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This Will Destroy You Interpretará Los Álbumes Young Mountain Y S/T En El Teatro De La Ciudad Esperanza Iris Publicado El 05 Junio 2018
Notas This Will Destroy You interpretará los álbumes Young Mountain y S/T en el Teatro de la Ciudad Esperanza Iris Publicado el 05 Junio 2018 SC/DDC/CP/0521-18 Ciudad de México, 5 de junio de 2018 Después de su exitosa presentación en el Forever Alone Fest III, la agrupación dará un concierto para celebrar una década del lanzamiento de su primer álbum, S/T, con el que se convirtió en una de las bandas más reconocidas del post-rock El grupo tlaxcalteca Awful Traffic será el invitado especial para este espectáculo donde interpretará piezas de su segundo disco, El viento predice el futuro La banda texana de post-rock This Will Destroy You estará en el Teatro de la Ciudad Esperanza Iris para interpretar completos los discos Young Mountain (2006) y S/T (2008) el próximo domingo 17 de junio a las 18:00 horas, a doce y diez años, respectivamente, de sus lanzamientos. Luego de visitar por primera vez nuestro país (al liderar el cartel del festival Forever Alone Fest III en febrero del año pasado), la banda regresa con una gira especial para presentarse en el recinto de Donceles. Es la celebración de la primera década de su álbum debut S/T, el cual fue aclamado por la crítica y cuyos temas han formado parte de bandas sonoras en series y películas como Room y Moneyball. “Lo que veremos es poco más de cien minutos de música continua, es un repaso por discos que salieron hace más de una década. Es muy interesante ver cómo después de este tiempo hoy en día hay más bandas haciendo música influenciada por This Will Destroy You”, aseguró Kevin Enríquez, representante de la agencia organizadora del concierto, INTRSTLRS. -
This Will Destroy You Tunnel Blanket
THIS WILL DESTROY YOU TUNNEL BLANKET In any relationship, it’s often what’s not said that lingers longest, taken from an encounter and rendered indelible. Texan four-piece This Will Destroy You realize this better than most instrumental outfits, peppering their material with dialogue that’s no slave to language, to vowels and tongues. It’s communica- tion without bounds, expressive and emotive and, most importantly of all, TRACKLISTING 1. Little Smoke highly memorable. 2. Glass Realms 3. Communal Blood Tunnel Blanket is the group’s second long-player. It follows a well-received 4. Reprise eponymous debut of 2008, a record that earned the band many an attractive 5. Killed the Lord, Left comparison to post-rockers who, for the sake of the past being just that, will for the New World remain nameless here. But to This Will Destroy You – founding guitarists Chris 6. Osario King and Jeremy Galindo, bassist Donovan Jones and drummer Alex Bhore – 7. Black Dunes the parallels were not so welcomed. Their sound world was theirs alone to 8. Powdered Hand inhabit, any coincidences just that. So, for album two, a new direction was inevitable, ties binding them to any scene tossed and forgotten. Catalog #: SSQ093 Tunnel Blanket delivers the epic-in-scope soundscapes that followers of its Street Date: May 10, 2011 makers’ previous recordings are accustomed to, but presents them in new Genre: Rock lights – where once the sun shone down bright upon immediate tropes and traits, now their work is better suited to distant starlight, casting changeable Format: CD/2xLP/DIGITAL shadows across vistas of inspired, ambitious amplification. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Cancelan Senadores Equipos De Fotomulta
Iniciarán con Garbage y Blondie, juntos en México; 5 mil millones las bandas se presentarán el 14 de agosto renovación de en el Palacio de los Deportes >31 transporte >10 $10 PESOS Jueves 9 de marzo de 2017 DIARIOIMAGEN Año XI No. 3074 México [email protected] Día de la Mujer Cancelan EPN llama senadores a combatir equipos de el machismo fotomultas en México Entre gritos de apoyo de los automovilistas, los El presidente Enrique Peña senadores Mario Delgado, Nieto llamó a todos los de Morena, y Mariana actores del país a com- Gómez del Campo, del batir todas las PAN, cancelaron varios expresiones del equipos de fotomultas en machismo... >13 la Ciudad de México, al considerarlos un El dato atraco para los automovilistas El secretario de >9 Comercio de Estados Unidos, Wilbur Ross, DðUPʼnTXHODV SOÀWLFDVGHUHQHJRFLDFLʼnQ del TLC con México *\LU[HZJSHYHZHÄYTH1VZt4HUa\Y y Canadá iniciarán a ðQDOHVGHHVWHDŅR\ probablemente >11 GXUDUÀQXQDŅR Edomex cumplirá en tiempo HOY ESCRIBEN Roberto Vizcaíno >7 Ramón Zurita >6 Víctor Sánchez Baños >10 y forma observaciones de ASF Francisco Rodríguez >14 Augusto Corro >5 Secretarios general de Gobierno y de Finanzas comparecen ante J. A. López Sosa >11 Comisiones de Planeación y Gasto Público, y de Finanzas Públicas Salvador Estrada >12 Freddy Sánchez >9 Por José Luis Montañez de Gobierno, José Manzur Qui- propio gobierno estatal solicitó roga, y de Finanzas, Joaquín esta audiencia para detallar Gloria Carpio >31 El Estado de México cuen- Castillo Torres, al comparecer las observaciones realizadas Victoria G. Prado >16 ta con un manejo honesto, ante diputados locales que in- por la Auditoría Superior de la transparente y responsable de tegran las Comisiones Unidas Federación (ASF), las cuales diarioimagen.net los recursos públicos, enfoca- Legislativas de Planeación y están siendo atendidas como GRDEHQHÀFLDUDODVIDPLOLDV Gasto Público, y de Finanzas marca la ley, y así mexiquenses, coincidieron en Públicas. -
Date Event Casino 7/19 Comedian Dave Landau Diamond Jo
Current as of July 17, 2017 Date Event Casino 7/19 Comedian Dave Landau Diamond Jo Dubuque 7/19 GAYLE BECWAR Hard Rock Hotel & Casino 7/19 BLONDIE & GARBAGE - THE RAGE AND RAPTURE TOUR Harrah's Council Bluffs 7/20 KESHA AND THE CREEPIES WITH SPECIAL GUEST ATLAS GENIUS Harrah's Council Bluffs 7/21 HARD ROCK COUNTRY MUSIC FESTIVAL PRE-PARTY FT. CODY JOHNSON W/ Hard Rock Hotel & Casino 7/21 GOORANDALL GOO KINGDOLLS & WITHBEN GRILLET SPECIAL GUEST PHILLIP PHILLIPS Harrah's Council Bluffs 7/21 Casey Muessignmann Prairie Meadows 7/22 HARD ROCK COUNTRY MUSIC FESTIVAL: BILLY CURRINGTON, CHASE RICE, Hard Rock Hotel & Casino 7/22 DASHBOARDWHISKEY MYERS, CONFESSIONAL MICHAEL TYLER WITH & THE FILMORE ALL-AMERICAN REJECTS Harrah's Council Bluffs 7/22 Lexi Parr & the Rubyblondes Prairie Meadows 7/26 Comedian Christine Stedman Diamond Jo Dubuque 7/26 TIM GAITHER Hard Rock Hotel & Casino 7/27 CHRIS YOUNG Harrah's Council Bluffs 7/28 Lady Luck Diamond Jo Worth 7/28 CLASSIC 99 BLOCK PARTY: BRET MICHAELS W/ GREAT WHITE & SLAUGHTER Hard Rock Hotel & Casino 7/28 Ken Valdez Prairie Meadows 7/29 Lady Luck Diamond Jo Worth 7/29 Danny Whitson Band Prairie Meadows 7/29 Home Free **Sold Out** Wild Rose Resort - Emmetsburg 8/2 Comedian Michael Joiner Diamond Jo Dubuque 8/4 Jake McVey Diamond Jo Worth 8/4 The Lacs Hard Rock Hotel & Casino 8/4 PAT BENATAR & NEIL GIRALDO WITH SPECIAL GUEST NIGHT RANGER Harrah's Council Bluffs 8/4 Ratt Wild Rose Resort - Jefferson 8/5 Jake McVey Diamond Jo Worth 8/5 Travis Tritt Wild Rose Resort - Jefferson 8/6 PAT BENATAR & NEIL GIRALDO -
Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson. -
GRW-July-2017-Web.Pdf
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The Bartender's Best Friend
The Bartender’s Best Friend a complete guide to cocktails, martinis, and mixed drinks Mardee Haidin Regan 00 bartenders FM_FINAL 8/26/02 3:10 PM Page ii 00 bartenders FM_FINAL 8/26/02 3:10 PM Page i The Bartender’s Best Friend 00 bartenders FM_FINAL 8/26/02 3:10 PM Page ii 00 bartenders FM_FINAL 8/26/02 3:10 PM Page iii The Bartender’s Best Friend a complete guide to cocktails, martinis, and mixed drinks Mardee Haidin Regan 00 bartenders FM_FINAL 8/26/02 3:10 PM Page iv This book is printed on acid-free paper. Copyright © 2003 by Mardee Haidin Regan. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permis- sion of the Publisher, or authorization through payment of the appropriate per- copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 750-4470, or on the web at www.copy- right.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, e-mail: [email protected]. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. -
Nine Inch Nails Pretty Hate Machine Free
FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well. -
Acts of Identity: a Political Theory of Biography
UNIVERSITY OF CALIFORNIA Los Angeles Acts of Identity: A Political Theory of Biography A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Political Science by William Samuel Stahl 2018 Ó Copyright by William Samuel Stahl 2018 ABSTRACT OF THE DISSERTATION Acts of Identity: A Political Theory of Biography by William Samuel Stahl Doctor of Philosophy in Political Science University of California, Los Angeles, 2018 Professor Joshua F. Dienstag, Chair My dissertation, Acts of Identity: A Political Theory of Biography, is prompted by the puzzle: why have so many political theorists shown interest in the genre of biography, seemingly such a private and apolitical genre? I answer that biography is a powerful lens through which to analyze the link between individual identity formation and political action. I develop this answer through four chapters that engage with a selection of political theorists who have written biographic works. In the first chapter, I examine Hannah Arendt’s claim that human beings are unlike other living things because each one of us develops a unique identity from the singularity of our biography. For her, who we are – and what makes us human – is what we say and do. In chapter two, I analyze Giorgio Agamben’s challenge to Arendt: he concludes that what makes us human is not what we say or do, but what we have the potential to do. This implies that our biography does not define who we are or make us human. I agree with the latter implication, but not the former. While the form of human life may not be biographic, individual identity is. -
The Trolley Problem and the Dropping of Atomic Bombs Masahiro Morioka*
Journal of Philosophy of Life Vol.7, No.2 (August 2017):316-337 The Trolley Problem and the Dropping of Atomic Bombs Masahiro Morioka* Abstract In this paper, the ethical and spiritual aspects of the trolley problem are discussed in connection with the dropping of atomic bombs on Hiroshima and Nagasaki. First, I show that the dropping of atomic bombs was a typical example of the events that contained the logic of the trolley problems in their decision-making processes and justifications. Second, I discuss five aspects of “the problem of the trolley problem;” that is to say, “Rarity,” “Inevitability,” “Safety Zone,” “Possibility of Becoming a Victim,” and “Lack of Perspective of the Dead Victims Who Were Deprived of Freedom of Choice,” in detail. Third, I argue that those who talk about the trolley problem are automatically placed in the sphere of the expectation of response on the spiritual level. I hope that my contribution will shed light on the trolley problem from a very different angle, which has not been made by our fellow philosophers. 1. Introduction Brian Short writes a concise explanation of a standard type of the trolley problem in a recent issue of the LSA Magazine. You’re standing next to a train track when you spot a locomotive approaching. Farther down the track are five people in the path of the train but too far away for you to shout a warning to them. A lever next to you would allow you to divert the train – saving the lives of five people – onto a track with only one person standing on it. -
Sponsoring Committee: Professor Jennifer S. Tsien, Chairperson Professor Janet R
Sponsoring Committee: Professor Jennifer S. Tsien, Chairperson Professor Janet R. Horne Professor Stéphanie Bérard Professor Emily Ogden BEYOND “QUELQUES ARPENTS DE NEIGE : ” REPRESENTATION OF NEW FRANCE IN FRENCH TEXTS, 1703 TO 1780 Nathan D. Brown Department of French Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of French University of Virginia 2014 Copyright © 2014 Nathan D. Brown TABLE OF CONTENTS ACKNOWLEDGEMENTS 3 CHAPTER INTRODUCTION Abandoned Children on the Banks of the Saint Lawrence 5 CHAPTER 1 The Travel Narratives of Lahontan and Charlevoix: Imaging New France and 36 Naming its People CHAPTER 2 Sauvage foils or sauvage foibles ? : Fear of Degeneration and Hope for 88 Regeneration in New France CHAPTER 3 Utopian Visions and Dressing Across Borders : 136 The Discursive Role of New France in Alain-René Lesage's Beauchêne, Les Mariages de Canada, and La Sauvagesse CHAPTER 4 New France in the Discourse of Voltaire and Raynal : Cautionary Tales, 198 Sentimentality, Anglophilia. CONCLUSION Memories of New France : The New Becomes Old 249 ACKNOWLEDGEMENTS I wish to express my gratitude to Jennifer Tsien, who encouraged me to embark on this project, for her continuing advice, support, and enthusiasm. I also wish to thank Janet Horne and Stéphanie Bérard both of whom provided useful guidance and whose courses influenced my thinking on this topic. I would also like to acknowledge and thank Emily Ogden for her thoughts on this project. Any remaining errors and malapropisms in these pages are, of course, entirely my own. Finally, my deepest thanks go to Elizabeth Brown whose encouragement and good humor kept this project enjoyable and on time.