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Bulletin of the Center for Children's Books

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Bulletin of the Center for Children's Books UB ILLINGI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. University of Illinois Graduate School of Library and Inforiation Science University of Illinois Press xn t3 TER DEAN MYERS trations by istopher Myers "Arrested and charged with ler, 16-year-old Steve Harmon riting a screenplay of his eal. Interspersed with his idwritten journal entries, ve's script ... [balances] room drama and a sordid etting with flashbacks to the that resulted in a shopkeeper's A novel that in both form >ject guarantees a wide dience ... a natural to get reading - and talking." -Starred review /The Horn Book W-' "This riveting courtroom drama ... [presents] an insightful look at a teenage suspect's lost innocence." -Starred review / Publishers Weekly "Myers combines an innovative format, complex moral issues, and an intriguingly sympathetic but flawed protagonist in ... a fascinating portrait of a terrified young man wrestling with his conscience." -Highlighted review / ALA Booklist Ages 12 up. $15.95TR (0-06-028077-8); $15.89LB (0-06-028078-6) Walter Dean Myers' HarperCollins books include Scorpions * 1989 Newbery Honor Book Ages 12 up. $15.95TR (0-06-024364-3); $15.89LB (0-06-024365-1); $4.95PB digest-size (0-06-440623-7); $4.95PB rack-size (0-06-447066-0) www.harperchildrens.com ± HarperCollinsChildren'sBooks . 10 East 53rd Street, New York, NY 10022 T H E B u L L E T I N OF THE CENTER FOR CHILDREN'S BOOKS September 1999 Vol. 53 No. 1 A LOOK INSIDE 3 THE BIG PICTURE What If? by Frances Thomas; illus. by Ross Collins 4 NEW BOOKS FOR CHILDREN AND YOUNG PEOPLE Reviewed titles include: 4 * Burger Wuss by M. T. Anderson 9 * Ramona's World by Beverly Cleary; illus. by Alan Tiegreen 11 * Jack on the Tracks: Four Seasons ofFifth Grade written and illus. by Jack Gantos 21 * Zooman Sam by Lois Lowry; illus. by Diane de Groat 28 * Harry Potter and the Chamber of Secrets by J. K. Rowling; illus. by Mary Grandprd 29 * Tarzan ad. by Robert San Souci; illus. by Michael McCurdy 37 PROFESSIONAL CONNECTIONS 38 SUBJECT AND USE INDEX EXPLANATION OF CODE SYMBOLS USED WITH REVIEWS * Asterisks denote books of special distinction. R Recommended. Ad Additional book of acceptable quality for collections needing more material in the area. M Marginal book that is so slight in content or has so many weaknesses in style or format that it should be given careful consideration before purchase. NR Not recommended. SpC Subject matter or treatment will tend to limit the book to specialized collections. SpR A book that will have appeal for the unusual reader only. Recommended for the special few who will read it. The Bulletin of the Centerfor Children's Books (ISSN 0008-9036) is published monthly except August by the Graduate School of Library and Information Science (GSLIS) of the University of Illinois at Urbana-Champaign and distributed by the University of Illinois Press, 1325 S. Oak, Champaign, IL 61820-6903. REVIEWING STAFF Janice M. Del Negro, Editor (JMD) Deborah Stevenson, Associate Editor (DS) Betsy Hearne, Consulting Editor and Faculty Liaison Elaine A. Bearden, Reviewer (EAB) Elizabeth Bush, Reviewer (EB) Janice N. Harrington, Reviewer (JNH) Fern Kory, Reviewer (FK) CENTER STAFF Melanie Kimball Reviewers' initials are appended to reviews. SUBSCRIPTION RATES 1 year, institutions, $60.00; individuals, $50.00. In countries other than the United States, add $7.00 per subscription for postage. Japanese subscription agent: Kinokuniya Company Ltd. Single copy rate: $5.50. Reprinted volumes 1-35 (1947-1981) available from Kraus Reprint Co., Route 100, Millwood, NY 10546. Volumes available in microfilm from Bell & Howell, 300 North Zeeb Road, Ann Arbor, MI 48106. Complete volumes available in microfiche from Johnson Associates, P.O. Box 1017, Greenwich, CT 06830. Subscription checks should be made payable to the University of Illinois Press. All notices of change of address should provide both the old and new address. Postmaster: Send address changes to The Bulletin of the Center for Children's Books, University of Illinois Press, 1325 S. Oak, Champaign, IL 61820-6903. Subscription Correspondence. Address all inquiries about subscriptions and advertising to University of Illinois Press, 1325 S. Oak, Champaign, IL 61820-6903. Editorial Correspondence. Review copies and all correspondence about reviews should be sent to Janice Del Negro, The Bulletin of the Center for Children's Books, 51 E. Armory Ave., Champaign, IL 61820-6601. E-mail: [email protected] Visit our homepage at http://edfu.lis.uiuc.edu/puboff/bccb Periodicals postage paid at Champaign, Illinois © 1999 by The Board of Trustees of the University of Illinois Drawings by Debra Bolgla. This publication is printed on acid-free paper. Cover illustration by Ross Collins from What If? ©1999. Used by permission of Hyperion Books for Children. SEPTEMBER 1999 * 3 THE BIG PICTURE What If by Frances Thomas; illus. by Ross Collins We see a wide range of monsters around here, ranging from ferocious to friendly, carnivorous to cuddly, so it takes more than just another set of horrible horns to turn our heads. In Little Monster, What If offers one of the most photogenic- illustrationogenic?-beasties we've seen in awhile, and he exudes the irresistible charm of vulnerability. Little Monster's particular vulnerability is the fear of abandonment, which is apparently every bit the problem for fictional monsters that it is for real children. LM's worried about the unknown, quizzing his mom on the possibility of his waking up to a "big ... black... hole in the middle of the floor" that gets bigger and bigger and bigger, leading to a series of increasingly terrible events ("and then there wasn't a ceiling and the sky was all horrible and I fell down and down and down .... And then the house caught on FIRE!") ending with "falling forever and ever and ever," all because when he called his mother, she didn't answer, and she couldn't come and help him because she had gone away. That's a terrific set of genuine fears-holes, fire, falling, and ultimately aban- donment-with the authentic face of childhood. For many small children, holes are the dark corners where nonexistence breeds, just waiting to suck kids in and nullify them; fires are angry power without any control, capable of destruction from the most innocuous starts (there is also, for good measure, a "big, big spider" crawling through Little Monster's nightmare scenario). The illustrations keep these fears in check, but they don't diminish them. The hole is big, large enough to engulf Little Monster and his bed in one swallow (we see it from above while Little Monster peers over the brink) as it gapes across the spread's gutter, and when our hapless hero finds the fire he falls through a red world of flames. Immediately, however, he also falls back into a safe reality, wherein his calmly comforting mother agrees that his imagined events would be scary but takes charge with a different scenario: waking up to a breakfast of pancakes followed by an outing notable for the purchase of festive balloons and tasty treats and a cozy return to home and bed, which option Little Monster finds preferable indeed. The text balances the fears and consolation well: Thomas manages both a sooth- ingly incantatory quality in the I-thou dialogue and an individual turn of phrase without straying from the lexicon of credibility. (It's a particularly nice touch when Mother spins her way through similes, talking about buying "a red balloon like a red jewel," a "green balloon like the green sea," and "a blue balloon like the blue sky," and Little Monster insists also on a lovely purple balloon that's "like ... a lovely purple balloon.") In Collins' oversized illustrations, the clean sweeps of color balance the creative monstrosities of mother and son, who evince bug eyes 4 * THE BULLETIN worthy of Victoria Chess, but their benign anteaterly snouts, stripy ears, feet, and tails, and friendly knobbly horns make them a species unto themselves, cuddly and homely and absurd. Little Monster's body language is as eloquent as his spoken words: he's prick-eared in alarm at his plummet, he bounces gleefully off of the porch at the start of the outing, he gazes, slightly ruefully, at his flaming marsh- mallow (which, in the secure evening scene with Mother present, is all that the destructive power of fire can manage), and he flops, ears sagging and limbs weighted down with somnolence, on the arm of the chair before heading to bed. Gently iimaginative without being coy or fluffy, this is a solid reminder of parental love and security that will be warmly welcomed by sleepy little monsters. (Imprint information appears on p. 34.) DeborahStevenson, Associate Editor NEW BOOKS FOR CHILDREN AND YOUNG PEOPLE ADLER, DAVID A. How Tall, How Short, How Faraway; illus. by Nancy Tobin. Holiday House, 1999 [32p] ISBN 0-8234-1375-6 $15.95 Reviewed from galleys R 5-8 yrs .. Adler's succinct text combines with Tobin's bold, clear illustrations to introduce the concept of measurement to youngsters. The lesson begins with basic ques- tions: "How tall are you? How long is your block? How faraway is your school?" The book then travels to ancient Egypt to begin its exploration, focusing on the ancient units of measurement: digit, palm, span, and cubit. After inviting his readers to make measurements using their own fingers, hands, and arms, the au- thor addresses the issue of standards ("In the past, people often used one man's cubit or steps as a standard.
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