Appendix D Cultural & Paleontological Resources Assessment

Total Page:16

File Type:pdf, Size:1020Kb

Appendix D Cultural & Paleontological Resources Assessment Appendix D Cultural & Paleontological Resources Assessment Cultural and Paleontological Resources Assessment Dhammakaya International Meditation Center City Of Azusa, Los Angeles County, California Prepared for: Peter K. Carlson Vandermost & Carlson, Inc. 30900 Rancho Viejo Road, Suite 100 San Juan Capistrano, CA 92675 Prepared by: Frederick W. Lange, Ph.D. and Curt Duke, M.A. Duke Cultural Resources Management, LLC 22 Socorro, Rancho Santa Margarita California 92688 (949) 303-0420 www.DukeCRM.com and Jennifer Mermilliod JM Research & Consulting 5110 Magnolia Avenue Riverside, CA 92506 Duke CRM Project Number: C-0107 July 2014 Per California Government Code 6254.10 archaeological site location information is exempt from the California Public Records Act. Therefore archaeological site location information should be kept confidential and not be made available for public view. DUKE CUltUral ResoUrces Management TABLE OF CONTENTS TABLE OF CONTENTS ................................................................................................................................................. i MANAGEMENT SUMMARY ...................................................................................................................................... iii INTRODUCTION ............................................................................................................................................................ 1 Project Description ........................................................................................................................................................ 1 Project Location ............................................................................................................................................................. 2 SETTING ............................................................................................................................................................................ 2 Natural.............................................................................................................................................................................. 2 Cultural ............................................................................................................................................................................. 2 Prehistory .................................................................................................................................................................... 2 Ethnography ............................................................................................................................................................... 3 History ......................................................................................................................................................................... 3 PERSONNEL ................................................................................................................................................................... 13 METHODS ....................................................................................................................................................................... 13 Research ......................................................................................................................................................................... 13 Field Survey ................................................................................................................................................................... 14 RESULTS ........................................................................................................................................................................... 14 Records Search.............................................................................................................................................................. 14 CRMS 1992/1996 .................................................................................................................................................... 14 HEART 1996 ........................................................................................................................................................... 14 Jones & Stokes 1996 ................................................................................................................................................ 15 Cornejo 2005 ............................................................................................................................................................ 15 Field Survey ................................................................................................................................................................... 16 The MacNeil Mansion Property ............................................................................................................................ 16 FINDINGS AND CONCLUSIONS ........................................................................................................................... 18 Significance/Eligibility Criteria .................................................................................................................................. 18 California Register of Historical Resources ......................................................................................................... 18 Azusa Municipal Code Chapter 4.5 Cultural Resources .................................................................................... 19 Significance/Eligibility Determination ..................................................................................................................... 20 MacNeil Mansion-Manresa Retreat Property ...................................................................................................... 20 Archaeological Resources ....................................................................................................................................... 20 Paleontological Resources ...................................................................................................................................... 20 Potential Azusa Foothill Ranch Historic District ............................................................................................... 20 IMPACTS ANALYSIS AND RECOMMENDATIONS ......................................................................................... 21 Project Component – Meditation Hall ..................................................................................................................... 21 Project Component – Dormitory Buildings ............................................................................................................ 21 Project Component – Storage/Workshop Building ............................................................................................... 22 Project Components – Parking, Storm Water Detention Basin, Fire Access Road, Reflecting Pool, Landscaping ................................................................................................................................................................... 22 Mitigation ....................................................................................................................................................................... 23 REFERENCES................................................................................................................................................................. 25 Figures Figure 1: Project Photograph ............................................................................................................................................ 5 Figure 2: Project Photograph ............................................................................................................................................ 6 Figure 3: Project Photograph ............................................................................................................................................ 6 Figure 4: Project Photograph ............................................................................................................................................ 7 Figure 5: Project Photograph ............................................................................................................................................ 9 Figure 6: Project Photograph .......................................................................................................................................... 10 Figure 7: Project Photograph .......................................................................................................................................... 10 Figure 8: Project Photograph .......................................................................................................................................... 11 Figure 9: Project Photograph .......................................................................................................................................... 11 Figure 10: Project Photograph ........................................................................................................................................ 12 i DUKE CUltUral ResoUrces Management Figure 11: Project Photograph ........................................................................................................................................ 12 Figure 12: Project Photograph .......................................................................................................................................
Recommended publications
  • New Book Offers Look at Original Wallace Neff Homes Owned by Diane Keaton, Reese Witherspoon and More
    New Book Offers Look at Original Wallace Neff Homes Owned by Diane Keaton, Reese Witherspoon and More July 13, 2020 7:00 AM PDT 7/13/2020 by Degen Pener Anthony Barcelo/Hilton & Hyland As houses by the famed architect continue to trade at big numbers, a new tome shows his original designs. It’s been a busy 12 months for Wallace Neff trading. In June, designer Serge Azria plunked down $16.5 million for a 1920s Spanish home in Bel Air co-designed by Neff and John Byers and once owned by Diane Keaton. In May, Ry Cooder paid $2.5 million ($300,000 above asking) for another Spanish home built by the architect-to-the-stars of Hollywood’s golden age. In 2019, Bill Bell, an heir to the Another World soap opera fortune, and wife Maria sold a Bel Air estate, built in the 1930s for producer Sol Wurtzel, for $31 million. Born into one of the families that founded map publishers Rand McNally, Neff, who died in 1982 at 87, is known as a creator of what’s called the California style, a mix of Spanish and broadly Mediterranean influences. Neff’s most famous commission was renovating Pickfair for Mary Pickford and Douglas Fairbanks Jr. into a grand Tudor estate. Nick Springett/Rodeo RealtyThis Neff was sold in June by Rodeo Realty’s Josh Flagg to Serge Azria. Now, a new book, Wallace Neff (Angel City Press, $60) — written by real estate agent Bret Parsons, architect Marc Appleton and design expert Eleanor Schrader — includes the original Architectural Digest stories that ran when 28 Neff homes were built.
    [Show full text]
  • 2019 AIA Fellowship
    This cover section is produced by the AIA Archives to show information from the online submission form. It is not part of the pdf submission upload. 2019 AIA Fellowship Nominee Michael Burch Organization Michael Burch Architects Location La Canada Flintridge, California Chapter AIA California Council; AIA Pasadena and Foothill Category of Nomination Object 2 - Practice (Technical Advancement) Summary Statement Michael Burch is recognized internationally as a master of the Spanish Colonial/Mediterranean Revival idiom. His work honors and extends the tradition, raising both public and professional expectations. Education Yale Univeristy, School of Architecture, New Haven, CT, 3 years, M.Arch. 1982 University of California Berkeley, College of Environmental Design, Berkeley, CA, 2 years, B.A. (Architecture) 1975 Occidental College, Eagle Rock, CA, 1 year, attended 1973 (no degree) Columbia University, Columbia College, New York City, NY, 1 year, attended 1972 (no degree) Licensed in: California, C 16827 Employment Michael Burch Architects, La Canada Flintridge, CA 1989-present Michael Burch Architect, Los Angeles, CA 1985-1989 The Jerde Partnership, Los Angeles, CA, 1985 Charles Moore, Urban Innovations Group, Los Angeles, CA, 1983-85 Skidmore, Owings and Merrill, Los Angeles, CA, 1983 K illingsworth, Brady and Associates, Long Beach, CA, 1976-80, 82 October 1, 2018 Mary P. Cox, FAIA, Chair, 2019 Jury of Fellows American Institute of Architects 1735 New York Avenue, NW, Washington, D.C. 20006-5292 Re: Michael Burch, FAIA; Elevation to Fellowship Dear Ms. Cox and Members of the Jury of Fellows: I’ve known Michael Burch since 1983, when I was director of the Urban Innovations Group, UCLA’s clinical training office, and he, as my trusty assistant, was an exemplary project manager and instructor.
    [Show full text]
  • Architecture—California. Updated July 2014. MLA 6Th Edition. Paul Revere Williams Project
    Architecture—California. Updated July 2014. MLA 6th edition. Paul Revere Williams Project. Art Museum of the University of Memphis. "1849-1949 Centennial Edition." The Palisadian Friday, June 17 1949, sec. complete issue:. "44 Los Angeles, California, A. Qunicy Jones." The Architectural Review (1957): 368,369. "A. Quincy Jones: Designing for the Homes of Tomorrow." Los Angeles Times September 29 1974, sec. Home 20-21: Home section p 20-21. Abbott, Denise. "By Design: Los Angeles is Rich in Residential Architectural Styles, and Interest in such Properties is at an all-Time High." Hollywood Reporter.October (2002): S-1,S-2, S-3, S-16. Abercrombie, Brooke, and Irmina Kobylko. "Where Williams Walked: Pasadena Architect James V. Coane Leaves an Invisible Footprint on His Renovation of a 1928 Spanish Colonial Estate Designed by Los Angeles' Renowned Architect to the Stars." Pasadena Weekly April 1 2009: 5. 4/28/09 <http://pasadenaweekly.com/cms/story/detail/wh...>. "AD A Boundless View of the Ocean... Boundless Beauty in Every Home at Seaview Palos Verdes!" Los Angeles Times February 21 1960, sec. 14:. "AD Grand Opening in Greenacres." Los Angeles Times July 5 1953, sec. D2:. "AD Truly California Living! Paramount Grove." Los Angeles Times February 27 1949, sec. E5:. "Ads for Layne Manor and Paramount Grove." Los Angeles Times July 24 1949: E6. "AIA, Southern California Chapter Selects Southwest Builder and Contractor as its Official Organ." Southwest Builder and Contractor 57.3 (1921): 9 col 1. "Air-Conditioned to a Vile Mood." Los Angeles Times October 21 1959: B4. Alleman, Richard. Hollywood: The Movie Lover's Guide: The Ultimate Insider Tour of Movie L.A.
    [Show full text]
  • Period Revival Architecture and Development in Pasadena from 1915-1942
    RESIDENTIAL PERIOD REVIVAL ARCHITECTURE AND DEVELOPMENT IN PASADENA FROM 1915-1942 Prepared by Teresa Grimes and Mary Jo Winder for the City of Pasadena, Planning & Development Department August 2004 1 Period Revival Architecture in Pasadena, California: 1915-1942 TABLE OF CONTENTS Introduction . 3 Historic Context . 6 Annexation Map by Decade (figure A) . 11 Architects. 12 Period Revival Styles. 25 Mediterranean Styles . 30 English Styles. 32 French Styles . 34 Bibliography. 36 Appendix A . List of Work – by Architect . 37 Appendix B . Historic Districts. 46 Appendix C . Individual Properties for Further Study 88 2 Period Revival Architecture in Pasadena, California: 1915-1942 INTRODUCTION Project Funding The activity which is the subject of this Residential Period Revival Architecture and Development in Pasadena from 1915-1942 has been financed in part with Federal funds from the National Park Service, Department of the Interior, through the California Office of Historic Preservation. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the California Office of Historic Preservation, nor does mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the California Office of Historic Preservation. Project Objective The project objective was to document significant historic districts that are representative of the period 1915-1942 in the City of Pasadena as part of a future plan to nominate districts for listing in the National Register of Historic Places and designating local landmark districts. Area Surveyed The initial proposal was to complete a reconnaissance survey of four residential areas in different parts of the City.
    [Show full text]
  • Recent Past Historic Context Report
    Cultural Resources of the Recent Past Historic Context Report City of Pasadena Prepared by Historic Resources Group & Pasadena Heritage October 2007 Cultural Resources of the Recent Past Historic Context Report City of Pasadena Prepared for City of Pasadena 117 East Colorado Boulevard Pasadena, California 91105 Prepared by Historic Resources Group 1728 Whitley Avenue Hollywood, California 90028 & Pasadena Heritage 651 South Saint John Avenue Pasadena, California 91105 October 2007 Table of Contents I. PROJECT DESCRIPTION ......................................................................... 1 INTRODUCTION ...................................................................................... 1 OBJECTIVES & SCOPE................................................................................ 2 METHODOLOGY ...................................................................................... 3 II. CRITERIA FOR EVALUATION................................................................... 6 NATIONAL REGISTER................................................................................. 6 CALIFORNIA REGISTER ............................................................................... 6 CITY OF PASADENA .................................................................................. 7 ASPECTS OF INTEGRITY .............................................................................. 8 III. HISTORIC CONTEXT STATEMENT ...........................................................10 INTRODUCTION .....................................................................................10
    [Show full text]
  • Appendix A: Biographies of Local Practitioners
    APP-A-1 Appendix A: Biographies of Local Practitioners These biographies are intended to provide brief information about known architects, designers, builders, and landscape architects practicing in Palm Springs These are not definitive histories of each practitioner. Information is derived from a variety of primary and secondary sources including the Pacific Coast Architecture Database; the AIA Historical Directories and Membership Files; finding aids for architect archives; and publications of the Palm Springs Preservation Foundation, the Palm Springs Modern Committee, the Palm Springs Historical Society, and the Cultural Landscape Foundation. FINAL DRAFT – FOR CITY COUNCIL APPROVAL City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP APP-A-2 Ainsworth, Robert (1895-1970), AIA Born: Shawano, WI Education: University of Michigan, B.S. Architecture (1922) Firms: Robert H. Ainsworth, Architect (1932-1963); Ainsworth, Angel and McClellan, AIA (1963-1966) Wisconsin-born architect Robert H. Ainsworth, AIA, graduated from the University of Michigan with a B.S. in Architecture in 1922. Prior to opening his own practice he worked for Chatten & Hammond in Chicago, Marston & Van Pelt in Pasadena, and was chief draftsman in the office of Wallace Neff. Ainsworth went on to establish a practice in Pasadena. Early in his career, he designed a number of large estates in period revival styles for wealthy clients in the Pasadena area. In the postwar period Ainsworth’s designs shifted toward the Mid-century Modern aesthetic. In 1963, Ainsworth joined forces with Herbert W. Angel and Robert B. McClellan in the firm of Ainsworth, Angel and McClellan, AIA. Armét, Louis L.
    [Show full text]
  • Wallace Neff, Architect (1895-1982) by Charles J
    Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2007 -5206 -HCM HEARING DATE: January 10, 2008 Location: 4519 W. Cockerham Dr. TIME: 10:00 AM Council District: 4 PLACE : City Hall, Room 1060 Community Plan Area: Hollywood 200 N. Spring Street Area Planning Commission: Central Los Angeles, CA Neighborhood Council: Greater Griffith Park 90012 Legal Description: MB 22-34/35 of Tract Hillhurst Park PROJECT: Historic-Cultural Monument Application for the PETITFILS RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument APPLICANT/ Palmer Family Trust OWNER: 4519 W. Cockerham Dr. Los Angeles, CA 90027 OWNER’S Charlie Fisher REPRESENATIVE : 140 S. Avenue 57 Los Angeles, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: May 28, 2007 Historic-Cultural Monument Application ZIMAS Report 4519 W. Cockerham Ave. CHC-2007-5206-HCM Page 2 of 3 FINDINGS 1. The building “embodies the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction” as an example of Spanish Colonial Revival style residential architecture. 2. The building is associated with a master builder, designer, or architect, as a work by master architect Wallace Neff.
    [Show full text]
  • Wallace Neff Photograph Collection: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/c87m0fgj No online items Wallace Neff Photograph Collection: Finding Aid Finding aid prepared by Erin Chase, Diann Benti and Suzanne Oatey. The Huntington Library, Art Collections, and Botanical Gardens Photo Archives 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © November 2017 The Huntington Library. All rights reserved. Wallace Neff Photograph photCL 211 1 Collection: Finding Aid Overview of the Collection Title: Wallace Neff Photograph Collection Dates (inclusive): approximately 1913-1980s Bulk dates: 1930s-1960s Collection Number: photCL 211 Creator: Neff, Wallace, 1895-1982. Extent: 6 flat boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens. Photo Archives 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains photographs, papers and published articles related to Los Angeles architect Wallace Neff (1895-1982) and his work designing residential and public buildings, primarily in Southern California, approximately 1913-1960s. The bulk of the collection consists of photographs of buildings, with some photographs of Neff's sketches, photographs of architectural drawings, portraits of Neff, and correspondence, patent drawings and other papers pertaining to airform construction. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.
    [Show full text]
  • Life with My Sister Madonna2
    Simon Spotlight EntertainmentA Division of Simon & Schuster, Inc.1230 Avenue of the AmericasNew York, NY 10020 Copyright © 2008 by Christopher Ciccone and Cabochon Diamond Productions, LLC All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Pocket Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020 SIMON SPOTLIGHT ENTERTAINMENT and colophon are trademarks of Simon & Schuster, Inc. Library of Congress Cataloging-in-Publication Data is available. ISBN-13: 978-1-4391-0926-7ISBN-10: 1-4391-0926-5 Visit us on the World Wide Web: http://www.SimonSays.com For my father, Silvio, and to Joan,who has always been a mother to me. INTRODUCTION For anyone who came into contact withMadonna, to know her at all you had to know [Christopher]. The one was incomprehensiblewithout the other. He was her dark side andshe was his. Rupert Everett, Red Carpets andOther Banana Skins SOME READERS MAY say that my dark side caused me to write this book, others that my sister’s did. Some may say that seeing Madonna through my eyes is a way of fully comprehending her; others who believe she walks on water won’t. There are many ways of looking at this story—as a memoir of a shared childhood, as the celebration of an icon who turns fifty this year, as my autobiography…and as my answer to the eternal question “What is it really like being Madonna’s brother?” I had originally hoped that this book would also be a way for me to define myself and separate from my sister at last.
    [Show full text]
  • Wallace Neff Wallace Neff
    MASTER ARCHITECTS WALLACE NEFF WALLACE OF WALLACE NEFF SOUTHERN CALIFORNIA 1920-1940 In Wallace Neff the authors focus on one of the most admired and influential residential architects to ever practice in Southern California. In a remarkable career that spanned over six decades, Wallace Neff WALLACE NEFF produced hundreds of exceptional designs that ranged from vernacular styles to grand mansions, reaching from Bel-Air to Santa Barbara to Hollywood and Hancock Park, with a proliferation of homes in the Pasadena area. Neff’s European training and keen eye for historical styles gave him the ability to combine Spanish, Tuscan, Mediterranean, Islamic, and other design elements that melded seamlessly into something he called “The California Style.” Marc Appleton is the principal of Appleton Partners LLP, an architectural firm in Santa Monica and Santa Barbara. He has written, published, or contributed to many books including: George Washington Smith: An Architect’s Scrapbook (2001), Robert Winter’s Myron Hunt at Occidental College (2012), and Ranches: Home on the Range in California (2016). Marc lives in Santa Barbara. Bret Parsons has written five books, includingColcord Home (2008), the biography of the beloved Southern California architect Gerard Colcord. A residential Realtor, he founded Bret Parsons Real Estate in 2008. He is associate manager of the Hancock Park office of Compass, specializing in architectural properties. Bret resides in Los Angeles. P ARSONS A Eleanor Schrader is an award-winning educator, lecturer, author, and historical PPLETON • design consultant. She lectures worldwide on the history of furniture, decorative arts, S architecture, and interiors, and leads art and architecture tours throughout the world.
    [Show full text]
  • The Hollywood Reporter 34 July 8, 2020
    Style Real Estate PITT AND ANISTON LIVED HERE Coveted and Crash- Proof As houses by famed architect Wallace Neff continue to trade at big numbers, a book shows his original designs By Degen Pener 1 1 Listed t’s been a busy 12 months with Hilton & for Wallace Neff trading. In Hyland for I $44.5 million. FORMER June, designer Serge Azria 2 The new HOME OF book on plunked down $16.5 million for a Wallace Neff. DIANE KEATON 1920s Spanish home in Bel Air co- 3 This Neff was sold in June by designed by Neff and John Byers Rodeo Realty’s Josh Flagg and once owned by Diane Keaton. to Serge Azria. In May, Ry Cooder paid $2.5 mil- 2 lion ($300,000 above asking) for another Spanish home built Mediterranean influences. Neff’s by the architect-to-the-stars of most famous commission was Hollywood’s golden renovating Pickfair for Mary 3 age. In 2019, Bill Bell, Pickford and Douglas Fairbanks Jr. an heir to the Another into a grand Tudor estate. World soap opera for- Now, a new book, Wallace Neff available locally,” says Parsons, Netflix’sTed Sarandos was on the Keaton tune, and wife Maria (Angel City Press, $60) — written executive director of the architec- cover) and will continue this fall sold a Bel Air estate, by real estate agent Bret Parsons, tural division at Compass Beverly with a volume on Paul Williams, built in the 1930s for architect Marc Appleton and Hills. The book offers peeks the first Black member of the producer Sol Wurtzel, design expert Eleanor Schrader — inside estates built for the likes of American Institute of Architects.
    [Show full text]
  • (HCM) Nomination for the Singleton Estate, September 2015
    CITY OF LOS ANGELES Office of Historic Resources/Cultural Heritage Commission HISTORIC‐CULTURAL MONUMENT SINGLETON ESTATE NOMINATION FORM 384 Delfern Drive, Homlby Hills, 90077 DATE: September 28, 2015 a. INTRODUCTION This revised Historic‐Cultural Monument nomination for 384 Delfern Drive (Singleton Estate) has been augmented based on the review of additional primary and secondary source documentation. Collections visited in the preparation of this nomination include: Wallace Neff Collection, The Huntington Library, San Marino. Notable research findings include Wallace Neff’s original drawings (plans and elevations) of the Singleton residence and correspondence between the Singletons and Neff. Wallace Neff Archives, University of Southern California Libraries, Los Angeles. Notable research findings include Neff’s original specifications for the Singleton residence. Thomas Church Collection, University of California, Berkeley, Environmental Design Archives. Notable research findings include original schematic drawings by Church for the Singleton Estate, as well as correspondence between Neff, Church, landscape architect Phil Shipley, and the Singletons. A review of these materials provided evidence of the following: Although the Singleton commission occurred late in his career, Wallace Neff was intimately involved in the design of the Singleton Estate from start to finish. Drawings, specifications and correspondence between Neff and the Singletons and the landscape architects show the architect’s hand in all matters of the project, from the concept and design of the house to the selection of interior finishes. No expense was spared in the design and construction of the Singleton Estate. The Singletons commissioned the finest architect and landscape architects of the day to design their estate. Lavish finishes of marble, oak, and black walnut parquet floors, hand‐painted wall paper, and ceramic floor tile from Heath Ceramics were selected by Neff and the Singletons.
    [Show full text]