Supplementary Information to the Categories

Total Page:16

File Type:pdf, Size:1020Kb

Supplementary Information to the Categories SUPPLEMENTARY INFORMATION TO THE CATEGORIES (In the category order as announced 7/16/09. Including 2009 nomination information.) 2009 PRIMETIME EMMY AWARDS 1 OUTSTANDING DRAMA SERIES BIG LOVE, HBO First eligible year: 2006 Year(s) nominated in Outstanding Drama Series: 2009 Nominations this year: 1 Total: 5 nominations, 0 wins BREAKING BAD, AMC First eligible year: 2008 Year(s) nominated in Outstanding Drama Series: 2009 Nominations this year: 5 Total: 9 nominations, 2 wins DAMAGES, FX NETWORKS First eligible year: 2008 Year(s) nominated in Outstanding Drama Series: 2008, 2009 Nominations this year: 7 Total: 14 nominations, 3 wins DEXTER, SHOWTIME First eligible year: 2007 Year(s) nominated in Outstanding Drama Series: 2008, 2009 Nominations this year: 3 Total: 11 nominations, 2 wins HOUSE, FOX First eligible year: 2005 Year(s) nominated in Outstanding Drama Series: 2006, 2007, 2008, 2009 Nominations this year: 3 Total: 20 nominations, 3 wins LOST, ABC First eligible year: 2005 Year(s) nominated in Outstanding Drama Series: 2005, 2008, 2009 Year(s) won as Outstanding Drama Series: 2005 Nominations this year: 5 Total: 39 nominations, 8 wins MAD MEN, AMC First eligible year: 2008 Year(s) nominated in Outstanding Drama Series: 2008, 2009 Year(s) won as Outstanding Drama Series: 2008 Nominations this year: 16 Total: 32 nominations, 6 wins 2 OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES GLENN CLOSE, DAMAGES, FX Networks 2009 – Outstanding Lead Actress In A Drama Series, Damages 2008 - Outstanding Lead Actress In A Drama Series, Damages 2005 - Outstanding Lead Actress In A Drama Series, The Shield 2004 - Outstanding Lead Actress In A Miniseries Or A Movie, The Lion In Winter 2002 - Outstanding Guest Actress In A Comedy Series, Will & Grace 1997 - Outstanding Lead Actress In A Miniseries Or A Special, In The Gloaming 1995 - Outstanding Lead Actress In A Miniseries Or Special, Serving In Silence: The Margarethe Cammermeyer Story 1995 - Outstanding Made For Television Movie, Serving In Silence: The Margarethe Cammermeyer Story 1993 - Outstanding Lead Actress In A Miniseries Or Special, Skylark (Hallmark Hall Of Fame) 1991 - Outstanding Lead Actress In A Miniseries Or Special, Sarah, Plain And Tall (Hallmark Hall Of Fame) 1991 - Outstanding Drama/Comedy Special And Miniseries, Sarah, Plain And Tall (Hallmark Hall Of Fame) 1984 - Outstanding Lead Actress In A Limited Series Or A Special, Something About Amelia Total: 12 nominations, 2 wins SALLY FIELD, BROTHERS & SISTERS, ABC 2009 - Outstanding Lead Actress In A Drama Series, Brothers & Sisters 2008 - Outstanding Lead Actress In A Drama Series, Brothers & Sisters 2007 - Outstanding Lead Actress In A Drama Series, Brothers & Sisters 2003 - Outstanding Guest Actress In A Drama Series, ER 2001 - Outstanding Guest Actress In A Drama Series, ER 2000 - Outstanding Lead Actress In A Miniseries Or Movie, A Cooler Climate 1995 - Outstanding Lead Actress In A Miniseries Or Special, A Woman Of Independent Means 1995 - Outstanding Miniseries, A Woman Of Independent Means 1977 - Outstanding Lead Actress In A Drama Or Comedy Special, Sybil The Big Event Total: 9 nominations, 3 wins MARISKA HARGITAY, LAW & ORDER: SPECIAL VICTIMS UNIT, NBC 2009 - Outstanding Lead Actress In A Drama Series, Law & Order: Special Victims Unit 2008 - Outstanding Lead Actress In A Drama Series, Law & Order: Special Victims Unit 2007 - Outstanding Lead Actress In A Drama Series, Law & Order: Special Victims Unit 2006 - Outstanding Lead Actress In A Drama Series, Law & Order: Special Victims Unit 2005 - Outstanding Lead Actress In A Drama Series, Law & Order: Special Victims Unit 2004 - Outstanding Lead Actress In A Drama Series, Law & Order: Special Victims Unit Total: 6 nominations, 1 win (CONTINUED) 3 HOLLY HUNTER, SAVING GRACE, TNT 2009 - Outstanding Lead Actress In A Drama Series, Saving Grace 2008 - Outstanding Lead Actress In A Drama Series, Saving Grace 2001 - Outstanding Lead Actress In A Miniseries Or A Movie, When Billie Beat Bobby 2001 - Outstanding Supporting Actress In A Miniseries Or A Movie, Things You Can Tell Just By Looking At Her 2000 - Outstanding Lead Actress In A Miniseries Or A Movie, Harlan County War 1993 - Outstanding Lead Actress In A Miniseries Or Special, The Positively True Adventures Of The Alleged Texas Cheerleader-Murdering Mom 1989 - Outstanding Lead Actress In A Miniseries Or Special, Roe vs. Wade Total: 7 nominations, 2 wins ELISABETH MOSS, MAD MEN, AMC This is Elisabeth Moss’ first Emmy nomination. KYRA SEDGWICK, THE CLOSER, TNT 2009 - Outstanding Lead Actress In A Drama Series, The Closer 2008 - Outstanding Lead Actress In A Drama Series, The Closer 2007 - Outstanding Lead Actress In A Drama Series, The Closer 2006 - Outstanding Lead Actress In A Drama Series, The Closer Total: 4 nominations, 0 wins OUTSTANDING LEAD ACTOR IN A DRAMA SERIES SIMON BAKER, THE MENTALIST, CBS This is Simon Baker’s first Emmy nomination. GABRIEL BYRNE, IN TREATMENT, HBO 2009 - Outstanding Lead Actor In A Drama Series, In Treatment 2008 - Outstanding Lead Actor In A Drama Series, In Treatment Total: 2 nominations, 0 wins BRYAN CRANSTON, BREAKING BAD, AMC 2009 - Outstanding Lead Actor In A Drama Series, Breaking Bad 2008 - Outstanding Lead Actor In A Drama Series, Breaking Bad 2006 - Outstanding Supporting Actor in a Comedy Series, Malcolm in the Middle 2003 - Outstanding Supporting Actor in a Comedy Series, Malcolm in the Middle 2002 - Outstanding Supporting Actor in a Comedy Series, Malcolm in the Middle Total: 5 nominations, 1 win MICHAEL C. HALL, DEXTER, SHOWTIME 2009 - Outstanding Lead Actor In A Drama Series, Dexter 2008 - Outstanding Lead Actor In A Drama Series, Dexter 2002 - Outstanding Lead Actor In A Drama Series, Six Feet Under Total: 3 nominations, 0 wins (CONTINUED) 4 JON HAMM, MAD MEN, AMC 2009 - Outstanding Lead Actor In A Drama Series, Mad Men 2009 - Outstanding Guest Actor In A Comedy Series, 30 Rock 2008 - Outstanding Lead Actor In A Drama Series, Mad Men Total: 3 nominations, 0 wins HUGH LAURIE, HOUSE, FOX 2009 - Outstanding Lead Actor In A Drama Series, House 2008 - Outstanding Lead Actor In A Drama Series, House 2007 - Outstanding Lead Actor In A Drama Series, House 2005 - Outstanding Lead Actor In A Drama Series, House Total: 4 nominations, 0 wins OUTSTANDING MADE FOR TELEVISION MOVIE COCO CHANEL, LIFETIME 2 nominations GREY GARDENS, HBO 17 nominations INTO THE STORM, HBO 14 nominations PRAYERS FOR BOBBY, LIFETIME 2 nominations TAKING CHANCE, HBO 10 nominations OUTSTANDING MINISERIES GENERATION KILL, HBO 11 nominations LITTLE DORRIT, PBS 11 nominations 5 OUTSTANDING LEAD ACTRESS IN A MINISERIES OR A MOVIE DREW BARRYMORE, GREY GARDENS, HBO 2009 - Outstanding Lead Actress In A Miniseries Or A Movie, Grey Gardens 2000 - Outstanding Animated Program (For Programming More Than One Hour), Olive, The Other Reindeer Total: 2 nominations, 0 wins JESSICA LANGE, GREY GARDENS, HBO 2009 - Outstanding Lead Actress In A Miniseries Or A Movie, Grey Gardens 2003 - Outstanding Lead Actress In A Miniseries Or A Movie, Normal 1996 - Outstanding Lead Actress For A Miniseries Or A Special, Tennessee Williams' A Streetcar Named Desire Total: 3 nominations, 0 wins SHIRLEY MACLAINE, COCO CHANEL, LIFETIME 2009 - Outstanding Lead Actress In A Miniseries Or A Movie, Coco Chanel 1980 - Outstanding Variety Or Music Program, Shirely MacLaine...“Every Little Movement” 1979 - Outstanding Comedy-Variety Or Music Program, Shirely MacLaine At The Lido 1977 - Outstanding Special – Comedy-Variety Or Music, The Shirley MacLaine Special: Where Do We Go From Here? 1976 - Outstanding Special – Comedy-Variety Or Music, Gypsy In My Soul 1975 - Outstanding Special – Comedy-Variety Or Music, Shirley MacLaine: If They Could See Me Now Total: 6 nominations, 1 win SIGOURNEY WEAVER, PRAYERS FOR BOBBY, LIFETIME 2009 - Outstanding Lead Actress In A Miniseries Or A Movie, Prayers For Bobby 1998 - Outstanding Lead Actress In A Miniseries Or A Movie, Snow White: A Tale Of Terror Total: 2 nominations, 0 wins CHANDRA WILSON, ACCIDENTAL FRIENDSHIP, HALLMARK CHANNEL 2009 - Outstanding Lead Actress In A Miniseries Or A Movie, Accidental Friendship 2009 - Outstanding Supporting Actress In A Drama Series, Grey’s Anatomy 2008 - Outstanding Supporting Actress In A Drama Series, Grey’s Anatomy 2007 - Outstanding Supporting Actress In A Drama Series, Grey’s Anatomy 2006 - Outstanding Supporting Actress In A Drama Series, Grey’s Anatomy Total: 5 nominations, 0 wins 6 OUTSTANDING LEAD ACTOR IN A MINISERIES OR A MOVIE KEVIN BACON, TAKING CHANCE, HBO This is Kevin Bacon’s first Emmy nomination. KENNETH BRANAGH, WALLANDER: ONE STEP BEHIND, PBS 2009 - Outstanding Lead Actor In A Miniseries Or A Movie, Wallander: One Step Behind 2005 - Outstanding Lead Actor In A Miniseries Or A Movie, Warm Springs 2002 - Outstanding Lead Actor In A Miniseries Or A Movie, Shackleton 2001 - Outstanding Lead Actor In A Miniseries Or A Movie, Conspiracy Total: 4 nominations, 1 win BRENDAN GLEESON, INTO THE STORM, HBO This is Brendan Gleeson’s first Emmy nomination. KEVIN KLINE, CYRANO DE BERGERAC (GREAT PERFORMANCES), PBS This is Kevin Kline’s first Emmy nomination. SIR IAN MCKELLEN, KING LEAR (GREAT PERFORMANCES), PBS 2009 - Outstanding Lead Actor In A Miniseries Or A Movie, King Lear (Great Performances) 2007 - Outstanding Guest Actor In A Comedy Series, Extras 1996 - Outstanding Supporting Actor For A Miniseries Or A Special, Rasputin Total: 3 nominations, 0 wins KIEFER SUTHERLAND, 24: REDEMPTION, FOX 2009 - Outstanding Lead Actor In A Miniseries Or A Movie, 24:
Recommended publications
  • Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
    Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
    [Show full text]
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
    Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself").
    [Show full text]
  • Southwick Police Host First National Night
    TONIGHT: Mostly Cloudy. Low of 58. Search for The Westfield News The Westfield Search for The Westfield EALITYNews CAN News “R Westfield350.com The Westfield News DESTROY THE DREAM; “TIME IS THE ONLY Serving Westfield, Southwick, and surrounding Hilltowns WHY SHOULDN’T WEATHER CRITIC WITHOUT THE DREAM TONIGHT AMBITION DESTROY R.”EALITY Partly Cloudy. JOHN STEINBECK ?” Search for The Westfield News Low of 55. www.thewestfieldnews.com — G.E. MOOrE Westfield350.comWestfield350.org The WestfieldNews “TIME IS THE ONLY VOL. 86 NO. 151 Serving Westfield, Southwick, and surrounding Hilltowns WEATHER TUESDAY, JUNE 27, 2017 75 centsCRITIC WITHOUT VOL. 88 NO. 202 TUESDAY, AUGUST 27, 2019 75 Cents TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL.Southwick 86 NO. 151 Police TUESDAY,host JUNE 27, 2017 75 cents first National Night Out By HOPE E. TREMBLAY community. The event includes activities for families, Assistant Managing Editor hot dogs, hamburgers and ice cream. SOUTHWICK – Police Chief Kevin A. Bishop According to organizer Det. Sgt. Thomas Krutka, the invites the entire community to the town’s first National Night Out includes visitors from Security Forces from Night Out Aug. 28 at Prifti Park. Barnes Air National Guard base, the One Call Away “This is Southwick’s first time participating in this Foundation and the Hampden County Sheriff’s event and we really hope people will come out and meet Department. The Westfield Police Cadets will be on Southwick’s police officers, get to know their neighbors hand to create child identification kits (finger printing), and make it an annual event,” said Bishop.
    [Show full text]
  • 73Rd-Nominations-Facts-V2.Pdf
    FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page
    [Show full text]
  • Cable Networks Dominate Emmys
    TAIPEI TIMES P A G E 1 6 TUESDAY, SEPTEMBER 23, 2008 ith so much of prime-time rated Fox drama that was also a network television being nominee for best drama series, W taken over by so-called said the disparities in audience reality shows, it is no wonder rightly had little bearing on awards that the big winners at the 60th like the Emmys. Primetime Emmys — an awards “There are awards for that; show that mainly celebrates they’re called ratings,” Shore said. acting and writing — would hail “There are really good shows on from cable rather than from the cable, and even if only 10 people are broadcast networks. watching them, if they’re good they HBO, the perennial Emmy should be recognized. The shows powerhouse, took home the most they’ve selected are excellent.” golden statuettes on Sunday, Perhaps the biggest change winning 26 Emmys, including this year was in the assignment awards for its made-for-television of hosting duties. Traditionally, movie Recount, its mini-series the job has gone to a comedian John Adams, its comedy series who has some connection to the Entourage and its drama series network televising the Emmys In Treatment. ceremony, as Conan O’Brien did AMC, the cable channel formerly two years ago on NBC. known as American Movie Classics, In addition to showcasing one won three awards, two of them of the network’s big stars, the for its first-year scripted series, precedent usually had the added of Mad Men, which won best drama advantage of managing to keep the series, and one for Breaking Bad, audience entertained through what which, with only seven episodes, can be a tedious evening.
    [Show full text]
  • Sorcerer Society" by Rob Cesternino
    30 ROCK "Sorcerer Society" by Rob Cesternino Cell: (323)382-3083 [email protected] ACT ONE FADE IN: INT. STUDIO BACKSTAGE - MORNING LIZ walks through the hallways of 30 Rock. JENNA spots Liz and runs over. JENNA Today is the greatest day of my life. My IMDB star meter is up four percent! LIZ Are they finally airing your episode of "Competitive Eating with the Stars". JENNA No, that was last month. Last night I was a guest star on an episode of the new NBC series, “Sorcerer Society”! FLASHBACK TO: INT. SORCERY CLASSROOM - DAY Jenna is dressed as a sorceress standing before a classroom at Sorcery High School. JENNA I'm Mrs. Mongothsbeard, I’ll be substituting for your regular sorcery teacher, who was caught making a very bad potion called “crystal meth”. CUT BACK TO: INT. LIZ’S OFFICE - CONTINUOUS Liz and Jenna walk into Liz’s office. LIZ Jenna, that show sucks! It totally bastardizes the books. 2. JENNA "Sorcerer Society" was a book? Liz points to her shelf of thick “Sorcerer Society” books. LIZ Those books were my only friends in junior high school... besides the teachers. JACK bursts into Liz's office carrying one of the trades. JACK Everybody is buzzing about Jenna this morning and, for once, it’s not because of some compromising photos on “TMZ”. JENNA This is the best thing to happen to me since they dropped the class action lawsuit against my "Jenna Maroney Birth Control Powder"! JACK “Sorcerer Society” is a runaway hit. It’s like "Twilight" meets "Harry Potter" meets "Heroes", before it jumped the shark.
    [Show full text]
  • Diagnosing Drama: Grey's Anatomy, Blind Casting, and the Politics Of
    Diagnosing Drama: Grey’s Anatomy, Blind Casting, and the Politics of Representation AMY LONG N FEBRUARY 5, 2006 NEARLY THIRTY-EIGHT MILLION VIEWERS CHOSE TO forego post-Super Bowl celebrations in favor of tuning in to a Omuch-hyped episode of ABC’s hit medical melodrama Grey’s Anatomy. The episode thus constitutes ‘‘the best scripted-series perfor- mance since the series finale of Friends’’ in 2004 and ‘‘the best per- formance of an ABC show since an episode of Home Improvement in 1994’’ (‘‘Grey’s Scores Big’’). Grey’s Anatomy and its multiracial ensem- ble stand in marked contrast to the all-white casts of both aforemen- tioned shows, a fact that has not been lost on media observers. When civil rights groups issued their annual ‘‘diversity report cards’’ for 2006, ABC garnered the highest overall grade of the four major net- works (an A-), thanks in part to shows like Grey’s Anatomy, Lost, and Ugly Betty (‘‘Grey’s Leads Charge’’). Its diverse cast and the production practices through which it was assembled have been the major focus of the media attention conferred upon Grey’s, second only to stories con- cerning the colossal audiences it routinely snags.1 The show’s creator, Shonda Rhimes (currently the only African American woman ‘‘showrunner’’ in network television), gives the credit for her show’s diversity to her ‘‘race-blind’’ casting methods. In her Time Magazine profile of the writer and producer, Jeanne McDowell notes that ‘‘[Rhimes’] script for the pilot had no physical descriptions [of its characters] other than gender,’’ a statement repeated in almost all of the popular press coverage the show receives.2 As Rhimes herself affirmed in an interview with Oprah Winfrey, ‘‘We really read every color actor for every single part.
    [Show full text]
  • Fred Ebb & Bob Fosse
    Barry & Fran Weissler in association with Kardana/Hart Sharp Entertainment WELCOME. present LADIES AND GENTLEMEN, YOU ARE ABOUT TO SEE A Lyrics by Music By Book by STORY OF Fred Ebb John Kander Fred Ebb & Bob Fosse MURDER, Original Production Directed and Choreographed by Bob Fosse Based on the play by Maurine Dallas Watkins GREED, Supervising Music Director Music Director Rob Fisher Leslie Stifelman Scenic Design Costume Design Lighting Design John Lee Beatty William Ivey Long Ken Billington Sound Design Orchestrations Dance Music Arrangements CORRUPTION, Scott Lehrer Ralph Burns Peter Howard Script Adaptation Musical Coordinator Hair Design David Thompson Seymour Red Press David Brian Brown VIOLENCE, Casting Original Casting Duncan Stewart and Company Jay Binder Technical Supervisor Dance Supervisor Production Stage Manager Arthur Siccardi Gary Chryst David Hyslop Executive Producer Presented in Association with EXPLOITATION, Alecia Parker Broadway Across America General Manager Press Representative B.J. Holt Jeremy Shaffer The Publicity Office ADULTERY & Based on the presentation by City Center’s Encores!SM Choreography by Ann Reinking in the style of Bob Fosse TREACHERY Directed by Walter Bobbie – ALL THOSE THINGS WE HOLD Cast Recording on RCA Victor NEAR AND DEAR TO OUR HEARTS. AMY SPANGER STEPHANIE POPE This production isn’t just smoke and mirrors. It’s flesh and blood shaped by discipline and artistry into a parade of vital pulsing talent. If there’s any justice in this world (and Chicago insists there isn’t), audiences will be
    [Show full text]
  • 30 Rock This Season, Particularly the Character of Liz Lemon, Played by Tina Fey
    INTRODUCTIONS Get me interested! GETTING STARTED • The purpose of the introduction is to get your reader interested and give them what they need to know to understand and follow your argument • Keep this in mind when writing it, reviewing it, editing it, revising it. • Think about the first five minutes of a television pilot – you’re either going to continue watching, or change the channel. • Make your reader give you the benefit of the doubt WAYS TO BEGIN: • It’s called an attention getter, but it • Explain the larger context of your doesn’t have to be awe-inspiring topic awesome • Offer background information • Define key terms or concepts • Think about building up into your • Connect your subject to reader topic, into your argument interests or values • Start with a quotation or statement • The key with all of these is you have to provoke interest to use them, not just write one • Start with an anecdote sentence and be done • Ask a question (be careful) • Jump right into the topic BACKGROUND INFORMATION • You just have to ground your reader – what are you writing about? Authors? Pieces? Anything else the reader needs to know? • You are not summarizing the entire article, the author’s life, etc. (Know your audience – have I read these essays?) • You are using this information to connect your attention getter to your argument • EVERYTHING IS CONNECTED TO EVERYTHING! THESIS • Get to your argument • What is your interpretation of the pieces? • This should not come out of nowhere – your attention getter and background information have been
    [Show full text]
  • 30 Rock and Philosophy: We Want to Go to There (The Blackwell
    ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere .
    [Show full text]
  • E-Score Celebrity Special Report Data Through Second Quarter 2009
    E-Score Celebrity Special Report Data through Second Quarter 2009 Prepared for: E-Score Celebrity Clients www.epollresearch.com - 877-MY E-POLL Market Research Table of Contents E-Score Celebrity Methodology……………………………………………….….…….3 Celebrities with Highest Appeal By Age Group………...……………………………..…4 Celebrities with Biggest Gains and Declines in Appeal………………………………….7 Celebrity Up & Comers……………………………………………….………………..10 Most Appealing Celebrity Spokespersons……………………………………………...13 About E-Score Celebrity & E-Poll Market Research ………… ……………………...…18 Contact Information………………………………………………………………...….21 2 www.epollresearch.com - 877-MY EPOLL Market Research E-Score Celebrity: Methodology The E-Score Celebrity database includes more than 4,800 celebrities, athletes, and newsmakers Methodology • E-Poll panel members receive survey invitations via email • Respondents age 13+, total completed surveys per wave = 1,100 • Stratified sample - representative of the general population by age, gender, region • Unique sample, fielded on a weekly basis • Length of survey limited to 25 names • Name only / Image only evaluation of awareness • Six point appeal scale • More than 40 attributes + open ends Please Note: Throughout this report… • Only celebrities with at least 16% awareness are referenced, except in the case of the “Up and Comers” list which includes celebrities with awareness between 6% and 15%. • Lists include the Top 20 celebrities per category. If there is a tie, there will be more than 20 celebrities • Category averages are comprised of the most recent fielding for any celebrities in a specific category • Includes data fielded in the 2nd quarter 2008 through the 2nd quarter 2009 3 www.epollresearch.com - 877-MY EPOLL Market Research Celebrities with Highest Market Research Appeal By Age Group 4 www.epollresearch.com - 877-MY EPOLL Market Research Celebrities with Highest Appeal By Age Group Among the three demographics shown below, Morgan Freeman, Will Smith, and Mike Rowe have high crossover appeal.
    [Show full text]