Festival of Literature

Total Page:16

File Type:pdf, Size:1020Kb

Festival of Literature The Blenheim Palace Festival of Literature, Film & Music Thursday 24 – Sunday 27 September 2015 festival of Box Office 01993 812291 liter ature (11am – 2.30pm) film & Music blenheimpalaceliteraryfestival.com Thursday 24 – Sunday 27 September 2015 The ultimate boutique literary festival festival of Featuring Orhan Pamuk • Dr Maki Mandela • Antony Beevor • Sir Karl Jenkins • Maureen Lipman liter ature Alexander Armstrong • Prince Asserate • Sue MacGregor • Paul Gambaccini • Bel Mooney Max Mosley Douglas Hurd Alfred Brendel Claudia Roden John Suchet Daphne Selfe Courtyard of The Feathers hotel, Woodstock • • • • • film & Music Peter Hennessy • Dan Jones • Gino D’Acampo • Daniel Finklestein • Michael Billington THE PROGRAMME AT A GLANCE Box Office 01865THE 305305 PROGRAMME • blenheimpalaceliteraryfestival.com AT A GLANCE Thursday 24th September Saturday 26th September 12pm Maki Mandela Blenheim Palace 11am Alexander Armstrong Blenheim Palace 12pm James Russell Blenheim Palace 12pm Alfred Brendel St Mary Magdalene Church 2pm Dan Jones Blenheim Palace 2pm Gino D'Acampo Blenheim Palace 2pm Jonathan Fenby Blenheim Palace 4:30pm Martin Jennings, Jamie Muir 4pm Yasmin Alibhai-Brown Blenheim Palace and Ed Taylor Blenheim Palace 4pm Beth Powning, Michael Crummey, 6pm Karl Jenkins St Mary Magdalene Church Serge Patrice Thibodeau and Sue Goyette Blenheim Palace 7.30pm Literary Salon Dinner La Galleria Restaurant 6pm Orhan Pamuk Blenheim Palace 8pm Claudia Roden Dinner The Feathers Hotel Sunday 27th September 10am Two Earnest: Friday 25th September A reworking of Oscar Wilde Blenheim Palace 10.30am Jonathan Fenby, Yasmin Alibhai-Brown 10.30am Sonia Purnell Blenheim Palace and Gwenan Edwards Blenheim Palace 11am Jonathan Bate St Mary Magdalene Church 10.30am Asfa-Wossen Asserate Blenheim Palace 12pm Bel Mooney Blenheim Palace 12pm Dermot Turing and Gordon Corera Blenheim Palace 12.30pm Max Mosley Blenheim Palace 12pm Ann Treneman and Peter Brookes Blenheim Palace 2pm Shaun Evans, Russell Lewis 2.15pm Special Guest and Peter Hennessy Blenheim Palace and Dan McCulloch Blenheim Palace 4pm Paul Gambaccini Blenheim Palace 2pm Michael Billington Blenheim Palace 4pm Andrew Lambert Blenheim Palace 2pm Madeleine Shaw Blenheim Palace 5.45pm John Suchet Blenheim Palace 3pm Andrew Gant St Mary Magdalene Church 5.45pm Hugh Purcell Blenheim Palace 4pm Daphne Selfe Blenheim Palace 6pm Patrick Gale St Mary Magdalene Church 4pm Douglas Hurd Blenheim Palace 7pm Antony Beevor – Black Tie Dinner Blenheim Palace 5pm Maureen Lipman, Jeremy Robson, Jacqui Dankworth, Charlie Wood, Julian Siegel and Oli Hayhurst Blenheim Palace Festival Director’s Welcome A very warm welcome to the 2015 festival established partners HM Government of which has been widened to include film, Gibraltar; English Heritage and The Oxford television and music – art forms which have Times; to our new partners the Rosewood all been enriched and inspired by literature. London Hotel; to Owen Mumford for sustaining our Marlborough School Festival We are hugely grateful to our Royal Patron, and for the continuing generosity of our HRH The Duke of Gloucester, for initiating patron donors, Ian and Carol Sellars, the lecture series that will bear his name Eileen and Munir Majid and Desmond and each year and to our most distinguished Fiona Hayward. inaugural lecturer. Every year our speakers enthuse about the The ITV Network have arranged four great beauty of the festival’s magnificent outstanding preview screenings of major backdrop of Blenheim Palace for which autumn programmes with casts and crew. we thank Their Graces, The Duke and We greatly appreciate the support of Richard Duchess of Marlborough and the estate Klein, director of factual/broadcast ITV plc team. and his colleagues. The historic town of Woodstock offers The festival sees a host of celebrated festival-goers the opportunity to meet and international speakers this year, including talk with novelists, historians and writers Nobel Prize winner Orhan Pamuk, Dr Maki in historic hotels, inns, restaurants and Mandela, Antony Beevor, Prince Asserate, Sir cafes – an atmosphere heavy with autumn Karl Jenkins, Alfred Brendel and four leading wood smoke and unique to Britain’s writers from Canada’s Atlantic coast. ultimate boutique literary festival. The festival is indebted once more to HSBC We look forward to a memorable and and its chief executive, Antonio Simoes, for engaging weekend with you all. their foundation sponsorship; to our long SALLY DUNSMORE Festival Director 1 HRH The Duke of Gloucester KG GCVO Royal Patron of The Festival In recent years the festival has featured an increasing number of international speakers and events and the 2015 roll call is the most impressive to date. I am particularly pleased that my inaugural lecture will see a figure of such distinction in discussion with Lord Hennessy. Blenheim Palace has provided the backdrop for many motion pictures (from the 1930s onwards), so it is appropriate that the festival’s remit has been extended to include both film and music, art forms that have been reflected in so many ways in literature over the past century. RICHARD 2 Blenheim Palace When war broke out in Europe, John Churchill, 1st Duke of Marlborough, a military genius, was chosen as leader of the allied troops. During 1702 and 1703 Marlborough defended Holland from invasion from the French. In 1704 a decisive battle took place near a small village called Blindheim in Bavaria, Blenheim in English, where Marlborough won a great allied victory over the forces of Louis XIV. In reward, Queen Anne granted Marlborough the Royal Manor of Woodstock and signified that she would build him there a house to be called Blenheim. Sir John Vanbrugh was appointed to design Blenheim Palace and Capability Brown landscaped the park, creating the great lake over which Vanbrugh’s Grand Bridge now stands. Blenheim Palace is one of the largest finest private houses in England, a world heritage site set in 2100 acres of parkland. Its stunning formal gardens include the Italian Garden, the Water Terraces, Rose Garden, Arboretum and Maze. It is home to the 12th Duke of Marlborough and was the birthplace in 1874 of Sir Winston Churchill. Guided tours of the palace run throughout most of the season and ‘Blenheim Palace: The Untold Story’ tells the story of the last 300 years through the eyes of the servants. General Information Opening times: the palace, park and formal gardens open daily until 2nd November. From 5th November to 14th December, the palace and formal gardens are closed on Mondays and Tuesdays. The park is open all year except on Christmas Day. The park opens at 9.00am: the formal gardens at 10.00am and the palace at 10.30am. Last entry to the park and palace is at 4.45pm. The palace closes at 5.30pm and the park and gardens close at 6.00pm. www.blenheimpalace.com Tickets for festival events at Blenheim Palace on all 4 days, Thursday 24th to Sunday 27th September, include free entry to the grounds and gardens on the day of the ticket (price normally £13.80). 3 Festival Patrons, Sponsors and Partners Royal Patron We should like to thank the following for their most generous support of the festival: HRH The Duke of Gloucester KG GCVO Partners Sponsors Patrons His Grace The Duke of Marlborough The Rt. Hon David Cameron MP Lord Fellowes Sponsor of the festival green room Ben Okri Felicity Bryan David Freeman Professor Martin Kemp Ian and Carol Sellars Festival Hotel Eileen and Munir Majid Blenheim Palace Literary Festival Broadcast Television Partner Chairman Bruce Thew Deputy Chairman and Co-founder Jill Dunsmore Festival Director and Co-founder Sally Dunsmore School Events Sponsor Special Adviser Tony Byrne Cultural Partner Festival Administrator Louise Croft Publicity Joe Ogden, Four Communications (0)20 3697 4261 (media enquiries only) Regional Magazine Partner Green Room Manager Rachel Byrne Festival London Hotel Partner Digital Strategy and Website Festival Dinners Administrator Alex Oakes Patron Donors Lawers to the Festival Graphic Design Stafford & Stafford Ian and Carol Sellars Website and Content Editor Derek Holmes Eileen and Munir Majid Website Design Bear Ram Elk Regional Media Sponsor Desmond and Fiona Organisation Support Francie Von Schonfeld Heyward 4 Sponsors Associates City Audio Visual La Galleria Restaurant The Marlborough School St Mary Magdalene Church KT Bruce Photography Save the Children Bookshop Wake up to Woodstock Woodstock Bookshop We should also like to thank all the voluntary festival stewards for their time and generous support throughout the festival. Front cover photo and all Blenheim images New Brunswick, Canada by kind permission of Blenheim Palace Festival Bookseller Woodstock and other photos by kind permission of KT Bruce www.ktbrucephotography.com and Oxford Picture Library www.cap-ox.com All other photos individually credited The festival on-site bookseller is where known Blenheim Palace Retail who provide speakers’ books at all festival venues. For information on sponsorship opportunities for the 2016 festival, please contact Tony Byrne at [email protected] or on Festival Online Bookseller 07801 287510 Programme printed by Oxuniprint, the printing division of Oxford University Press Prestige Publishing Partner The festival is produced by Iconic Programmes Ltd Registered office Greyfriars Court, Paradise Square, Oxford, Oxon OX1 1BE Company number 07180906 5 HSBC and The Blenheim Palace Festival of Literature, Film & Music HSBC is delighted to once again sponsor the Blenheim Palace Festival of Literature, Film & Music, supporting the series of talks and events on ‘leadership’ and ‘women in society’, past, present and future. Our continued association with the festival reflects HSBC’s commitment over the past 150 years to encourage the exchange of ideas, helping to build connections, open up opportunities and strengthen relationships. This year’s festival reflects its increasing focus on events from a wide creative field. We look forward to welcoming visitors to the talks, debates and events taking place over four unforgettable days. ANTONIO SIMOES Chief Executive of HSBC Bank plc 6 , , .
Recommended publications
  • Lyra Mckee 31 March, 1990 – 18 April, 2019 Contents
    MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | MAY-JUNE 2019 Lyra McKee 31 March, 1990 – 18 April, 2019 Contents Main feature 16 The writing’s on the wall Exposing a news vacuum News t’s not often that an event shakes our 03 Tributes mark loss of Lyra McKee profession, our union and society as powerfully as the tragic death of Lyra McKee. Widespread NUJ vigils A young, inspirational journalist from 04 Union backs university paper Belfast, lost her life while covering riots Ethics council defends standards Iin the Creggan area of Derry. Lyra became a journalist in the post peace agreement era 05 TUC women’s conference in Northern Ireland and in many ways was a symbol of the Calls for equal and opportunities new Ireland. She campaigned for Northern Ireland’s LGBTQ 07 Honouring Lyra community and used her own coming out story to support Photo spread others. She was a staunch NUJ member and well known in her Belfast branch. “At 29 she had been named as one of 30 European journalists Features under 30 to watch. She gave a prestigious Ted talk two years 10 A battle journalism has to win ago following the Orlando gay nightclub shootings in 2016. She Support for No Stone Unturned pair had signed a two-book deal with Faber with the first book about children and young men who went missing in the Troubles due 12 Only part of the picture out next year. How ministers control media coverage The NUJ has worked with the family to create a fund 22 Collect your royal flush in Lyra’s name and the family said that they have been How collecting societies help freelances inundated with requests to stage events in her name.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. THE STORY BEHIND THE STORIES British and Dominion War Correspondents in the Western Theatres of the Second World War Brian P. D. Hannon Ph.D. Dissertation The University of Edinburgh School of History, Classics and Archaeology March 2015 2 TABLE OF CONTENTS Abstract ………………………………………………………………………….. 4 Acknowledgements ……………………………………………………………… 5 Introduction ……………………………………………………………………… 6 The Media Environment ……………...……………….……………………….. 28 What Made a Correspondent? ……………...……………………………..……. 42 Supporting the Correspondent …………………………………….………........ 83 The Correspondent and Censorship …………………………………….…….. 121 Correspondent Techniques and Tools ………………………..………….......... 172 Correspondent Travel, Peril and Plunder ………………………………..……. 202 The Correspondents’ Stories ……………………………….………………..... 241 Conclusion ……………………………………………………………………. 273 Bibliography ………………………………………………………………...... 281 Appendix …………………………………………...………………………… 300 3 ABSTRACT British and Dominion armed forces operations during the Second World War were followed closely by a journalistic army of correspondents employed by various media outlets including news agencies, newspapers and, for the first time on a large scale in a war, radio broadcasters.
    [Show full text]
  • Broadcast and on Demand Bulletin Issue Number 331 19/06/17
    Issue 331 of Ofcom’s Broadcast and On Demand Bulletin 19 June 2017 Issue number 331 19 June 2017 Issue 331 of Ofcom’s Broadcast and On Demand Bulletin 19 June 2017 Contents Introduction 3 Broadcast Standards cases In Breach Drivetime Gravity FM, 27 March 2017, 15:00 6 Ramsay’s Hotel Hell Channel 4, 28 April 2017, 11.00 8 Fuck That’s Delicious Viceland, 26 February 2017, 13:00 10 Sikh Channel News Sikh Channel, 18 February 2017, 11:00 13 Shaun Tilley featuring 70s, 80s and 90s Heaven Cheesy FM, 9 February 2017, 18:26 17 Martin Lowes Capital FM North East, 27 March 2017, 17:30 19 Sam Rocks Rugby Sam FM (Bristol), 26 February 2017, 12:00 22 Jail Chittian Akaal Channel, 14 November 2016, 21:04 Health Show Akaal Channel, 14 November 2016, 21:38 25 Tour Down Under Bike, 21 January 2017, 15:00 31 Broadcast Licence Conditions cases In Breach Provision of information Channel i, 1 February 2017, 09:30 35 Providing a service in accordance with ‘Format’ Isles FM, 19 January 2017 to present 37 Issue 331 of Ofcom’s Broadcast and On Demand Bulletin 19 June 2017 Broadcast Fairness and Privacy cases Upheld Complaint by Mr John Shedden Party Political Broadcast by the Scottish National Party, BBC1 Scotland, 12 October 2016 39 Tables of cases Investigations Not in Breach 44 Complaints assessed, not investigated 45 Complaints outside of remit 54 Complaints about the BBC, not assessed 56 Investigations List 59 Issue 331 of Ofcom’s Broadcast and On Demand Bulletin 19 June 2017 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1.
    [Show full text]
  • Exception, Objectivism and the Comics of Steve Ditko
    Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law.
    [Show full text]
  • Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
    Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape.
    [Show full text]
  • Download the Green Man, Bel Mooney, Barefoot Books, Limited, 1997
    The Green Man, Bel Mooney, Barefoot Books, Limited, 1997, 1898000980, 9781898000983, . DOWNLOAD http://bit.ly/HMfAtY Grandad's Prayers of the Earth , Douglas Wood, 1999, Juvenile Fiction, 32 pages. Because Grandad has explained how all things in the natural world pray and make a gift to the beauty of life, his grandson is comforted when Grandad dies.. Greek Mythology Heracles, Menelaos Stefanidis, Jan 1, 2000, , 256 pages. "The whole fabulous story of this great hero who was sent to earth by Zeus to unite the warring Greeks. A life filled with superhuman feats and harsh blows foreseen and bravely .... A story, a story an African tale, Gail E. Haley, Feb 1, 1970, Fiction, 36 pages. Recounts how most African folk tales came to be called "Spider Stories.". The Iliad (2 Voll. Indivisibili) , Omero, 2002, Poetry, 1332 pages. Speeding , Kate Cann, 2004, Juvenile Fiction, 369 pages. When Bonny's best friend gets dragged by her scary boyfriend to Scotland to join a weird cult, Rich and Bonny take to the road to rescue her, in the conclusion to the author's .... Hard Cash , Kate Cann, 2003, Juvenile Fiction, 327 pages. Tired of being broke and believing that life is passing him by, Rich becomes convinced that material wealth is the key and accepts a job with an ad agency, which also brings .... The Odyssey , Menelaos Stefanidis, Jan 1, 2000, , 256 pages. The Revenge of Ishtar , Ludmila Zeman, Sep 30, 1993, , 24 pages. In this second volume in the Gilgamesh trilogy, Enkidu joins Gilgamesh in the quest to slay Humbaba, the monster who has attacked the city and caused great destruction ...
    [Show full text]
  • TV/Series, 15 | 2019 Becoming Morse in Endeavour: the Prequel As Locus of Reconstruction of the Past? 2
    TV/Series 15 | 2019 La Sérialité en question(s) Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Electronic version URL: http://journals.openedition.org/tvseries/3751 DOI: 10.4000/tvseries.3751 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Armelle Parey, « Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? », TV/Series [Online], 15 | 2019, Online since 16 July 2019, connection on 20 July 2019. URL : http:// journals.openedition.org/tvseries/3751 ; DOI : 10.4000/tvseries.3751 This text was automatically generated on 20 July 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? 1 Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Introduction 1 The figure of Inspector Morse first appeared in a novel by Colin Dexter, Last Bus to Woodstock, in 1975. By the time the character reached the TV screen in 1987, impersonated by John Thaw (in The Dead of Jericho), Colin Dexter (1930-2017) had already published 7 of the 12 novels he wrote in total around the figure of the grumpy opera- loving inspector. The TV adaptation, Inspector Morse, consisted in 33 films, broadcast in series or as “specials”, aired on ITV between 1987 and 2000, finishing with the adaptation of The Last Remorseful Day (1999) in which the character dies1. Following the death of John Thaw in 2002, Dexter stipulated in a clause in his will that no other actor should reprise the role2.
    [Show full text]
  • The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
    THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence.
    [Show full text]
  • The BBC's Handling of Historic Sex Abuse
    The BBC’s handling of historic sex abuse How four differing cases expose poor BBC governance ‘“A serial rapist and a predatory sexual abuser both hid in plain sight at the BBC for decades… The BBC failed you when it should have protected you. I am deeply sorry for the hurt caused… It seems to me that the BBC could have known. Just as powerful as the accusation “You knew”, is the legitimate question: “How could you not have known?”’ Director General of the BBC, responding to the Dame Janet Smith enquiry. (Hall, 2016) Jimmy Savile was one of the BBC’s biggest celebrity broadcasters from the 1960s to 1990s. Starting as the original presenter of Top of the Pops, his career reached its apogee with his primetime BBC1 show Jim’ll Fix It, which ran weekly for 3 months each year between 1975 to 1994, attracting up to 20m viewers. He was the “nation’s favourite uncle” (Hall, 2016), as he realised the dreams of 1,324 children on-screen (Tinniswood, 2017). He also raised over £40m for charities (Telegraph, 2011), earning him a knighthood. However, the Dame Janet Smith’s Independent Enquiry into Child Sexual Abuse (2016) concluded that he had raped at least 8 people and abused 64 others on BBC premises, including 37 under the age of 16. Including his charitable [sic] work in hospitals and schools, an estimated 450 victims were uncovered by the police’s Operation Yew Tree (NSPCC, 2013), making him one the UK’s most notorious sex offenders. The BBC and other organisations had evidence to prevent it at the time, and when allegations began stacking up in later years, he was given apparent VIP immunity (Smith, 2016).
    [Show full text]
  • Broadcaster Paul Gambaccini London, Then a Wedding in New the Prized Possession You Value Above the Temptation You Wish You Could York
    ‘I love comics – I even won Celebrity Mastermind in 2010 thanks to my knowledge of DC Comics’ DEFINITE The unfulfilled ambition that contin- ues to haunt you… To play Major League baseball. I did get into the Brit- ish Softball Hall of Fame for pitching for Regent’s Park for 17 years! ARTICLE The crime you would commit knowing you could get away with it… I’d point We ask a celebrity a set of devilishly out unpleasant truths about politicians probing questions – and only accept and public figures without being sued. The happiest moment you will cher- THE definitive answer. This week ish forever… Getting married to Chris. We had a civil partnership in it’s broadcaster Paul Gambaccini London, then a wedding in New The prized possession you value above The temptation you wish you could York. Being married has taken my all others… My 1911 Steinway piano, resist… Cake. I’ve cut it out of my diet, life to a new level of fulfilment. which I bought in London in 1983. I but I’m still a sucker for olive oil cake. The saddest time that shook your first sat at a piano aged five – for me, The person who has influenced world… When our spaniel Danny was it’s the best way to express emotions. you most… My mother run over when I was young. He was The biggest regret you wish you could Dorothy. She did so hiding under our car because he didn’t amend… That I never met my grand- much for me and want us to leave him behind on a fam- ily day out.
    [Show full text]
  • The 2014 Mystery! Season* Hosted by Alan
    THE 2014 MYSTERY! SEASON* HOSTED BY ALAN CUMMING JUN 15 – 22 The Escape Artist David Tennant (Former MASTERPIECE host, Doctor Who) stars as a brilliant defense lawyer with a storybook family and a potent nickname, "The Escape Artist," for his ability to spring the obviously guilty. Then he gets a trial that changes his life forever. This gripping legal thriller costars Sophie Okonedo (Hotel Rwanda) as the hero's rival, along with a courtroom full of ambitious attorneys and one very unnerving defendant. Jun 15 Part 1 Jun 22 Part 2 JUN 29 – JUL 20 Endeavour: Season 2 Before Inspector Morse, there was the rookie Constable Morse. Shaun Evans (The Take, The Virgin Queen) returns for a second season as the young Endeavour Morse, before his signature red Jaguar…but with his deductive powers already running in high gear. Jun 29 Trove Jul 6 Nocturne Jul 13 Sway Jul 20 Neverland JUL 27 – AUG 3 Hercule Poirot: Season 12 David Suchet (Henry VIII, The Way We Live Now) returns in his signature role as suave Belgian super sleuth Hercule Poirot in two brand new mysteries based on the novels by Agatha Christie. Whether he’s on holiday abroad, taking a countryside break or simply going about his business near his central London home, Poirot finds himself exercising his “little grey cells” by helping police investigate crimes and murders – whether they ask for his help or not. Jul 27 The Big Four Aug 3 Dead Man’s Folly AUG 24 – SEP 7 Breathless A stylish and compelling new medical drama set in London in 1961, starring Jack Davenport (Smash, Pirates of the Caribbean) as a brilliant surgeon who believes he can make a difference in womens' lives.
    [Show full text]
  • The Point of Banter in the Television Show Pointless Linda Pilliere
    The Point of Banter in the television show Pointless Linda Pilliere To cite this version: Linda Pilliere. The Point of Banter in the television show Pointless. Manuel Jobert; Sandrine Sorilin. The Pramatics of Irony and Banter, Chapter 8, John Benjamins, pp.141-164, 2018, 9789027200532. 10.1075/lal.30.08pil. hal-01995853 HAL Id: hal-01995853 https://hal-amu.archives-ouvertes.fr/hal-01995853 Submitted on 24 Mar 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Author accepted manuscript1 Chapter published in: The Pragmatics of Irony and Banter, edited by Manuel Jobert and Sandrine Sorlin John Benjamins, (Linguistic Approaches to Literature 30) 2018, pp. 141-164. https://doi.org/10.1075/lal.30.08pil Linda Pillière, Aix Marseille Univ, LERMA, Aix-en-Provence, France The Point of Banter in the Television Show Pointless ABSTRACT This paper explores banter within the television quiz show Pointless. Building on previous theories of banter, I suggest that the composite nature of the phenomenon can usefully be analysed within an interactional pragmatic model, such as that proposed by Lecercle (1999). Using this model to analyse various episodes of Pointless, I seek to demonstrate that banter is created within a dynamic interpersonal process.
    [Show full text]