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Nathaniel Hawthorne and the Meiosis of Americanism in the Marble Faun
Criterion: A Journal of Literary Criticism Volume 7 Issue 1 Article 15 2014 Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun Rasoul Aliakbari Follow this and additional works at: https://scholarsarchive.byu.edu/criterion BYU ScholarsArchive Citation Aliakbari, Rasoul (2014) "Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun," Criterion: A Journal of Literary Criticism: Vol. 7 : Iss. 1 , Article 15. Available at: https://scholarsarchive.byu.edu/criterion/vol7/iss1/15 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Criterion: A Journal of Literary Criticism by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun Rasoul Aliakbari Such genres as popular movies and video games often contain images of American superiority but this imagery, it should be noted, has not developed overnight; rather, it has its roots in the history of literary representation. To throw some light on this background, this paper emphasizes political reading of literary texts. In particular, I aim to provide a political response to a poetic dilemma that The Marble Faun (1860) features. In the preface to The Marble Faun, Nathaniel Hawthorne (1804–64) professes his intention to set his new novel in Italy, which he views as the proper land for Romance, “as a sort of poetic or faery precinct” (viii). The American novelist downplays his native land as inappropriate for his narrative, as it possesses “no shadow, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity” (viii). -
Presents a Film by Michael Winterbottom 104 Mins, UK, 2019
Presents GREED A film by Michael Winterbottom 104 mins, UK, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis GREED tells the story of self-made British billionaire Sir Richard McCreadie (Steve Coogan), whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion – bringing the high street to the catwalk and the catwalk to the high street – but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicized and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie’s rise and fall through the eyes of his biographer, Nick (David Mitchell). Cast SIR RICHARD MCCREADIE STEVE COOGAN SAMANTHA ISLA FISHER MARGARET SHIRLEY HENDERSON NICK DAVID MITCHELL FINN ASA BUTTERFIELD AMANDA DINITA GOHIL LILY SOPHIE COOKSON YOUNG RICHARD MCCREADIE JAMIE BLACKLEY NAOMI SHANINA SHAIK JULES JONNY SWEET MELANIE SARAH SOLEMANI SAM TIM KEY FRANK THE LION TAMER ASIM CHAUDHRY FABIAN OLLIE LOCKE CATHY PEARL MACKIE KAREEM KAREEM ALKABBANI Crew DIRECTOR MICHAEL WINTERBOTTOM SCREENWRITER MICHAEL WINTERBOTTOM ADDITIONAL MATERIAL SEAN GRAY EXECUTIVE PRODUCER DANIEL BATTSEK EXECUTIVE PRODUCER OLLIE MADDEN PRODUCER -
Masculinity in Comic Midlife Crisis in Michael Winterbottom's Trip Series
139 LUCIA KRÄMER The Imitation Competition: Masculinity in Comic Midlife Crisis in Michael Winterbottom's Trip Series "It's not about the destination, it's about the journey." (S1E5)1 1. Introduction Although the comedy programme examined in this article is simply, and somewhat self-deprecatingly, called The Trip (2010-), rather than 'The Journey' or some other title with more gravitas, the implications of the overarching metaphor are independent of genre. The geographical journey evokes the theme of the journey of life: its phases; the events, obstacles and detours on the way; the persons encountered during the journey, as well as its inevitable destination, i.e. death. This article examines how Michael Winterbottom's Trip series uses this metaphor to present its two middle-aged male protagonists – played by the British comedy stars Steve Coogan and Rob Brydon as fictionalised versions of themselves2 – in a way that combines the ridiculous with the absurd by evoking what Martin Esslin, in his seminal book on The Theatre of the Absurd, called a "sense of metaphysical anguish at the absurdity of the human condition," fuelled by the "senselessness of life" (1980, 23-24) and the elusiveness of a sense of self. In fact, the statement from the character of Steve Coogan in The Trip that precedes this article self-referentially encapsulates the life situation of its two main characters as well as the non-teleological structure of the programme.3 After a general introduction to the Trip series, the initial focus of the following analysis will be on the show's extensive use of intertextuality and the protagonists' obsession with performance. -
August/September 2017 August/September
Pickford Film Center 1318 Bay St. | Limelight Cinema 1416 Cornwall Ave. | Bellingham, WA | Tickets, times & trailers: www.pickfordfilmcenter.org AUGUST/SEPTEMBER 2017 Steve Coogan and Rob Brydon hit the road again in The Trip to Spain coming this September ROOFTOP CINEMA: Our outdoor movie series continues PERFORMING ARTS: National Theatre Live's on the roof of the Parkade! See back page for more Angels in America in two parts FILM SERIES: West of What?! continues with True Grit on August 24, introduced by Melissa Tamminga Permit No. 71 No. Permit Kent, WA Kent, PAID U.S. POSTAGE U.S. Prsrt Std Prsrt ABOUT PFC Admission A LETTER FROM OUR DIRECTOR Pickford Film Center & Limelight Cinema Pricing: • PFC Members, every day – $7.50 • Tuesday–Sunday General Admission – $10.75 • Students & Kids under 12 – $8.00 DEAR BELLINGHAM, • Mondays and Matinees* – $8.50 There is a group of fantastic individuals, our board of Walking the talk is the common thread between all these *Matinees are Monday through Friday before 5pm, individuals. and Saturday–Sunday before 3:30pm directors, who help to guide Pickford Film Center through Tickets for free shows are not available online, but its ups and downs. In the last few months there have can be claimed in advance at the box office only. been some changes in their ranks and I want to say And with that, I segue into walking the actual walk... something about each of them right now, because I don’t Movie Times want to let anyone go without recognition. Over 8,000 individuals live within ¼ mile of PFC. -
Female Identity in Elizabeth Gilbert's Eat, Pray, Love
REGIANE MARIA LELINSKI “IS THIS LIFETIME SUPPOSED TO BE ONLY ABOUT DUTY?” FEMALE IDENTITY IN ELIZABETH GILBERT’S EAT, PRAY, LOVE Dissertação submetida ao Programa de Pós- Graduação em Inglês: Estudos Linguísticos e Literários da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestre em Letras. Orientadora: Profa. Dra. Magali Sperling Beck Florianópolis 2017 ii iii “There is only one thing that makes a dream impossible: the fear of failure” Paulo Coelho – The Alchemist To that little girl who dared to dream despite of fear! You made it!! iv ACKNOWLEDGEMENTS There are many special people who I want to express my profound gratitude for being with me and helping me during these two years I spent doing my research. First of all, I am deeply grateful to God for giving me intelligence and health to pursuit my dreams since really young. Second, I want to thank my family: my father Tadeu for giving me life, my mother Nair for being my biggest encourager, my sister Silvania for being my first and true friend, my brothers Robson and Rudney for being part of my best childish memories. I love you with all my heart! I also want to dedicate this accomplishment to Gabriela, Tiago and Rafael, the youngest in my family. I really hope to be a good example for you and your future careers. Bruna, my first niece, thank you for listening to my dreams and complaints when taking a master’s degree was just a plan; even being so young you always had a hug to comfort and support me. -
Monstrosity and Motherhood: Visions of the Terrible Mother Ruby Jean Dudasik This Thesis Has Been Submitted on This Day of April
Monstrosity and Motherhood: Visions of the Terrible Mother Ruby Jean Dudasik This thesis has been submitted on this day of April 30, 2020 in partial fulfillment of the degree requirements for the NYU Global Liberal Studies Bachelor of Arts degree. 2 Abstract This thesis attempts to answer the “Medea question”: what is it about monstrous mothers, starting with Medea and reappearing in countless other places, that is so continually relevant over the years, and in many different societies? Through examining the Greek Medea, Marina Carr’s By The Bog of Cats, and Ibsen’s A Doll’s House, I analyze anti-maternal women within their respective social contexts. I contend that the character of the monstrous mother has dual functionality. Firstly, she represents an attempt by female playwrights and contributors to reclaim a role that has been historically imposed upon them: the idea of motherhood as an obligation and a sacred duty. Secondly, to those in positions of privilege, these terrible mothers are an explosive threat to the very power structures they depend on to maintain that privilege. I utilize feminist theory, dramatic analysis, and historical and sociocultural frameworks to deconstruct - and then reconstruct - the terrible mother, and the enduring popularity and adaptability of the murderous Medea. Keywords: anti-motherhood, Euripides, feminism, theater, monstrosity, patriarchy, By the Bog of Cats, A Doll’s House, Medea 3 Table of Contents Acknowledgements 4 Preface: The Medea Question 5 Chapter I: The Early Antimother 9 The Monstrous Maternal in Euripides’ Medea Chapter II: The Adapted Antimother 28 Reclaiming Maternal Agency in By the Bog of Cats Chapter III: Beyond Medea 49 Anti-motherhood in Ibsen’s A Doll’s House Coda: To Face the Unthinkable 71 Appendix 77 References 83 4 Acknowledgements This thesis would not exist without the invaluable support of the following people, who I am lucky to call my mentors and friends. -
Michael Winterbottom
Um filme de MICHAEL WINTERBOTTOM a VIAGEM ITÁLIATHE TRIP TO ITALY BREVE SINOPSE Dois homens, seis refeições em seis locais diferentes numa viagem por estrada por Itália. Ligúria, Toscana, Roma, Amalfi e a terminar em Capri. O The Observer pediu a Rob e Steve que fizessem mais uma série de críticas a restaurantes. Eles falam de coisas como a vida, o amor, o trabalho e o exílio. Discutem Byron e Shelley, poetas Românticos cujas vidas foram definidas pelo tempo que passaram em Itália. Veremos a viagem em que eles embarcam, os hotéis onde ficam, os restaurantes onde comem, as cozinhas e os chefs que preparam a comida e depois a conta no fim. SINOPSE LONGA Dois homens, seis refeições em seis locais diferentes numa viagem por estrada em Itália. Ligúria, Toscana, Roma, Amalfi e a terminar em Capri. O The Observer pediu a Rob e Steve que fizessem mais uma série de críticas a restaurantes. Rob, cansado das responsabilidades de ser pai de uma criança pequena, está desejoso de ter uma aventura. Steve tem vivido uma vida de abstinência e trabalho árduo em Los Angeles, mas agora, num hiato do seu emprego, teve tempo para regressar à Europa e quer ver os seus filhos. Eles falam de coisas como a vida, o amor, o trabalho e o exílio. Discutem Byron e Shelley, poetas Românticos cujas vidas foram definidas pelo tempo que passaram em Itália. Veremos a viagem em que eles embarcam, os hotéis onde ficam, os restaurantes onde comem, as cozinhas e os chefs que preparam a comida e depois a conta no fim. -
A Publication of Marymount Manhattan College - Issue No
A publication of Marymount Manhattan College - Issue No. 8 - 2011-12 History and Mission Artfusion News serves as an open forum to learn about, discuss, advocate, and enjoy cultural activities in and around New York. Founded in Spring 2008, the magazine serves as a public voice for students of all majors who are interested in exploring and sharing their ideas on various forms of cultural expression, including art, music, dance, theatre, and film. Artfusion News contains works by practicing visual and performing artists, and interviews with Marymount students, alumni, and professors who are working in art-related fields. We also count on students to keep us posted on cultural activities abroad. As an interdisciplinary organization, we invite students to write articles and editorials on intersections among the arts, sciences, humanities, business, and social sciences. We hope, ultimately, to enrich the cultural awareness of all Marymount students by investigating and celebrating the limitless and unparalleled artistic and educational resources available to us through our distinct location—the heart of a great cultural capital—and beyond. Policies and Procedures All students are invited to submit work for publication in Artfusion News. Calls for submissions are made in “What’s Happening” announcements throughout the academic year. There is no minimum length for articles, though they may be edited for spatial considerations. Please email submissions of essays, interviews, and artwork to Prof. Adrienne Bell, Faculty Adviser of Artfusion News, at [email protected]. When submitting images (high resolution jpeg files are preferred), please include full caption information: artist, title of work, medium, date, and location. -
The Trip to Spain
MIRACLE FILM DISTRIBUTION Pressevisning: Torsdag den 24. august kl. 09.30 i Vester Vov Vov Rob Brydon & Steve Coogan i Michael Winterbottoms THE TRIP TO SPAIN DANMARKSPREMIERE TORSDAG DEN 31. AUGUST 2017 Gloria Biograf, Vester Vov Vov, Øst for Paradis, Nicolai Bio Kolding, Cafebiografen Odense, Gentofte Kino, Reprise Teatret Holte, Valby Kino, Værløse Bio The two amigos are back... Steve Coogan og Rob Brydon vender tilbage og Michael Winterbottom styrer for tredje gang løjerne og holder tøjlerne i ‘The Trip to Spain’, fortsættelsen af de kulinariske succesfilm ‘The Trip’ og ‘The Trip to Italy’. Denne gang sætter det spanske køkken rammen omkring en munter og lettere bidsk rejse udi karrierens og kærlighedens genvordigheder. Mon ikke det også fyger om sig med sjove jokes og et par parodier eller tre... fire...? Steve har nu rundet det skarpe 50'er-hjørne og er stadig på jagt efter kærligheden. Han vil gerne finde sammen med sin ex-kæreste Mischa, men hun er optaget af en anden mand. Der er fuld fart på Robs skuespillerkarriere og familielivet kunne ikke være bedre. Han har fået endnu et barn, siden Steve så ham sidst. Steve er netop begyndt som kok i en amerikansk tv-serie og er blevet bedt om at lave nogle madanmeldelser i Spanien som reklame for serien. Som sædvanlig skriver Rob avisartiklerne og bruger denne gang Don Quixote som inspiration. Imens håber Steve på at skrive en mere ambitiøs bog baseret på turen og hans tidligere oplevelser i Spanien. Han ser sig selv i fodsporet på forfatterskaber som Orwell, Hemingway og Laurie Lee. -
The Indie Theater Revival Project!
The Indie Theater Revival Project! Presented by IFC Films and its twenty years of great movies Twenty different film retrospective series drawn from IFC Films’ library of nearly 1,000 films are all being made available to America’s independent theaters to play for no film rental, as part of the nation’s post-shutdown recovery effort. Celebrating its twentieth anniversary this year, IFC Films is putting its best films forward to remind Americans why they’ve loved going to the movies for more than a century. We’re encouraging local indie theaters to show these movies on the big screen, where they were meant to be seen. For the first four weeks following each individual theater’s reopening, they will be able to select from twenty different revival series, encompassing more than 150 films from IFC Films’ twenty-year history, and play any combination of them on screen for their audiences, as many times as they want, and for whatever ticket price they wish. For screenings during this period, no film rental will be due to IFC Films. Twenty Years of IFC Films, Twenty Different Retrospectives 1. Greatest Hits: Indie Blockbusters from IFC Films 2. Black Lives: Powerful dramas, moving romances, eye-opening documentaries and smart comedies that put African-American stories at the center. 3. Cannes We Ever! A selection of IFC Films releases that have won major prizes at the world’s most prestigious film festival, Cannes. 4. Cinema Auteur: French Masters 5. Cult Icons: What makes a cult icon? Only the audience can decide. 6. Discover Together: Family-Friendly Docs 7. -
Celebrate the AGH BMO World Film Festival Opening Night
FOR IMMEDIATE RELEASE AGH BMO World Film Festival Announces Stellar 2014 Line-up Bringing the best in world cinema to Hamilton September 26 to October 5, 2014 www.aghfilmfest.com. September 10, 2014 – The AGH BMO World Film Festival will reveal its 2014 lineup of 30 exceptional films at the Trailers and Teasers Launch Party tonight. This year’s roster includes a diverse range of outstanding films, many of which were official selections at top international film festivals, such as TIFF, Cannes, Sundance, Berlin, Venice, London, Tribeca and MOMA. Film lovers across the greater Hamilton region will be able to see films and documentaries representing 15 countries and presented in nine different languages. “What differentiates the AGH BMO World Film Festival from others is our commitment to present culturally significant films and stimulate discussion on a wide range of topics that resonate with the times,” said Ryan Ferguson, Festival Director. “We hope that film lovers will find this year’s line-up and not-to-be-missed events engaging and provocative.” The 10-day festival, now in its sixth year, will showcase outstanding award-winning international, independent and Canadian films at venues across Hamilton, Ancaster, and Stoney Creek. Highlights include the Canadian première of Je suis à toi, screenings of Amour Fou and Tu dors Nicole, which were both shown earlier this month at TIFF and screenings of Art and Craft, Just Eat It, and Web Junkie all of which were shown at 2014 Hot Docs. Here’s a sneak peek at a few of the outstanding films: -
OFFICIAL PRESS PACK TITLE: the GIRL in the DRESS TAGLINE: a Comedy About Cold Feet GENRE: Comedy / Romance PRODUCTION COMPANY: C
OFFICIAL PRESS PACK TITLE: THE GIRL IN THE DRESS TAGLINE: A comedy about cold feet GENRE: Comedy / Romance PRODUCTION COMPANY: Capture DIRECTOR: Natalie Malla PRODUCERS: Matthew Jones, M J McMahon & Natalie Malla LENGTH: 14 minutes 59 seconds SHOT ON: RED Dragon OTHER TECH INFO: Colour. English Language. Completed September 2015 SCREENING FORMATS: Digital Cinema Print (DCP) including 5.1 Surround Sound Mix, QuickTime with Stereo Mix WEBSITE: thegirlinthedress.co.uk LINKS: Facebook.com/thegirlinthedressfilm wearecapture.com Twitter.com/Capture_tweets Youtube.com/wearecapture “Natalie Malla’s comedy The Girl In The Dress featured great performances by stand-up comic Nick Helm, Olivia Poulet and Claire Keelan and instilled in us a renewed faith in love, even in the most awkward circumstances.” - LONDONIST OFFICIAL FESTIVAL SELECTIONS: Official Selection BFI London Film Festival 2015 Official Selection London Short Film Festival 2016 SHORT SYNOPSIS: (42 WORDS) In this comedy about cold feet, Emily, ready for the wedding of her dreams, meets Rob, a Henry VIII street entertainer, and takes it as a bad sign. Beheadings, divorces and annulments race through her mind, but marriage will make everything better...right? POINTS OF INTEREST: Included in the Official Selection at the BFI London Film Festival 2015 out of 250,000 submitted entries. The script was selected by Film London for its London Calling scheme, one of only 21 films selected from over 640 entries. All the heads of department were female. It was the second of Natalie's short film scripts to be selected by Capture and released in the same year, the other being 'Killing Thyme' starring Brian Cox and Charlotte Riley.