Guys and Dolls Little Theatre on the Square
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Concert 1 September 29, 2018 Three Dance Episodes from on the Town
Concert 1 September 29, 2018 Three Dance Episodes from On the Town—Leonard Bernstein Almost three decades after Leonard Bernstein’s death, the critics are still arguing over the meaning and impact of his legacy. What is clear, however, is that the world rarely enjoys the genius of someone who excels supremely in so many artistic endeavors. Pianist, conductor, television personality, teacher, mentor, social gadfly, and composer of both popular musical theatre and “serious works,” Bernstein wore all hats with avidity. And he enjoyed stunning success in most. He had a passion about everything that he essayed, whether conducting the Mahler that he loved so well, or in his many teaching roles, helping audiences “peel” apart the mysteries of music. He knew so much, and could do so much, that he genuinely thought that he could do it all. His leadership of the New York Philharmonic Orchestra and other orchestras is legendary, but everyone knows there were some concerts that, frankly, got away from him in his self-indulgence exhuberance. He worked assiduously as a composer of “serious” music, but those works—from youthful successes to his late efforts--have enjoyed only mixed success. All that says is simply that he was human. Other than his epochal conducting, there is one field in which he garnered almost universal acclaim, and that is musical theatre. When all is said and done, he possessed a talent and a facility for the stage that was as deep as it was prolific. He understood the genre and its demands well. He plunged in early, writing for student productions at Harvard, and working with a cabaret group (that included Judy Holiday) while a student at the Curtis Institute. -
Crime, Law Enforcement, and Punishment
Shirley Papers 48 Research Materials, Crime Series Inventory Box Folder Folder Title Research Materials Crime, Law Enforcement, and Punishment Capital Punishment 152 1 Newspaper clippings, 1951-1988 2 Newspaper clippings, 1891-1938 3 Newspaper clippings, 1990-1993 4 Newspaper clippings, 1994 5 Newspaper clippings, 1995 6 Newspaper clippings, 1996 7 Newspaper clippings, 1997 153 1 Newspaper clippings, 1998 2 Newspaper clippings, 1999 3 Newspaper clippings, 2000 4 Newspaper clippings, 2001-2002 Crime Cases Arizona 154 1 Cochise County 2 Coconino County 3 Gila County 4 Graham County 5-7 Maricopa County 8 Mohave County 9 Navajo County 10 Pima County 11 Pinal County 12 Santa Cruz County 13 Yavapai County 14 Yuma County Arkansas 155 1 Arkansas County 2 Ashley County 3 Baxter County 4 Benton County 5 Boone County 6 Calhoun County 7 Carroll County 8 Clark County 9 Clay County 10 Cleveland County 11 Columbia County 12 Conway County 13 Craighead County 14 Crawford County 15 Crittendon County 16 Cross County 17 Dallas County 18 Faulkner County 19 Franklin County Shirley Papers 49 Research Materials, Crime Series Inventory Box Folder Folder Title 20 Fulton County 21 Garland County 22 Grant County 23 Greene County 24 Hot Springs County 25 Howard County 26 Independence County 27 Izard County 28 Jackson County 29 Jefferson County 30 Johnson County 31 Lafayette County 32 Lincoln County 33 Little River County 34 Logan County 35 Lonoke County 36 Madison County 37 Marion County 156 1 Miller County 2 Mississippi County 3 Monroe County 4 Montgomery County -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Chicago the Musical Female Characters: VELMA KELLY: Female
Chicago the Musical Female Characters: VELMA KELLY: Female, 25-45 (Range: Alto, E3-D5) Vaudeville performer who is accused of murdering her sister and husband. Hardened by fame, she cares for no one but herself and her attempt to get away with murder. ROXIE HART: Female, 25-45 (Range: Mezzo-Soprano, F3-B4) Reads and keeps up with murder trials in Chicago, and follows suit by murdering her lover, Fred Casely. She stops at nothing to render a media storm with one goal: to get away with it. She wants to be a star. MATRON "MAMA" MORTON: Female, 30-50 (Range: Alto, F#3-Bb4) Leader of the prisoners of Cook County Jail. The total essence of corruption. Accepts bribes for favors from laundry service to making calls to lawyers. “When you’re good to Moma, Moma’s good to you.” MARY SUNSHINE: Female – TYPICALLY PLAYED BY A MAN IN DRAG, 25-60 (Range: Soprano, Bb3-Bb5) Sob sister reporter from the Evening Star. Believes there is a little bit of good in everyone and will believe anything she is fed that matches her beliefs. LIZ: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. She is imprisoned after shooting two warning shots into her husband’s head. ANNIE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at the Cook County Jail. Murder’s her lover after finding out he already has six wives. “One of those Mormons, ya’ know.” JUNE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. After her husband accuses her of screwing the milk man, he mysteriously runs into her knife… ten times. -
Meet the Spqitful Cast of the Sweet Potato Queens
Meet The SPQitful Cast of The Sweet Potato Queens For Immediate Release February 23, 2016 Artwork: Logo Headshots are linked in bios Media Contacts: Lisa Holmes, Manager, Public Relations (713) 558-2654, [email protected] Laura Pettitt, Assistant Director, Marketing (713) 558-2653, [email protected] (HOUSTON) – TUTS Underground presents the world premiere of The Sweet Potato Queens in March 2016. This new musical is brought to the stage in partnership with writer Rupert Holmes (Tony® Award winner for Best Musical, Best Book, and Best Music and Lyrics for The Mysteries of Edwin Drood), Grammy® Award- winning composer Melissa Manchester, and Oscar-nominated lyricist Sharon Vaughn. TUTS Underground not only brings a wider musical theatre experience to Houston, but also serves as a launchpad – giving the TUTS Underground audience first view of new, emerging works. Based on The New York Times best-selling series (with a cult following) The Sweet Potato Queens ® by author Jill Connor Browne, the musical version is loosely based on Browne’s life – showcasing the juxtaposition between her life before creating the larger-than-life character of a Sweet Potato Queen, and after. An uplifting, empowering tale of perseverance and following dreams, The Sweet Potato Queens reminds audiences that everyone deserves to be special. Susan Koozin stars as Queen Jill with Kathryn Porterfield in the role of Jackson Jill. Her friends – all named Tammy – are Christina Stroup as Floozie Tammy, Julia Krohn as Flower Tammy and, new to the TUTS Underground stage, Kerissa Arrington as Too Much Tammy. The rest of the cast includes Dylan Godwin as George, Adam Gibbs as Tyler, Theresa Nelson as Mama and Kevin Cooney as Daddy. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
An Archaeology of Walls in the Walking Dead
Undead Divides: An Archaeology of Walls in The Walking Dead Howard Williams In 2010, the zombie horror genre gained even greater popularity than the huge following it had previously enjoyed when AMC’s The Walking Dead (TWD) first aired. The chapter surveys the archaeology of this fictional post-apocalyptic material world in the show’s seasons 1–9, focusing on its mural practices and environments which draw upon ancient, biblical, medieval and colonial motifs. The study identifies the moralities and socialities of wall-building, dividing not only survivors aspiring to re-found civilization from the wilderness and manifesting the distinctive identities of each mural community, but also distinguishing the living from the undead. The roles of the dead and the undead in mural iterations are also explored. As such, dimensions of past and present wall-building practices are reflected and inverted in this fictional world. As part of a broader ‘archaeology of The Walking Dead’, the chapter identifies the potentials of exploring the show’s physical barriers within the context of the public archaeology of frontiers and borderlands. Andrea: What’s your secret? The Governor: Really big walls. Andrea: That soldier had walls too and we all know how that turned out, so. The Governor: I guess we do. The real secret is what goes on within these walls. It’s about getting back to who we were, who we really are, not just waiting to be saved. You know people here have homes, medical care, kids go to school. Adults have jobs to do. It’s a sense of purpose. -
Into the Woods July 9 - September 6, 2015 HHC Ad.4.25 X .3.625.Pdf 8/15/11 10:21:07 AM
The Dinner TheaTre of Columbia Presents aPril 23 - JulY 5, 2015 Next at TOBY’s Into the Woods July 9 - September 6, 2015 HHC Ad.4.25 x .3.625.pdf 8/15/11 10:21:07 AM The Howard Hughes Corporation www.howardhughes.com C M Y CM MY CY CMY K Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois The Dinner TheaTre of Columbia Presents 1776, The Musical Music and Lyrics by Sherman Edwards Book by Peter Stone Based on the concept by Sherman Edwards Directed & Choreographed by Jeremy Scott Blaustein & Shawn Kettering Musical Direction by Douglas Lawler Set Design by Light Design by Sound Design by David A. Hopkins Coleen M. Foley Mark Smedley Costumes by AT Jones & Sons 1776 is presented through special arrangement with Music Theatre International, 421 West 54th Street, New York, NY 10019. 212-541-4684 www.MtiShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com PRODUCTION STAFF Directors/Choreographers ................................ Jeremy Scott Blaustein & Shawn Kettering Music Director .............................................................................................. Douglas Lawler Production Manager ................................................................................. Vickie S. -
Who's Who in the Cast
WHO’S WHO IN THE CAST ROBERT PETKOFF (Bruce). Broadway: All The Way with Bryan Cranston, Anything Goes, Ragtime, Spamalot, Fiddler On The Roof and Epic Proportions. London: The Royal Family with Dame Judi Dench and Tantalus. Regional: Sweeney Todd, Hamlet, Troilus & Cressida, Follies, Romeo & Juliet, Compleat Female Stage Beauty and The Importance Of Being Earnest. Film: Irrational Man, Vice Versa, Milk and Money, Gameday. TV: Elementary, Forever, Law and Order: SVU, The Good Wife and more. Robert is an award-winning audiobook narrator. SUSAN MONIZ (Helen). Broadway: Grease – Sandy & Rizzo. Regional: Follies – Sally (Chicago Shakespeare Theater); October Sky –Elsie (world premier); Peggy Sue Got Married – Peggy (world premier); Kismet (Joseph Jefferson award); Into the Woods, 9 to 5, Carousel, (Marriott Theatre); The Merry Widow, The Sound Of Music, (Chicago Lyric Opera); Hot Mikado (Ford’s Theatre); Phantom, Chitty- Chitty Bang-Bang (Fulton Theatre); Shadowlands, The Spitfire Grill, (Provision Theatre); Evita, BIG, (Drury Lane Theatre). TV: Chicago PD; Romance, Romance (A&E). KATE SHINDLE (Alison). Broadway: Legally Blonde (Vivienne), Cabaret (Sally Bowles), Wonderland (Hatter), Jekyll & Hyde. Elsewhere: Rapture, Blister, Burn (Catherine), After the Fall (Maggie), Restoration, A Midsummer Night’s Dream, Gypsy, Into the Woods, The Last Five Years, First Lady Suite, The Mousetrap. Film/TV: Lucky Stiff, SVU, White Collar, Gossip Girl, The Stepford Wives, Capote. Kate is a longtime activist, author of Being Miss America: Behind the Rhinestone Curtain and President of Actors’ Equity Association. twitter.com/AEApresident ABBY CORRIGAN (Middle Alison). Stage: Cabaret, A Chorus Line (TCS); Shrek (Blumey award), In The Heights, Peter Pan, Rent (NWSA); Next to Normal (QCTC); Film/TV: Headed South For Christmas (Painted Horse), A Smile As Big As The Moon (Hallmark), Homeland (HBO), Rectify (Sundance), Banshee (Cinemax). -
THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
Chicago: a Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 8-2012 Chicago: A Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder. Emily Sulock Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the American Film Studies Commons, American Popular Culture Commons, and the Film and Media Studies Commons Sulock, Emily, "Chicago: A Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder." (2012). Pell Scholars and Senior Theses. 83. https://digitalcommons.salve.edu/pell_theses/83 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Chicago : A Movie Musical Mockery of the Media’s Razzle Dazzle Image of Murder Emily Sulock Sulock 2 Introduction Almost a decade has passed since Rob Marshall’s 2002 movie musical, Chicago , took home the Academy Award for Best Picture. For a movie musical this was a huge success considering that a musical had not won this category since 1969. The film dominated the 2003 Academy Awards as it was nominated for twelve categories, overall winning six. No one had expected the film to do so well since it was three decades in the making after Bob Fosse’s original release of the Broadway musical in 1976.