The Cord Weekly (June 2, 1999)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AMS Newsletter August 2015
AMS NEWSLETTER THE AMERICAN MUSICOLOGICAL SOCIETY CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XLV, NUMBER 2 August 2015 ISSN 0402-012X Louisville: City of Surprises AMS Louisville 2015 12–15 November www.ams-net.org/louisville Looee-ville, Louis-ville, Loo-a-ville, Loo-ih- vuhl, Loo-ih-vul . it’s a city of seemingly many names. But to the locals, it’s simply Loo-uh-vul; and one imagines that Louis XVI, after whom the city was named, would probably turn in his grave if he heard it. So would Michelangelo, if he saw the stupen- dous homage to him outside the 21c Museum Hotel, one of the top boutique hotels in the world and only a short walk from Galt House (venue of the AMS meeting). Drenched in mock Cellinian splendor (and somehow al- ways free of avian donations despite its being The Belle of Louisville on the Ohio River permanently placed outside), it’s truly a sight see in this city by the river (the red glass gems- House is Fourth Street Live!, a focal point for to behold. encrusted limousine by the hotel entrance, so nighttime entertainment (and the location But 21c’s always captivating art exhibition, dressed up as to be inspired by the interior for our Friday night dance: see p. 18). For the whether indoors or outdoors, is only one of of a pomegranate, is another eye-catcher). more adventurous, there’s the Urban Bour- the many things that a visitor would want to As huge as the homage to Michelangelo is, it bon Trail that leads to the many scattered dis- pales beside the baseball bat that stands taller tilleries (such as Maker’s Mark and Jim Beam) In This Issue… than the five-story Slugger Museum on which for which Kentucky is known. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
In Search of the Golden Age Hip-Hop Sound (1986–1996)
In Search of the Golden Age Hip-Hop Sound (1986–1996) BEN DUINKER Department of Music Theory, Schulich School of Music, McGill University DENIS MARTIN Department of Sound Recording, Schulich School of Music, McGill University ABSTRACT: The notion of a musical repertoire’s “sound” is frequently evoked in journalism and scholarship, but what parameters comprise such a sound? This question is addressed through a statistically-driven corpus analysis of hip-hop music released during the genre’s Golden Age era. The first part of the paper presents a methodology for developing, transcribing, and analyzing a corpus of 100 hip-hop tracks released during the Golden Age. Eight categories of aurally salient musical and production parameters are analyzed: tempo, orchestration and texture, harmony, form, vocal and lyric profiles, global and local production effects, vocal doubling and backing, and loudness and compression. The second part of the paper organizes the analysis data into three trend categories: trends of change (parameters that change over time), trends of prevalence (parameters that remain generally constant across the corpus), and trends of similarity (parameters that are similar from song to song). These trends form a generalized model of the Golden Age hip-hop sound which considers both global (the whole corpus) and local (unique songs within the corpus) contexts. By operationalizing “sound” as the sum of musical and production parameters, aspects of popular music that are resistant to traditional music-analytical methods can be considered. Submitted 2016 September 16; accepted 2016 December 3. KEYWORDS: corpus study, sound, Golden Age hip-hop, music production, empirical musicology THIS paper explores the concept of describing a musical repertoire by its characteristic sound. -
Dukakis' Draws in Casual Wit Audience Future of Zeta Psi House Being
THETUFT DAILY \Where You Read It First Thursdav , October 7,1999 Volume XXXIX, Number 20 I Dukakis’ casual wit draws-a ine audience who was once portrayed by Jon byLAURENHEIST Lovitz on Saturday Night Live, Daily Editorial Board Even though most undergradu- recalled an episode of the show when Lovitz and Dana Carvey, ates were only about nine years old when former Massachusetts playing George Bush, did a spoof of a presidential debate. Governor Michael Dukakisran for “Lovitz is looking at him and President in 1988, that didn’tdeter saying, ‘I can’t believe I’m losing a large group of students from to this guy.’ My sentiments ex- coming to hear him speak in Cabot actly, but here I am,” he said. Auditorium yesterday afternoon. Dukakis, who now spends “It’snice to seesomany ofyou most of his time as a professor of here,” Dukakis said to the approxi- political science at Northeastern mately200 students who attended University, joked with the crowd the event,“because you know one of the things that happens to you about the time that has elapsed when you’ve been out ofoffice for since the ’88 campaign. “I have students at Northeastern coming an extended period oftime-even if you’ve been governor of your up to me saying, ‘I played you in a debate in the fourth grade,”’ he state for three terms and been your said. party’s nomination for the presi- Dukakis implored today’s gen- dency - is that memories fade.” eration to get involved in politics, Photo by Daniel Rodrigues Except forthe gray hair behind Former governor and presidential candidate Michael Dukakis spoke in Cabot Auditoiium yes- his temples, Dukakis didn’t seem sayingthatpublic service isanoble profession that enables you to terday. -
Dj Shadow Trans Am Floetry
WEEZER DJ SHADOW NEW MUSIC REPORT ESSENTIAL Issue 766 • June 10, 2002 • www.cmj.com LOOPER TRANS AM Special Report: Webcasting Hear Today... ? Gone Tomorrow SPOTLIGHT HIP-HOP 30 SECONDS TO MARS SCRATCH OPENS HIS MOUTH TAKES OFF CMJ RETAIL THE EMINEM “STREET” SHOW LOUD ROCK CHEVELLE'S FAMILY AFFAIR CHARTS: WILCO’S NO.1 LOVE AFFAIR, ROCKING HORSE WINNER MOST ADDED FLOETRY the debut album FLOETIC Going for Adds June 24, 2002 For more information contact: SPECTRE www.floetry.net 213-368-1600 www.dreamworksrecords.com 2002 SKG Music LLC 6/10/2002 Issue 766 • Vol 71 • No. 11 FEATURES 10 Webcasting’s Uncertain Future The Library Of Congress recently rejected a proposal on royalty rates for Internet broadcasting — a proposal that in all likelihood would have put the cost of streaming well beyond the means of the many small webcasters. Still, no one can claim the early victory in this battle for equitable rates vs. fair compensation. A second LOC decision looms large this month and it will impact what you hear, how you hear it and what it’s going to cost. DEPARTMENTS 4 Essential 28 Specialty Charts DJ Shadow, Looper, Trans Am, Weezer. New World, Jazz, Ñ Alternative and RPM charts on one page. 10 6 The Week Sony’s Key2Audio scribbled into obsolescence; 29 Artist Spotlight Hole and Massive Attack consider throwing in You know and love him from My So-Called the towel; Weezer screams infidelities; White Life, Fight Club and Requiem [For A Dream]. Stripes, Placebo, Prodigy, Sonic Youth and Now Jared Leto spends his time fronting the more ready their new releases. -
AMS Louisville 2015 Abstracts
AMS_2015A_bleed.pdf 1 9/15/15 4:14 PM American Musicological Society Abstracts Program & Louisville 2015 Abstracts 1 New Ashgate Music Titles Visit us in www.ashgate.com the exhibit hall… display copies Eroticism in Early Modern Music Iannis Xenakis: 50% off Edited by Bonnie J. Blackburn Kraanerg and Laurie Stras James Harley Includes 20 b&w illustrations and 53 music examples Landmarks in Music Since 1950 Apr 2015 / 328 pages / Hbk / 978-1-4724-4333-5 Includes 35 b&w illustrations and 8 music examples Aug 2015 / 154 pages / Hbk & CD / 978-1-4094-2331-7 Fiesta de diez pesos: Music and Gay Identity in Special Period Cuba Postopera: Moshe Morad Reinventing the Voice-Body SOAS Musicology Series Jelena Novak Includes 28 b&w illustrations, 2 maps Ashgate Interdisciplinary Studies in Opera and 8 music examples Includes 13 b&w illustrations Jan 2015 / 312 pages / Hbk / 978-1-4724-2457-0 Jun 2015 / 192 pages / Hbk / 978-1-4724-4103-4 Magister Jacobus de Ispania, Shared Meanings in the Film Music Author of the Speculum musicae of Philip Glass Margaret Bent Music, Multimedia and Postminimalism Royal Musical Association Monographs Tristian Evans Includes 16 b&w illustrations and 7 music examples Includes 24 b&w illustrations and 36 music examples Aug 2015 / 232 pages / Hbk / 978-1-4724-6094-3 Oct 2015 / 240 pages / Hbk / 978-1-4094-3329-3 Media, Materiality and Memory The Show Must Go On! Grounding the Groove Popular Song in Britain Elodie A. Roy During the First World War Music and Material Culture John Mullen Includes 14 b&w illustrations Oct 2015 -
Iaspm-Us Conference Program Sketch
MUSIC FLOWS March 13–16, 2014 IASPM-US 2014 CONFERENCE MUSIC FLOWS March 13–16 Hosted by: The University of North Carolina at Chapel Hill Center for the Study of the American South Kenneth Janken, Interim Director Department of Music Mark Katz, Chair Southern Folklife Collection Steve Weiss, Curator Water in Our World at UNC Jamie Bartram and Terry Rhodes, Co-Chairs IASPM-US President’s Address On behalf of the United States branch of the International Association for the Study of Popular Music, I welcome you to our 2014 conference, “Music Flows.” This year’s conference is hosted by one of the oldest public universities in the United States, the University of North Carolina at Chapel Hill. Largely buried underneath the historic campus is a small creek, first named in the 1907 History of the University of North Carolina (and still visible on Google Maps today) as The Meeting of the Waters. The ground it drains seems a highly auspicious one for a scholarly consideration of flow, liquidity, and circulation. From the licit or illicit circulation of songs to the melting of glaciers, popular music— and the world in which it exists—faces a future in which the status quo is quite literally in flux. With seemingly solid foundations melting away, we face a moment of productive instability, in which new potentialities emerge even as life as we know it may be dramatically transformed. As usual, the flow of ideas on this theme at our conference will be totally unrestrained (our get-togethers are something like drinking pop music scholarship from the proverbial fire hose) and we expect the flow of conviviality and libation to be similar. -
CIPHER: Hip Hop Interpellation
Rollefson Part B1 CIPHER ERC Consolidator Grant 2018 Research Proposal [Part B1] Principal Investigator: J. Griffith Rollefson Host Institution: University College Cork Proposed Duration: 60 Months CIPHER: Hip Hop Interpellation Le Conseil International pour Hip Hop et Recherche The International Council for Hip Hop Studies ABSTRACT: CIPHER will launch the global research initiative, Hip Hop Interpellation, pilot a new semantic digital/ethnographic web methodology, and codify the emergent discipline of global hip hop studies. It addresses the central question: why has this highly localized and authenticizing African American music translated so easily to far-flung communities and contexts around the globe? Through this specific question the project attempts to understand the foundational and broadly transferable question: how are globalization and localization related? To answer these questions CIPHER posits the Hip Hop Interpellation thesis, that hip hop spreads not as a copy of an African American original, but, through its performance of knowledge, emerges as an always already constituent part of local knowledge and practice. The theorization thus moves beyond the “hailing practices” described by Althuss er’s theory of interpellation—the discursive webs that coerce ideological incorporation—to describing an interpolation that locates other histories within and through hip hop’s performed knowledges. CIPHER’s semantic web methodology tests this thesis, tracking how hip hop memes—slogans, anthems, and icons—are simultaneously produced by people and produce people. This research clears the conceptual impasse of structural “cultural imperialism” vs. agentic “cultural appropriation” debates and instrumentalizes the methodological distance between ethnographic specificity and big data generality. It does so by creating a feedback loop between digital humanities methods (crowd sourcing, semantic tagging, computational stylometry) and ethnographic fieldwork techniques (interviews, musical analysis, participant observation). -
The Mythsciences, Chronopolitics and Conceptechnics of Afrofuturism
Other Planes of Tere: the MythSciences, chronopolitics and conceptechnics of Afrofuturism tobias c. van Veen Communication Studies and Philosophy McGill University, Montréal March 2014 A thesis submitted to McGill University in partial fulfllment of the requirements of the degree of Ad Personam Doctor of Philosophy. © tobias c. van Veen 2014 Other Planes of Tere. Contents Abstract iii Acknowledgements v Preface vi Chapter 00. I Am Not A Human Being... 01 Chapter 01. Rewind the Records: 43 Afrofuturism In & Out of the Academy Chapter 02. Vessels of Transfer: 96 Allegories of Afrofuturism in Jeff Mills and Janelle Monáe Chapter 03. In Advance of the Landing 146 Chapter 04. We Have Never Been Human 183 Chapter 05. God-breathing Machines: 247 Te White Mythologies of Consciousness Chapter 06. Calling Planet Earth 322 Chapter 07. Inconclusive: Cosmospolitanism 385 Bibliography 399 Discography and Filmography 417 ii Abstract “Other Planes of Tere: the Mythsciences, chronopolitics and conceptechnics of Afrofuturism” explores the becomings, temporalities, and epistemic systems of Afrofuturism. Afrofuturism — a term more complex than it frst appears — delineates a counter-tradition of Afrodiasporic media production, thought, and performance that transforms science fctional practices and themes to envision alternate identities, timelines, and counter-realities. Such envisioning operations create startling, creative, and uncanny effects — ofen, by imaginatively challenging whitewashed futures and colonialist histories with Africentric and futurist revisionings, so as to alter the discriminatory coordinates of the present — while crucially offering ways to subversively transform Afrodiasporic subjectivities denied privileged access to the “human race”. Afrofuturism, I contend, postulates the conceptual thoughtware of its own production: its MythScience, chronopolitics, and conceptechnics.