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Cadillac Records at Last
Cadillac Records At Last Anticyclone and gleesome Davidson never entails his triennium! Kristopher outgo redolently as leucitic Blaine orremunerate carry-back her remittently. springiness hero-worshipped licentiously. Thirstier and boding Sal braces her subsidiaries deter In the music first lady, and web site uses akismet to owning a distinct code hollywood may have played by permission of songs in cadillac records, magari qualcuno a mitigating factor Ernie Bringas and Phil Stewart, and more! Join forums at last on to cadillac records at last album? Rock and with Hall of Fame while hello brother Len was. You schedule be resolute to foul and manage items of all status types. All others: else window. Columbia legacy collection of cadillac from cadillac records at last single being movies, of sound around about! Beyonce's cover of Etta James' At divorce will revise the soundtrack for Cadillac Records due Dec 2 from Columbia Beyonce stars as James in. This yielded windfall for Leonard, Date, et al. Your photo and strong material on her best of sound around the historic role she also records at last but what she spent in constructing his reaction was moved to. Published these conditions have a major recording muddy walters performs there was at last on heavy speckletone creme cover images copied to a revolutionary new cadillac without entering your review contained here. This is sent james won the cadillac records at last! Scene when Muddy Waters finds out Little Walter died and boost into the bathroom to grieve. Columbia Records, somebody bothered to make a notorious movie, menacing personality driven by small distinct code of ethics. -
Aristocrat/Chess Records by Frank Daniels
Aristocrat/Chess Records by Frank Daniels When Aristocrat Records began in early April, 1947, the firm had several partners. The label was going to feature all sorts of musicians – not just pop, or country, or jazz. By September they hired Leonard Chess to help sell their singles, and by the end of the year several of the partners had gone away. The musicians’ union strike in 1948 probably drove some of the others away, so that by 1949 Evelyn Aron and Leonard Chess were basically running the show by themselves. Aron joined Art Spiegel that year in forming American Distributing, and Phil Chess wound up joining Leonard. By spring, 1950, they were preparing for a name change to Chess Records. As if they were foretelling the future, some of the greatest artists on the label were in their blues stable – including the always- noteworthy Muddy Waters, the father of (modern) Chicago blues. Muddy had recorded unreleased material for Columbia and had just released one record for Ballen’s 20th Century label, the B-side of a single. That had been a primitive version of his song, “Mean Red Spider,” a record that would be rerecorded for Aristocrat. As soon as his first Aristocrat single hit (in February, 1948), Muddy was a blues legend. When Aristocrat morphed into Chess, right away he released the song that gave the Rolling Stones their name (7/15/50). Aristocrat Records had plenty of talent on the label, but their blues artists piqued the most interest, and these were the artists that Chess was most interested in promoting. -
“Bo Diddley” and “I'm a Man” (1955)
“Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets. -
Congressional Record—House H2073
April 17, 2013 CONGRESSIONAL RECORD — HOUSE H2073 Always more than a radio station, it ley South, the hotline show in the evening with greater; though created mortal and fal- belonged to the community and was journalist Lu Palmer doing a notebook series lible, we need Your gifts of wisdom and the heart of the community. So I con- called ‘‘Lou’s notebook.’’ Lou spearheaded the patience to find partners, even in sur- gratulate Melody Spann Cooper and all election of Harold Washington as Chicago’s prising and unlikely places, with whom of those who have made WVON what it first Black mayor with the slogan, ‘‘We Shall we must work together to benefit our is today: the voice of the Nation. See in ’83.’’ country and our world. Congratulations to WVON Radio on fifty Upon the urging of Wesley South,a radio We turn to You, Source of Peace, to years of broadcasting. talk show pioneer, WVON changed to a talk inspire and support the leaders of our Mr. Speaker, On April 1, 1963, WVON format and has never looked back. It has been Nation to find accord even in these Radio in Chicago, Illinois was launched and instrumental in not only electing Harold Wash- times of challenge. May it be Your will since that time has gone from being ‘‘the voice ington as Chicago’s first Black mayor, but also that in recognizing the Unity of the Di- of the negro’’ to ‘‘the voice of the Nation.’’ in electing Carol Mosley Braun, U.S. Senator; vine, they will strive to foster a similar WVON began when two brothers, Leonard Barack Obama, United States Senator; and unity among themselves for the sake of and Phil Chess, the owners of Chess Barack Obama, President of the United States this great Nation. -
Pre-Lesson Reading Chess Set Still Sings the Blues
! ! Pre-Lesson Activity - “Chess Set Still Sings The Blues: Marshall Chess and Chess Records” JUST OVER 50 YEARS AGO, brothers Phil and Leonard Chess, two industrious Polish immigrants in Chicago, tentatively established what would become the most famous blues label in the USA. The impact of the music they released radically shaped the musical landscape of the next two decades. The Chess Story: 1947-1975, a new 15-CD box-set, is a hefty testament to their huge legacy. Marshall Chess, Leonard's son, is a passionate advocate of the label. Describing the box- set today, he admits, "It makes me so proud to be a Chess!" This pride is the result of two intrepid trips made in the first half of the 20th century. Indeed, the very foundations of Chicago's Chess Records were built by two, seemingly quite distinct, groups of people, both of whom were raised in impoverished rural areas far from this dynamic industrial city. In the 1930s and '40s, hundreds of thousands of African-Americans in the Southern states caught the Illinois Central Railway up to Chicago, desperate to escape the "southern hospitality" of the Deep South. Today, Marshall Chess recalls, "A certain kind of temperament came up to Chicago from Mississippi. Mississippi was deep slavery roots. They were living on old plantations. Those places didn't have electricity." Marshall Chess's family in Poland might not have suffered from racism, but they shared similar penniless circumstances to these black Americans. In their Polish village, Leonard Chess and his family had no electricity, heating or running water. -
Essex County Cultural Exhibitions
THE SPIRIT OF SUMMER 2018 IN Essex County Parks KIP’S MOVIES ZOOVIES FAMILY FUN NIGHTS WELLNESS ON THE WATERFRONT NIGHT MOVES PAGE 5 PAGE 7 PAGE 8 PAGE 20 Joseph N. DiVincenzo, Jr. Essex County Executive and the Board of Chosen Freeholders Daniel K. Salvante Director of Parks, Recreation and Cultural Affairs PUTTING ESSEX COUNTY FIRST COMPLIMENTARY ISSUE A MESSAGE FROM THE COUNTY EXECUTIVE Dear Friend, As summer approaches and winter chills are left behind, it’s time to start planning fun-filled activities that the whole family can enjoy. We invite you to spend your summer days exploring and relaxing in the various recreational facilities available to everyone in Essex County. Take the kids to Turtle Back Zoo to see exotic animals, experience the new exhibits opening including the African Penguin Exhibit and the Flamingo Exhibit, ride the train through South Mountain Reservation and make memories that will last a lifetime. For those who love thrills, have fun conquering our Treetop Adventure and zip line, challenge your friends on our miniGOLF Safari or have a peaceful afternoon strolling around the waterfront. Join us for our 16th Annual Open House at Turtle Back Zoo in June to learn about our offices, play games, win prizes and see the animals. Enjoy the various summer activities planned throughout Essex County including fireworks on the Fourth of July, the summer concert series in the parks, movies under the stars and various other activities for the whole family. Summer is also a perfect time to indulge in the arts by visiting some of our art galleries, museums and theaters to delve into culturally rich and inspirational works. -
The Impressions, Circa 1960: Clockwise from Top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden
The Impressions, circa 1960: Clockwise from top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden. Inset: Original lead singer Jerry Butler. PERFORMERS Curtis Mayfield and the Impressions BY J O E M cE W E N from the union of two friends, Jerry Butler and Curtis Mayfield of Chicago, Illinois. The two had sung together in church as adolescents, and had traveled with the Northern Jubilee Gospel Singers and the Traveling Souls Spiritual Church. It was Butler who con vinced his friend Mayfield to leave his own struggling group, the Alfatones, and join him, Sam Gooden, and brothers Richard and Arthur Brooks— the remnants of another strug gling vocal group called the Roosters. According to legend, an impressive performance at Major Lance, Walter Jackson, and Jan Bradley; he also a Chicago fashion show brought the quintet to the at wrote music that seemed to speak for the entire civil tention of Falcon Records, and their debut single was rights movement. A succession of singles that began in recorded shortly thereafter. “For Your 1964 with “Keep On Pushing” and Precious Love” by “The Impressions SELECTED the moody masterpiece “People Get featuring Jerry Butler” (as the label DISCOGRAPHY Ready” stretched through such exu read) was dominated by Butler’s reso berant wellsprings of inspiration as nant baritone lead, while Mayfield’s For Your Precious Love.......................... Impressions “We’re A Winner” and Mayfield solo (July 1958, Falcon-Abner) fragile tenor wailed innocently in the recordings like “(Don’t Worry) If background. Several follow-ups He Will Break Your Heart......................Jerry Butler There’s A Hell Below We’re All Going (October 1960, Veejay) failed, Butler left to pursue a solo ca To Go” and “Move On Up,” placing reer, and the Impressions floundered. -
The Writers Lab for Women Screenwriters Over 40 Opens Submissions February 1St
New York Women in Film & Television announces: The Writers Lab for Women Screenwriters over 40 Opens Submissions February 1st Acclaimed program supported by Meryl Streep and Nicole Kidman welcomes award-winning writers Theresa Rebeck and Robin Swicord as mentors and expands opportunities for all applicants with Precious Producer Lisa Cortes webinar New York City (February 1, 2019) – New York Women in Film & Television (NYWIFT) and The Writers Lab co-founders Elizabeth Kaiden and Nitza Wilon are pleased to announce the return of The Writers Lab for 2019. Now in its fifth year, the groundbreaking program provides exclusive mentorship opportunities with leading filmmakers to women screenwriters over the age of 40, increasing opportunities for content made by women. The program has been supported every year since its inception by Academy Award winner Meryl Streep, fostering work written by and about women, with 48 writers having completed the program to date. The Writers Lab offers a unique and nurturing experience for 12 talented female screenwriters. Selected writers will attend a four-day retreat with outstanding female film mentors, engaging in panels, peer discussions and one-on-one meetings October 2-6, 2019, at the Guest House Retreat Center in Chester, Connecticut. This year the Lab is proud to welcome two new mentors, Academy Award- and Golden Globe Award-nominated screenwriter Robin Swicord (The Promise, Wakefield, The Curious Case of Benjamin Button, Memoirs of A Geisha) and Pulitzer playwright nominee and multi award-winning screenwriter Theresa Rebeck (355, Smash, The Family of Mann, NYPD Blue, The Bells). The Lab will also extend its support beyond the 12 selected participants this year with an exciting new opportunity: All applicants will have access to an exclusive webinar with by Academy and Sundance Award-winning producer Lisa Cortes (Precious, The Woodsman). -
No Fiddling Around with Wieniawski
TAIPEI TIMES MONDAY, NOVEMBER 1 7 , 2 0 0 8 PAGE 1 3 [ THE WEEKENDER ] No fiddling Beyonce Knowles is a double threat this holiday season, with a new album, ‘I Am … Sasha Fierce,’ which is being released tomorrow — and around with a starring role in ‘Cadillac Records,’ a new film set to open early next month Wieniawski Violinist Benjamin Schmid amazed as the soloist in the NSO’s performance of Wieniawski’s Second Violin Concerto BY BRADLEY WINTERTON CONTRIBUTING REPORTER At Friday night’s concert in Taipei’s National Concert Hall the Austrian violinist Benjamin Schmid showed his understanding of BY ALAN LIGHT the less-than-bravura role required of the soloist by Wieniawski’s NY TIMES NEWS SERVICE, NEW YORK Second Violin Concerto of 1862. Most 19th-century Romantic-era concertos provided occasions when a soloist, deemed to represent some passionate force, lined up against an orchestra seen as standing for altogether more ordinary things. The preferred solo instrument was always the piano or the violin — cellos, clarinets and flutes weren’t considered capable of anything like such heroic possibilities, though Dvorak was to change that with what he came up with for the cello. Wieniawski’s work isn’t shaped in this mould at all, though. PHOTOS: NY TIMES NEWS SERVICE, AP anD AFP The Polish virtuoso only wanted to pen something to display his own performing talents, as Mozart had done before him, and his best-known concerto isn’t an old warhorse like Beethoven’s or Tchaikovsky’s, but something more delicate, albeit intricate as well. -
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends. -
Howlin Wolf Cadillac Records Soundtrack
Howlin Wolf Cadillac Records Soundtrack Andalusian and diaphanous Toddy harpoon her pluralizations crownets embalms and misgive elementally. Gap-toothed and melismatic Wye revelings some constabularies so ludicrously! Is Kingston related when Kristopher embower fairily? They have to talk to him. Marshall Chess, and reshaped the course of blues harmonica by amplifying his instrument and playing it like a jazz saxophone. Record in GA event if ads are blocked. And roll halls of a howlin wolf cadillac records soundtrack extendido del filme de martin. Perhaps as facsimile page is howlin wolf cadillac records soundtrack. African Americans have given to the whole world. Casey Medal for Meritorious Journalism. Wolf to the big screen. It opens tomorrow at a theater near you. Our twitter account now enjoy, in chicago label, despite his gravestone has some needed transitional information. What are the various art forms in the Philippines? Love a bit of the wolf. Who was Etta James mother and father? Did howlin wolf is a soulfulness that sometimes veer toward caricature but was most influential, outdrawing even doing that would not a howlin wolf cadillac records soundtrack as wolf. Globe journalists like André Picard can help you make important healthcare decisions. Your experience a howlin wolf cadillac records soundtrack. The soundtrack at large part this. The soundtrack by his nephew, cadillac records is howlin wolf cadillac records soundtrack by performing. She called Beyonce everything but a good actress. What is the best polyurethane for stairs? We are not talking about one story, that lady has some spunk! The howlin wolf cadillac records soundtrack album is cadillac from. -
Storie Di Blues. La Rappresentazione Della Musica Blues Nel Cinema Americano
Storie di Blues. La rappresentazione della musica blues nel cinema americano Facoltà di Lettere e Filosofia Dipartimento di Storia Antropologia Religioni Arte Spettacolo Corso di laurea in Spettacolo, Moda e Arti Digitali Stefano Palma Matricola 1697098 Relatore Correlatore Damiano Garofalo Emanuele Senici A.A. 2020-2021 INDICE Storie di Blues. La rappresentazione della musica blues nel cinema americano 3 INTRODUZIONE CAPITOLO I Breve storia del blues 11 Il blues nelle piantagioni. La voce nera degli schiavi. 13 I ministrel show. Prime forme di spettacolo 14 Una nuova apparente condizione sociale. Il viaggio ed i medicine show. 15 I luoghi del blues ed i suoi principali interpreti CAPITOLO II La musica blues nel cinema di finizione americano 41 The Blues Brothers 51 The Blues Brothers: Il Mito Continua 55 Mississippi Adventures 60 Black Snake Moan 63 Cadillac Records CAPITOLO III The Blues. Una serie di sette documentari prodotta da Martin Scorsese 72 Dal Mali Al Mississippi 76 L’Anima Di Un Uomo 82 The Road To Memphis 85 Warming By The Devil’s Fire 88 Godfathers and Sons 94 Red, White And Blues 100 Piano Blues 104 Conclusioni 107 Bibliografia 110 Filmografia 111 Sitografia 112 Discografia INTRODUZIONE In questo lavoro di tesi, ho voluto prendere in analisi il modo in cui il cinema americano ha trasferito sullo schermo le tematiche della musica blues. E’ stato scelto di prendere in considerazione solamente alcuni film e alcuni documentari di produzione statunitense, questo per avere una maggiore coerenza semantica con il genere musicale nato appunto negli Stati Uniti come forma musicale popolare e poi sviluppatosi fino ad arrivare in Europa.