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Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Common European Framework of Reference for Languages (CEFR) and Updates the 2001 FRAMEWORK Version
COMMON EUROPEAN FRAMEWORK OF REFERENCE FOR LANGUAGES: LEARNING, TEACHING, ASSESSMENT TEACHING, LEARNING, EUROPEAN FRAMEWORK OF REFERENCE FOR LANGUAGES: COMMON COMMON EUROPEAN The CEFR Companion volume broadens the scope of language education. It re- flects academic and societal developments since the publication of the Common European Framework of Reference for Languages (CEFR) and updates the 2001 FRAMEWORK version. It owes much to the contributions of members of the language teaching profession across Europe and beyond. OF REFERENCE This volume contains: ► an explanation of the key aspects of the CEFR for teaching and learning; FOR LANGUAGES: ► a complete set of updated CEFR descriptors that replaces the 2001 set with: - modality-inclusive and gender-neutral descriptors; LEARNING, TEACHING, - added detail on listening and reading; - a new Pre–A1 level, plus enriched description at A1 and C levels; ASSESSMENT - a replacement scale for phonological competence; - new scales for mediation, online interaction and plurilingual/ pluricultural competence; - new scales for sign language competence; ► a short report on the four-year development, validation and consultation processes. The CEFR Companion volume represents another step in a process of engage- ment with language education that has been pursued by the Council of Europe since 1971 and which seeks to: ► promote and support the learning and teaching of modern languages; ► enhance intercultural dialogue, and thus mutual understanding, social cohesion and democracy; ► protect linguistic and cultural diversity in Europe; and ► promote the right to quality education for all. EDUCATION FOR DEMOCRACY 058220 PREMS www.coe.int/lang-cefr ENG The Council of Europe is the continent’s leading Companion volume human rights organisation. -
Selected Festivals and Awards Selected Festivals and Awards
SELECTED FESTIVALS AND AWARDS SELECTED FESTIVALS AND AWARDS International Film Festival Rotterdam, The Netherlands, 2019 23rd International Film Festival Etiuda&Anima, Poland; 10th Piccolo Festival Animazione, Italy 15th Animateka International Animated Film Festival, Slovenia - Jury Sundance Film Festival, USA, 2019 - Vimeo Awards 13th Animateka International Animated Film Festival, 10th Animasivo Festival of Contemporary Animation, Mexico Grand Prix, ;DSAF Audience Award 16th IndieLisboa - International Film Festival, Portugal Slovenia – Special Mention; InterAnima - International Festival of Animation and Interactivity 16th BOGOSHORTS - Bogotá Short Film Festival, Colombia (screening) 24th Vilnius Film Festival, Lithuania 29th Premiers Plans Film Festival, France (screening); 2018, 42nd Göteborg Film Festival, Sweden (screening) GLAS Animation Festival 2019, USA - Grand Prix 2017 GLAS Animation Festival, USA - Grand Prix Brasil (screening) Clermont-Ferrand International Short Film Festival 2019, France 43th Hong Kong International Film Festival, China (screening) Tricky Women International Animation Filmfestival 2017, 19th cellu l’art Short Film Festival, Germany (screening) 38th ANIMA - Brussels Animation Films Festival, 19th Tel Aviv Animation Festival Animix, Israel Austria - 3-month scholarship to live and work at Q21/MQ 30th Filmfest Dresden, Germany (screening) Belgium - Press Award for Best Short Film World Festival of Animated Film - Animafest Zagreb 2019, Croatia – under the Artist-in-Residence Program Vladivostok Film Festival 2018, Russia 24th Vilnius Film Festival, Lithuania Grand Prix, Audience Award 24th Trickfilms Stuttgart International Festival of Animated Film, Ars Electronica Festival 2018, Austria GLAS Animation Festival 2019, USA Annecy International Animation Film Festival 2019, France Germany – Grand Prix 20th Wiesbaden International Weekend of Animation, Germany Tricky Women/Tricky Realities Festival 2019, Austria - TRICKY Palm Springs International ShortFest and Film Market 2019, USA Erarta MOTION PICTURES. -
Animated Spirits: New Animation from Europe 2017 | 3Rd Edition May 9-11, 2017
ANIMATED SPIRITS: NEW ANIMATION FROM EUROPE 2017 | 3RD EDITION MAY 9-11, 2017 19 EUROPEAN COUNTRIES | 44 ANIMATED SHORTS SCREENINGS Tuesday, May 9 | 7.30pm @ The Austrian Cultural Forum NY Wednesday, May 10 | 8pm @ 180 Maiden Lane | Guest Screening @Animation Nights NY Thursday, May 11 | 7pm @ Bohemian National Hall ABOUT THE FESTIVAL Artists from 19 European Union countries illustrate the spirit of experimentation at the Austrian Cultural Forum NY, Animation Nights New York at 180 Maiden Lane and at the Bohemian National Hall on May 9, 10 and 11, 2017. Animated Spirits: New Animation from Europe - Short Film Festival returns for its third year with the most exciting, recent animations from the Old Continent. The third edition includes highlights of the past 2 years from all over the countries of the European Union, fresh student films from leading animation schools in Europe and an expanded selection of Visegrad4 films curated by the Visegrad Animation Forum. Each night is complemented with a panel discussion with gurus of contemporary animation from both sides of the Atlantic. Emphasizing the new, the exciting and the unconventional, while finding the space to reflect on the continuing potential of the traditional techniques, Animated Spirits gives a carefully curated program, selecting from the cream of European animation and illustrating the spirit of experimentation and creativity with discovering the boundaries of the genre. The program was curated by Anna Ida Orosz (HU) animation historian, lecturer at the Moholy-Nagy University of Art and Design Budapest and co- founder of Primanima World Festival of First Animations in Budapest; and Holger Lang (AT) Vienna-based animation artist, filmmaker, producer and teacher, board member of ASIFA Austria. -
The Animation Industry: Technological Changes, Production Challenges, and Global Shifts
THE ANIMATION INDUSTRY: TECHNOLOGICAL CHANGES, PRODUCTION CHALLENGES, AND GLOBAL SHIFTS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Hyejin Yoon, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Edward J. Malecki, Adviser Professor Nancy Ettlinger Adviser Graduate Program in Geography Professor Darla K. Munroe ABSTRACT Animated films have grown in popularity as expanding markets (such as TV and video) and new technologies (notably computer graphics imagery) have broadened both the production and consumption of cartoons. As a consequence, more animated films are produced and watched in more places, as new “worlds of production” have emerged. The animation production system, specialized and distinct from film production, relies on different technologies and labor skills. Therefore, its globalization has taken place differently from live-action film production, although both are structured to a large degree by the global production networks (GPNs) of the media conglomerates. This research examines the structure and evolution of the animation industry at the global scale. In order to investigate these, 4,242 animation studios from the Animation Industry Database are used. The spatial patterns of animation production can be summarized as, 1) dispersion of the animation industry, 2) concentration in world cities, such as Los Angeles and New York, 3) emergence of specialized animation cities, such as Annecy and Angoulême in France, and 4) significant concentrations of animation studios in some Asian countries, such as India, South Korea and the Philippines. In order to understand global production networks (GPNs), networks of studios in 20 cities are analyzed. -
Stop Motion & Motion Capture Stop Motion
VolVol 22 IssueIssue 1111 February 1998 Stop Motion & Motion Capture The Politics of Performance Animation FoamFoam PuppetPuppet FrabicationFrabication ExplainedExplained BarryBarry Purves Purves ThrowsThrows DownDown thethe GauntletGauntlet Little Big Estonia InsideInside MedialabMedialab Table of Contents February, 1998 Vol. 2, No. 11 4 Editor’s Notebook Animation and its many changing faces... 5 Letters: [email protected] STOP-MOTION & MOTION-CAPTURE 6 Who’s Data Is That Anyway? Gregory Peter Panos, founding co-director of the Performance Animation Society, describes a new fron- tier of dilemmas, the politics of performance animation. 9 Boldly Throwing Down the Gauntlet In our premier issue, acclaimed stop-motion animator Barry J.C. Purves shared his sentiments on the coming of the computer. Now Barry’s back to share his thoughts on the last two years that have been both exhilarating and disappointing for him. 14 A Conversation With... In a small, quiet cafe, motion-capture pioneer Chris Walker and outrageous stop-motion animator Corky Quakenbush got together for lunch and discovered that even though their techniques may appear to be night and day, they actually have a lot in common. 21 At Last, Foam Puppet Fabrication Explained! How does one build an armature from scratch and end up with a professional foam puppet? Tom Brierton is here to take us through the steps and offer advice. 27 Little Big Estonia:The Nukufilm Studio On the 40th anniversary of Estonia’s Nukufilm, Heikki Jokinen went for a visit to profile the puppet ani- mation studio and their place in the post-Soviet world. 31 Wallace & Gromit Spur Worldwide Licensing Activity Karen Raugust takes a look at the marketing machine behind everyone’s favorite clay characters, Wallace & Gromit. -
Belarus – Ukraine 2007 – 2013
BOOK OF PROJECTS CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007 – 2013 BOOK OF PROJECTS CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007 – 2013 ISBN 978-83-64233-73-9 BOOK OF PROJECTS CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007 – 2013 WARSAW 2015 CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007-2013 FOREWORD Dear Readers, Cross-border Cooperation Programme Poland-Belarus-Ukraine 2007-2013 enables the partners from both sides of the border to achieve their common goals and to share their experience and ideas. It brings different actors – inhabitants, institutions, organisations, enterprises and communities of the cross-border area closer to each other, in order to better exploit the opportunities of the joint development. In 2015 all the 117 projects co-financed by the Programme shall complete their activities. This publication will give you an insight into their main objectives, activities and results within the projects. It presents stories about cooperation in different fields, examples of how partner towns, villages or local institutions can grow and develop together. It proves that cross-border cooperation is a tremendous force stimulating the develop- ment of shared space and building ties over the borders. I wish all the partners involved in the projects persistence in reaching all their goals at the final stage of the Programme and I would like to congratulate them on successful endeavours in bringing tangible benefits to their communities. This publication will give you a positive picture of the border regions and I hope that it will inspire those who would like to join cross-border cooperation in the next programming period. -
94Th ACADEMY AWARDS SHORT FILMS QUALIFYING FESTIVAL LIST
94th ACADEMY AWARDS SHORT FILMS QUALIFYING FESTIVAL LIST . ACADEMIA DE LAS ARTES Y LAS CIENCIAS CINEMATOGRAFICAS DE ESPAÑA [GOYA] (Spain) Goya Award for Best Fiction Short Film Goya Award for Best Animated Short Film www.academiadecine.com . ACADÉMIE DES ARTS ET TECHNIQUES DU CINÉMA [CÉSAR] (France) Best Short Film Best Animated Short Film www.academie-cinema.org . ACADEMY OF CANADIAN CINEMA & TELEVISION [CANADIAN SCREEN AWARDS] (Canada) Best Live Action Short Best Animated Short www.academy.ca . AFI FEST (California, USA) Grand Jury Award – Live Action Short Grand Jury Award – Animation www.afi.com/afifest . ALCINE – FESTIVAL DE CINE DE ALCALÁ DE HENARES (Spain) First City of Alcalá National Short Film Competition Award First Alcine European Short Film Competition Award www.alcine.org . AMERICAN BLACK FILM FESTIVAL (Florida, USA) Short Film Award www.abff.com . ANIMA, THE BRUSSELS ANIMATION FILM FESTIVAL (Belgium) Grand Prix Anima for Best International Short Film www.animafestival.be . ANIMA MUNDI (Brazil) Best Animation www.animamundi.com.br . ANIMAFEST ZAGREB – WORLD FESTIVAL OF ANIMATED FILM (Croatia) Grand Prix - Best Short Film of the Festival www.animafest.hr 1 . ANIMATION DINGLE (Ireland) Best Irish Professional Film www.animationdingle.com . ANIMATOR INTERNATIONAL ANIMATED FILM FESTIVAL (Poland) Grand Jury Prize – The Golden Pegasus www.animator-festival.com . ANIMAYO (Spain) Grand Jury Prize www.animayo.com . ANIM’EST – INTERNATIONAL ANIMATION FILM FESTIVAL (Romania) Anim’est Trophy www.animest.ro . ANN ARBOR FILM FESTIVAL (Michigan, USA) Ken Burns Award for Best of the Festival Lawrence Kasdan Award for Best Narrative Film Chris Frayne Award for Best Animated Film www.aafilmfest.org . ANNECY INTERNATIONAL ANIMATION FILM FESTIVAL (France) Le Cristal d’Annecy Jury Award www.annecy.org . -
The Leading Pitching Event for Animated Film in Central and Eastern Europe Třeboň VAF 2016
May 3–5, 2016 Třeboň The leading pitching event for animated film in Central and Eastern Europe Třeboň VAF 2016 1 Hvězda Hall / Hvězda Workshop Hall 2 House of Animation / Anifilm Festival Centre (guest service, accreditation, festival shuttle stop, Festival cafe) 3 Puppet Theatre 4 Roháč 5 Krčma u Kellyho 6 Bílý jednorožec 7 U Míšků 8 Regent Gold Pivovarská restaurace 9 Bílý Koníček Hotel 10 Zlatá Hvězda Hotel 11 Galerie Hotel 12 Myslivna Hotel 13 Penzion Siesta 14 Penzion U Františka 15 Penzion Elzet Břežanova Direction to: Penzion Maxim, Hotel Garni, Hotel Svět Content: Introduction 1 Program schedule 6 SHORT FILMS 10 Pitching preparation 12 Pitching competition 14 Jury 15 Projects in competition 16 TV SERIES 42 Pitching preparation 44 Pitching competition 46 Jury 47 Projects in competition 48 VAF NEW TaLENTS 72 INDUSTRY PROGRAM 76 Animation Today (Czech, Slovenian, Polish, Slovak) 78 Co-operate: Why? How? With Whom? 82 Distribution of Children Short Films 83 How to make your pitch successful? 84 Cartoon Forum and Creative Europe MEDIA 85 European Prestigious Studios: Silver Fox Animation 86 European Prestigious Studios: Camera-etc. 87 Works in Progress 88 SCAID 92 Korea Creative Content Agency 93 Stream.cz 94 The BEST of Anifilm 95 Who is Who at VAF 2016 ? 96 2 / 3 Introduction / Visegrad Animation Forum 2016 Dear participants in the 2016 Visegrad Animation Forum, Welcome to this, the fourth year of the event, which over the course of its existence has come to be well-known as a leading platform for the animation industry in Central and Eastern Europe. -
Curriculum for European Youth Animators
E U R O P E A N A N I M A T O R S F O R Y O U T H P R O J E C T curriculum for european youth animators A G R E E M E N T N U M B E R : 2 0 1 8 - 3 - F R 0 2 - K A 2 0 5 - 0 1 5 1 5 8 C O O P E R A T I O N F O R I N N O V A T I O N A N D T H E E X C H A N G E O F G O O D P R A C T I C E S Summary Project description ................................................................. p.01 European Youth Animator Profile ............................................ p.03 Youth Animator - Country Framework ...................................... p.06 Youth Animator - EU Country Analysis Matrix .......................... p.70 European Youth Animator - Core curriculum ............................ p.77 Conclusions ............................................................................. P.80 References .............................................................................. p.81 Project Description The European Youth Animators project aims to reinforce knowledge, skills and competences for animators in the field of youth at European level. Funded by the Erasmus+ Programme, the project is carried out by partners from France, Belgium, Germany and Italy. According to the European policy of recognition of competences, in this field there is no harmonisation between EU members countries and animators from one country are not qualified in others members states. Furthermore, this lack does not support mobility of animators at European level. Furthermore, the project aims to deliver a European Curriculum for European Animators suitable for all EU countries. -
Animation: a World History Volume III: Contemporary Times Giannalberto Bendazzi
This article was downloaded by: 10.3.98.104 On: 01 Oct 2021 Access details: subscription number Publisher: CRC Press Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Animation: A World History Volume III: Contemporary Times Giannalberto Bendazzi Europe Publication details https://www.routledgehandbooks.com/doi/10.1201/9781315720746-3 Giannalberto Bendazzi Published online on: 17 Nov 2015 How to cite :- Giannalberto Bendazzi. 17 Nov 2015, Europe from: Animation: A World History, Volume III: Contemporary Times CRC Press Accessed on: 01 Oct 2021 https://www.routledgehandbooks.com/doi/10.1201/9781315720746-3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 EUROPE Great Britain: The Wonderful intended for adult audiences, and quite deliberately so. 1 That policy was formulated on the basis of trying to be Years different from other television channels. Animation for It is not possible to discuss British animation2 from the adults was scarcely seen on British television.’5 Channel 1990s onwards without talking about Channel 4. -
Revolt in the Name of Freedom: Forgotten Belarusian Gene?
Revolt in the Name of Freedom: Forgotten Belarusian Gene? Revolt in the Name of Freedom: Forgotten Belarusian Gene? EDITED BY Piotr RUDKOŬSKI Kaciaryna KOLB Warsaw 2013 Editors: Piotr Rudkoŭski, Kaciaryna Kolb Papers of the conference “Revolt in the Name of Freedom: Forgotten Belarusian Gene?” The conference was held on 8-10 of March 2013 in Warsaw, Poland The conference was sponsored by Konrad-Adenauer-Stiftung Belarus Office, National Endowment for Democracy and Lazarski University Translation: Aleś Lahviniec, Vieranika Mazurkievič Proof-reading: Sviatlana Citova (Belarusian), Barbara Kozieł (English) Cover design: Marzena Dołganiuk Stylesheet set-up: Nadzieja Pankratava Publication of this volume was made possible by National Endowment for Democracy © Copyright by Uczelnia Łazarskiego, Warsaw 2013 Oficyna Wydawnicza Uczelni Łazarskiego 02-662 Warszawa ul. Świeradowska 43 tel. 22 54-35-450, 22 54-35-410 [email protected] www.lazarski.pl ISBN: 978-83-64054-32-7 Implementation of publishing: Dom Wydawniczy ELIPSA ul. Inflancka 15/198, 00-189 Warszawa tel./fax 22 635 03 01, 22 635 17 85 e-mail: [email protected], www.elipsa.pl Contents Preface. Piotr Rudkoŭski, Kaciaryna Kolb ................................................................................7 Introduction. Reflections on Self-goverment and Citizenship. Andrzej S. Kamiński ......................................................................................................................9 PART 1. HISTORIA MAGISTRA VITAE-IN-LIBERTATE ..................................................17