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Dissertation Formatted
UNIVERSITY OF CALIFORNIA Santa Barbara Beyond Transition: Life Course Challenges of Trans* People A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Andrew Rene Seeber Committee in charge: Professor Verta Taylor, Committee Co-Chair Professor France Winddance Twine, Committee Co-Chair Professor Alicia Cast Professor Leila Rupp December 2015 The dissertation of Andrew Rene Seeber is approved. ____________________________________________ Alicia Cast ____________________________________________ Leila Rupp ____________________________________________ Verta Taylor, Committee Co-Chair ____________________________________________ France Winddance Twine, Committee Co-Chair December 2015 Beyond Transition: Life Course Challenges of Trans* People Copyright © 2015 by Andrew Rene Seeber iii ACKNOWLEDGEMENTS I would like to thank the many people who opened their homes and life stories to me, making this project possible. Your time, good humor, and generosity are much appreciated. I would also like to thank my co-chairs, Verta Taylor and France Winddance Twine, for their hours of work, attention, and support in guiding me through the research and writing process. Thank you to my committee members, Alicia Cast and Leila Rupp, for their theoretical and editorial insights. Thank you to many colleagues and friends, especially Noa Klein and Elizabeth Rahilly, for places to sleep, challenging conversations, and continuous cheerleading. I would like to thank my family for always being there and supporting me from afar, even when I confused them with pronouns, needed a place to visit for a break, or asked them to travel completely across the country for my wedding. Finally, I would like to thank my wonderful wife, Haley Cutler, for her inspiration, support, patience for graduate student life, and most importantly, her love. -
“My Voice Speaks for Itself”: the Experiences of Three Transgender Students in Secondary School Choral Programs
“MY VOICE SPEAKS FOR ITSELF”: THE EXPERIENCES OF THREE TRANSGENDER STUDENTS IN SECONDARY SCHOOL CHORAL PROGRAMS By Joshua Palkki A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “MY VOICE SPEAKS FOR ITSELF”: THE EXPERIENCES OF THREE TRANSGENDER STUDENTS IN SECONDARY SCHOOL CHORAL PROGRAMS By Joshua Palkki Is choral music education in America at a “trans(gender) tipping point”? With the purpose of furthering and enhancing the sociocultural dialogue surrounding LGBTQA issues in music education and to improve vocal/choral instruction for trans students, this multiple narrative case study explored the musical lives and lived experiences of trans students in high school choral music programs. The two grand tour problems of this study were: • To describe how transgender students enrolled in secondary school choral music programs navigate their gender identity in the choral context. • To describe if/how transgender students in secondary school choral programs were supported by groups including their choral teachers, choral peers, and school administrators. The emergent research design employed narrative inquiry and ethnographic techniques in order to honor and highlight voices of the three participants: Sara, Jon, and Skyler (pseudonyms). The stories of these three students revealed the importance of context and geography in shaping the experiences of trans youth at school. Additionally, the connection or lack thereof between voice and gender identity was different for each of the participants. The policies of the students’ school districts, high schools (administrators), choral programs, and outside music organizations (e.g., state music education organizations) shaped and influenced how Sara, Jon, and Skyler navigated their trans identity within the high school choral context. -
Nysba Spring 2020 | Vol
NYSBA SPRING 2020 | VOL. 31 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association In This Issue n A Case of “Creative Destruction”: Takeaways from the 5Pointz Graffiti Dispute n The American Actress, the English Duchess, and the Privacy Litigation n The Battle Against the Bots: The Legislative Fight Against Ticket Bots ....and more www.nysba.org/EASL NEW YORK STATE BAR ASSOCIATION In The Arena: A Sports Law Handbook Co-sponsored by the New York State Bar Association and the Entertainment, Arts and Sports Law Section As the world of professional athletics has become more competitive and the issues more complex, so has the need for more reliable representation in the field of sports law. Written by dozens of sports law attorneys and medical professionals, In the Arena: A Sports Law Handbook is a reflection of the multiple issues that face athletes and the attorneys who represent them. Included in this book are chapters on representing professional athletes, NCAA enforcement, advertising, sponsorship, intellectual property rights, doping, concussion-related issues, Title IX and dozens of useful appendices. Table of Contents Intellectual Property Rights and Endorsement Agreements How Trademark Protection Intersects with the Athlete’s EDITORS Right of Publicity Elissa D. Hecker, Esq. Collective Bargaining in the Big Three David Krell, Esq. Agency Law Sports, Torts and Criminal Law PRODUCT INFO AND PRICES 2013 | 539 pages Role of Advertising and Sponsorship in the Business of Sports PN: 4002 (Print) Doping in Sport: A Historical and Current Perspective PN: 4002E (E-Book) Athlete Concussion-Related Issues Non-Members $80 Concussions—From a Neuropsychological and Medical Perspective NYSBA Members $65 In-Arena Giveaways: Sweepstakes Law Basics and Compliance Issues Order multiple titles to take advantage of our low flat Navigating the NCAA Enforcement Process rate shipping charge of $5.95 per order, regardless of the number of items shipped. -
Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Passing in American Culture
Rollins College Rollins Scholarship Online English Honors in the Major Theses Spring 2016 Passing in American Culture Joy E. Sandon Rollins College, [email protected] Follow this and additional works at: https://scholarship.rollins.edu/honors-in-the-major-english Part of the Feminist, Gender, and Sexuality Studies Commons, and the Race, Ethnicity and Post- Colonial Studies Commons Recommended Citation Sandon, Joy E., "Passing in American Culture" (2016). English. 1. https://scholarship.rollins.edu/honors-in-the-major-english/1 This Thesis is brought to you for free and open access by the Honors in the Major Theses at Rollins Scholarship Online. It has been accepted for inclusion in English by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Passing in American Culture: Biracial, Queer, and Disabled Bodies Joy Sandon Submitted to faculty of the Rollins College English Department in partial fulfillment of the requirement for honors in the English major in the Hamilton Holt School Rollins College May 2016 To mom and dad, Thanks for always believing in me even when I was crying at 3am because I thought I couldn’t do it. Without you, I truly couldn’t have. Table of Contents Introduction 1 Chapter One 14 Chapter Two 35 Chapter Three 55 Conclusion 76 Bibliography 80 Sandon 1 Introduction When we think of passing, race is usually the first thing that comes to mind. Whether it’s James Weldon Johnson’s The Autobiography of an Ex-Colored Man, Mark Twain’s Pudd’nhead Wilson, or general thoughts of the Harlem Renaissance, The Civil Rights Era, and contemporary struggles that people of color face, race is typically at the center of perceptions of passing. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Pro Free Mixtape
Pro free mixtape click here to download Home of MixTape, an OSX application for creating beat matched mixes with simple export to the web or iTunes. A new free album from Joey Bad. Features include Collie Buddz, Kirk Knight, Dirty Sanchez, Nyck Caution, Rokamouth, Dessy Hinds, T'nah Apex, Chuck. MixTape is a simple, beautiful and easy to learn application for making beat matched mixes. By simply drag dropping the music you already. MixTape Pro - Mix your music and share it online. Download the latest versions of the best Mac apps at MacUpdate. Download free MixTape Pro for Mac, free MixTape Pro download for Mac OS X. PRo – PSA Volume 2 | Mixtape. By. Nick Download the mixtape from Reach Records . I would've paid top dollar for this if it weren't free. FULL MIXTAPE DOWNLOAD NOW. Pro "My Name is Pro" mixed by DJ Wade-O Free Mixtape Download. Details: Created: 15 September. Pro Era Free Mixtapes. Pro Era · Nyck Caution - Disguise The Limit mixtape cover art Pro Era - PEEP: The Aprocalypse mixtape cover art · Pro Era - PEEP. Presenting the Jhoomti Shaam Official Mixtape! Jhoomti Shaam is in their 15TH YEAR and this is their first ever official mixtape so hope. listen to free mixtapes and download free mixtapes, hip hop music, videos, Pro Era. Rating: 5 Stars. Listens: , Mixtape Cover. Joey Bada$$. MixTape Pro will help you create, experiment, and publish the results onto the web. That means you shouldn't miss this opportunity to nab an iPhone 8 for free. Stream Mixtape Reggaeton Summer Evolution - Pro Harsh Tuz by HARSH TUZ from desktop or your mobile device. -
Why Hollywood Isn't As Liberal As We Think and Why It Matters
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically. -
Athletics at the 1975 Pan American Games - Wikipedia
27/4/2020 Athletics at the 1975 Pan American Games - Wikipedia Athletics at the 1975 Pan American Games The athletics competition at the 1975 Pan American Games was held in Mexico City, Mexico between 13 and 20 October. Athletics at the 1975 Pan American Games Contents Medal summary Men's events Women's events Medal table Dates 13–20 October Notes Host Mexico City, Mexico city References Venue Estadio Olímpico Universitario Medal summary Level Senior Events 37 Men's events ← Cali 1971 San Juan 1979 → 1975 Pan American Games https://en.wikipedia.org/wiki/Athletics_at_the_1975_Pan_American_Games 1/7 27/4/2020 Athletics at the 1975 Pan American Games - Wikipedia Event Gold Silver Bronze Hasely Silvio Crawford Hermes 100 metres 10.15A Leonard 10.21A Ramírez 10.34A (wind: -0.4 m/s) =GR Cuba Trinidad Cuba and Tobago James Larry Brown Mike Sands 200 metres Gilkes 20.43A United 20.69A 20.98A (wind: -2.4 m/s) States Bahamas Guyana Ronnie Alberto Delmo da Ray 44.45A 400 metres Juantorena 44.80A Silva 45.53A United GR Cuba Brazil States Luis Leandro Carlos 800 metres Medina 1:47.98A Civil 1:48.75A Martínez 1:48.78A Cuba Cuba Mexico Tony Carlos Waldrop Luis Medina 1500 metres 3:45.09A Martínez 3:45.98A 3:49.84A United Cuba Mexico States Domingo Theodore Rodolfo Tibaduiza Castaneda 5000 metres 14:02.00A 14:03.20A Gómez 14:05.25A United Mexico Colombia States Luis Domingo Rodolfo Hernández Tibaduiza 10,000 metres 29:19.28A Gómez 29:21.22A 29:25.45A Mexico Mexico Colombia Charles Rigoberto "Chuck" Tom Howard Marathon Mendoza 2:25:03A Smead 2:25:32A 2:25:46A -
Live Entertainment
CASE STUDY LIVE ENTERTAINMENT OPPORTUNITY BEAST COAST “ESCAPE FROM NEW YORK” TOUR, U.S. AND CANADA Beast Coast, a hip-hop supergroup from Beast Coast is a hip-hop supergroup from Brooklyn, New York formed in 2012 by Brooklyn, needed state-of-the-art lighting members of Pro Era, Flatbush Zombies and The Underachievers. After the release of fixtures to visually enhance performances their debut album, Escape From New York, in 2019, Beast Coast began a nationwide on their 2019 Escape From New York Tour. US tour including two dates in Canada. In order to compliment an elaborate stage design featuring a massive dome structure and a 30-foot Statue of Liberty head, Beast Coast SOLUTION hired lighting designer Tom Edwards of Mandylights, a premier lighting and visual design Lighting Designer Tom Edwards deployed firm, to design a cutting-edge lighting rig. Edwards selected Martin by HARMAN Sceptron Martin by HARMAN Sceptron and Axiom and Axiom lighting fixtures for their class-leading brightness, flexibility and reliability. lighting fixtures to illuminate the stage “I really needed something that was going to help outline the sprawling structure design and scenery with scintillating we created,” said Tom Edwards, Director, Mandylights UK. “The base of the structure lighting effects. is made out GT truss and each piece is fitted with Sceptrons, which line the whole structure. I chose Sceptron fixtures because I needed a fixture that had bright output and looked as if it was part of the structure. The inbuilt macros combined with the pixel control from the console gave us an array of effects to use throughout the show.” “We chose the Axiom fixtures Mandylights used 150 Martin VDO Sceptron 10 outdoor-rated LED video fixtures to outline the entire dome structure and illuminate its supportive truss with bright, colorful because we needed a small, pixel effects.