Fargo #101 Production Draft
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Micdi Productions, Inc
MICDI PRODUCTIONS, INC. CALIFORNIA STATE CORPORATION SIGNATORY OF I.A.T.S.E. MEMBER OF LOCAL 700 EDITOR’S GUILD [email protected] PHONE 818-563-3400 FAX 818-563-3800 MICDI PRODUCTIONS, INC. MICDI Productions is an award-winning, cutting-edge music editoriaL company and is home to a famiLy of taLented music editors, assistants, and support staff. Formed in 1987, MICDI holds among its credits many of film and television’s biggest hits and emerging favorites. We pride ourselves as creative colLaborators and host a Long and storied list of fiLmmakers, producers, composers, and music supervisors as our partners. We are adept in providing high-quaLity music editoriaL services for many media formats including broadcast television, feature fiLms, streaming, and new media. The MICDI faciLity is equipped with state-of-the-art technology including on-site ProtooLs editoriaL suites, mobiLe ProtooLs editoriaL systems, a fulLy networked faciLity and their very own high-speed server to secureLy transfer media fiLes with productions anywhere around the world. To colLaborate with remote productions and clienteLe, MICDI is equipped with remote playback systems such as Source Live and Source Connect, as welL as their very own hardware QVidium media streaming system. AdditionaLLy, our editors have access to a vast and exclusive fiLm & television score library containing many thousands of titLes, avaiLable only to MICDI. Being centraLLy located to aLL major studios in the greater Los Angeles area, our Burbank faciLity hosts amenities including a fulLy-stocked hospitaLity kitchen, runner & client services personnel, a conference room and electric vehicle charging stations. We look forward to Learning more about your project. -
March 6– 9, 2002 @ the Historic Fargo Theatre
F A R G O T h e F i l m F e s t i v a l March 6– 9, 2002 @ The Historic Fargo Theatre www.fargofilmfestival.com SCHEDULE @ a g l a n c e ... Wednesday Evening, March 6th 5:00-9:00 p.m. Early Bird Registration 6:00 p.m. The Farm 58 min. USA (Emmy-award documentary) Directed by Liz Garbus. Introduced by Filmmaker Liz Garbus. 7:30 p.m. Do It For Uncle Manny USA 2001 (Best Feature Comedy) Directed by Adam Baratta, Director Present. After Glow: Juano’s Restaurant Thursday, March 7th A celebration of the art of documentary filmmaking Thursday Morning 8:00 a.m. Registration, Fargo Theatre Lobby 9:00 a.m. Opening Press Conference, Fargo Theatre. An introduction to the festival’s featured filmmakers and honored guests. 9:45 a.m. Eugene McCarthy: I’m Sorry I Was Right 29 min., USA 2001 (Best Short Documentary) Directed/Produced by Mike Hazard, Director Present 10:30 a.m. Nocturne 6 min. Canada 1996 (Short Documentary) Directed/Produced by Michael Crochetiere 10:45 a.m. Subterranean Passage 32 min. Canada 1999 (Short Feature), Directed/Produced by Michael Crochetiere 11:20 a.m. The Terms 11 min. Ireland 2001 (Short Feature), Directed by Johnny O’Reilly, Produced by Lemon Cut Ltd./Niall McLoughlin Thursday Afternoon 12 Noon Luncheon/Panel Discussion on Documentary filmmaking/filmmakers- Avalon Event Center- Matt Olien, moderator. Panelists Mike Hazard, Jilann Spitzmiller, Hank Rogerson, and our own Bill Snyder. 1:45 p.m. Homeland 58 min. USA 1999 (Best Feature Documentary) Directed by Jilann Spitzmiller and Hank Rogerson, Produced by Philomath Films, Director Present 3:15 p.m. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Fishing the Red River of the North
FISHING THE RED RIVER OF THE NORTH The Red River boasts more than 70 species of fish. Channel catfish in the Red River can attain weights of more than 30 pounds, walleye as big as 13 pounds, and northern pike can grow as long as 45 inches. Includes access maps, fishing tips, local tourism contacts and more. TABLE OF CONTENTS YOUR GUIDE TO FISHING THE RED RIVER OF THE NORTH 3 FISHERIES MANAGEMENT 4 RIVER STEWARDSHIP 4 FISH OF THE RED RIVER 5 PUBLIC ACCESS MAP 6 PUBLIC ACCESS CHART 7 AREA MAPS 8 FISHING THE RED 9 TIP AND RAP 9 EATING FISH FROM THE RED RIVER 11 CATCH-AND-RELEASE 11 FISH RECIPES 11 LOCAL TOURISM CONTACTS 12 BE AWARE OF THE DANGERS OF DAMS 12 ©2017, State of Minnesota, Department of Natural Resources FAW-471-17 The Minnesota DNR prohibits discrimination in its programs and services based on race, color, creed, religion, national origin, sex, public assistance status, age, sexual orientation or disability. Persons with disabilities may request reasonable modifications to access or participate in DNR programs and services by contacting the DNR ADA Title II Coordinator at [email protected] or 651-259-5488. Discrimination inquiries should be sent to Minnesota DNR, 500 Lafayette Road, St. Paul, MN 55155-4049; or Office of Civil Rights, U.S. Department of the Interior, 1849 C. Street NW, Washington, D.C. 20240. This brochure was produced by the Minnesota Department of Natural Resources, Division of Fish and Wildlife with technical assistance provided by the North Dakota Department of Game and Fish. -
Coen Brothers' Fargo in the Noir Melting Pot of Genre Patterns
Acta Universitatis Wratislaviensis • No 3869 Literatura i Kultura Popularna XXIV, Wrocław 2018 DOI: 10.19195/0867-7441.24.4 Kamila Żyto ORCID: 0000-0003-2822-8341 University of Łódź Detours of absurdity: Coen brothers’ Fargo in the noir melting pot of genre patterns Keywords: film noir, film history, film genres, cinema of Coen brothers Słowa kluczowe: film noir, historia filmu, gatunki filmowe, kino braci Coen The long-lasting debate over whether film noir should be seen as a genre, a cycle or a tendency in the history of cinema remains unsettled. No definitive solution has been found, nor any consensus reached, owing to the fact that the film noir phenomenon is particularly complex and convoluted. Much of the debate revolves around questions of approach and genre. But many movies, both those released in the 1940s and 1950s (the classical period) and those released in the following decades (the neo-noir, or postclassical, period), do not obviously fit any genre pattern or other ordering scheme. The diversity among films that are now unquestionably classified as noir, provokes controversy and raises numerous questions. What does Sunset Boulevard (dir. Billy Wilder, 1950) have in common with The Killers (dir. Robert Siodmak, 1946)? The first one is simultaneously a crime story, melodrama and horror. The second one is, without a doubt, a gang- ster movie. Do all noir films really constitute a single genre? I will leave this question unanswered, as to support any of the various opinions about the generic identity of film noir is not the main aim of this paper.1 From my perspective, there is little utility in joining this on-going debate, which has reached a standstill some time ago. -
Download the Good Father PDF
Download: The Good Father PDF Free [601.Book] Download The Good Father PDF By Noah Hawley The Good Father you can download free book and read The Good Father for free here. Do you want to search free download The Good Father or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #The Good Father | #173558 in Books | Noah Hawley | 2013-01-08 | 2013-01-08 | Original language: English | PDF # 1 | 7.97 x .70 x 5.20l, .52 | File type: PDF | 320 pages | The Good Father | |5 of 5 people found the following review helpful.| A truly great book | By John W. Hadley |I read Hawley's first book bc I had been impressed with his pacing and wording on his TV series "Fargo." The Malvo character corrects someone at one point telling him: "you are focusing on the wrong part of that sentence." There is a clinical aspect to his writing and his insight, in both books, that frustrated would-be writers, such as I am | | “A powerful narrative that builds relentlessly to a stunning emotional climax.”— The Chicago Tribune| |“A powerfully emotional page-turner.”—San Francisco Chronicle|  From the author of the New York Times bestseller Before the Fall, an intense, psychological novel about one doctor's suspense-filled quest to unlock the mind of a suspected political assassin: his twenty-year old son. As a rheumatologist, Dr. Paul Allen's specialty is diagnosing patients other doctors have given up on. -
Fargo Police Department Policy Manual
Fargo Police Department Policy Manual CHIEF’S PREFACE The primary purpose of this policy manual is to provide all members of the Fargo Police Department, regardless of their rank, title, position, or status as a sworn officer or civilian employee, with the guidance that allows each employee to perform their duties in the most professional manner possible. Therefore, it is important to recognize the development of this policy manual is an ongoing process and is intended to not only serve the department’s interests, but the interests of department personnel and the community as well. This manual also exists to establish the department’s leadership and management principles and to set the standards and expectations all department employees are held to. The department’s policies and procedures should elevate the standards of our profession as well as strengthen the community’s confidence in our organization. Every member of this department must be encouraged, both individually and collectively, to realize the responsibilities associated with their position. Everyday they must continuously strive to earn the support, respect, and cooperation of the citizens we serve. Above all else, the men and women who collectively define this organization must recognize the very basis for the existence of the Fargo Police Department is the law. The credibility of our organization and the law enforcement profession in general, is ultimately enhanced by our understanding of and self-adherence to the law and by how we contribute to the welfare of our community. The policies contained within this manual reflect the goal of maintaining that credibility to the best of our ability. -
Stijl in Fargo
BACHELOR EINDWERKSTUK Jasper Koenen 3909700 Media- en Cultuurwetenschappen Docent: Hanna Surma Studiejaar 2015-2016, blok 2. Inleverdatum: 29 januari 2016 STIJL IN FARGO Stilistische analyse naar de functie van stijl op de vormgeving van het personage Gus Grimly. Deze pagina is welbewust wit gelaten. 1 Abstract In dit eindwerkstuk wordt er onderzoek gedaan naar de relatie tussen stijl en personage in dramaserie FARGO van FX. Het personage dat centraal zal staat is Gus Grimly. Er is gekozen voor dit personage vanwege de grote ontwikkeling die hij doormaakt. Met behulp van een stilistische analyse worden de stijlelementen mise-en-scène, geluid en montage nader bekeken. De opzet van de analyse is overgenomen van mediawetenschapper Jeremy Butler. In zijn boek TV Style werkt hij een methode uit voor onderzoek naar stijl in televisie. Uit de analyse die is uitgevoerd in dit eindwerkstuk blijkt stijl een belangrijke functie te hebben. Waar Gus zich na tien afleveringen ontpopt tot personage dat in staat is iemand te vermoorden, lijkt stijl juist iets anders te willen betogen. Gus wordt immer afgebeeld als de rustige en goedaardige man en zelfs na het doden van Lorne Malvo blijft de vormgeving onveranderd. Hiermee wordt aangegeven dat Gus als personage niet veranderd is, maar dat het doden van Lorne een actie was waar Gus dwangmatig aan toe moest geven. Stijl is dus in staat een boodschap uit te dragen die in eerste instantie niet lijkt te stroken met wat het narratief van een serie vertelt. Keywords: Television Style; stylistic analysis, complex tv, character development. 2 Inhoudsopgave Abstract ................................................................................................................................................... 2 1. Inleiding .......................................................................................................................................... -
S:\Civil\Clark Class Cert.Wpd
UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF NORTH CAROLINA SABRINA CLARK, on behalf of ) herself and a class of those ) similarly situated, ) ) Plaintiffs, ) v. ) ) MEMORANDUM OPINION ) AND RECOMMENDATION WELLS FARGO FINANCIAL, INC., ) WELLS FARGO FINANCIAL ) 1:08CV343 NORTH CAROLINA, INC., ) d/b/a WELLS FARGO FINANCIAL ) and WELLS FARGO FINANCIAL ) ACCEPTANCE, and DOES 1-50, ) ) Defendants. ) This matter is before the court on a motion to dismiss Plaintiffs’ collective action and class action claims or, alternatively, for summary adjudication by Defendants Wells Fargo Financial, Inc. and Wells Fargo Financial North Carolina, Inc. (collectively “Wells Fargo” or “Defendants”) (docket no. 11), and on Plaintiffs’ motion to stay the deadline for filing a motion for class certification (docket no. 19). The parties have responded in opposition to the respective motions, and the matter is ripe for disposition. Furthermore, the parties have not consented to the jurisdiction of the magistrate judge. The motions must, therefore, be dealt with by way of recommendation. For the following reasons, it will be recommended that the court deny Defendants’ motion to dismiss and grant Plaintiffs’ motion to stay. Case 1:08-cv-00343-NCT-WWD Document 28 Filed 10/30/08 Page 1 of 20 Background Plaintiff Sabrina Clark filed this purported class action on behalf of herself and others similarly situated, based on Wells Fargo’s alleged failure to pay overtime to Plaintiffs in accordance with the Fair Labor Standards Act (“FLSA”), 29 U.S.C. § 210 et seq.1 Plaintiffs seek to have this court grant a motion for a conditional collective class action under section 216(b) of the FLSA. -
“Waiting for Dutch” Episode #201 Script by Noah Hawley
Executive Producer: Noah Hawley EPISODE: #201 Executive Producer: Warren Littlefield SCRIPT: #201 Executive Producers: Joel & Ethan Coen PRODUCTION: #2001 Executive Producer: John Cameron “Waiting For Dutch” Episode #201 Script by Noah Hawley PINK PRODUCTION DRAFT – FULL – 9/26/14 26 Keys Productions The Littlefield Company Nomadic Pictures MGM Television FX Networks MGM Television Entertainment Inc. 245 North Beverly Drive Beverly Hills, CA 90210 © 2013 MGM Television Entertainment Inc. All Rights Reserved. Episode #201 “Waiting For Dutch” PINK DRAFT – 9.26.14 REVISION HISTORY PINK DRAFT 9/26/14 BLUE REVISION PAGES 9/11/14 PRODUCTION DRAFT 8/7/14 NOTES: PINK PINK DRAFT REVISIONS - Sc. 24 dialogue change - Sc. 39 description change - Sc. 40 has been ADDED PINK DRAFT REVISIONS – ADDITIONAL NOTES: All scenes have been renumbered for clarity Character JOE BULO has been added to this episode Character MIKE MILLIGAN has been added to this episode Character THE KITCHEN BROTHERS have been added to this episode BLUE REVISION PAGES - Sc. 1 description, dialogue change - Sc. 3 description, dialogue change - Sc. 6 has been OMITTED - Sc. 7 has been OMITTED - Sc. 8 has been OMITTED - Sc. 9 description change - Sc. 12 description change - Sc. 13 location name change - Sc. 15 location name, description, dialogue changes - Sc. 16 location name change - Sc. 18 description change - Sc. 20 description change - Sc. 22 dialogue change - Sc. 23 description change - Sc. 24 dialogue changes - Sc. 25 description, dialogue changes - Sc. 25A has been ADDED - Sc. 25B has been ADDED Episode #201 “Waiting For Dutch” PINK DRAFT – 9.26.14 - Sc. 26 location name, description, dialogue change - Sc. -
Fargo Tannery
/THE SOME ECCENTRIC FuNu .al What is Womanfs < An enormous crowd gathered « ..Chester, England, a few months ap -to witness the funeral of an electrics Beauty but Health? engineer, who w bb carried to the cen, etery in a coffin that had been labon And the Basis of Her Health and ou.sly constructed by himself out ol Vigor Lies in the Careful Reg To the Merit o f Lydia E. Pink 4,000 match boxes. These, with their ulation of the Bowels. ham’s Vegetable Com tops visible and advertising their re I f woman’s beauty depended upon spective makers, were varnished over cosmetics, every woman would be a pound during Change and strengthened Inside with wood. * ✓ picture of loveliness. But beauty lies o f Life. On the coffin was placed an electric deeper than that It lies in health. In •battery. the majority of cases the basis of Ancient Lindisfarne Castle Some years ago a maiden lady died health, and the cause of sickness, can Streator, H .—" I Bhallalways praise at Calemis-sur-Lys, in France, who be traced to the action of the bowels. Lydia E. Pinkham’s Vegetable Com was reported to have been a champi(#t The headaches, the lassitude, the pound wherever I snuff taker. She enjoyed singularly sallow akin and the luBterless eyes are go. It baa done me good health, retained all her mental usually due to constipation. So many so much good at faculties, and died at a ripe old age. things that women do habitually con Change o f Life, and Her funeral was most extraordinary. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Eat the Rude. Serielle Verfahren und die Ästhetisierung kannibalistischer Gewalt in der TV-Serie Hannibal“ verfasst von / submitted by Kristina Höch, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 582 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Theater-, Film- und Medientheorie degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. habil. Ramón Reichert 1 Für meine Eltern. Ihr habt es erst möglich gemacht. Danke für absolut alles! Ihr seid die Besten! Danke Dani, dass du all die Jahre immer für mich da warst. Für all die Zeit, die du in wirre Schachtelsätze investiert hast, für deine aufmunternden Worte und die vielen Care Pakete mit Nervenfutter. Danke Andre, dass du meine Launen ertragen hast und immer an meiner Seite warst, vor allem dann, wenn mich Laptop und Drucker fast in den Wahnsinn getrieben hätten. Danke Johnny, dass du mir bei vielen Kinobesuchen und guten Gesprächen neue Perspektiven eröffnet hast. Ein großer Dank gilt auch Herrn Mag. Dr. habil. Ramón Reichert, der mich durch den Schreibprozess begleitet und mit hilfreichen Tipps und konstruktiver Kritik unterstützt hat. 2 3 Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht.