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A Study on the Artistic Images of Lyricist of Li Sao Longhui Shen1

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A Study on the Artistic Images of Lyricist of Li Sao Longhui Shen1 2017 3rd International Conference on Social Science, Management and Economics (SSME 2017) ISBN: 978-1-60595-462-2 A Study on the Artistic Images of Lyricist of Li Sao Longhui Shen1 Abstract It is the magnificent ancient and modern political lyrics, thousands of years deeply shocked people's minds. The whole poem is characterized by the pursuit of the progressive ideals, and the expression is then characterized by the positive romanticism. Li Sao is Qu Yuan's masterpiece, but also the culmination of the Songs of Chu, according to Wang Yi said, explained as parting sadness, Li Sao for the ancient Chinese only seen the first left the author name long lyric poems, the whole poem three hundred and seventy- The four thousand four hundred and the ninety-four words, the content of the broad and profound, indignant and compassion, narrative as that the style of the mysterious majestic, is a new form of poetry from the show. This paper gives the new understanding of the issues and in the future, more in-depth review will be finalized. Keywords: Artistic Images, Chinese Literature, Li Sao. Introduction In the history of the ancient Chinese literature, Li Sao is one of the far-reaching works. It is the magnificent ancient and modern political lyrics, thousands of years deeply shocked people's minds. The whole poem is characterized by the pursuit of the progressive ideals, and the expression is then characterized by the positive romanticism. In the "Li Sao", Qu Yuan with its profound knowledge, outstanding talent and noble personality, ingenuity to inherit and develop the "Book of Songs" in the Fu, than the expression of the way, the natural environment of the vegetation birds and animals And the social life of the basic necessities of life, the real world between the real things and the fantasy of the gods are extremely clever combination in one, so as to build a colorful, swaying world famous world. And the features of the Li Sao can be generally summarized as the follows. o Qu Yuan in the lament of the world for the praise of the people in his sinister environment, and the self-sustaining, self-improvement, to die martyrs, do not follow the wave of character, and adhere to the ideal, and the spirit of unremitting struggle. o Li Sao is Qu Yuan's masterpiece, but also the culmination of the Songs of Chu, according to Wang Yi said, explained as parting sadness, Li Sao for the ancient Chinese only seen the first left the author name long lyric poems, the whole poem three hundred and seventy- The four thousand four hundred and the ninety-four words, the content of the broad and profound, indignant and compassion, narrative as that the style of the mysterious majestic, is a new form of poetry from the show, the poet with a colorful language, rich imagination, anger For the pursuit of their own ideal, reflecting the poet on the motherland, the people of faith and for the realization of the ideal struggle in the end of the precious spirit of the word between the lines are permeated with the author's blood and tears. 1Jiangxi College of Engineering, Xinyu, Jiangxi, 338029 China 198 o Qu Yuan proposed the essence of the United States, that is, "regardless of the basic, to select the talented people to govern the country, so that the motherland rich and powerful unity." The abolition of the nobility of the world Qing, Shi Lu and the monopoly of the elite. o Li Sao is not only to the greatness of ancient Chinese poetry garden, and the poet Qu Yuan is hydrophobic, the patriotic passion of full written in blood and tears of sad song of resentment, read a jiggled liver crack bravery, clear conscience is a magnificent romantic poems Therefore, in this paper, we will analyze the study on the artistic images of lyricist of Li Sao. In the following to sections, we will discuss these issues in detail. The Proposed Methodology Artistic Images of Lyricist. For the specific different clothing, they reflect the political symbolic meaning and ethical symbolism is different from each other, to make these specific different clothing can be successfully and accurately reflect their respective political and ethical significance, ultimately, they are in the clothing shape clothing materials, clothing color, clothing and other aspects of clothing to make different arrangements and treatment to play a positive customs, governance world, political stability of social education function. Looking from the cultural soil and implements both religions, philosophy, institutional, economic and cultural diversity of artistic expression, and closely related with technological progress that is not only the technology, art is the art of technology. From the language form, material language can be with the help of the gold, silver luster and texture, show the cultural features of its symbol as the structure language available space shaping, interpretations of the designer's cultural concept and technical language, technology and art fusion can be depth express the ideas of the author. Function direction explicit, takes the parent substance by the material language, by the material combination and the spatial distribution as language extending with the expansion special language form is one serves society's language culture system, simultaneously also is one the entire social culture shape, the historical development stage restriction limited qualitative language culture system. And we can analyze these issues from the listed aspects. Gold and silver implements social language is the material form after implements functions, its natural language in social and cultural system of the extension, escape and metaphor. The implements of social language is no longer a simple material language, and is endowed with new social and cultural connotation, such as rare, noble, riches and honor, etc. Both in the language and natural language corresponding to one side, and in the other side of the different social and cultural environment development extension. Golden, the silver natural language that is the money utensil art language connotation, but the utensil social language is its artistic language extension. Natural language, source in humanity to material nature feeling, but the social language needs to receive the space and the time dimension the restriction. In other words, in the different historical period, the different region environment, under the different cultural context, the money utensil social language can along with it change with the social language difference can affect naturally the money utensil art language esthetic expression. In the body, the golden warm materials because of its surface, people can produce a volume of continuation and expansion feeling on the vision; but because of the cold tone silver material surface, make people feel and reduce the volume of convergence. The connotation of visual language derived from the natural attribute of gold and silver 199 materials gradually evolved into the natural language of gold and silver materials, thus becoming a part of human culture. Figure 1. The Artistic Images of Lyricist of Qu Yuan. One of the biggest differences between the classical period of the development of Chinese costume and the modern period is that the Chinese costume art in the classical period has formed a set of Chinese crown system (the statute of honor) that directly affects its development. This statute of lords can be roughly divided into two components, first of all strictly "mark the political grade of the points" part, that is, "clothing system" it is deliberately invented by the ruler, with the nature of enforcement: Followed by the "mark the general characteristics of the points" part, it is naturally formed, with the characteristics of folk customs tradition, no mandatory, this part of the content in fact before the emergence of the statute in the growth and development. These two parts act as institutional, instrumental, and traditional elements of the imperial power rule, and exert influence on the daily life of all the citizens of the country. System of Chinese traditional costume is just what I the real place of the humanist spirit of the Chinese nation that is mainly influenced by Chinese philosophy, which formed deep inner spiritual meaning. Clothing design in addition to chapter twelve patterns it survives, dress as a symbol of the ruling class power and status, meaning more strong. To this end, all kinds of craftsmen in order to meet the needs of the rulers, on the design of apparel pattern with more artistic aesthetic value, the design has not only reflected by is content with the various natural object, the deformation of the but to meet the needs of the ruling class. On the choice of design modelling, highlighted the meaning of the dragon and the general phoenix. Li Sao’s Perspectives. Qu Yuan had served as the Chu "left", this time it is also the king of Chu as the first six years of the first few years. Qu Yuan engaged in "deal with the princes" of diplomatic work, is certainly the year round non-stop running around the six countries, upstream and downstream, said the coordination of vertical and written. Since then, the poet has had a "sparse" a "put" experience, a "sparse", refers to the general way he has no confidence and alienated. Time is probably in the king of sixteen years, that is, about 23 years of Qu Yuan. Was removed the "left" duties of Qu Yuan left the Ying are, travel to Yicheng, Han North area. The beginning of the road is not difficult, it is today's Jianghan plain area but close to Yicheng, into the mountains northwest of Hubei. Han North is the derivative of the Qu family, but also the 200 northwest of Chu to resist the fortress of the Qin.
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