levels with their most fully-developed material to date. From the opening bars of the title track to the album’s final note, Wishing Well covers the entire landscape of southern roots music that has made the band’s live shows and eponymous 2007 EP favorites among music lovers of all genres. Rockers like “Wishing Well” and “Seeds and Stems” evoke Exile on Main Street-era Stones, while the mid-tempo funk of “Natural Born Fool” and “Till the Money’s Gone” capture the bluesy soul of Delbert McClinton and early Black Crowes. Classic country fans will recognize the bar- room emotion of “I Can Tell” and “Dark End of the Bar,” while R&B lovers will appreciate the New Orleans flavor of “Killing Me” and the Stevie Wonder-esque “Expression of Love.” Eleven of the album’s thirteen songs testify to the strength of Wilkinson and Mulé’s songwriting, while inspired covers of Washboard Sam’s “Sophisticated Mama” and William Bell’s “You Don’t Miss Your Water” reflect the band’s wide range of influences.
    [Show full text]
  • The Composer's Guide to the Tuba
    THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love.
    [Show full text]
  • Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
    AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz.
    [Show full text]
  • Trombone People Loved It, Because We Were Picking up the Beat' Trombonists in Every Era and Genre - Performers Who (Rogovoy 2001)
    Trombone people loved it, because we were picking up the beat' trombonists in every era and genre - performers who (Rogovoy 2001). Players such as the Dirty Dozen Brass have cumulatively expanded the possibilities for trom- Band's Kirk Joseph have amplified the sousaphone to bone range, sound quality capabilities and performance emulate many characteristics of the electric bass guitar. speed in ways completely unanticipated and unimagin- able in European art music. It is here, in the popular Bibliography sphere, that the trombone has made its most expressive Bevan, Clifford. 1978, The Tuba Family. London; Faber impact as an instrument with unique vocal and emo- and Faber, tional qualities. Rogovoy, Seth, 2001, 'Dirty Dozen Updates New Orleans The 'tailgate' trombone style, critical to the sound of Street-Band Music' Berkshire Eagle (30 November), Dixieland collective improvisation, was developed sub- http;//www.rogovoy,com/150.shtml stantially in the second and third decades of the twenti- Schafer, William J. 1977. Brass Bands and New Orleans eth century by Edward 'Kid' Ovf and Jim Robinson. Jack Jazz. Baton Rouge, LA; Louisiana State University Teagarden, Jimmy Harrison, Vic Dickenson, Benny Press, Morton and Dicky Wells extended the melodic and rhythmic capabilities of the trombone in the 1920s and Discography 1930s in the transition to swing. Band leader trombon- Dirty Dozen Brass Band, The, My Feet Can't Fail Me Now. ists like Glenn Miller and Tommy Dorsey developed the Concord Jazz 43005. 1984: USA, trombone's role as a lyrical lead
    [Show full text]
  • February 2021 Vol.1 Issue 1
    Do You Know what It Means to MIss new orleans ? A monthly newsletter that celebrates the music, cuisine, and culture of New Orleans ___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Ric Frank –editor- February 2021 Volume 1, Issue 1 ___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ _ Welcome Welcome to our first issue. We will be interviewing musicians from New Orleans as well as recommending restaurants, music clubs, and much more. Inside this first issue you’ll find an article on Parkway Bakery and Tavern, Yardi Gras, an in- terview with Charles “Charlie Dozen” Joseph, an article on the Jambalaya Brass Band, photos of the New Orleans Jazz Museum and of Mardi Gras Indians. Parkway Bakery and Tavern This gem was established in 1911 by In addition, due to the proximity of Charles Goering, Sr. and is located in the the American Can Company that op- Bayou St. John area of New Orleans. In erated 24 hours a day, Parkway stayed 1922 it was bought by Henry Timothy, Sr. open 24 hours a day too. who made great breads, donuts, and was fa- My favorites are the roast beef, bbq mous for his Seven Sisters sweet rolls. beef,
    [Show full text]
  • WWOZ Board of Directors Meeting Wednesday, December 8, 2010 Manager’S Report
    WWOZ Board of Directors Meeting Wednesday, December 8, 2010 Manager’s Report 1. Thirtieth Birthday Events. WWOZ celebrated its 30th birthday on December 4, 2010, at the place where it all began — Tipitina's Uptown. Our Birthday Bash featured live music by the WWOZ All Stars with Theresa Andersson, Kirk Joseph, John "Papa" Gros, Willie Green, Shamarr Allen and many more. Our own DJ Soul Sister kept it hopping between sets. The whole event was kicked off earlier in the day with a second line led by the Treme Brass Band, the Camel Toe Lady Steppers, the New Wave Brass Band, the TBC Brass Band, Black Men of Labor and Mardi Gras Indians at noon, meandering through the Marigny and French Quarter and ultimately disbanding in the French Market. 2. Fall Membership Drive. Membership has raised $275,500 from 2,375 members. This time last year, Membership raised $287,000 from 2,061 members. Membership will include a year-end giving article in the December 'OZone, as well as a separate membership-only email, segmented for Brass Pass and non-Brass Pass members. Membership will also mail out 3,000 additional gift letters along with the e-renewal series and regular mail renewal series. Membership will also begin Holiday Brass Pass on-air spots as well as end-of-year giving messages and gift membership messages. Telemarketing to lapsed members will begin this week and continue through the end of the year. 3. Major Giving. CFO Beau Royster reported that $9,200 was raised in corporate and private contributions since November 10th.
    [Show full text]
  • Dirty Dozen Brass Band to Perform at June 15 Downs After Dark
    News Release ________________________________________________________________________________________________________ FOR IMMEDIATE RELEASE: Contact: Sara Brown Meehan Director, Lifestyle Communications Churchill Downs Racetrack (502) 636-4884 (office) (502) 572-9593 (mobile) [email protected] DIRTY DOZEN BRASS BAND HEADLINES JUNE 15 DOWNS AFTER DARK 2019 Spring Meet Features Two Themed Night Racing Parties: Woodstock and The Big Easy LOUISVILLE, KY (Wednesday, May 15, 2019) – Louisville’s favorite night racing party will take place twice this spring with Downs After Dark presented By Budweiser. One June 1, Downs After Dark will celebrate Woodstock’s 50 th anniversary with Peace, Love & Horseracing while the June 15 event will bring Bourbon Street to Louisville with The Big Easy. Each event will feature live music on the Plaza Stage, 11 thrilling races, specialty cocktails and more. Gates open at 5:00 p.m. – 11:30 p.m. First post at 6:00 p.m. Tickets start at $12 and are available at www.churchilldowns.com . The Dirty Dozen Brass Band will be the crown jewel of this year’s Spring Meet entertainment when they headline Downs After Dark - The Big Easy on June 15. The New Orleans-based Dirty Dozen Brass Band is a world famous music machine whose name is synonymous with genre-bending romps and high-octane performances. The band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz, Funk, R&B and Soul to create a unique sound they describe as a, ‘musical gumbo.’ Guests are encouraged to wear New Orleans inspired purple, green or gold on June 15.
    [Show full text]
  • The Dirty Dozen Brass Band
    The Dirty Dozen Brass Band Celebrating over 40 years since their founding in 1977, New Orleans-based Dirty Dozen Brass Band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz, Funk and R&B/Soul. This unique sound, described by the band as a ‘musical gumbo,’ has allowed the Dirty Dozen to tour across 5 continents and more than 30 countries, record 12 studio albums and collaborate with a range of artists from Modest Mouse to Widespread Panic to Norah Jones. Forty-plus years later, the Dirty Dozen Brass Band is a world famous music machine whose name is synonymous with genre- bending romps and high-octane performances. Roger Lewis - Baritone Sax/Vocals Kevin Harris - Tenor Sax/Vocals Gregory Davis - Trumpet/Vocals Kirk Joseph - Sousaphone TJ Norris - Trombone/Vocals Julian Addison - Drums Takeshi Shimmura - Guitar The History of the Dirty Dozen Brass Band In 1977, The Dirty Dozen Social and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud, but antiquated, traditions at the time: social and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance, and the clubs would provide proper funeral arrangements. Brass bands, early predecessors of jazz as we know it, would often follow the funeral procession playing somber dirges, then once the family of the deceased was out of earshot, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late '70s, few of either existed.
    [Show full text]
  • Thursday, May 2 Presented by Shell
    2013 New Orleans Jazz & Heritage Festival Thursday, May 2 presented by Shell www.nojazzfest.com Sheraton Zatarain’s / Peoples Health Allison Miner Acura Gentilly Congo Square Blues New Orleans Jazz & Gospel Lagniappe WWOZ Economy Hall Kids Tent Music Heritage Stage Stage Stage Tent Fais Do-Do Heritage Stage Tent Stage Jazz Tent Tent Stage Stage 11:10 am 11:10 am 5:4511:15 pm am 11:15 am 11:15 am 11:15 am 5:4511:20 pm am 11:20 am Grupo University Eleanor McMain Kirk Joseph’s The Mercy Sensacion of New Orleans 5:4511:30 pm am Balfa Black Seminoles “Singing 11:30 am Tab Benoit Jazz Allstars Toujours Mardi Gras Indians The Adams Backyard Brothers TabThe Benoit Last Mustangs” Choir 5:4511:40 pm am Groove J. Monque’D Straws Tribute to Middle School 11:55 am 11:55 am Big Chief Iron Horse 11:55 am 12:00 pm BluesTab Benoit Band 12:00 pm Delgado Players presents 7:0012:05 pm pm 12:05 pm Community “The Wild Elephant 7:0012:10 pm pm 12:05 pm Tab Benoit Orphans” College 12:15 pm 7:0012:20 pm pm 5:4512:15 pm pm 5:4512:15 pm pm The Chapman Jazz Band 12:20 pm 5:4512:20 pm pm 7:0012:30 pm pm 5:4512:25 pm pm The Woodshed: 12:25 pm 12:25 pm Family Salio Quinten Hammond B3 Jeffery Kora Konnection Tab Benoit Tabfeaturing Benoit 12:35 pm Broussard 12:45 pm of The Republic Corvette Kid Merv Tab Benoit featuring 12:40 pm MiaTab Borders Benoit of Georgia Kyle Roussel & the and Joe Ashlar Drink Small & Morikeba Kouyate Creole Cowboys of Senegal 12:55 pm 12:55 pm Angela 1:05 pm 7:001:05 pm 7:001:05 pm All That Jazz 7:001:10 pm 1:10 pm O.
    [Show full text]
  • 1 Implementing New Orleans Brass Band Playing Into A
    Implementing New Orleans Brass Band Playing Into a Tuba and Euphonium Applied Lessons Course Item Type text; Electronic Dissertation Authors Rifkind, Justin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 10:12:13 Link to Item http://hdl.handle.net/10150/621090 1 IMPLEMENTING NEW ORLEANS BRASS BAND PLAYING INTO A TUBA AND EUPHONIUM APPLIED LESSONS COURSE by Justin Rifkind _____________________________________ Copyright © Justin Rifkind 2016 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Justin Rifkind, titled “Implementing New Orleans Brass Playing Into a Tuba and Euphonium Applied Lessons Course” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _______________________________________________________________________ Date: 7/20/2016 Matt Tropman _______________________________________________________________________ Date: 7/20/2016 Moisés Paiewonsky _______________________________________________________________________ Date: 7/20/2016 Edward Reid Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Friday, April 27 Presented by Shell
    2012 New Orleans Jazz & Heritage Festival Friday, April 27 presented by Shell www.nojazzfest.com Sheraton Zatarain’s / Peoples Health Allison Miner Acura Gentilly Congo Square Blues New Orleans Jazz & Gospel Lagniappe WWOZ Economy Hall Kids' Tent Music Heritage Stage Stage Stage Tent Fais Do-Do Heritage Stage Tent Stage Jazz Tent Tent Stage Stage 11:15 am 11:20 am 11:20 am 11:20 am 11:20 am 11:20 am 11:20 am 11:20 am 11:25 am The Electrifying The Northwestern Louis Ford Semolian Crown Seekers 11:30 am 11:30 am Fredy Omar Henry Gray & his Warriors The Brass Band New Orleans University & the Cats Goldman 11:50 am Throwdown featuring Suspects The Revivalists con su Jazz Ensemble New Orleans Thibodeaux Mardi Gras Indians Beth Patterson Fischer Academy, Banda Flairs & the Lawtell and Behrman Charter, 12:05 pm 12:05 pm 12:00 pm Kate Middleton, 12:10 pm 12:10 pm 12:10 pm Playboys Potent Bathers and McDonogh #32 12:15 pm 12:20 pm 12:20 pm Wimberly Family 12:25 pm Gospel Singers 12:25 pm 12:25 pm 12:30 pm 12:30 pm 12:30 pm 12:40 pm 12:30 pm 12:35 pm 12:40 pm 12:40 pm Lil’ Buck 12:40 pm 12:40 pm Members of The New Orleans The Sammy Young Zebra Classic Review Cindy Scott Sinegal Pinstripe 12:50 pm Ms. Vee feat. Frankie Ford, Blues Band Rimington 12:55 pm Interviewer: Johnny Sketch Dee-1 Geno Delafose Brass Band with Stories Grant Morris Al “Carnival Time” & the International & French Golden Voices Johnson, and Band Community for You and Me 1:15 pm Dirty Notes 1:20 pm 1:20 pm Rockin’ Boogie Robert “Barefootin” 1:25 pm Choir Kim Carson 1:25 pm Parker
    [Show full text]